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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCC379 it is the complementary color #333C86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCC379. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCC379 shade: #D1C374, #E2D587, #F3E79A, #FFF9AD and #FFFFC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCC379. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCC379 shade: #CCC379, #BBB166, #AA9F53, #998D40 and #887B2D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCC379 shade: #CCC379, #CCAD79, #CC9679, #CC8079 and #CC7979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCC379 shade: #CCC379, #BFCC79, #A8CC79, #92CC79 and #7CCC79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCC379 shade matches the following richer shades: #CCC379, #DBCF6B, #EADA5C and #F9E64D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCC379 shade: #CCC379, #BDB788, #AEAC97, #9FA0A6 and #9195B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCC379 shade: #CC9679, #CCAC79, #CCC279, #C0CC79 and #AACC79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCC379 shade: #B0A443, #C1B65B, #CCC379, #D7D097 and #E3DEB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCC379 shade: #CCC379, #79CC80 and #A179CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCC379 shade: #CCC379, #79CCC2 and #C279CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCC379 shade: #CCC379, #79CC80, #7983CC and #CC79C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCC379 shade: #CCC379, #79CC99, #7983CC and #CC79AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 41 / 20

HEX #CCC379

RGB 204 195 121

HSL 53.49, 0.45%, 0.64%

LAB 78.02, -7.46, 38.27

 

Complementary color

CMYK 62 / 55 / 0 / 47

HEX #333C86

RGB 51 60 134

HSL 233.49, 0.45%, 0.36%

LAB 28.53, 20.44, -42.79

 

CMYK 0 / 7 / 44 / 18

HEX #D1C374

RGB 209 195 116

HSL 50.97, 0.5%, 0.64%

LAB 78.37, -5.96, 41.34

 

CMYK 0 / 6 / 40 / 11

HEX #E2D587

RGB 226 213 135

HSL 51.43, 0.61%, 0.71%

LAB 84.74, -6.44, 40.13

 

CMYK 0 / 5 / 37 / 5

HEX #F3E79A

RGB 243 231 154

HSL 51.91, 0.79%, 0.78%

LAB 91.03, -6.86, 38.97

 

CMYK 0 / 2 / 32 / 0

HEX #FFF9AD

RGB 255 249 173

HSL 55.61, 1%, 0.84%

LAB 96.83, -9.09, 37.27

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFC0

RGB 255 255 192

HSL 60, 1%, 0.88%

LAB 98.66, -9.68, 30.2

 

CMYK 0 / 4 / 41 / 20

HEX #CCC379

RGB 204 195 121

HSL 53.49, 0.45%, 0.64%

LAB 78.02, -7.46, 38.27

 

CMYK 0 / 5 / 45 / 27

HEX #BBB166

RGB 187 177 102

HSL 52.94, 0.38%, 0.57%

LAB 71.53, -6.98, 39.49

 

CMYK 0 / 6 / 51 / 33

HEX #AA9F53

RGB 170 159 83

HSL 52.41, 0.34%, 0.5%

LAB 64.94, -6.41, 40.73

 

CMYK 0 / 8 / 58 / 40

HEX #998D40

RGB 153 141 64

HSL 51.91, 0.41%, 0.43%

LAB 58.22, -5.7, 41.94

 

CMYK 0 / 10 / 67 / 47

HEX #887B2D

RGB 136 123 45

HSL 51.43, 0.5%, 0.35%

LAB 51.37, -4.81, 42.99

 

CMYK 0 / 4 / 41 / 20

HEX #CCC379

RGB 204 195 121

HSL 53.49, 0.45%, 0.64%

LAB 78.02, -7.46, 38.27

 

CMYK 0 / 15 / 41 / 20

HEX #CCAD79

RGB 204 173 121

HSL 37.59, 0.45%, 0.64%

LAB 72.3, 4.12, 30.89

 

CMYK 0 / 26 / 41 / 20

HEX #CC9679

RGB 204 150 121

HSL 20.96, 0.45%, 0.64%

LAB 66.54, 16.58, 23.25

 

CMYK 0 / 37 / 41 / 20

HEX #CC8079

RGB 204 128 121

HSL 5.06, 0.45%, 0.64%

LAB 61.36, 28.57, 16.17

 

CMYK 0 / 41 / 41 / 20

HEX #CC7979

RGB 204 121 121

HSL 0, 0.45%, 0.64%

LAB 59.79, 32.34, 14

 

CMYK 0 / 4 / 41 / 20

HEX #CCC379

RGB 204 195 121

HSL 53.49, 0.45%, 0.64%

LAB 78.02, -7.46, 38.27

 

CMYK 6 / 0 / 41 / 20

HEX #BFCC79

RGB 191 204 121

HSL 69.4, 0.45%, 0.64%

LAB 79.41, -17.18, 39.82

 

CMYK 18 / 0 / 41 / 20

HEX #A8CC79

RGB 168 204 121

HSL 86.02, 0.45%, 0.64%

LAB 77.81, -25.97, 37.46

 

CMYK 28 / 0 / 41 / 20

HEX #92CC79

RGB 146 204 121

HSL 101.93, 0.45%, 0.64%

LAB 76.48, -33.89, 35.49

 

CMYK 39 / 0 / 41 / 20

HEX #7CCC79

RGB 124 204 121

HSL 117.83, 0.45%, 0.64%

LAB 75.36, -41.11, 33.82

 

CMYK 0 / 4 / 41 / 20

HEX #CCC379

RGB 204 195 121

HSL 53.49, 0.45%, 0.64%

LAB 78.02, -7.46, 38.27

 

CMYK 0 / 5 / 51 / 14

HEX #DBCF6B

RGB 219 207 107

HSL 53.57, 0.61%, 0.64%

LAB 82.24, -8.88, 50.65

 

CMYK 0 / 7 / 61 / 8

HEX #EADA5C

RGB 234 218 92

HSL 53.24, 0.77%, 0.64%

LAB 86.21, -9.43, 62.31

 

CMYK 0 / 8 / 69 / 2

HEX #F9E64D

RGB 249 230 77

HSL 53.37, 0.93%, 0.64%

LAB 90.45, -10.09, 73.12

 

CMYK 0 / 4 / 41 / 20

HEX #CCC379

RGB 204 195 121

HSL 53.49, 0.45%, 0.64%

LAB 78.02, -7.46, 38.27

 

CMYK 0 / 3 / 28 / 26

HEX #BDB788

RGB 189 183 136

HSL 53.21, 0.29%, 0.64%

LAB 73.85, -5.33, 24.72

 

CMYK 0 / 1 / 13 / 32

HEX #AEAC97

RGB 174 172 151

HSL 54.78, 0.12%, 0.64%

LAB 69.99, -2.98, 11.06

 

CMYK 4 / 4 / 0 / 35

HEX #9FA0A6

RGB 159 160 166

HSL 231.43, 0.04%, 0.64%

LAB 65.96, 0.82, -3.24

 

CMYK 20 / 18 / 0 / 29

HEX #9195B5

RGB 145 149 181

HSL 233.33, 0.2%, 0.64%

LAB 62.38, 5.45, -17.13

 

CMYK 0 / 26 / 41 / 20

HEX #CC9679

RGB 204 150 121

HSL 20.96, 0.45%, 0.64%

LAB 66.54, 16.58, 23.25

 

CMYK 0 / 16 / 41 / 20

HEX #CCAC79

RGB 204 172 121

HSL 36.87, 0.45%, 0.64%

LAB 72.04, 4.66, 30.56

 

CMYK 0 / 5 / 41 / 20

HEX #CCC279

RGB 204 194 121

HSL 52.77, 0.45%, 0.64%

LAB 77.76, -6.94, 37.94

 

CMYK 6 / 0 / 41 / 20

HEX #C0CC79

RGB 192 204 121

HSL 68.67, 0.45%, 0.64%

LAB 79.48, -16.79, 39.93

 

CMYK 17 / 0 / 41 / 20

HEX #AACC79

RGB 170 204 121

HSL 84.58, 0.45%, 0.64%

LAB 77.94, -25.23, 37.65

 

CMYK 0 / 7 / 62 / 31

HEX #B0A443

RGB 176 164 67

HSL 53.39, 0.45%, 0.48%

LAB 66.66, -7.77, 50.52

 

CMYK 0 / 6 / 53 / 24

HEX #C1B65B

RGB 193 182 91

HSL 53.53, 0.45%, 0.56%

LAB 73.25, -8.12, 47.15

 

CMYK 0 / 4 / 41 / 20

HEX #CCC379

RGB 204 195 121

HSL 53.49, 0.45%, 0.64%

LAB 78.02, -7.46, 38.27

 

CMYK 0 / 3 / 30 / 16

HEX #D7D097

RGB 215 208 151

HSL 53.44, 0.44%, 0.72%

LAB 82.8, -6.3, 29.24

 

CMYK 0 / 2 / 20 / 11

HEX #E3DEB5

RGB 227 222 181

HSL 53.48, 0.45%, 0.8%

LAB 87.93, -4.88, 20.76

 

CMYK 0 / 4 / 41 / 20

HEX #CCC379

RGB 204 195 121

HSL 53.49, 0.45%, 0.64%

LAB 78.02, -7.46, 38.27

 

CMYK 41 / 0 / 37 / 20

HEX #79CC80

RGB 121 204 128

HSL 125.06, 0.45%, 0.64%

LAB 75.33, -40.93, 30.16

 

CMYK 21 / 41 / 0 / 20

HEX #A179CC

RGB 161 121 204

HSL 268.92, 0.45%, 0.64%

LAB 57.67, 31.87, -37.29

 

CMYK 0 / 4 / 41 / 20

HEX #CCC379

RGB 204 195 121

HSL 53.49, 0.45%, 0.64%

LAB 78.02, -7.46, 38.27

 

CMYK 41 / 0 / 5 / 20

HEX #79CCC2

RGB 121 204 194

HSL 172.77, 0.45%, 0.64%

LAB 76.77, -27.63, -2.97

 

CMYK 5 / 41 / 0 / 20

HEX #C279CC

RGB 194 121 204

HSL 292.77, 0.45%, 0.64%

LAB 61.22, 41.79, -31.47

 

CMYK 0 / 4 / 41 / 20

HEX #CCC379

RGB 204 195 121

HSL 53.49, 0.45%, 0.64%

LAB 78.02, -7.46, 38.27

 

CMYK 41 / 0 / 37 / 20

HEX #79CC80

RGB 121 204 128

HSL 125.06, 0.45%, 0.64%

LAB 75.33, -40.93, 30.16

 

CMYK 41 / 36 / 0 / 20

HEX #7983CC

RGB 121 131 204

HSL 232.77, 0.45%, 0.64%

LAB 56.74, 14.75, -38.98

 

CMYK 0 / 41 / 3 / 20

HEX #CC79C5

RGB 204 121 197

HSL 305.06, 0.45%, 0.64%

LAB 62.12, 43.56, -26.04

 

CMYK 0 / 4 / 41 / 20

HEX #CCC379

RGB 204 195 121

HSL 53.49, 0.45%, 0.64%

LAB 78.02, -7.46, 38.27

 

CMYK 41 / 0 / 25 / 20

HEX #79CC99

RGB 121 204 153

HSL 143.13, 0.45%, 0.64%

LAB 75.79, -36.5, 17.64

 

CMYK 41 / 36 / 0 / 20

HEX #7983CC

RGB 121 131 204

HSL 232.77, 0.45%, 0.64%

LAB 56.74, 14.75, -38.98

 

CMYK 0 / 41 / 16 / 20

HEX #CC79AC

RGB 204 121 172

HSL 323.13, 0.45%, 0.64%

LAB 61.21, 39.32, -13.22

 

Description

Color code: HEX #CCC379 | qconv.com Color code: HEX #CCC379 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 195 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 195 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 41 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 41% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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