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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9F1A7 it is the complementary color #360E58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9F1A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9F1A7 shade: #CEF1A2, #DFFFB5, #F0FFC8, #FFFFDB and #FFFFEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9F1A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9F1A7 shade: #C9F1A7, #B8DF94, #A7CD81, #96BB6E and #85A95B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9F1A7 shade: #C8F1A6, #DDF1A6, #F1F1A6, #F1DDA6 and #F1C9A6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9F1A7 shade: #C8F1A6, #B4F1A6, #A6F1AC, #A6F1C0 and #A6F1D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9F1A7 shade matches the following richer shades: #C8F1A6 and #C8F99E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9F1A7 shade: #C8F1A6, #C9E8AF, #CAE0B7, #CAD8BF and #CBD0C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9F1A7 shade: #F1F1A6, #DDF1A6, #C9F1A6, #B5F1A6 and #A6F1AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9F1A7 shade: #9DE65F, #B3EB83, #C8F1A6, #DEF6CA and #F4FCEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9F1A7 shade: #C9F1A7, #A6F1DD and #F1A6E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9F1A7 shade: #C9F1A7, #A6C9F1 and #F1A6C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9F1A7 shade: #C9F1A7, #A6F1DD, #CEA6F1 and #F1A6BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9F1A7 shade: #C9F1A7, #A6EEF1, #CEA6F1 and #F1A9A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 31 / 5

HEX #C9F1A7

RGB 201 241 167

HSL 92.43, 0.73%, 0.8%

LAB 90.83, -25.65, 31.62

 

Complementary color

CMYK 39 / 84 / 0 / 65

HEX #360E58

RGB 54 14 88

HSL 272.43, 0.73%, 0.2%

LAB 14.42, 34.28, -35.95

 

CMYK 15 / 0 / 33 / 5

HEX #CEF1A2

RGB 206 241 162

HSL 86.58, 0.74%, 0.79%

LAB 91.07, -24.57, 34.52

 

CMYK 13 / 0 / 29 / 0

HEX #DFFFB5

RGB 223 255 181

HSL 85.95, 1%, 0.85%

LAB 96.22, -22.64, 32.05

 

CMYK 6 / 0 / 22 / 0

HEX #F0FFC8

RGB 240 255 200

HSL 76.36, 1%, 0.89%

LAB 97.72, -13.95, 24.69

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDB

RGB 255 255 219

HSL 60, 1%, 0.93%

LAB 99.18, -5.87, 17.23

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFEE

RGB 255 255 238

HSL 60, 1%, 0.97%

LAB 99.59, -2.88, 8.11

 

CMYK 17 / 0 / 31 / 5

HEX #C9F1A7

RGB 201 241 167

HSL 92.43, 0.73%, 0.8%

LAB 90.83, -25.65, 31.62

 

CMYK 17 / 0 / 34 / 13

HEX #B8DF94

RGB 184 223 148

HSL 91.2, 0.54%, 0.73%

LAB 84.54, -25.73, 32.69

 

CMYK 19 / 0 / 37 / 20

HEX #A7CD81

RGB 167 205 129

HSL 90, 0.43%, 0.65%

LAB 78.15, -25.79, 33.81

 

CMYK 20 / 0 / 41 / 27

HEX #96BB6E

RGB 150 187 110

HSL 88.83, 0.36%, 0.58%

LAB 71.66, -25.83, 34.97

 

CMYK 21 / 0 / 46 / 34

HEX #85A95B

RGB 133 169 91

HSL 87.69, 0.31%, 0.51%

LAB 65.06, -25.85, 36.17

 

CMYK 17 / 0 / 31 / 5

HEX #C8F1A6

RGB 200 241 166

HSL 92.8, 0.73%, 0.8%

LAB 90.75, -26.15, 32.01

 

CMYK 8 / 0 / 31 / 5

HEX #DDF1A6

RGB 221 241 166

HSL 76, 0.73%, 0.8%

LAB 92.15, -18.62, 34.11

 

CMYK 0 / 0 / 31 / 5

HEX #F1F1A6

RGB 241 241 166

HSL 60, 0.73%, 0.8%

LAB 93.61, -11.21, 36.31

 

CMYK 0 / 8 / 31 / 5

HEX #F1DDA6

RGB 241 221 166

HSL 44, 0.73%, 0.8%

LAB 88.53, -1.14, 29.54

 

CMYK 0 / 17 / 31 / 5

HEX #F1C9A6

RGB 241 201 166

HSL 28, 0.73%, 0.8%

LAB 83.56, 9.2, 22.79

 

CMYK 17 / 0 / 31 / 5

HEX #C8F1A6

RGB 200 241 166

HSL 92.8, 0.73%, 0.8%

LAB 90.75, -26.15, 32.01

 

CMYK 25 / 0 / 31 / 5

HEX #B4F1A6

RGB 180 241 166

HSL 108.8, 0.73%, 0.8%

LAB 89.56, -32.98, 30.21

 

CMYK 31 / 0 / 29 / 5

HEX #A6F1AC

RGB 166 241 172

HSL 124.8, 0.73%, 0.8%

LAB 88.92, -36.53, 26.15

 

CMYK 31 / 0 / 20 / 5

HEX #A6F1C0

RGB 166 241 192

HSL 140.8, 0.73%, 0.8%

LAB 89.31, -33.03, 16.4

 

CMYK 31 / 0 / 12 / 5

HEX #A6F1D4

RGB 166 241 212

HSL 156.8, 0.73%, 0.8%

LAB 89.75, -29.15, 6.65

 

CMYK 17 / 0 / 31 / 5

HEX #C8F1A6

RGB 200 241 166

HSL 92.8, 0.73%, 0.8%

LAB 90.75, -26.15, 32.01

 

CMYK 20 / 0 / 37 / 2

HEX #C8F99E

RGB 200 249 158

HSL 92.31, 0.88%, 0.8%

LAB 92.79, -31, 38.71

 

CMYK 17 / 0 / 31 / 5

HEX #C8F1A6

RGB 200 241 166

HSL 92.8, 0.73%, 0.8%

LAB 90.75, -26.15, 32.01

 

CMYK 13 / 0 / 25 / 9

HEX #C9E8AF

RGB 201 232 175

HSL 92.63, 0.55%, 0.8%

LAB 88.56, -20.13, 24.45

 

CMYK 10 / 0 / 18 / 12

HEX #CAE0B7

RGB 202 224 183

HSL 92.2, 0.4%, 0.8%

LAB 86.65, -14.57, 17.66

 

CMYK 6 / 0 / 12 / 15

HEX #CAD8BF

RGB 202 216 191

HSL 93.6, 0.24%, 0.8%

LAB 84.7, -9.2, 10.72

 

CMYK 2 / 0 / 4 / 18

HEX #CBD0C7

RGB 203 208 199

HSL 93.33, 0.09%, 0.8%

LAB 82.88, -3.33, 3.86

 

CMYK 0 / 0 / 31 / 5

HEX #F1F1A6

RGB 241 241 166

HSL 60, 0.73%, 0.8%

LAB 93.61, -11.21, 36.31

 

CMYK 8 / 0 / 31 / 5

HEX #DDF1A6

RGB 221 241 166

HSL 76, 0.73%, 0.8%

LAB 92.15, -18.62, 34.11

 

CMYK 17 / 0 / 31 / 5

HEX #C9F1A6

RGB 201 241 166

HSL 92, 0.73%, 0.8%

LAB 90.82, -25.8, 32.1

 

CMYK 25 / 0 / 31 / 5

HEX #B5F1A6

RGB 181 241 166

HSL 108, 0.73%, 0.8%

LAB 89.62, -32.65, 30.29

 

CMYK 31 / 0 / 29 / 5

HEX #A6F1AB

RGB 166 241 171

HSL 124, 0.73%, 0.8%

LAB 88.9, -36.7, 26.64

 

CMYK 32 / 0 / 59 / 10

HEX #9DE65F

RGB 157 230 95

HSL 92.44, 0.73%, 0.64%

LAB 84.27, -44.63, 57.4

 

CMYK 24 / 0 / 44 / 8

HEX #B3EB83

RGB 179 235 131

HSL 92.31, 0.72%, 0.72%

LAB 87.31, -35.33, 44.67

 

CMYK 17 / 0 / 31 / 5

HEX #C8F1A6

RGB 200 241 166

HSL 92.8, 0.73%, 0.8%

LAB 90.75, -26.15, 32.01

 

CMYK 10 / 0 / 18 / 4

HEX #DEF6CA

RGB 222 246 202

HSL 92.73, 0.71%, 0.88%

LAB 94.19, -15.5, 18.58

 

CMYK 3 / 0 / 6 / 1

HEX #F4FCEE

RGB 244 252 238

HSL 94.29, 0.7%, 0.96%

LAB 98.04, -5.08, 5.78

 

CMYK 17 / 0 / 31 / 5

HEX #C9F1A7

RGB 201 241 167

HSL 92.43, 0.73%, 0.8%

LAB 90.83, -25.65, 31.62

 

CMYK 31 / 0 / 8 / 5

HEX #A6F1DD

RGB 166 241 221

HSL 164, 0.73%, 0.8%

LAB 89.97, -27.3, 2.28

 

CMYK 0 / 31 / 4 / 5

HEX #F1A6E7

RGB 241 166 231

HSL 308, 0.73%, 0.8%

LAB 77.13, 37.6, -21.55

 

CMYK 17 / 0 / 31 / 5

HEX #C9F1A7

RGB 201 241 167

HSL 92.43, 0.73%, 0.8%

LAB 90.83, -25.65, 31.62

 

CMYK 31 / 17 / 0 / 5

HEX #A6C9F1

RGB 166 201 241

HSL 212, 0.73%, 0.8%

LAB 79.75, -2.48, -23.52

 

CMYK 0 / 31 / 17 / 5

HEX #F1A6C9

RGB 241 166 201

HSL 332, 0.73%, 0.8%

LAB 76.19, 32.65, -6.61

 

CMYK 17 / 0 / 31 / 5

HEX #C9F1A7

RGB 201 241 167

HSL 92.43, 0.73%, 0.8%

LAB 90.83, -25.65, 31.62

 

CMYK 31 / 0 / 8 / 5

HEX #A6F1DD

RGB 166 241 221

HSL 164, 0.73%, 0.8%

LAB 89.97, -27.3, 2.28

 

CMYK 15 / 31 / 0 / 5

HEX #CEA6F1

RGB 206 166 241

HSL 272, 0.73%, 0.8%

LAB 74.03, 28.53, -32.02

 

CMYK 0 / 31 / 23 / 5

HEX #F1A6BA

RGB 241 166 186

HSL 344, 0.73%, 0.8%

LAB 75.77, 30.41, 0.99

 

CMYK 17 / 0 / 31 / 5

HEX #C9F1A7

RGB 201 241 167

HSL 92.43, 0.73%, 0.8%

LAB 90.83, -25.65, 31.62

 

CMYK 31 / 1 / 0 / 5

HEX #A6EEF1

RGB 166 238 241

HSL 182.4, 0.73%, 0.8%

LAB 89.68, -21.46, -8.6

 

CMYK 15 / 31 / 0 / 5

HEX #CEA6F1

RGB 206 166 241

HSL 272, 0.73%, 0.8%

LAB 74.03, 28.53, -32.02

 

CMYK 0 / 30 / 31 / 5

HEX #F1A9A6

RGB 241 169 166

HSL 2.4, 0.73%, 0.8%

LAB 75.96, 26.1, 12.2

 

Description

Color code: HEX #C9F1A7 | qconv.com Color code: HEX #C9F1A7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 241 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 241 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 31 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 31% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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