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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCA756 it is the complementary color #3358A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCA756. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCA756 shade: #D1A751, #E2B964, #F3CB77, #FFDD8A and #FFEF9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCA756. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCA756 shade: #CCA756, #BB9543, #AA8330, #99711D and #885F0A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCA756 shade: #CCA756, #CC8756, #CC6756 and #CC5656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCA756 shade: #CCA756, #CCC756, #B1CC56, #91CC56 and #71CC56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCA756 shade matches the following richer shades: #CCA756, #DEAE44 and #F0B432

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCA756 shade: #CCA756, #BAA067, #A99A79, #97938B and #858C9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCA756 shade: #CC6756, #CC8756, #CCA756, #CCC656 and #B2CC56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCA756 shade: #A07D2F, #C09539, #CCA756, #D6B775 and #DFC895

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCA756 shade: #CCA756, #63CC56 and #7756CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCA756 shade: #CCA756, #56CCA7 and #A756CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCA756 shade: #CCA756, #63CC56, #567BCC and #BE56CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCA756 shade: #CCA756, #56CC6B, #567BCC and #CC56B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 58 / 20

HEX #CCA756

RGB 204 167 86

HSL 41.19, 0.54%, 0.57%

LAB 70.28, 4.05, 46.35

 

Complementary color

CMYK 70 / 48 / 0 / 34

HEX #3358A9

RGB 51 88 169

HSL 221.19, 0.54%, 0.43%

LAB 38.81, 14.7, -47.46

 

CMYK 0 / 20 / 61 / 18

HEX #D1A751

RGB 209 167 81

HSL 40.31, 0.58%, 0.57%

LAB 70.72, 5.81, 49.41

 

CMYK 0 / 18 / 56 / 11

HEX #E2B964

RGB 226 185 100

HSL 40.48, 0.68%, 0.64%

LAB 77.15, 4.81, 48.14

 

CMYK 0 / 16 / 51 / 5

HEX #F3CB77

RGB 243 203 119

HSL 40.65, 0.84%, 0.71%

LAB 83.49, 3.96, 46.86

 

CMYK 0 / 13 / 46 / 0

HEX #FFDD8A

RGB 255 221 138

HSL 42.56, 1%, 0.77%

LAB 89.3, 1.23, 44.94

 

CMYK 0 / 6 / 38 / 0

HEX #FFEF9D

RGB 255 239 157

HSL 50.2, 1%, 0.81%

LAB 94.07, -5.92, 41.61

 

CMYK 0 / 18 / 58 / 20

HEX #CCA756

RGB 204 167 86

HSL 41.19, 0.54%, 0.57%

LAB 70.28, 4.05, 46.35

 

CMYK 0 / 20 / 64 / 27

HEX #BB9543

RGB 187 149 67

HSL 41, 0.47%, 0.5%

LAB 63.73, 5.11, 47.59

 

CMYK 0 / 23 / 72 / 33

HEX #AA8330

RGB 170 131 48

HSL 40.82, 0.56%, 0.43%

LAB 57.07, 6.38, 48.66

 

CMYK 0 / 26 / 81 / 40

HEX #99711D

RGB 153 113 29

HSL 40.65, 0.68%, 0.36%

LAB 50.3, 7.92, 49.23

 

CMYK 0 / 30 / 93 / 47

HEX #885F0A

RGB 136 95 10

HSL 40.48, 0.86%, 0.29%

LAB 43.42, 9.81, 48.58

 

CMYK 0 / 18 / 58 / 20

HEX #CCA756

RGB 204 167 86

HSL 41.19, 0.54%, 0.57%

LAB 70.28, 4.05, 46.35

 

CMYK 0 / 34 / 58 / 20

HEX #CC8756

RGB 204 135 86

HSL 24.92, 0.54%, 0.57%

LAB 62.37, 21.42, 36.9

 

CMYK 0 / 50 / 58 / 20

HEX #CC6756

RGB 204 103 86

HSL 8.64, 0.54%, 0.57%

LAB 55.29, 38.49, 28.02

 

CMYK 0 / 58 / 58 / 20

HEX #CC5656

RGB 204 86 86

HSL 0, 0.54%, 0.57%

LAB 52.02, 46.89, 23.8

 

CMYK 0 / 18 / 58 / 20

HEX #CCA756

RGB 204 167 86

HSL 41.19, 0.54%, 0.57%

LAB 70.28, 4.05, 46.35

 

CMYK 0 / 2 / 58 / 20

HEX #CCC756

RGB 204 199 86

HSL 57.46, 0.54%, 0.57%

LAB 78.67, -12.65, 55.91

 

CMYK 13 / 0 / 58 / 20

HEX #B1CC56

RGB 177 204 86

HSL 73.73, 0.54%, 0.57%

LAB 78, -26.13, 54.6

 

CMYK 29 / 0 / 58 / 20

HEX #91CC56

RGB 145 204 86

HSL 90, 0.54%, 0.57%

LAB 75.99, -38.32, 51.79

 

CMYK 45 / 0 / 58 / 20

HEX #71CC56

RGB 113 204 86

HSL 106.27, 0.54%, 0.57%

LAB 74.42, -49.02, 49.58

 

CMYK 0 / 18 / 58 / 20

HEX #CCA756

RGB 204 167 86

HSL 41.19, 0.54%, 0.57%

LAB 70.28, 4.05, 46.35

 

CMYK 0 / 22 / 69 / 13

HEX #DEAE44

RGB 222 174 68

HSL 41.3, 0.7%, 0.57%

LAB 73.69, 6.84, 58.88

 

CMYK 0 / 25 / 79 / 6

HEX #F0B432

RGB 240 180 50

HSL 41.05, 0.86%, 0.57%

LAB 76.92, 10.59, 69.51

 

CMYK 0 / 18 / 58 / 20

HEX #CCA756

RGB 204 167 86

HSL 41.19, 0.54%, 0.57%

LAB 70.28, 4.05, 46.35

 

CMYK 0 / 14 / 45 / 27

HEX #BAA067

RGB 186 160 103

HSL 41.2, 0.38%, 0.57%

LAB 66.95, 1.77, 33.18

 

CMYK 0 / 9 / 28 / 34

HEX #A99A79

RGB 169 154 121

HSL 41.25, 0.22%, 0.57%

LAB 64.1, 0.27, 19.36

 

CMYK 0 / 3 / 8 / 41

HEX #97938B

RGB 151 147 139

HSL 40, 0.05%, 0.57%

LAB 61.05, -0.01, 4.75

 

CMYK 15 / 11 / 0 / 38

HEX #858C9D

RGB 133 140 157

HSL 222.5, 0.11%, 0.57%

LAB 58.2, 1.09, -9.88

 

CMYK 0 / 50 / 58 / 20

HEX #CC6756

RGB 204 103 86

HSL 8.64, 0.54%, 0.57%

LAB 55.29, 38.49, 28.02

 

CMYK 0 / 34 / 58 / 20

HEX #CC8756

RGB 204 135 86

HSL 24.92, 0.54%, 0.57%

LAB 62.37, 21.42, 36.9

 

CMYK 0 / 18 / 58 / 20

HEX #CCA756

RGB 204 167 86

HSL 41.19, 0.54%, 0.57%

LAB 70.28, 4.05, 46.35

 

CMYK 0 / 3 / 58 / 20

HEX #CCC656

RGB 204 198 86

HSL 56.95, 0.54%, 0.57%

LAB 78.4, -12.15, 55.62

 

CMYK 13 / 0 / 58 / 20

HEX #B2CC56

RGB 178 204 86

HSL 73.22, 0.54%, 0.57%

LAB 78.07, -25.73, 54.69

 

CMYK 0 / 22 / 71 / 37

HEX #A07D2F

RGB 160 125 47

HSL 41.42, 0.55%, 0.41%

LAB 54.39, 5.17, 46.01

 

CMYK 0 / 22 / 70 / 25

HEX #C09539

RGB 192 149 57

HSL 40.89, 0.54%, 0.49%

LAB 64.16, 6.71, 52.76

 

CMYK 0 / 18 / 58 / 20

HEX #CCA756

RGB 204 167 86

HSL 41.19, 0.54%, 0.57%

LAB 70.28, 4.05, 46.35

 

CMYK 0 / 14 / 45 / 16

HEX #D6B775

RGB 214 183 117

HSL 40.82, 0.54%, 0.65%

LAB 75.73, 2.45, 37.59

 

CMYK 0 / 10 / 33 / 13

HEX #DFC895

RGB 223 200 149

HSL 41.35, 0.54%, 0.73%

LAB 81.38, 0.68, 28.49

 

CMYK 0 / 18 / 58 / 20

HEX #CCA756

RGB 204 167 86

HSL 41.19, 0.54%, 0.57%

LAB 70.28, 4.05, 46.35

 

CMYK 51 / 0 / 58 / 20

HEX #63CC56

RGB 99 204 86

HSL 113.39, 0.54%, 0.57%

LAB 73.88, -53.05, 48.8

 

CMYK 42 / 58 / 0 / 20

HEX #7756CC

RGB 119 86 204

HSL 256.78, 0.54%, 0.57%

LAB 45.55, 40.93, -56.81

 

CMYK 0 / 18 / 58 / 20

HEX #CCA756

RGB 204 167 86

HSL 41.19, 0.54%, 0.57%

LAB 70.28, 4.05, 46.35

 

CMYK 58 / 0 / 18 / 20

HEX #56CCA7

RGB 86 204 167

HSL 161.19, 0.54%, 0.57%

LAB 74.8, -42.06, 8.56

 

CMYK 18 / 58 / 0 / 20

HEX #A756CC

RGB 167 86 204

HSL 281.19, 0.54%, 0.57%

LAB 50.96, 52.45, -47.84

 

CMYK 0 / 18 / 58 / 20

HEX #CCA756

RGB 204 167 86

HSL 41.19, 0.54%, 0.57%

LAB 70.28, 4.05, 46.35

 

CMYK 51 / 0 / 58 / 20

HEX #63CC56

RGB 99 204 86

HSL 113.39, 0.54%, 0.57%

LAB 73.88, -53.05, 48.8

 

CMYK 58 / 40 / 0 / 20

HEX #567BCC

RGB 86 123 204

HSL 221.19, 0.54%, 0.57%

LAB 52.4, 11.32, -45.97

 

CMYK 7 / 58 / 0 / 20

HEX #BE56CC

RGB 190 86 204

HSL 292.88, 0.54%, 0.57%

LAB 53.99, 58.28, -42.84

 

CMYK 0 / 18 / 58 / 20

HEX #CCA756

RGB 204 167 86

HSL 41.19, 0.54%, 0.57%

LAB 70.28, 4.05, 46.35

 

CMYK 58 / 0 / 48 / 20

HEX #56CC6B

RGB 86 204 107

HSL 130.68, 0.54%, 0.57%

LAB 73.69, -53.58, 38.45

 

CMYK 58 / 40 / 0 / 20

HEX #567BCC

RGB 86 123 204

HSL 221.19, 0.54%, 0.57%

LAB 52.4, 11.32, -45.97

 

CMYK 0 / 58 / 11 / 20

HEX #CC56B6

RGB 204 86 182

HSL 311.19, 0.54%, 0.57%

LAB 54.94, 58.23, -28.56

 

Description

Color code: HEX #CCA756 | qconv.com Color code: HEX #CCA756 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 167 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 167 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 58 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 58% 20% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

26% - HAPON新宿 || 日本列島を囲んで働...
Link: http://hapon.asia

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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