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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCA250 it is the complementary color #335DAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCA250. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCA250 shade: #D1A24B, #E2B45E, #F3C671, #FFD884 and #FFEA97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCA250. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCA250 shade: #CCA250, #BB903D, #AA7E2A, #996C17 and #885A04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCA250 shade: #CCA251, #CC8151, #CC6051 and #CC5151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCA250 shade: #CCA251, #CCC351, #B3CC51, #92CC51 and #71CC51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCA250 shade matches the following richer shades: #CCA251, #DEA83E and #F0AE2C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCA250 shade: #CCA251, #BA9C63, #A89675, #969187 and #838B99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCA250 shade: #CC5F51, #CC8051, #CCA151, #CCC251 and #B5CC51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCA250 shade: #9D772D, #BD8F36, #CCA251, #D5B371 and #DFC491

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCA250 shade: #CCA250, #63CC51 and #6F51CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCA250 shade: #CCA250, #51CCA1 and #A151CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCA250 shade: #CCA250, #63CC51, #517CCC and #B951CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCA250 shade: #CCA250, #51CC63, #517CCC and #CC51B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 61 / 20

HEX #CCA250

RGB 204 162 80

HSL 39.68, 0.55%, 0.56%

LAB 68.94, 6.29, 47.72

 

Complementary color

CMYK 71 / 47 / 0 / 31

HEX #335DAF

RGB 51 93 175

HSL 219.68, 0.55%, 0.44%

LAB 40.62, 13.69, -48.1

 

CMYK 0 / 22 / 64 / 18

HEX #D1A24B

RGB 209 162 75

HSL 38.96, 0.59%, 0.56%

LAB 69.4, 8.09, 50.76

 

CMYK 0 / 20 / 58 / 11

HEX #E2B45E

RGB 226 180 94

HSL 39.09, 0.69%, 0.63%

LAB 75.84, 6.99, 49.5

 

CMYK 0 / 19 / 53 / 5

HEX #F3C671

RGB 243 198 113

HSL 39.23, 0.84%, 0.7%

LAB 82.18, 6.04, 48.2

 

CMYK 0 / 15 / 48 / 0

HEX #FFD884

RGB 255 216 132

HSL 40.98, 1%, 0.76%

LAB 87.99, 3.23, 46.25

 

CMYK 0 / 8 / 41 / 0

HEX #FFEA97

RGB 255 234 151

HSL 47.88, 1%, 0.8%

LAB 92.72, -4.05, 42.85

 

CMYK 0 / 21 / 61 / 20

HEX #CCA250

RGB 204 162 80

HSL 39.68, 0.55%, 0.56%

LAB 68.94, 6.29, 47.72

 

CMYK 0 / 23 / 67 / 27

HEX #BB903D

RGB 187 144 61

HSL 39.52, 0.51%, 0.49%

LAB 62.38, 7.47, 48.93

 

CMYK 0 / 26 / 75 / 33

HEX #AA7E2A

RGB 170 126 42

HSL 39.38, 0.6%, 0.42%

LAB 55.72, 8.88, 49.89

 

CMYK 0 / 29 / 85 / 40

HEX #996C17

RGB 153 108 23

HSL 39.23, 0.74%, 0.35%

LAB 48.96, 10.58, 50.17

 

CMYK 0 / 34 / 97 / 47

HEX #885A04

RGB 136 90 4

HSL 39.09, 0.94%, 0.27%

LAB 42.09, 12.63, 49.11

 

CMYK 0 / 21 / 60 / 20

HEX #CCA251

RGB 204 162 81

HSL 39.51, 0.55%, 0.56%

LAB 68.95, 6.36, 47.25

 

CMYK 0 / 37 / 60 / 20

HEX #CC8151

RGB 204 129 81

HSL 23.41, 0.55%, 0.56%

LAB 60.9, 24.3, 37.76

 

CMYK 0 / 53 / 60 / 20

HEX #CC6051

RGB 204 96 81

HSL 7.32, 0.55%, 0.56%

LAB 53.81, 41.66, 29

 

CMYK 0 / 60 / 60 / 20

HEX #CC5151

RGB 204 81 81

HSL 0, 0.55%, 0.56%

LAB 51.06, 48.85, 25.48

 

CMYK 0 / 21 / 60 / 20

HEX #CCA251

RGB 204 162 81

HSL 39.51, 0.55%, 0.56%

LAB 68.95, 6.36, 47.25

 

CMYK 0 / 4 / 60 / 20

HEX #CCC351

RGB 204 195 81

HSL 55.61, 0.55%, 0.56%

LAB 77.56, -10.97, 56.89

 

CMYK 12 / 0 / 60 / 20

HEX #B3CC51

RGB 179 204 81

HSL 72.2, 0.55%, 0.56%

LAB 78.09, -25.72, 56.93

 

CMYK 28 / 0 / 60 / 20

HEX #92CC51

RGB 146 204 81

HSL 88.29, 0.55%, 0.56%

LAB 76, -38.41, 54.03

 

CMYK 45 / 0 / 60 / 20

HEX #71CC51

RGB 113 204 81

HSL 104.39, 0.55%, 0.56%

LAB 74.38, -49.54, 51.76

 

CMYK 0 / 21 / 60 / 20

HEX #CCA251

RGB 204 162 81

HSL 39.51, 0.55%, 0.56%

LAB 68.95, 6.36, 47.25

 

CMYK 0 / 24 / 72 / 13

HEX #DEA83E

RGB 222 168 62

HSL 39.75, 0.71%, 0.56%

LAB 72.15, 9.73, 59.82

 

CMYK 0 / 28 / 82 / 6

HEX #F0AE2C

RGB 240 174 44

HSL 39.8, 0.87%, 0.56%

LAB 75.44, 13.56, 70.14

 

CMYK 0 / 21 / 60 / 20

HEX #CCA251

RGB 204 162 81

HSL 39.51, 0.55%, 0.56%

LAB 68.95, 6.36, 47.25

 

CMYK 0 / 16 / 47 / 27

HEX #BA9C63

RGB 186 156 99

HSL 39.31, 0.39%, 0.56%

LAB 65.84, 3.53, 33.9

 

CMYK 0 / 11 / 30 / 34

HEX #A89675

RGB 168 150 117

HSL 38.82, 0.23%, 0.56%

LAB 62.86, 1.51, 19.87

 

CMYK 0 / 3 / 10 / 41

HEX #969187

RGB 150 145 135

HSL 40, 0.07%, 0.56%

LAB 60.32, 0.01, 5.95

 

CMYK 14 / 9 / 0 / 40

HEX #838B99

RGB 131 139 153

HSL 218.18, 0.1%, 0.56%

LAB 57.65, 0.08, -8.43

 

CMYK 0 / 53 / 60 / 20

HEX #CC5F51

RGB 204 95 81

HSL 6.83, 0.55%, 0.56%

LAB 53.62, 42.16, 28.75

 

CMYK 0 / 37 / 60 / 20

HEX #CC8051

RGB 204 128 81

HSL 22.93, 0.55%, 0.56%

LAB 60.67, 24.85, 37.48

 

CMYK 0 / 21 / 60 / 20

HEX #CCA151

RGB 204 161 81

HSL 39.02, 0.55%, 0.56%

LAB 68.69, 6.9, 46.95

 

CMYK 0 / 5 / 60 / 20

HEX #CCC251

RGB 204 194 81

HSL 55.12, 0.55%, 0.56%

LAB 77.29, -10.46, 56.6

 

CMYK 11 / 0 / 60 / 20

HEX #B5CC51

RGB 181 204 81

HSL 71.22, 0.55%, 0.56%

LAB 78.23, -24.92, 57.12

 

CMYK 0 / 24 / 71 / 38

HEX #9D772D

RGB 157 119 45

HSL 39.64, 0.55%, 0.4%

LAB 52.45, 7.09, 44.8

 

CMYK 0 / 24 / 71 / 26

HEX #BD8F36

RGB 189 143 54

HSL 39.56, 0.56%, 0.48%

LAB 62.28, 8.51, 52.03

 

CMYK 0 / 21 / 60 / 20

HEX #CCA251

RGB 204 162 81

HSL 39.51, 0.55%, 0.56%

LAB 68.95, 6.36, 47.25

 

CMYK 0 / 16 / 47 / 16

HEX #D5B371

RGB 213 179 113

HSL 39.6, 0.54%, 0.64%

LAB 74.56, 3.76, 38.15

 

CMYK 0 / 12 / 35 / 13

HEX #DFC491

RGB 223 196 145

HSL 39.23, 0.55%, 0.72%

LAB 80.3, 2.29, 29.14

 

CMYK 0 / 21 / 61 / 20

HEX #CCA250

RGB 204 162 80

HSL 39.68, 0.55%, 0.56%

LAB 68.94, 6.29, 47.72

 

CMYK 51 / 0 / 60 / 20

HEX #63CC51

RGB 99 204 81

HSL 111.22, 0.55%, 0.56%

LAB 73.83, -53.6, 50.99

 

CMYK 46 / 60 / 0 / 20

HEX #6F51CC

RGB 111 81 204

HSL 254.63, 0.55%, 0.56%

LAB 43.69, 42.07, -59.85

 

CMYK 0 / 21 / 61 / 20

HEX #CCA250

RGB 204 162 80

HSL 39.68, 0.55%, 0.56%

LAB 68.94, 6.29, 47.72

 

CMYK 60 / 0 / 21 / 20

HEX #51CCA1

RGB 81 204 161

HSL 159.02, 0.55%, 0.56%

LAB 74.51, -44.43, 11.36

 

CMYK 21 / 60 / 0 / 20

HEX #A151CC

RGB 161 81 204

HSL 279.02, 0.55%, 0.56%

LAB 49.28, 53.44, -50.56

 

CMYK 0 / 21 / 61 / 20

HEX #CCA250

RGB 204 162 80

HSL 39.68, 0.55%, 0.56%

LAB 68.94, 6.29, 47.72

 

CMYK 51 / 0 / 60 / 20

HEX #63CC51

RGB 99 204 81

HSL 111.22, 0.55%, 0.56%

LAB 73.83, -53.6, 50.99

 

CMYK 60 / 39 / 0 / 20

HEX #517CCC

RGB 81 124 204

HSL 219.02, 0.55%, 0.56%

LAB 52.42, 9.72, -45.95

 

CMYK 9 / 60 / 0 / 20

HEX #B951CC

RGB 185 81 204

HSL 290.73, 0.55%, 0.56%

LAB 52.46, 59.31, -45.3

 

CMYK 0 / 21 / 61 / 20

HEX #CCA250

RGB 204 162 80

HSL 39.68, 0.55%, 0.56%

LAB 68.94, 6.29, 47.72

 

CMYK 60 / 0 / 51 / 20

HEX #51CC63

RGB 81 204 99

HSL 128.78, 0.55%, 0.56%

LAB 73.44, -55.86, 42.02

 

CMYK 60 / 39 / 0 / 20

HEX #517CCC

RGB 81 124 204

HSL 219.02, 0.55%, 0.56%

LAB 52.42, 9.72, -45.95

 

CMYK 0 / 60 / 9 / 20

HEX #CC51B9

RGB 204 81 185

HSL 309.27, 0.55%, 0.56%

LAB 54.26, 60.9, -31.34

 

Description

Color code: HEX #CCA250 | qconv.com Color code: HEX #CCA250 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 162 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 162 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 61 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 61% 20% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

31% - In Focus Foto e Víde...
Link: http://www.infocusfotoevideo.com.br

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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