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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCACB0 it is the complementary color #33534F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCACB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCACB0 shade: #D1ACAB, #E2BEBE, #F3D0D1, #FFE2E4 and #FFF4F7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCACB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCACB0 shade: #CCACB0, #BB9A9D, #AA888A, #997677 and #886464

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCACB0 shade: #CCACB0 and #CCACAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCACB0 shade: #CCACB0, #CCACB9, #CCACC1, #CCACCA and #C6ACCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCACB0 shade matches the following richer shades: #CCACB0, #D7A2A8, #E297A0, #EC8C98 and #F78190

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCACB0 shade: #CCACB0, #C1B7B8, #B7C2C0, #ACCCC8 and #A1D7D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCACB0 shade: #CCACC2, #CCACB9, #CCACB1, #CCB1AC and #CCB9AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCACB0 shade: #AD7980, #BC9398, #CCACB0, #DCC6C9 and #EBDFE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCACB0 shade: #CCACB0, #CACCAC and #ACBDCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCACB0 shade: #CCACB0, #B1CCAC and #ACB1CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCACB0 shade: #CCACB0, #CACCAC, #ACCCC8 and #AEACCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCACB0 shade: #CCACB0, #C0CCAC, #ACCCC8 and #B8ACCC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 14 / 20

HEX #CCACB0

RGB 204 172 176

HSL 352.5, 0.24%, 0.74%

LAB 73.2, 12.26, 2.28

 

Complementary color

CMYK 39 / 0 / 5 / 67

HEX #33534F

RGB 51 83 79

HSL 172.5, 0.24%, 0.26%

LAB 32.82, -12.8, -1.39

 

CMYK 0 / 18 / 18 / 18

HEX #D1ACAB

RGB 209 172 171

HSL 1.58, 0.29%, 0.75%

LAB 73.55, 13.29, 5.57

 

CMYK 0 / 16 / 16 / 11

HEX #E2BEBE

RGB 226 190 190

HSL 0, 0.38%, 0.82%

LAB 80.02, 12.82, 4.79

 

CMYK 0 / 14 / 14 / 5

HEX #F3D0D1

RGB 243 208 209

HSL 358.29, 0.59%, 0.88%

LAB 86.39, 12.39, 4.04

 

CMYK 0 / 11 / 11 / 0

HEX #FFE2E4

RGB 255 226 228

HSL 355.86, 1%, 0.94%

LAB 92.24, 10.26, 2.66

 

CMYK 0 / 4 / 3 / 0

HEX #FFF4F7

RGB 255 244 247

HSL 343.64, 1%, 0.98%

LAB 97.1, 4.19, -0.14

 

CMYK 0 / 16 / 14 / 20

HEX #CCACB0

RGB 204 172 176

HSL 352.5, 0.24%, 0.74%

LAB 73.2, 12.26, 2.28

 

CMYK 0 / 18 / 16 / 27

HEX #BB9A9D

RGB 187 154 157

HSL 354.55, 0.2%, 0.67%

LAB 66.6, 12.73, 3.03

 

CMYK 0 / 20 / 19 / 33

HEX #AA888A

RGB 170 136 138

HSL 356.47, 0.17%, 0.6%

LAB 59.88, 13.25, 3.84

 

CMYK 0 / 23 / 22 / 40

HEX #997677

RGB 153 118 119

HSL 358.29, 0.15%, 0.53%

LAB 53.02, 13.85, 4.72

 

CMYK 0 / 26 / 26 / 47

HEX #886464

RGB 136 100 100

HSL 0, 0.15%, 0.46%

LAB 46, 14.53, 5.69

 

CMYK 0 / 16 / 14 / 20

HEX #CCACB0

RGB 204 172 176

HSL 352.5, 0.24%, 0.74%

LAB 73.2, 12.26, 2.28

 

CMYK 0 / 16 / 16 / 20

HEX #CCACAC

RGB 204 172 172

HSL 0, 0.24%, 0.74%

LAB 73.1, 11.61, 4.33

 

CMYK 0 / 16 / 14 / 20

HEX #CCACB0

RGB 204 172 176

HSL 352.5, 0.24%, 0.74%

LAB 73.2, 12.26, 2.28

 

CMYK 0 / 16 / 9 / 20

HEX #CCACB9

RGB 204 172 185

HSL 335.63, 0.24%, 0.74%

LAB 73.44, 13.77, -2.31

 

CMYK 0 / 16 / 5 / 20

HEX #CCACC1

RGB 204 172 193

HSL 320.63, 0.24%, 0.74%

LAB 73.67, 15.17, -6.37

 

CMYK 0 / 16 / 1 / 20

HEX #CCACCA

RGB 204 172 202

HSL 303.75, 0.24%, 0.74%

LAB 73.94, 16.81, -10.9

 

CMYK 3 / 16 / 0 / 20

HEX #C6ACCC

RGB 198 172 204

HSL 288.75, 0.24%, 0.74%

LAB 73.46, 15.15, -12.77

 

CMYK 0 / 16 / 14 / 20

HEX #CCACB0

RGB 204 172 176

HSL 352.5, 0.24%, 0.74%

LAB 73.2, 12.26, 2.28

 

CMYK 0 / 25 / 22 / 16

HEX #D7A2A8

RGB 215 162 168

HSL 353.21, 0.4%, 0.74%

LAB 71.63, 20.48, 4.54

 

CMYK 0 / 33 / 29 / 11

HEX #E297A0

RGB 226 151 160

HSL 352.8, 0.56%, 0.74%

LAB 70.06, 29.34, 6.87

 

CMYK 0 / 41 / 36 / 7

HEX #EC8C98

RGB 236 140 152

HSL 352.5, 0.72%, 0.74%

LAB 68.65, 37.79, 9.48

 

CMYK 0 / 48 / 42 / 3

HEX #F78190

RGB 247 129 144

HSL 352.37, 0.88%, 0.74%

LAB 67.64, 46.42, 12.75

 

CMYK 0 / 16 / 14 / 20

HEX #CCACB0

RGB 204 172 176

HSL 352.5, 0.24%, 0.74%

LAB 73.2, 12.26, 2.28

 

CMYK 0 / 5 / 5 / 24

HEX #C1B7B8

RGB 193 183 184

HSL 354, 0.07%, 0.74%

LAB 75.24, 3.71, 0.75

 

CMYK 6 / 0 / 1 / 24

HEX #B7C2C0

RGB 183 194 192

HSL 169.09, 0.08%, 0.74%

LAB 77.55, -4.15, -0.31

 

CMYK 16 / 0 / 2 / 20

HEX #ACCCC8

RGB 172 204 200

HSL 172.5, 0.24%, 0.74%

LAB 79.69, -11.43, -1.59

 

CMYK 25 / 0 / 3 / 16

HEX #A1D7D0

RGB 161 215 208

HSL 172.22, 0.4%, 0.74%

LAB 82.23, -18.77, -2.2

 

CMYK 0 / 16 / 5 / 20

HEX #CCACC2

RGB 204 172 194

HSL 318.75, 0.24%, 0.74%

LAB 73.7, 15.35, -6.87

 

CMYK 0 / 16 / 9 / 20

HEX #CCACB9

RGB 204 172 185

HSL 335.63, 0.24%, 0.74%

LAB 73.44, 13.77, -2.31

 

CMYK 0 / 16 / 13 / 20

HEX #CCACB1

RGB 204 172 177

HSL 350.63, 0.24%, 0.74%

LAB 73.23, 12.42, 1.77

 

CMYK 0 / 13 / 16 / 20

HEX #CCB1AC

RGB 204 177 172

HSL 9.37, 0.24%, 0.74%

LAB 74.36, 8.9, 6.13

 

CMYK 0 / 9 / 16 / 20

HEX #CCB9AC

RGB 204 185 172

HSL 24.38, 0.24%, 0.74%

LAB 76.38, 4.61, 9.04

 

CMYK 0 / 30 / 26 / 32

HEX #AD7980

RGB 173 121 128

HSL 351.92, 0.24%, 0.58%

LAB 56.21, 21.33, 4.35

 

CMYK 0 / 22 / 19 / 26

HEX #BC9398

RGB 188 147 152

HSL 352.68, 0.23%, 0.66%

LAB 64.82, 16.18, 3.28

 

CMYK 0 / 16 / 14 / 20

HEX #CCACB0

RGB 204 172 176

HSL 352.5, 0.24%, 0.74%

LAB 73.2, 12.26, 2.28

 

CMYK 0 / 10 / 9 / 14

HEX #DCC6C9

RGB 220 198 201

HSL 351.82, 0.24%, 0.82%

LAB 81.74, 8.22, 1.31

 

CMYK 0 / 5 / 4 / 8

HEX #EBDFE1

RGB 235 223 225

HSL 350, 0.23%, 0.9%

LAB 89.8, 4.43, 0.48

 

CMYK 0 / 16 / 14 / 20

HEX #CCACB0

RGB 204 172 176

HSL 352.5, 0.24%, 0.74%

LAB 73.2, 12.26, 2.28

 

CMYK 1 / 0 / 16 / 20

HEX #CACCAC

RGB 202 204 172

HSL 63.75, 0.24%, 0.74%

LAB 81.14, -6.13, 15.74

 

CMYK 16 / 7 / 0 / 20

HEX #ACBDCC

RGB 172 189 204

HSL 208.13, 0.24%, 0.74%

LAB 75.78, -2.71, -9.52

 

CMYK 0 / 16 / 14 / 20

HEX #CCACB0

RGB 204 172 176

HSL 352.5, 0.24%, 0.74%

LAB 73.2, 12.26, 2.28

 

CMYK 13 / 0 / 16 / 20

HEX #B1CCAC

RGB 177 204 172

HSL 110.63, 0.24%, 0.74%

LAB 79.33, -15.06, 12.94

 

CMYK 16 / 13 / 0 / 20

HEX #ACB1CC

RGB 172 177 204

HSL 230.63, 0.24%, 0.74%

LAB 72.61, 3.77, -14.26

 

CMYK 0 / 16 / 14 / 20

HEX #CCACB0

RGB 204 172 176

HSL 352.5, 0.24%, 0.74%

LAB 73.2, 12.26, 2.28

 

CMYK 1 / 0 / 16 / 20

HEX #CACCAC

RGB 202 204 172

HSL 63.75, 0.24%, 0.74%

LAB 81.14, -6.13, 15.74

 

CMYK 16 / 0 / 2 / 20

HEX #ACCCC8

RGB 172 204 200

HSL 172.5, 0.24%, 0.74%

LAB 79.69, -11.43, -1.59

 

CMYK 15 / 16 / 0 / 20

HEX #AEACCC

RGB 174 172 204

HSL 243.75, 0.24%, 0.74%

LAB 71.46, 7.16, -15.97

 

CMYK 0 / 16 / 14 / 20

HEX #CCACB0

RGB 204 172 176

HSL 352.5, 0.24%, 0.74%

LAB 73.2, 12.26, 2.28

 

CMYK 6 / 0 / 16 / 20

HEX #C0CCAC

RGB 192 204 172

HSL 82.5, 0.24%, 0.74%

LAB 80.39, -9.76, 14.58

 

CMYK 16 / 0 / 2 / 20

HEX #ACCCC8

RGB 172 204 200

HSL 172.5, 0.24%, 0.74%

LAB 79.69, -11.43, -1.59

 

CMYK 10 / 16 / 0 / 20

HEX #B8ACCC

RGB 184 172 204

HSL 262.5, 0.24%, 0.74%

LAB 72.27, 10.45, -14.68

 

Description

Color code: HEX #CCACB0 | qconv.com Color code: HEX #CCACB0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 172 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 172 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 14 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 14% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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