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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCB0A7 it is the complementary color #334F58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCB0A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCB0A7 shade: #D1B0A2, #E2C2B5, #F3D4C8, #FFE6DB and #FFF8EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCB0A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCB0A7 shade: #CCB0A7, #BB9E94, #AA8C81, #997A6E and #88685B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCB0A7 shade: #CCB0A7 and #CCA7A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCB0A7 shade: #CCB0A7, #CCBAA7, #CCC4A7, #CACCA7 and #C0CCA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCB0A7 shade matches the following richer shades: #CCB0A7, #D7AA9C, #E3A591, #EE9F86 and #F9997B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCB0A7 shade: #CCB0A7, #C1B6B2, #B6BCBD, #ABC1C8 and #A0C7D4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCB0A7 shade: #CCA7B2, #CCA7A8, #CCB0A7, #CCBAA7 and #CCC4A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCB0A7 shade: #AE8173, #BD998D, #CCB0A7, #DBC8C1 and #EADFDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCB0A7 shade: #CCB0A7, #BCCCA7 and #A7ADCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCB0A7 shade: #CCB0A7, #A7CCB0 and #B0A7CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCB0A7 shade: #CCB0A7, #BCCCA7, #A7C4CC and #B7A7CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCB0A7 shade: #CCB0A7, #B1CCA7, #A7C4CC and #C2A7CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 18 / 20

HEX #CCB0A7

RGB 204 176 167

HSL 14.59, 0.27%, 0.73%

LAB 73.98, 8.65, 8.33

 

Complementary color

CMYK 42 / 10 / 0 / 65

HEX #334F58

RGB 51 79 88

HSL 194.59, 0.27%, 0.27%

LAB 31.81, -7.84, -8.62

 

CMYK 0 / 16 / 22 / 18

HEX #D1B0A2

RGB 209 176 162

HSL 17.87, 0.34%, 0.73%

LAB 74.33, 9.77, 11.61

 

CMYK 0 / 14 / 20 / 11

HEX #E2C2B5

RGB 226 194 181

HSL 17.33, 0.44%, 0.8%

LAB 80.79, 9.32, 10.73

 

CMYK 0 / 13 / 18 / 5

HEX #F3D4C8

RGB 243 212 200

HSL 16.74, 0.64%, 0.87%

LAB 87.15, 8.92, 9.9

 

CMYK 0 / 10 / 14 / 0

HEX #FFE6DB

RGB 255 230 219

HSL 18.33, 1%, 0.93%

LAB 93, 6.78, 8.45

 

CMYK 0 / 3 / 7 / 0

HEX #FFF8EE

RGB 255 248 238

HSL 35.29, 1%, 0.97%

LAB 97.86, 0.65, 5.61

 

CMYK 0 / 14 / 18 / 20

HEX #CCB0A7

RGB 204 176 167

HSL 14.59, 0.27%, 0.73%

LAB 73.98, 8.65, 8.33

 

CMYK 0 / 16 / 21 / 27

HEX #BB9E94

RGB 187 158 148

HSL 15.38, 0.22%, 0.66%

LAB 67.39, 9.1, 9.19

 

CMYK 0 / 18 / 24 / 33

HEX #AA8C81

RGB 170 140 129

HSL 16.1, 0.19%, 0.59%

LAB 60.68, 9.6, 10.12

 

CMYK 0 / 20 / 28 / 40

HEX #997A6E

RGB 153 122 110

HSL 16.74, 0.17%, 0.52%

LAB 53.83, 10.17, 11.13

 

CMYK 0 / 24 / 33 / 47

HEX #88685B

RGB 136 104 91

HSL 17.33, 0.2%, 0.45%

LAB 46.83, 10.85, 12.25

 

CMYK 0 / 14 / 18 / 20

HEX #CCB0A7

RGB 204 176 167

HSL 14.59, 0.27%, 0.73%

LAB 73.98, 8.65, 8.33

 

CMYK 0 / 18 / 18 / 20

HEX #CCA7A7

RGB 204 167 167

HSL 0, 0.27%, 0.73%

LAB 71.73, 13.53, 5.1

 

CMYK 0 / 14 / 18 / 20

HEX #CCB0A7

RGB 204 176 167

HSL 14.59, 0.27%, 0.73%

LAB 73.98, 8.65, 8.33

 

CMYK 0 / 9 / 18 / 20

HEX #CCBAA7

RGB 204 186 167

HSL 30.81, 0.27%, 0.73%

LAB 76.52, 3.29, 11.94

 

CMYK 0 / 4 / 18 / 20

HEX #CCC4A7

RGB 204 196 167

HSL 47.03, 0.27%, 0.73%

LAB 79.1, -1.99, 15.58

 

CMYK 1 / 0 / 18 / 20

HEX #CACCA7

RGB 202 204 167

HSL 63.24, 0.27%, 0.73%

LAB 81.03, -6.9, 18.25

 

CMYK 6 / 0 / 18 / 20

HEX #C0CCA7

RGB 192 204 167

HSL 79.46, 0.27%, 0.73%

LAB 80.28, -10.56, 17.09

 

CMYK 0 / 14 / 18 / 20

HEX #CCB0A7

RGB 204 176 167

HSL 14.59, 0.27%, 0.73%

LAB 73.98, 8.65, 8.33

 

CMYK 0 / 21 / 27 / 16

HEX #D7AA9C

RGB 215 170 156

HSL 14.24, 0.42%, 0.73%

LAB 73.28, 14.43, 13.49

 

CMYK 0 / 27 / 36 / 11

HEX #E3A591

RGB 227 165 145

HSL 14.63, 0.59%, 0.73%

LAB 73.08, 20.32, 19.4

 

CMYK 0 / 33 / 44 / 7

HEX #EE9F86

RGB 238 159 134

HSL 14.42, 0.75%, 0.73%

LAB 72.69, 26.55, 25.06

 

CMYK 0 / 39 / 51 / 2

HEX #F9997B

RGB 249 153 123

HSL 14.29, 0.91%, 0.73%

LAB 72.46, 32.89, 30.96

 

CMYK 0 / 14 / 18 / 20

HEX #CCB0A7

RGB 204 176 167

HSL 14.59, 0.27%, 0.73%

LAB 73.98, 8.65, 8.33

 

CMYK 0 / 6 / 8 / 24

HEX #C1B6B2

RGB 193 182 178

HSL 16, 0.11%, 0.73%

LAB 74.83, 3.19, 3.42

 

CMYK 4 / 1 / 0 / 26

HEX #B6BCBD

RGB 182 188 189

HSL 188.57, 0.05%, 0.73%

LAB 75.81, -1.88, -1.24

 

CMYK 15 / 4 / 0 / 22

HEX #ABC1C8

RGB 171 193 200

HSL 194.48, 0.21%, 0.73%

LAB 76.66, -6.01, -6.05

 

CMYK 25 / 6 / 0 / 17

HEX #A0C7D4

RGB 160 199 212

HSL 195, 0.38%, 0.73%

LAB 77.92, -9.98, -10.74

 

CMYK 0 / 18 / 13 / 20

HEX #CCA7B2

RGB 204 167 178

HSL 342.16, 0.27%, 0.73%

LAB 72.02, 15.31, -0.55

 

CMYK 0 / 18 / 18 / 20

HEX #CCA7A8

RGB 204 167 168

HSL 358.38, 0.27%, 0.73%

LAB 71.76, 13.69, 4.59

 

CMYK 0 / 14 / 18 / 20

HEX #CCB0A7

RGB 204 176 167

HSL 14.59, 0.27%, 0.73%

LAB 73.98, 8.65, 8.33

 

CMYK 0 / 9 / 18 / 20

HEX #CCBAA7

RGB 204 186 167

HSL 30.81, 0.27%, 0.73%

LAB 76.52, 3.29, 11.94

 

CMYK 0 / 4 / 18 / 20

HEX #CCC4A7

RGB 204 196 167

HSL 47.03, 0.27%, 0.73%

LAB 79.1, -1.99, 15.58

 

CMYK 0 / 26 / 34 / 32

HEX #AE8173

RGB 174 129 115

HSL 14.24, 0.27%, 0.57%

LAB 57.98, 15.4, 14.37

 

CMYK 0 / 19 / 25 / 26

HEX #BD998D

RGB 189 153 141

HSL 15, 0.27%, 0.65%

LAB 66.15, 11.57, 11.37

 

CMYK 0 / 14 / 18 / 20

HEX #CCB0A7

RGB 204 176 167

HSL 14.59, 0.27%, 0.73%

LAB 73.98, 8.65, 8.33

 

CMYK 0 / 9 / 12 / 14

HEX #DBC8C1

RGB 219 200 193

HSL 16.15, 0.27%, 0.81%

LAB 81.96, 5.48, 5.89

 

CMYK 0 / 5 / 6 / 8

HEX #EADFDB

RGB 234 223 219

HSL 16, 0.26%, 0.89%

LAB 89.57, 3.06, 3.28

 

CMYK 0 / 14 / 18 / 20

HEX #CCB0A7

RGB 204 176 167

HSL 14.59, 0.27%, 0.73%

LAB 73.98, 8.65, 8.33

 

CMYK 8 / 0 / 18 / 20

HEX #BCCCA7

RGB 188 204 167

HSL 85.95, 0.27%, 0.73%

LAB 79.99, -12, 16.64

 

CMYK 18 / 15 / 0 / 20

HEX #A7ADCC

RGB 167 173 204

HSL 230.27, 0.27%, 0.73%

LAB 71.19, 4.36, -16.44

 

CMYK 0 / 14 / 18 / 20

HEX #CCB0A7

RGB 204 176 167

HSL 14.59, 0.27%, 0.73%

LAB 73.98, 8.65, 8.33

 

CMYK 18 / 0 / 14 / 20

HEX #A7CCB0

RGB 167 204 176

HSL 134.59, 0.27%, 0.73%

LAB 78.77, -17.75, 9.92

 

CMYK 14 / 18 / 0 / 20

HEX #B0A7CC

RGB 176 167 204

HSL 254.59, 0.27%, 0.73%

LAB 70.33, 10.58, -17.66

 

CMYK 0 / 14 / 18 / 20

HEX #CCB0A7

RGB 204 176 167

HSL 14.59, 0.27%, 0.73%

LAB 73.98, 8.65, 8.33

 

CMYK 8 / 0 / 18 / 20

HEX #BCCCA7

RGB 188 204 167

HSL 85.95, 0.27%, 0.73%

LAB 79.99, -12, 16.64

 

CMYK 18 / 4 / 0 / 20

HEX #A7C4CC

RGB 167 196 204

HSL 192.97, 0.27%, 0.73%

LAB 77.31, -8.02, -7.27

 

CMYK 10 / 18 / 0 / 20

HEX #B7A7CC

RGB 183 167 204

HSL 265.95, 0.27%, 0.73%

LAB 70.92, 12.88, -16.73

 

CMYK 0 / 14 / 18 / 20

HEX #CCB0A7

RGB 204 176 167

HSL 14.59, 0.27%, 0.73%

LAB 73.98, 8.65, 8.33

 

CMYK 13 / 0 / 18 / 20

HEX #B1CCA7

RGB 177 204 167

HSL 103.78, 0.27%, 0.73%

LAB 79.23, -15.92, 15.46

 

CMYK 18 / 4 / 0 / 20

HEX #A7C4CC

RGB 167 196 204

HSL 192.97, 0.27%, 0.73%

LAB 77.31, -8.02, -7.27

 

CMYK 5 / 18 / 0 / 20

HEX #C2A7CC

RGB 194 167 204

HSL 283.78, 0.27%, 0.73%

LAB 71.87, 16.54, -15.19

 

Description

Color code: HEX #CCB0A7 | qconv.com Color code: HEX #CCB0A7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 176 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 176 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 18 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 18% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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