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Color name
HEX #C9F12C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9F12C it is the complementary color #360ED3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9F12C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9F12C shade: #CEF127, #DFFF3A, #F0FF4D, #FFFF60 and #FFFF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9F12C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9F12C shade: #C9F12C, #B8DF19, #A7CD06, #96BB00 and #85A900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9F12C shade: #C9F12C, #F1E42C, #F1AF2C, #F1792C and #F1442C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9F12C shade: #C9F12C, #94F12C, #5EF12C, #2CF12E and #2CF163

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9F12C shade matches the following richer shades: #C9F12C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9F12C shade: #C9F12C, #BEDF3E, #B3CD50, #A9BB62 and #9EA874

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9F12C shade: #F1AF2C, #F1E42C, #CAF12C, #95F12C and #60F12C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9F12C shade: #9ABE0C, #BAE50E, #C9F12C, #D3F452 and #DDF679

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9F12C shade: #C9F12C, #2CF17B and #CA2CF1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9F12C shade: #C9F12C, #2CCAF1 and #F12CCA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9F12C shade: #C9F12C, #2CF17B, #532CF1 and #F12CA2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9F12C shade: #C9F12C, #2CF1B6, #532CF1 and #F12C67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 82 / 5

HEX #C9F12C

RGB 201 241 44

HSL 72.18, 0.88%, 0.56%

LAB 89.63, -36.15, 81.16

 

Complementary color

CMYK 74 / 93 / 0 / 17

HEX #360ED3

RGB 54 14 211

HSL 252.18, 0.88%, 0.44%

LAB 28.91, 66.9, -88.38

 

CMYK 15 / 0 / 84 / 5

HEX #CEF127

RGB 206 241 39

HSL 70.4, 0.88%, 0.55%

LAB 89.94, -34.32, 82.67

 

CMYK 13 / 0 / 77 / 0

HEX #DFFF3A

RGB 223 255 58

HSL 69.75, 1%, 0.61%

LAB 94.96, -33.37, 82.84

 

CMYK 6 / 0 / 70 / 0

HEX #F0FF4D

RGB 240 255 77

HSL 65.06, 1%, 0.65%

LAB 96.24, -25.81, 78.59

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF60

RGB 255 255 96

HSL 60, 1%, 0.69%

LAB 97.48, -18.81, 73.24

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF73

RGB 255 255 115

HSL 60, 1%, 0.73%

LAB 97.64, -17.55, 65.58

 

CMYK 17 / 0 / 82 / 5

HEX #C9F12C

RGB 201 241 44

HSL 72.18, 0.88%, 0.56%

LAB 89.63, -36.15, 81.16

 

CMYK 17 / 0 / 89 / 13

HEX #B8DF19

RGB 184 223 25

HSL 71.82, 0.8%, 0.49%

LAB 83.46, -35.21, 79.35

 

CMYK 19 / 0 / 97 / 20

HEX #A7CD06

RGB 167 205 6

HSL 71.46, 0.94%, 0.41%

LAB 77.22, -34.1, 76.27

 

CMYK 20 / 0 / 100 / 27

HEX #96BB00

RGB 150 187 0

HSL 71.87, 1%, 0.37%

LAB 70.89, -32.77, 71.59

 

CMYK 21 / 0 / 100 / 34

HEX #85A900

RGB 133 169 0

HSL 72.78, 1%, 0.33%

LAB 64.45, -31.36, 66.23

 

CMYK 17 / 0 / 82 / 5

HEX #C9F12C

RGB 201 241 44

HSL 72.18, 0.88%, 0.56%

LAB 89.63, -36.15, 81.16

 

CMYK 0 / 5 / 82 / 5

HEX #F1E42C

RGB 241 228 44

HSL 56.04, 0.88%, 0.56%

LAB 89.1, -13.68, 81.87

 

CMYK 0 / 27 / 82 / 5

HEX #F1AF2C

RGB 241 175 44

HSL 39.9, 0.88%, 0.56%

LAB 75.79, 13.46, 70.49

 

CMYK 0 / 50 / 82 / 5

HEX #F1792C

RGB 241 121 44

HSL 23.45, 0.88%, 0.56%

LAB 63.8, 41.55, 59.94

 

CMYK 0 / 72 / 82 / 5

HEX #F1442C

RGB 241 68 44

HSL 7.31, 0.88%, 0.56%

LAB 55.09, 64.48, 52.01

 

CMYK 17 / 0 / 82 / 5

HEX #C9F12C

RGB 201 241 44

HSL 72.18, 0.88%, 0.56%

LAB 89.63, -36.15, 81.16

 

CMYK 39 / 0 / 82 / 5

HEX #94F12C

RGB 148 241 44

HSL 88.32, 0.88%, 0.56%

LAB 86.7, -55.51, 77.45

 

CMYK 61 / 0 / 82 / 5

HEX #5EF12C

RGB 94 241 44

HSL 104.77, 0.88%, 0.56%

LAB 84.73, -70.65, 74.94

 

CMYK 82 / 0 / 81 / 5

HEX #2CF12E

RGB 44 241 46

HSL 120.61, 0.88%, 0.56%

LAB 83.78, -78.71, 73.22

 

CMYK 82 / 0 / 59 / 5

HEX #2CF163

RGB 44 241 99

HSL 136.75, 0.88%, 0.56%

LAB 84.15, -74.15, 54.61

 

CMYK 17 / 0 / 82 / 5

HEX #C9F12C

RGB 201 241 44

HSL 72.18, 0.88%, 0.56%

LAB 89.63, -36.15, 81.16

 

CMYK 17 / 0 / 82 / 5

HEX #C9F12C

RGB 201 241 44

HSL 72.18, 0.88%, 0.56%

LAB 89.63, -36.15, 81.16

 

CMYK 15 / 0 / 72 / 13

HEX #BEDF3E

RGB 190 223 62

HSL 72.3, 0.72%, 0.56%

LAB 84, -31.52, 70.59

 

CMYK 13 / 0 / 61 / 20

HEX #B3CD50

RGB 179 205 80

HSL 72.48, 0.56%, 0.56%

LAB 78.36, -26.28, 57.65

 

CMYK 10 / 0 / 48 / 27

HEX #A9BB62

RGB 169 187 98

HSL 72.13, 0.4%, 0.56%

LAB 72.8, -19.86, 42.73

 

CMYK 6 / 0 / 31 / 34

HEX #9EA874

RGB 158 168 116

HSL 71.54, 0.23%, 0.56%

LAB 66.93, -12.33, 25.75

 

CMYK 0 / 27 / 82 / 5

HEX #F1AF2C

RGB 241 175 44

HSL 39.9, 0.88%, 0.56%

LAB 75.79, 13.46, 70.49

 

CMYK 0 / 5 / 82 / 5

HEX #F1E42C

RGB 241 228 44

HSL 56.04, 0.88%, 0.56%

LAB 89.1, -13.68, 81.87

 

CMYK 16 / 0 / 82 / 5

HEX #CAF12C

RGB 202 241 44

HSL 71.88, 0.88%, 0.56%

LAB 89.7, -35.76, 81.24

 

CMYK 38 / 0 / 82 / 5

HEX #95F12C

RGB 149 241 44

HSL 88.02, 0.88%, 0.56%

LAB 86.74, -55.17, 77.51

 

CMYK 60 / 0 / 82 / 5

HEX #60F12C

RGB 96 241 44

HSL 104.16, 0.88%, 0.56%

LAB 84.78, -70.2, 75.01

 

CMYK 19 / 0 / 94 / 25

HEX #9ABE0C

RGB 154 190 12

HSL 72.13, 0.88%, 0.4%

LAB 72.04, -32.36, 71.26

 

CMYK 19 / 0 / 94 / 10

HEX #BAE50E

RGB 186 229 14

HSL 72, 0.88%, 0.48%

LAB 85.26, -37.31, 82.27

 

CMYK 17 / 0 / 82 / 5

HEX #C9F12C

RGB 201 241 44

HSL 72.18, 0.88%, 0.56%

LAB 89.63, -36.15, 81.16

 

CMYK 14 / 0 / 66 / 4

HEX #D3F452

RGB 211 244 82

HSL 72.22, 0.88%, 0.64%

LAB 91.31, -31.86, 71.21

 

CMYK 10 / 0 / 51 / 4

HEX #DDF679

RGB 221 246 121

HSL 72, 0.87%, 0.72%

LAB 92.87, -25.99, 56.76

 

CMYK 17 / 0 / 82 / 5

HEX #C9F12C

RGB 201 241 44

HSL 72.18, 0.88%, 0.56%

LAB 89.63, -36.15, 81.16

 

CMYK 82 / 0 / 49 / 5

HEX #2CF17B

RGB 44 241 123

HSL 144.06, 0.88%, 0.56%

LAB 84.42, -70.85, 43.93

 

CMYK 16 / 82 / 0 / 5

HEX #CA2CF1

RGB 202 44 241

HSL 288.12, 0.88%, 0.56%

LAB 52.63, 82.39, -65.86

 

CMYK 17 / 0 / 82 / 5

HEX #C9F12C

RGB 201 241 44

HSL 72.18, 0.88%, 0.56%

LAB 89.63, -36.15, 81.16

 

CMYK 82 / 16 / 0 / 5

HEX #2CCAF1

RGB 44 202 241

HSL 191.88, 0.88%, 0.56%

LAB 75.53, -26.07, -30.37

 

CMYK 0 / 82 / 16 / 5

HEX #F12CCA

RGB 241 44 202

HSL 311.88, 0.88%, 0.56%

LAB 56.85, 83.72, -36.65

 

CMYK 17 / 0 / 82 / 5

HEX #C9F12C

RGB 201 241 44

HSL 72.18, 0.88%, 0.56%

LAB 89.63, -36.15, 81.16

 

CMYK 82 / 0 / 49 / 5

HEX #2CF17B

RGB 44 241 123

HSL 144.06, 0.88%, 0.56%

LAB 84.42, -70.85, 43.93

 

CMYK 66 / 82 / 0 / 5

HEX #532CF1

RGB 83 44 241

HSL 251.88, 0.88%, 0.56%

LAB 37.83, 67.08, -90.68

 

CMYK 0 / 82 / 33 / 5

HEX #F12CA2

RGB 241 44 162

HSL 324.06, 0.88%, 0.56%

LAB 55.19, 79.07, -16

 

CMYK 17 / 0 / 82 / 5

HEX #C9F12C

RGB 201 241 44

HSL 72.18, 0.88%, 0.56%

LAB 89.63, -36.15, 81.16

 

CMYK 82 / 0 / 24 / 5

HEX #2CF1B6

RGB 44 241 182

HSL 162.03, 0.88%, 0.56%

LAB 85.41, -59.53, 15.58

 

CMYK 66 / 82 / 0 / 5

HEX #532CF1

RGB 83 44 241

HSL 251.88, 0.88%, 0.56%

LAB 37.83, 67.08, -90.68

 

CMYK 0 / 82 / 57 / 5

HEX #F12C67

RGB 241 44 103

HSL 342.03, 0.88%, 0.56%

LAB 53.47, 74.07, 16.74

 

Description

Color code: HEX #C9F12C | qconv.com Color code: HEX #C9F12C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 241 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 241 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 82 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 82% 5% C M Y K

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Provide designers and agencies with accurate color values.

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