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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCB674 it is the complementary color #33498B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCB674. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCB674 shade: #D1B66F, #E2C882, #F3DA95, #FFECA8 and #FFFEBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCB674. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCB674 shade: #CCB674, #BBA461, #AA924E, #99803B and #886E28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCB674 shade: #CCB675, #CC9E75, #CC8775 and #CC7575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCB674 shade: #CCB675, #CACC75, #B2CC75, #9BCC75 and #84CC75

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCB674 shade matches the following richer shades: #CCB675, #DBBD65, #EAC556 and #F9CD47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCB674 shade: #CCB675, #BCAE84, #ADA793, #9E9FA3 and #8E97B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCB674 shade: #CC8875, #CC9F75, #CCB675, #CACC75 and #B3CC75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCB674 shade: #AE9240, #C0A657, #CCB675, #D7C693 and #E2D6B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCB674 shade: #CCB674, #79CC75 and #9375CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCB674 shade: #CCB674, #75CCB6 and #B675CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCB674 shade: #CCB674, #79CC75, #758ACC and #C775CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCB674 shade: #CCB674, #75CC8A, #758ACC and #CC75B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 43 / 20

HEX #CCB674

RGB 204 182 116

HSL 45, 0.46%, 0.63%

LAB 74.54, -1.2, 36.41

 

Complementary color

CMYK 63 / 47 / 0 / 45

HEX #33498B

RGB 51 73 139

HSL 225, 0.46%, 0.37%

LAB 32.55, 13.5, -39.4

 

CMYK 0 / 13 / 47 / 18

HEX #D1B66F

RGB 209 182 111

HSL 43.47, 0.52%, 0.63%

LAB 74.93, 0.34, 39.56

 

CMYK 0 / 12 / 42 / 11

HEX #E2C882

RGB 226 200 130

HSL 43.75, 0.62%, 0.7%

LAB 81.34, -0.29, 38.31

 

CMYK 0 / 10 / 39 / 5

HEX #F3DA95

RGB 243 218 149

HSL 44.04, 0.8%, 0.77%

LAB 87.66, -0.82, 37.12

 

CMYK 0 / 7 / 34 / 0

HEX #FFECA8

RGB 255 236 168

HSL 46.9, 1%, 0.83%

LAB 93.48, -3.19, 35.35

 

CMYK 0 / 0 / 27 / 0

HEX #FFFEBB

RGB 255 254 187

HSL 59.12, 1%, 0.87%

LAB 98.33, -9.83, 32.26

 

CMYK 0 / 11 / 43 / 20

HEX #CCB674

RGB 204 182 116

HSL 45, 0.46%, 0.63%

LAB 74.54, -1.2, 36.41

 

CMYK 0 / 12 / 48 / 27

HEX #BBA461

RGB 187 164 97

HSL 44.67, 0.4%, 0.56%

LAB 68, -0.57, 37.68

 

CMYK 0 / 14 / 54 / 33

HEX #AA924E

RGB 170 146 78

HSL 44.35, 0.37%, 0.49%

LAB 61.35, 0.18, 38.99

 

CMYK 0 / 16 / 61 / 40

HEX #99803B

RGB 153 128 59

HSL 44.04, 0.44%, 0.42%

LAB 54.58, 1.11, 40.28

 

CMYK 0 / 19 / 71 / 47

HEX #886E28

RGB 136 110 40

HSL 43.75, 0.55%, 0.35%

LAB 47.67, 2.26, 41.41

 

CMYK 0 / 11 / 43 / 20

HEX #CCB675

RGB 204 182 117

HSL 44.83, 0.46%, 0.63%

LAB 74.56, -1.1, 35.91

 

CMYK 0 / 23 / 43 / 20

HEX #CC9E75

RGB 204 158 117

HSL 28.28, 0.46%, 0.63%

LAB 68.44, 11.77, 27.97

 

CMYK 0 / 34 / 43 / 20

HEX #CC8775

RGB 204 135 117

HSL 12.41, 0.46%, 0.63%

LAB 62.89, 24.32, 20.53

 

CMYK 0 / 43 / 43 / 20

HEX #CC7575

RGB 204 117 117

HSL 0, 0.46%, 0.63%

LAB 58.83, 34.04, 14.96

 

CMYK 0 / 11 / 43 / 20

HEX #CCB675

RGB 204 182 117

HSL 44.83, 0.46%, 0.63%

LAB 74.56, -1.1, 35.91

 

CMYK 1 / 0 / 43 / 20

HEX #CACC75

RGB 202 204 117

HSL 61.38, 0.46%, 0.63%

LAB 80.19, -13.28, 42.98

 

CMYK 13 / 0 / 43 / 20

HEX #B2CC75

RGB 178 204 117

HSL 77.93, 0.46%, 0.63%

LAB 78.42, -22.68, 40.39

 

CMYK 24 / 0 / 43 / 20

HEX #9BCC75

RGB 155 204 117

HSL 93.79, 0.46%, 0.63%

LAB 76.94, -31.24, 38.21

 

CMYK 35 / 0 / 43 / 20

HEX #84CC75

RGB 132 204 117

HSL 109.66, 0.46%, 0.63%

LAB 75.68, -39.15, 36.35

 

CMYK 0 / 11 / 43 / 20

HEX #CCB675

RGB 204 182 117

HSL 44.83, 0.46%, 0.63%

LAB 74.56, -1.1, 35.91

 

CMYK 0 / 14 / 54 / 14

HEX #DBBD65

RGB 219 189 101

HSL 44.75, 0.62%, 0.63%

LAB 77.52, -0.11, 47.92

 

CMYK 0 / 16 / 63 / 8

HEX #EAC556

RGB 234 197 86

HSL 45, 0.78%, 0.63%

LAB 80.79, 0.9, 59

 

CMYK 0 / 18 / 71 / 2

HEX #F9CD47

RGB 249 205 71

HSL 45.17, 0.94%, 0.63%

LAB 84.1, 2.25, 69.08

 

CMYK 0 / 11 / 43 / 20

HEX #CCB675

RGB 204 182 117

HSL 44.83, 0.46%, 0.63%

LAB 74.56, -1.1, 35.91

 

CMYK 0 / 7 / 30 / 26

HEX #BCAE84

RGB 188 174 132

HSL 45, 0.29%, 0.63%

LAB 71.3, -1.49, 23.42

 

CMYK 0 / 3 / 15 / 32

HEX #ADA793

RGB 173 167 147

HSL 46.15, 0.14%, 0.63%

LAB 68.48, -1.31, 11.12

 

CMYK 3 / 2 / 0 / 36

HEX #9E9FA3

RGB 158 159 163

HSL 228, 0.03%, 0.63%

LAB 65.52, 0.42, -2.21

 

CMYK 20 / 15 / 0 / 30

HEX #8E97B2

RGB 142 151 178

HSL 225, 0.19%, 0.63%

LAB 62.59, 2.65, -15.14

 

CMYK 0 / 33 / 43 / 20

HEX #CC8875

RGB 204 136 117

HSL 13.1, 0.46%, 0.63%

LAB 63.12, 23.78, 20.84

 

CMYK 0 / 22 / 43 / 20

HEX #CC9F75

RGB 204 159 117

HSL 28.97, 0.46%, 0.63%

LAB 68.69, 11.23, 28.3

 

CMYK 0 / 11 / 43 / 20

HEX #CCB675

RGB 204 182 117

HSL 44.83, 0.46%, 0.63%

LAB 74.56, -1.1, 35.91

 

CMYK 1 / 0 / 43 / 20

HEX #CACC75

RGB 202 204 117

HSL 61.38, 0.46%, 0.63%

LAB 80.19, -13.28, 42.98

 

CMYK 12 / 0 / 43 / 20

HEX #B3CC75

RGB 179 204 117

HSL 77.24, 0.46%, 0.63%

LAB 78.49, -22.29, 40.49

 

CMYK 0 / 16 / 63 / 32

HEX #AE9240

RGB 174 146 64

HSL 44.73, 0.46%, 0.47%

LAB 61.59, 0.84, 46.28

 

CMYK 0 / 14 / 55 / 25

HEX #C0A657

RGB 192 166 87

HSL 45.14, 0.45%, 0.55%

LAB 68.87, -0.43, 43.91

 

CMYK 0 / 11 / 43 / 20

HEX #CCB675

RGB 204 182 117

HSL 44.83, 0.46%, 0.63%

LAB 74.56, -1.1, 35.91

 

CMYK 0 / 8 / 32 / 16

HEX #D7C693

RGB 215 198 147

HSL 45, 0.46%, 0.71%

LAB 80.15, -1.63, 27.76

 

CMYK 0 / 5 / 22 / 11

HEX #E2D6B1

RGB 226 214 177

HSL 45.31, 0.46%, 0.79%

LAB 85.72, -1.72, 19.79

 

CMYK 0 / 11 / 43 / 20

HEX #CCB674

RGB 204 182 116

HSL 45, 0.46%, 0.63%

LAB 74.54, -1.2, 36.41

 

CMYK 41 / 0 / 43 / 20

HEX #79CC75

RGB 121 204 117

HSL 117.24, 0.46%, 0.63%

LAB 75.16, -42.62, 35.57

 

CMYK 28 / 43 / 0 / 20

HEX #9375CC

RGB 147 117 204

HSL 260.69, 0.46%, 0.63%

LAB 55.36, 30.13, -41

 

CMYK 0 / 11 / 43 / 20

HEX #CCB674

RGB 204 182 116

HSL 45, 0.46%, 0.63%

LAB 74.54, -1.2, 36.41

 

CMYK 43 / 0 / 11 / 20

HEX #75CCB6

RGB 117 204 182

HSL 164.83, 0.46%, 0.63%

LAB 76.28, -31.46, 2.77

 

CMYK 11 / 43 / 0 / 20

HEX #B675CC

RGB 182 117 204

HSL 284.83, 0.46%, 0.63%

LAB 59, 40.33, -35.04

 

CMYK 0 / 11 / 43 / 20

HEX #CCB674

RGB 204 182 116

HSL 45, 0.46%, 0.63%

LAB 74.54, -1.2, 36.41

 

CMYK 41 / 0 / 43 / 20

HEX #79CC75

RGB 121 204 117

HSL 117.24, 0.46%, 0.63%

LAB 75.16, -42.62, 35.57

 

CMYK 43 / 32 / 0 / 20

HEX #758ACC

RGB 117 138 204

HSL 225.52, 0.46%, 0.63%

LAB 58.34, 9.57, -36.49

 

CMYK 2 / 43 / 0 / 20

HEX #C775CC

RGB 199 117 204

HSL 296.55, 0.46%, 0.63%

LAB 60.98, 45.41, -31.81

 

CMYK 0 / 11 / 43 / 20

HEX #CCB674

RGB 204 182 116

HSL 45, 0.46%, 0.63%

LAB 74.54, -1.2, 36.41

 

CMYK 43 / 0 / 32 / 20

HEX #75CC8A

RGB 117 204 138

HSL 134.48, 0.46%, 0.63%

LAB 75.33, -40.41, 24.91

 

CMYK 43 / 32 / 0 / 20

HEX #758ACC

RGB 117 138 204

HSL 225.52, 0.46%, 0.63%

LAB 58.34, 9.57, -36.49

 

CMYK 0 / 43 / 11 / 20

HEX #CC75B6

RGB 204 117 182

HSL 315.17, 0.46%, 0.63%

LAB 60.73, 43.06, -19.66

 

Description

Color code: HEX #CCB674 | qconv.com Color code: HEX #CCB674 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 182 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 182 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 43 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 43% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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