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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCA5AF it is the complementary color #335A50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCA5AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCA5AF shade: #D1A5AA, #E2B7BD, #F3C9D0, #FFDBE3 and #FFEDF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCA5AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCA5AF shade: #CCA5AF, #BB939C, #AA8189, #996F76 and #885D63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCA5AF shade: #CBA3AD and #CBA3A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCA5AF shade: #CBA3AD, #CBA3B8, #CBA3C3, #C8A3CB and #BEA3CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCA5AF shade matches the following richer shades: #CBA3AD, #D798A8, #E28CA2, #EE809C and #F97597

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCA5AF shade: #CBA3AD, #C0AFB3, #B4BAB9, #A8C6BE and #9DD1C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCA5AF shade: #CBA3C3, #CBA3B8, #CBA3AE, #CBA3A3 and #CBAEA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCA5AF shade: #AD6E7E, #BC8996, #CBA3AD, #DABEC5 and #E9D8DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCA5AF shade: #CCA5AF, #CBC8A3 and #A3BECB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCA5AF shade: #CCA5AF, #AECBA3 and #A3AECB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCA5AF shade: #CCA5AF, #CBC8A3, #A3CBC0 and #A3A6CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCA5AF shade: #CCA5AF, #C2CBA3, #A3CBC0 and #ACA3CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 14 / 20

HEX #CCA5AF

RGB 204 165 175

HSL 344.62, 0.28%, 0.72%

LAB 71.45, 15.9, 0.27

 

Complementary color

CMYK 43 / 0 / 11 / 65

HEX #335A50

RGB 51 90 80

HSL 164.62, 0.28%, 0.28%

LAB 35.19, -16.51, 1.44

 

CMYK 0 / 21 / 19 / 18

HEX #D1A5AA

RGB 209 165 170

HSL 353.18, 0.32%, 0.73%

LAB 71.8, 16.94, 3.61

 

CMYK 0 / 19 / 16 / 11

HEX #E2B7BD

RGB 226 183 189

HSL 351.63, 0.43%, 0.8%

LAB 78.29, 16.4, 2.83

 

CMYK 0 / 17 / 14 / 5

HEX #F3C9D0

RGB 243 201 208

HSL 350, 0.64%, 0.87%

LAB 84.68, 15.91, 2.09

 

CMYK 0 / 14 / 11 / 0

HEX #FFDBE3

RGB 255 219 227

HSL 346.67, 1%, 0.93%

LAB 90.54, 13.73, 0.7

 

CMYK 0 / 7 / 4 / 0

HEX #FFEDF6

RGB 255 237 246

HSL 330, 1%, 0.96%

LAB 95.36, 7.6, -2.15

 

CMYK 0 / 19 / 14 / 20

HEX #CCA5AF

RGB 204 165 175

HSL 344.62, 0.28%, 0.72%

LAB 71.45, 15.9, 0.27

 

CMYK 0 / 21 / 17 / 27

HEX #BB939C

RGB 187 147 156

HSL 346.5, 0.23%, 0.65%

LAB 64.83, 16.44, 1.02

 

CMYK 0 / 24 / 19 / 33

HEX #AA8189

RGB 170 129 137

HSL 348.29, 0.19%, 0.59%

LAB 58.09, 17.05, 1.82

 

CMYK 0 / 27 / 23 / 40

HEX #996F76

RGB 153 111 118

HSL 350, 0.17%, 0.52%

LAB 51.21, 17.73, 2.7

 

CMYK 0 / 32 / 27 / 47

HEX #885D63

RGB 136 93 99

HSL 351.63, 0.19%, 0.45%

LAB 44.18, 18.5, 3.69

 

CMYK 0 / 20 / 15 / 20

HEX #CBA3AD

RGB 203 163 173

HSL 345, 0.28%, 0.72%

LAB 70.81, 16.3, 0.43

 

CMYK 0 / 20 / 20 / 20

HEX #CBA3A3

RGB 203 163 163

HSL 0, 0.28%, 0.72%

LAB 70.55, 14.72, 5.59

 

CMYK 0 / 20 / 15 / 20

HEX #CBA3AD

RGB 203 163 173

HSL 345, 0.28%, 0.72%

LAB 70.81, 16.3, 0.43

 

CMYK 0 / 20 / 9 / 20

HEX #CBA3B8

RGB 203 163 184

HSL 328.5, 0.28%, 0.72%

LAB 71.11, 18.15, -5.21

 

CMYK 0 / 20 / 4 / 20

HEX #CBA3C3

RGB 203 163 195

HSL 312, 0.28%, 0.72%

LAB 71.44, 20.1, -10.8

 

CMYK 1 / 20 / 0 / 20

HEX #C8A3CB

RGB 200 163 203

HSL 295.5, 0.28%, 0.72%

LAB 71.41, 20.57, -15.28

 

CMYK 6 / 20 / 0 / 20

HEX #BEA3CB

RGB 190 163 203

HSL 280.5, 0.28%, 0.72%

LAB 70.49, 17.21, -16.76

 

CMYK 0 / 20 / 15 / 20

HEX #CBA3AD

RGB 203 163 173

HSL 345, 0.28%, 0.72%

LAB 70.81, 16.3, 0.43

 

CMYK 0 / 29 / 22 / 16

HEX #D798A8

RGB 215 152 168

HSL 344.76, 0.44%, 0.72%

LAB 69.28, 25.9, 1.13

 

CMYK 0 / 38 / 28 / 11

HEX #E28CA2

RGB 226 140 162

HSL 344.65, 0.6%, 0.72%

LAB 67.68, 35.46, 2.31

 

CMYK 0 / 46 / 34 / 7

HEX #EE809C

RGB 238 128 156

HSL 344.73, 0.76%, 0.72%

LAB 66.53, 45.12, 4.23

 

CMYK 0 / 53 / 39 / 2

HEX #F97597

RGB 249 117 151

HSL 344.55, 0.92%, 0.72%

LAB 65.82, 53.65, 6.24

 

CMYK 0 / 20 / 15 / 20

HEX #CBA3AD

RGB 203 163 173

HSL 345, 0.28%, 0.72%

LAB 70.81, 16.3, 0.43

 

CMYK 0 / 9 / 7 / 25

HEX #C0AFB3

RGB 192 175 179

HSL 345.88, 0.12%, 0.72%

LAB 72.97, 6.79, 0.16

 

CMYK 3 / 0 / 1 / 27

HEX #B4BAB9

RGB 180 186 185

HSL 170, 0.04%, 0.72%

LAB 75.03, -2.27, -0.23

 

CMYK 15 / 0 / 4 / 22

HEX #A8C6BE

RGB 168 198 190

HSL 164, 0.21%, 0.72%

LAB 77.54, -11.65, 0.62

 

CMYK 25 / 0 / 6 / 18

HEX #9DD1C4

RGB 157 209 196

HSL 165, 0.36%, 0.72%

LAB 80.04, -19.51, 0.97

 

CMYK 0 / 20 / 4 / 20

HEX #CBA3C3

RGB 203 163 195

HSL 312, 0.28%, 0.72%

LAB 71.44, 20.1, -10.8

 

CMYK 0 / 20 / 9 / 20

HEX #CBA3B8

RGB 203 163 184

HSL 328.5, 0.28%, 0.72%

LAB 71.11, 18.15, -5.21

 

CMYK 0 / 20 / 14 / 20

HEX #CBA3AE

RGB 203 163 174

HSL 343.5, 0.28%, 0.72%

LAB 70.83, 16.47, -0.08

 

CMYK 0 / 20 / 20 / 20

HEX #CBA3A3

RGB 203 163 163

HSL 0, 0.28%, 0.72%

LAB 70.55, 14.72, 5.59

 

CMYK 0 / 14 / 20 / 20

HEX #CBAEA3

RGB 203 174 163

HSL 16.5, 0.28%, 0.72%

LAB 73.29, 8.74, 9.52

 

CMYK 0 / 36 / 27 / 32

HEX #AD6E7E

RGB 173 110 126

HSL 344.76, 0.28%, 0.55%

LAB 53.54, 27.22, 1.66

 

CMYK 0 / 27 / 20 / 26

HEX #BC8996

RGB 188 137 150

HSL 344.71, 0.28%, 0.64%

LAB 62.33, 21.42, 0.78

 

CMYK 0 / 20 / 15 / 20

HEX #CBA3AD

RGB 203 163 173

HSL 345, 0.28%, 0.72%

LAB 70.81, 16.3, 0.43

 

CMYK 0 / 13 / 10 / 15

HEX #DABEC5

RGB 218 190 197

HSL 345, 0.27%, 0.8%

LAB 79.48, 11.1, 0.14

 

CMYK 0 / 7 / 6 / 9

HEX #E9D8DC

RGB 233 216 220

HSL 345.88, 0.28%, 0.88%

LAB 87.78, 6.53, 0.14

 

CMYK 0 / 19 / 14 / 20

HEX #CCA5AF

RGB 204 165 175

HSL 344.62, 0.28%, 0.72%

LAB 71.45, 15.9, 0.27

 

CMYK 0 / 1 / 20 / 20

HEX #CBC8A3

RGB 203 200 163

HSL 55.5, 0.28%, 0.72%

LAB 79.98, -5.06, 18.92

 

CMYK 20 / 6 / 0 / 20

HEX #A3BECB

RGB 163 190 203

HSL 199.5, 0.28%, 0.72%

LAB 75.4, -6.33, -9.6

 

CMYK 0 / 19 / 14 / 20

HEX #CCA5AF

RGB 204 165 175

HSL 344.62, 0.28%, 0.72%

LAB 71.45, 15.9, 0.27

 

CMYK 14 / 0 / 20 / 20

HEX #AECBA3

RGB 174 203 163

HSL 103.5, 0.28%, 0.72%

LAB 78.67, -17.14, 16.77

 

CMYK 20 / 14 / 0 / 20

HEX #A3AECB

RGB 163 174 203

HSL 223.5, 0.28%, 0.72%

LAB 71.13, 2.31, -16.01

 

CMYK 0 / 19 / 14 / 20

HEX #CCA5AF

RGB 204 165 175

HSL 344.62, 0.28%, 0.72%

LAB 71.45, 15.9, 0.27

 

CMYK 0 / 1 / 20 / 20

HEX #CBC8A3

RGB 203 200 163

HSL 55.5, 0.28%, 0.72%

LAB 79.98, -5.06, 18.92

 

CMYK 20 / 0 / 5 / 20

HEX #A3CBC0

RGB 163 203 192

HSL 163.5, 0.28%, 0.72%

LAB 78.64, -15.43, 1.11

 

CMYK 20 / 18 / 0 / 20

HEX #A3A6CB

RGB 163 166 203

HSL 235.5, 0.28%, 0.72%

LAB 69.02, 6.73, -19.2

 

CMYK 0 / 19 / 14 / 20

HEX #CCA5AF

RGB 204 165 175

HSL 344.62, 0.28%, 0.72%

LAB 71.45, 15.9, 0.27

 

CMYK 4 / 0 / 20 / 20

HEX #C2CBA3

RGB 194 203 163

HSL 73.5, 0.28%, 0.72%

LAB 80.08, -9.94, 18.95

 

CMYK 20 / 0 / 5 / 20

HEX #A3CBC0

RGB 163 203 192

HSL 163.5, 0.28%, 0.72%

LAB 78.64, -15.43, 1.11

 

CMYK 15 / 20 / 0 / 20

HEX #ACA3CB

RGB 172 163 203

HSL 253.5, 0.28%, 0.72%

LAB 68.95, 11.28, -19.24

 

Description

Color code: HEX #CCA5AF | qconv.com Color code: HEX #CCA5AF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 165 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 165 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 14 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 14% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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