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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCC4DD it is the complementary color #333B22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCC4DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCC4DD shade: #D1C4D8, #E2D6EB, #F3E8FE and #FFFAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCC4DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCC4DD shade: #CCC4DD, #BBB2CA, #AAA0B7, #998EA4 and #887C91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCC4DD shade: #CCC4DD, #D3C4DD, #DAC4DD, #DDC4DA and #DDC4D3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCC4DD shade: #CCC4DD, #C5C4DD and #C4C4DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCC4DD shade matches the following richer shades: #CCC4DD, #C9BDE4, #C7B5EC, #C4AEF3 and #C1A7FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCC4DD shade: #CCC4DD, #CFCCD6, #D1D3CE, #D4DAC7 and #D7E2BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCC4DD shade: #C4CADD, #C5C4DD, #CCC4DD, #D3C4DD and #D9C4DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCC4DD shade: #9F90BF, #B6AACE, #CCC4DD, #E3DEEC and #F9F9FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCC4DD shade: #CCC4DD, #DDC4D0 and #C6DDC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCC4DD shade: #CCC4DD, #DDCCC4 and #C4DDCC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCC4DD shade: #CCC4DD, #DDC4D0, #D5DDC4 and #C4DDD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCC4DD shade: #CCC4DD, #DDC4C9, #D5DDC4 and #C4DDD8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 11 / 0 / 13

HEX #CCC4DD

RGB 204 196 221

HSL 259.2, 0.27%, 0.82%

LAB 80.48, 7.48, -11.43

 

Complementary color

CMYK 14 / 0 / 42 / 77

HEX #333B22

RGB 51 59 34

HSL 79.2, 0.27%, 0.18%

LAB 23.5, -8.49, 14.41

 

CMYK 3 / 9 / 0 / 15

HEX #D1C4D8

RGB 209 196 216

HSL 279, 0.2%, 0.81%

LAB 80.73, 8.18, -8.33

 

CMYK 4 / 9 / 0 / 8

HEX #E2D6EB

RGB 226 214 235

HSL 274.29, 0.34%, 0.88%

LAB 87.12, 7.9, -8.81

 

CMYK 4 / 9 / 0 / 0

HEX #F3E8FE

RGB 243 232 254

HSL 270, 0.92%, 0.95%

LAB 93.42, 7.64, -9.29

 

CMYK 0 / 2 / 0 / 0

HEX #FFFAFF

RGB 255 250 255

HSL 300, 1%, 0.99%

LAB 98.77, 2.53, -1.81

 

CMYK 8 / 11 / 0 / 13

HEX #CCC4DD

RGB 204 196 221

HSL 259.2, 0.27%, 0.82%

LAB 80.48, 7.48, -11.43

 

CMYK 7 / 12 / 0 / 21

HEX #BBB2CA

RGB 187 178 202

HSL 262.5, 0.18%, 0.75%

LAB 73.98, 7.76, -11

 

CMYK 7 / 13 / 0 / 28

HEX #AAA0B7

RGB 170 160 183

HSL 266.09, 0.14%, 0.67%

LAB 67.36, 8.06, -10.56

 

CMYK 7 / 13 / 0 / 36

HEX #998EA4

RGB 153 142 164

HSL 270, 0.11%, 0.6%

LAB 60.6, 8.38, -10.11

 

CMYK 6 / 14 / 0 / 43

HEX #887C91

RGB 136 124 145

HSL 274.29, 0.09%, 0.53%

LAB 53.7, 8.74, -9.67

 

CMYK 8 / 11 / 0 / 13

HEX #CCC4DD

RGB 204 196 221

HSL 259.2, 0.27%, 0.82%

LAB 80.48, 7.48, -11.43

 

CMYK 5 / 11 / 0 / 13

HEX #D3C4DD

RGB 211 196 221

HSL 276, 0.27%, 0.82%

LAB 81.04, 9.8, -10.53

 

CMYK 1 / 11 / 0 / 13

HEX #DAC4DD

RGB 218 196 221

HSL 292.8, 0.27%, 0.82%

LAB 81.62, 12.15, -9.61

 

CMYK 0 / 11 / 1 / 13

HEX #DDC4DA

RGB 221 196 218

HSL 307.2, 0.27%, 0.82%

LAB 81.79, 12.61, -7.72

 

CMYK 0 / 11 / 5 / 13

HEX #DDC4D3

RGB 221 196 211

HSL 324, 0.27%, 0.82%

LAB 81.6, 11.36, -4.26

 

CMYK 8 / 11 / 0 / 13

HEX #CCC4DD

RGB 204 196 221

HSL 259.2, 0.27%, 0.82%

LAB 80.48, 7.48, -11.43

 

CMYK 11 / 11 / 0 / 13

HEX #C5C4DD

RGB 197 196 221

HSL 242.4, 0.27%, 0.82%

LAB 79.94, 5.19, -12.3

 

CMYK 11 / 11 / 0 / 13

HEX #C4C4DD

RGB 196 196 221

HSL 240, 0.27%, 0.82%

LAB 79.86, 4.86, -12.42

 

CMYK 8 / 11 / 0 / 13

HEX #CCC4DD

RGB 204 196 221

HSL 259.2, 0.27%, 0.82%

LAB 80.48, 7.48, -11.43

 

CMYK 12 / 17 / 0 / 11

HEX #C9BDE4

RGB 201 189 228

HSL 258.46, 0.42%, 0.82%

LAB 78.7, 11.68, -17.89

 

CMYK 16 / 23 / 0 / 7

HEX #C7B5EC

RGB 199 181 236

HSL 259.64, 0.59%, 0.82%

LAB 76.83, 17.08, -25.07

 

CMYK 19 / 28 / 0 / 5

HEX #C4AEF3

RGB 196 174 243

HSL 259.13, 0.74%, 0.82%

LAB 75.13, 21.53, -31.48

 

CMYK 23 / 33 / 0 / 2

HEX #C1A7FB

RGB 193 167 251

HSL 258.57, 0.91%, 0.82%

LAB 73.51, 26.32, -38.34

 

CMYK 8 / 11 / 0 / 13

HEX #CCC4DD

RGB 204 196 221

HSL 259.2, 0.27%, 0.82%

LAB 80.48, 7.48, -11.43

 

CMYK 3 / 5 / 0 / 16

HEX #CFCCD6

RGB 207 204 214

HSL 258, 0.11%, 0.82%

LAB 82.54, 2.88, -4.6

 

CMYK 1 / 0 / 2 / 17

HEX #D1D3CE

RGB 209 211 206

HSL 84, 0.05%, 0.82%

LAB 84.28, -1.58, 2.22

 

CMYK 3 / 0 / 9 / 15

HEX #D4DAC7

RGB 212 218 199

HSL 78.95, 0.2%, 0.82%

LAB 86.14, -5.38, 8.64

 

CMYK 5 / 0 / 15 / 11

HEX #D7E2BF

RGB 215 226 191

HSL 78.86, 0.38%, 0.82%

LAB 88.26, -9.72, 15.88

 

CMYK 11 / 9 / 0 / 13

HEX #C4CADD

RGB 196 202 221

HSL 225.6, 0.27%, 0.82%

LAB 81.4, 1.66, -10.13

 

CMYK 11 / 11 / 0 / 13

HEX #C5C4DD

RGB 197 196 221

HSL 242.4, 0.27%, 0.82%

LAB 79.94, 5.19, -12.3

 

CMYK 8 / 11 / 0 / 13

HEX #CCC4DD

RGB 204 196 221

HSL 259.2, 0.27%, 0.82%

LAB 80.48, 7.48, -11.43

 

CMYK 5 / 11 / 0 / 13

HEX #D3C4DD

RGB 211 196 221

HSL 276, 0.27%, 0.82%

LAB 81.04, 9.8, -10.53

 

CMYK 2 / 11 / 0 / 13

HEX #D9C4DD

RGB 217 196 221

HSL 290.4, 0.27%, 0.82%

LAB 81.54, 11.81, -9.74

 

CMYK 17 / 25 / 0 / 25

HEX #9F90BF

RGB 159 144 191

HSL 259.15, 0.27%, 0.66%

LAB 62.57, 15.12, -22.36

 

CMYK 12 / 17 / 0 / 19

HEX #B6AACE

RGB 182 170 206

HSL 260, 0.27%, 0.74%

LAB 71.66, 11.31, -16.71

 

CMYK 8 / 11 / 0 / 13

HEX #CCC4DD

RGB 204 196 221

HSL 259.2, 0.27%, 0.82%

LAB 80.48, 7.48, -11.43

 

CMYK 4 / 6 / 0 / 7

HEX #E3DEEC

RGB 227 222 236

HSL 261.43, 0.27%, 0.9%

LAB 89.22, 4.24, -6.23

 

CMYK 1 / 1 / 0 / 2

HEX #F9F9FB

RGB 249 249 251

HSL 240, 0.2%, 0.98%

LAB 97.98, 0.36, -0.97

 

CMYK 8 / 11 / 0 / 13

HEX #CCC4DD

RGB 204 196 221

HSL 259.2, 0.27%, 0.82%

LAB 80.48, 7.48, -11.43

 

CMYK 0 / 11 / 6 / 13

HEX #DDC4D0

RGB 221 196 208

HSL 331.2, 0.27%, 0.82%

LAB 81.51, 10.84, -2.77

 

CMYK 10 / 0 / 11 / 13

HEX #C6DDC4

RGB 198 221 196

HSL 115.2, 0.27%, 0.82%

LAB 85.86, -12.26, 9.69

 

CMYK 8 / 11 / 0 / 13

HEX #CCC4DD

RGB 204 196 221

HSL 259.2, 0.27%, 0.82%

LAB 80.48, 7.48, -11.43

 

CMYK 0 / 8 / 11 / 13

HEX #DDCCC4

RGB 221 204 196

HSL 19.2, 0.27%, 0.82%

LAB 83.2, 4.58, 6.11

 

CMYK 11 / 0 / 8 / 13

HEX #C4DDCC

RGB 196 221 204

HSL 139.2, 0.27%, 0.82%

LAB 85.91, -11.5, 5.53

 

CMYK 8 / 11 / 0 / 13

HEX #CCC4DD

RGB 204 196 221

HSL 259.2, 0.27%, 0.82%

LAB 80.48, 7.48, -11.43

 

CMYK 0 / 11 / 6 / 13

HEX #DDC4D0

RGB 221 196 208

HSL 331.2, 0.27%, 0.82%

LAB 81.51, 10.84, -2.77

 

CMYK 4 / 0 / 11 / 13

HEX #D5DDC4

RGB 213 221 196

HSL 79.2, 0.27%, 0.82%

LAB 86.92, -7.07, 11.35

 

CMYK 11 / 0 / 5 / 13

HEX #C4DDD1

RGB 196 221 209

HSL 151.2, 0.27%, 0.82%

LAB 86.03, -10.57, 3.07

 

CMYK 8 / 11 / 0 / 13

HEX #CCC4DD

RGB 204 196 221

HSL 259.2, 0.27%, 0.82%

LAB 80.48, 7.48, -11.43

 

CMYK 0 / 11 / 9 / 13

HEX #DDC4C9

RGB 221 196 201

HSL 348, 0.27%, 0.82%

LAB 81.33, 9.64, 0.72

 

CMYK 4 / 0 / 11 / 13

HEX #D5DDC4

RGB 213 221 196

HSL 79.2, 0.27%, 0.82%

LAB 86.92, -7.07, 11.35

 

CMYK 11 / 0 / 2 / 13

HEX #C4DDD8

RGB 196 221 216

HSL 168, 0.27%, 0.82%

LAB 86.21, -9.23, -0.37

 

Description

Color code: HEX #CCC4DD | qconv.com Color code: HEX #CCC4DD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 196 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 196 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 11 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 11% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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