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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCA231 it is the complementary color #335DCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCA231. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCA231 shade: #D1A22C, #E2B43F, #F3C652, #FFD865 and #FFEA78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCA231. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCA231 shade: #CCA231, #BB901E, #AA7E0B, #996C00 and #885A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCA231 shade: #CDA331, #CD7931, #CD4F31 and #CD3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCA231 shade: #CDA331, #CDCD31, #A3CD31, #79CD31 and #4FCD31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCA231 shade matches the following richer shades: #CDA331, #E1AC1D and #F6B608

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCA231 shade: #CDA331, #B89946, #A4905A, #8F866F and #7A7D84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCA231 shade: #CD4E31, #CD7731, #CDA131, #CDCA31 and #A6CD31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCA231 shade: #8A6E21, #AC8829, #CDA331, #D5B152 and #DDC074

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCA231 shade: #CCA231, #3ECD31 and #6231CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCA231 shade: #CCA231, #31CDA1 and #A131CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCA231 shade: #CCA231, #3ECD31, #315DCD and #C031CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCA231 shade: #CCA231, #31CD53, #315DCD and #CD31AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 76 / 20

HEX #CCA231

RGB 204 162 49

HSL 43.74, 0.61%, 0.5%

LAB 68.68, 4.56, 60.89

 

Complementary color

CMYK 75 / 55 / 0 / 19

HEX #335DCE

RGB 51 93 206

HSL 223.74, 0.61%, 0.5%

LAB 42.75, 25.26, -62.71

 

CMYK 0 / 22 / 79 / 18

HEX #D1A22C

RGB 209 162 44

HSL 42.91, 0.65%, 0.5%

LAB 69.17, 6.56, 63.31

 

CMYK 0 / 20 / 72 / 11

HEX #E2B43F

RGB 226 180 63

HSL 43.07, 0.74%, 0.57%

LAB 75.56, 5.13, 62.96

 

CMYK 0 / 19 / 66 / 5

HEX #F3C652

RGB 243 198 82

HSL 43.23, 0.87%, 0.64%

LAB 81.87, 3.91, 62.15

 

CMYK 0 / 15 / 60 / 0

HEX #FFD865

RGB 255 216 101

HSL 44.81, 1%, 0.7%

LAB 87.64, 0.8, 60.47

 

CMYK 0 / 8 / 53 / 0

HEX #FFEA78

RGB 255 234 120

HSL 50.67, 1%, 0.74%

LAB 92.34, -6.88, 57.24

 

CMYK 0 / 21 / 76 / 20

HEX #CCA231

RGB 204 162 49

HSL 43.74, 0.61%, 0.5%

LAB 68.68, 4.56, 60.89

 

CMYK 0 / 23 / 84 / 27

HEX #BB901E

RGB 187 144 30

HSL 43.57, 0.72%, 0.43%

LAB 62.17, 6.11, 60.77

 

CMYK 0 / 26 / 94 / 33

HEX #AA7E0B

RGB 170 126 11

HSL 43.4, 0.88%, 0.35%

LAB 55.58, 7.95, 59.33

 

CMYK 0 / 29 / 100 / 40

HEX #996C00

RGB 153 108 0

HSL 42.35, 1%, 0.3%

LAB 48.88, 10.1, 55.77

 

CMYK 0 / 34 / 100 / 47

HEX #885A00

RGB 136 90 0

HSL 39.71, 1%, 0.27%

LAB 42.07, 12.55, 50.2

 

CMYK 0 / 20 / 76 / 20

HEX #CDA331

RGB 205 163 49

HSL 43.85, 0.61%, 0.5%

LAB 69.04, 4.46, 61.26

 

CMYK 0 / 41 / 76 / 20

HEX #CD7931

RGB 205 121 49

HSL 27.69, 0.61%, 0.5%

LAB 58.86, 27.22, 51.4

 

CMYK 0 / 61 / 76 / 20

HEX #CD4F31

RGB 205 79 49

HSL 11.54, 0.61%, 0.5%

LAB 50.44, 48.37, 42.8

 

CMYK 0 / 76 / 76 / 20

HEX #CD3131

RGB 205 49 49

HSL 0, 0.61%, 0.5%

LAB 46.17, 60, 38.23

 

CMYK 0 / 20 / 76 / 20

HEX #CDA331

RGB 205 163 49

HSL 43.85, 0.61%, 0.5%

LAB 69.04, 4.46, 61.26

 

CMYK 0 / 0 / 76 / 20

HEX #CDCD31

RGB 205 205 49

HSL 60, 0.61%, 0.5%

LAB 80.1, -17.28, 71.5

 

CMYK 20 / 0 / 76 / 20

HEX #A3CD31

RGB 163 205 49

HSL 76.15, 0.61%, 0.5%

LAB 77.08, -34.54, 67.61

 

CMYK 41 / 0 / 76 / 20

HEX #79CD31

RGB 121 205 49

HSL 92.31, 0.61%, 0.5%

LAB 74.79, -49.9, 64.63

 

CMYK 61 / 0 / 76 / 20

HEX #4FCD31

RGB 79 205 49

HSL 108.46, 0.61%, 0.5%

LAB 73.25, -61.76, 62.61

 

CMYK 0 / 20 / 76 / 20

HEX #CDA331

RGB 205 163 49

HSL 43.85, 0.61%, 0.5%

LAB 69.04, 4.46, 61.26

 

CMYK 0 / 24 / 87 / 12

HEX #E1AC1D

RGB 225 172 29

HSL 43.78, 0.77%, 0.5%

LAB 73.29, 7.78, 71.82

 

CMYK 0 / 26 / 97 / 4

HEX #F6B608

RGB 246 182 8

HSL 43.87, 0.94%, 0.5%

LAB 77.91, 11.29, 79.63

 

CMYK 0 / 20 / 76 / 20

HEX #CDA331

RGB 205 163 49

HSL 43.85, 0.61%, 0.5%

LAB 69.04, 4.46, 61.26

 

CMYK 0 / 17 / 62 / 28

HEX #B89946

RGB 184 153 70

HSL 43.68, 0.45%, 0.5%

LAB 64.5, 1.83, 46.94

 

CMYK 0 / 12 / 45 / 36

HEX #A4905A

RGB 164 144 90

HSL 43.78, 0.29%, 0.5%

LAB 60.41, -0.13, 31.37

 

CMYK 0 / 6 / 22 / 44

HEX #8F866F

RGB 143 134 111

HSL 43.13, 0.13%, 0.5%

LAB 56.13, -0.57, 13.62

 

CMYK 8 / 5 / 0 / 48

HEX #7A7D84

RGB 122 125 132

HSL 222, 0.04%, 0.5%

LAB 52.37, 0.34, -4.19

 

CMYK 0 / 62 / 76 / 20

HEX #CD4E31

RGB 205 78 49

HSL 11.15, 0.61%, 0.5%

LAB 50.27, 48.82, 42.62

 

CMYK 0 / 42 / 76 / 20

HEX #CD7731

RGB 205 119 49

HSL 26.92, 0.61%, 0.5%

LAB 58.41, 28.29, 50.95

 

CMYK 0 / 21 / 76 / 20

HEX #CDA131

RGB 205 161 49

HSL 43.08, 0.61%, 0.5%

LAB 68.53, 5.54, 60.78

 

CMYK 0 / 1 / 76 / 20

HEX #CDCA31

RGB 205 202 49

HSL 58.85, 0.61%, 0.5%

LAB 79.3, -15.78, 70.77

 

CMYK 19 / 0 / 76 / 20

HEX #A6CD31

RGB 166 205 49

HSL 75, 0.61%, 0.5%

LAB 77.28, -33.35, 67.86

 

CMYK 0 / 20 / 76 / 46

HEX #8A6E21

RGB 138 110 33

HSL 44, 0.61%, 0.34%

LAB 47.84, 2.82, 44.73

 

CMYK 0 / 21 / 76 / 33

HEX #AC8829

RGB 172 136 41

HSL 43.51, 0.62%, 0.42%

LAB 58.55, 4.16, 53.11

 

CMYK 0 / 20 / 76 / 20

HEX #CDA331

RGB 205 163 49

HSL 43.85, 0.61%, 0.5%

LAB 69.04, 4.46, 61.26

 

CMYK 0 / 17 / 62 / 16

HEX #D5B152

RGB 213 177 82

HSL 43.51, 0.61%, 0.58%

LAB 73.67, 2.26, 52.37

 

CMYK 0 / 13 / 48 / 13

HEX #DDC074

RGB 221 192 116

HSL 43.43, 0.61%, 0.66%

LAB 78.66, 0.47, 41.92

 

CMYK 0 / 21 / 76 / 20

HEX #CCA231

RGB 204 162 49

HSL 43.74, 0.61%, 0.5%

LAB 68.68, 4.56, 60.89

 

CMYK 70 / 0 / 76 / 20

HEX #3ECD31

RGB 62 205 49

HSL 115, 0.61%, 0.5%

LAB 72.83, -65.24, 62.06

 

CMYK 52 / 76 / 0 / 20

HEX #6231CD

RGB 98 49 205

HSL 258.85, 0.61%, 0.5%

LAB 36.37, 56.84, -72.42

 

CMYK 0 / 21 / 76 / 20

HEX #CCA231

RGB 204 162 49

HSL 43.74, 0.61%, 0.5%

LAB 68.68, 4.56, 60.89

 

CMYK 76 / 0 / 21 / 20

HEX #31CDA1

RGB 49 205 161

HSL 163.08, 0.61%, 0.5%

LAB 74.12, -49.79, 10.7

 

CMYK 21 / 76 / 0 / 20

HEX #A131CD

RGB 161 49 205

HSL 283.08, 0.61%, 0.5%

LAB 44.49, 67.19, -58.83

 

CMYK 0 / 21 / 76 / 20

HEX #CCA231

RGB 204 162 49

HSL 43.74, 0.61%, 0.5%

LAB 68.68, 4.56, 60.89

 

CMYK 70 / 0 / 76 / 20

HEX #3ECD31

RGB 62 205 49

HSL 115, 0.61%, 0.5%

LAB 72.83, -65.24, 62.06

 

CMYK 76 / 55 / 0 / 20

HEX #315DCD

RGB 49 93 205

HSL 223.08, 0.61%, 0.5%

LAB 42.6, 24.66, -62.38

 

CMYK 6 / 76 / 0 / 20

HEX #C031CD

RGB 192 49 205

HSL 295, 0.61%, 0.5%

LAB 49.27, 73.12, -50.9

 

CMYK 0 / 21 / 76 / 20

HEX #CCA231

RGB 204 162 49

HSL 43.74, 0.61%, 0.5%

LAB 68.68, 4.56, 60.89

 

CMYK 76 / 0 / 60 / 20

HEX #31CD53

RGB 49 205 83

HSL 133.08, 0.61%, 0.5%

LAB 72.85, -64.09, 48.63

 

CMYK 76 / 55 / 0 / 20

HEX #315DCD

RGB 49 93 205

HSL 223.08, 0.61%, 0.5%

LAB 42.6, 24.66, -62.38

 

CMYK 0 / 76 / 17 / 20

HEX #CD31AB

RGB 205 49 171

HSL 313.08, 0.61%, 0.5%

LAB 49.64, 70.71, -30.37

 

Description

Color code: HEX #CCA231 | qconv.com Color code: HEX #CCA231 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 162 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 162 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 76 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 76% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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