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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCA01E it is the complementary color #335FE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCA01E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCA01E shade: #D1A019, #E2B22C, #F3C43F, #FFD652 and #FFE865

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCA01E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCA01E shade: #CCA01E, #BB8E0B, #AA7C00, #996A00 and #885800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCA01E shade: #CCA01E, #CC711E, #CC421E and #CC1E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCA01E shade: #CCA01E, #C9CC1E, #9ACC1E, #6BCC1E and #3CCC1E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCA01E shade matches the following richer shades: #CCA01E and #DFA90B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCA01E shade: #CCA01E, #B99631, #A68D44, #938457 and #807A6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCA01E shade: #CC411E, #CC6F1E, #CC9D1E, #CCCC1E and #9DCC1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCA01E shade: #846713, #A88419, #CCA01E, #E0B433 and #E5C157

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCA01E shade: #CCA01E, #2ACC1E and #581ECC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCA01E shade: #CCA01E, #1ECC9D and #9D1ECC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCA01E shade: #CCA01E, #2ACC1E, #1E4CCC and #C01ECC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCA01E shade: #CCA01E, #1ECC47, #1E4CCC and #CC1EA3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 85 / 20

HEX #CCA01E

RGB 204 160 30

HSL 44.83, 0.74%, 0.46%

LAB 68.07, 5, 66.43

 

Complementary color

CMYK 77 / 58 / 0 / 12

HEX #335FE1

RGB 51 95 225

HSL 224.83, 0.74%, 0.54%

LAB 44.69, 30.98, -70.4

 

CMYK 0 / 23 / 88 / 18

HEX #D1A019

RGB 209 160 25

HSL 44.02, 0.79%, 0.46%

LAB 68.58, 7.1, 68.29

 

CMYK 0 / 21 / 81 / 11

HEX #E2B22C

RGB 226 178 44

HSL 44.18, 0.76%, 0.53%

LAB 74.95, 5.44, 69.14

 

CMYK 0 / 19 / 74 / 5

HEX #F3C43F

RGB 243 196 63

HSL 44.33, 0.88%, 0.6%

LAB 81.23, 4.01, 69.07

 

CMYK 0 / 16 / 68 / 0

HEX #FFD652

RGB 255 214 82

HSL 45.78, 1%, 0.66%

LAB 86.98, 0.69, 67.85

 

CMYK 0 / 9 / 60 / 0

HEX #FFE865

RGB 255 232 101

HSL 51.04, 1%, 0.7%

LAB 91.65, -7.26, 64.92

 

CMYK 0 / 22 / 85 / 20

HEX #CCA01E

RGB 204 160 30

HSL 44.83, 0.74%, 0.46%

LAB 68.07, 5, 66.43

 

CMYK 0 / 24 / 94 / 27

HEX #BB8E0B

RGB 187 142 11

HSL 44.66, 0.89%, 0.39%

LAB 61.6, 6.81, 64.63

 

CMYK 0 / 27 / 100 / 33

HEX #AA7C00

RGB 170 124 0

HSL 43.76, 1%, 0.33%

LAB 55.03, 8.91, 60.89

 

CMYK 0 / 31 / 100 / 40

HEX #996A00

RGB 153 106 0

HSL 41.57, 1%, 0.3%

LAB 48.36, 11.25, 55.42

 

CMYK 0 / 35 / 100 / 47

HEX #885800

RGB 136 88 0

HSL 38.82, 1%, 0.27%

LAB 41.55, 13.72, 49.85

 

CMYK 0 / 22 / 85 / 20

HEX #CCA01E

RGB 204 160 30

HSL 44.83, 0.74%, 0.46%

LAB 68.07, 5, 66.43

 

CMYK 0 / 45 / 85 / 20

HEX #CC711E

RGB 204 113 30

HSL 28.62, 0.74%, 0.46%

LAB 56.82, 30.44, 57.09

 

CMYK 0 / 68 / 85 / 20

HEX #CC421E

RGB 204 66 30

HSL 12.41, 0.74%, 0.46%

LAB 48.04, 52.98, 49.68

 

CMYK 0 / 85 / 85 / 20

HEX #CC1E1E

RGB 204 30 30

HSL 0, 0.74%, 0.46%

LAB 44.03, 64.15, 46.25

 

CMYK 0 / 22 / 85 / 20

HEX #CCA01E

RGB 204 160 30

HSL 44.83, 0.74%, 0.46%

LAB 68.07, 5, 66.43

 

CMYK 1 / 0 / 85 / 20

HEX #C9CC1E

RGB 201 204 30

HSL 61.03, 0.74%, 0.46%

LAB 79.44, -19.06, 75.66

 

CMYK 25 / 0 / 85 / 20

HEX #9ACC1E

RGB 154 204 30

HSL 77.24, 0.74%, 0.46%

LAB 76.16, -38.34, 71.6

 

CMYK 48 / 0 / 85 / 20

HEX #6BCC1E

RGB 107 204 30

HSL 93.45, 0.74%, 0.46%

LAB 73.81, -54.84, 68.65

 

CMYK 71 / 0 / 85 / 20

HEX #3CCC1E

RGB 60 204 30

HSL 109.66, 0.74%, 0.46%

LAB 72.39, -66.32, 66.85

 

CMYK 0 / 22 / 85 / 20

HEX #CCA01E

RGB 204 160 30

HSL 44.83, 0.74%, 0.46%

LAB 68.07, 5, 66.43

 

CMYK 0 / 24 / 95 / 13

HEX #DFA90B

RGB 223 169 11

HSL 44.72, 0.91%, 0.46%

LAB 72.29, 8.22, 74.17

 

CMYK 0 / 22 / 85 / 20

HEX #CCA01E

RGB 204 160 30

HSL 44.83, 0.74%, 0.46%

LAB 68.07, 5, 66.43

 

CMYK 0 / 19 / 74 / 27

HEX #B99631

RGB 185 150 49

HSL 44.56, 0.58%, 0.46%

LAB 63.63, 2.67, 55.34

 

CMYK 0 / 15 / 59 / 35

HEX #A68D44

RGB 166 141 68

HSL 44.69, 0.42%, 0.46%

LAB 59.5, 0.35, 41.77

 

CMYK 0 / 10 / 41 / 42

HEX #938457

RGB 147 132 87

HSL 45, 0.26%, 0.46%

LAB 55.48, -1.07, 26.36

 

CMYK 0 / 5 / 17 / 50

HEX #807A6A

RGB 128 122 106

HSL 43.64, 0.09%, 0.46%

LAB 51.32, -0.61, 9.58

 

CMYK 0 / 68 / 85 / 20

HEX #CC411E

RGB 204 65 30

HSL 12.07, 0.74%, 0.46%

LAB 47.89, 53.38, 49.56

 

CMYK 0 / 46 / 85 / 20

HEX #CC6F1E

RGB 204 111 30

HSL 27.93, 0.74%, 0.46%

LAB 56.39, 31.5, 56.73

 

CMYK 0 / 23 / 85 / 20

HEX #CC9D1E

RGB 204 157 30

HSL 43.79, 0.74%, 0.46%

LAB 67.31, 6.62, 65.8

 

CMYK 0 / 0 / 85 / 20

HEX #CCCC1E

RGB 204 204 30

HSL 60, 0.74%, 0.46%

LAB 79.68, -17.79, 75.96

 

CMYK 23 / 0 / 85 / 20

HEX #9DCC1E

RGB 157 204 30

HSL 76.21, 0.74%, 0.46%

LAB 76.34, -37.17, 71.83

 

CMYK 0 / 22 / 86 / 48

HEX #846713

RGB 132 103 19

HSL 44.6, 0.75%, 0.3%

LAB 45.16, 3.46, 47.26

 

CMYK 0 / 21 / 85 / 34

HEX #A88419

RGB 168 132 25

HSL 44.9, 0.74%, 0.38%

LAB 56.98, 3.98, 57.03

 

CMYK 0 / 22 / 85 / 20

HEX #CCA01E

RGB 204 160 30

HSL 44.83, 0.74%, 0.46%

LAB 68.07, 5, 66.43

 

CMYK 0 / 20 / 77 / 12

HEX #E0B433

RGB 224 180 51

HSL 44.74, 0.74%, 0.54%

LAB 75.28, 3.77, 67.07

 

CMYK 0 / 16 / 62 / 10

HEX #E5C157

RGB 229 193 87

HSL 44.79, 0.73%, 0.62%

LAB 79.32, 0.95, 56.8

 

CMYK 0 / 22 / 85 / 20

HEX #CCA01E

RGB 204 160 30

HSL 44.83, 0.74%, 0.46%

LAB 68.07, 5, 66.43

 

CMYK 79 / 0 / 85 / 20

HEX #2ACC1E

RGB 42 204 30

HSL 115.86, 0.74%, 0.46%

LAB 72.08, -69.05, 66.46

 

CMYK 57 / 85 / 0 / 20

HEX #581ECC

RGB 88 30 204

HSL 260, 0.74%, 0.46%

LAB 32.62, 62.95, -78.05

 

CMYK 0 / 22 / 85 / 20

HEX #CCA01E

RGB 204 160 30

HSL 44.83, 0.74%, 0.46%

LAB 68.07, 5, 66.43

 

CMYK 85 / 0 / 23 / 20

HEX #1ECC9D

RGB 30 204 157

HSL 163.79, 0.74%, 0.46%

LAB 73.48, -52.14, 11.91

 

CMYK 23 / 85 / 0 / 20

HEX #9D1ECC

RGB 157 30 204

HSL 283.79, 0.74%, 0.46%

LAB 41.93, 71.79, -62.43

 

CMYK 0 / 22 / 85 / 20

HEX #CCA01E

RGB 204 160 30

HSL 44.83, 0.74%, 0.46%

LAB 68.07, 5, 66.43

 

CMYK 79 / 0 / 85 / 20

HEX #2ACC1E

RGB 42 204 30

HSL 115.86, 0.74%, 0.46%

LAB 72.08, -69.05, 66.46

 

CMYK 85 / 63 / 0 / 20

HEX #1E4CCC

RGB 30 76 204

HSL 224.14, 0.74%, 0.46%

LAB 37.49, 33.62, -70.16

 

CMYK 6 / 85 / 0 / 20

HEX #C01ECC

RGB 192 30 204

HSL 295.86, 0.74%, 0.46%

LAB 47.62, 77.57, -52.97

 

CMYK 0 / 22 / 85 / 20

HEX #CCA01E

RGB 204 160 30

HSL 44.83, 0.74%, 0.46%

LAB 68.07, 5, 66.43

 

CMYK 85 / 0 / 65 / 20

HEX #1ECC47

RGB 30 204 71

HSL 134.14, 0.74%, 0.46%

LAB 72.17, -67.28, 53.01

 

CMYK 85 / 63 / 0 / 20

HEX #1E4CCC

RGB 30 76 204

HSL 224.14, 0.74%, 0.46%

LAB 37.49, 33.62, -70.16

 

CMYK 0 / 85 / 20 / 20

HEX #CC1EA3

RGB 204 30 163

HSL 314.14, 0.74%, 0.46%

LAB 47.51, 74.01, -28.97

 

Description

Color code: HEX #CCA01E | qconv.com Color code: HEX #CCA01E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 160 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 160 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 85 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 85% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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