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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCD473 it is the complementary color #332B8C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCD473. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCD473 shade: #D1D46E, #E2E681, #F3F894, #FFFFA7 and #FFFFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCD473. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCD473 shade: #CCD473, #BBC260, #AAB04D, #999E3A and #888C27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCD473 shade: #CBD372, #D3C172, #D3A772, #D38D72 and #D37272

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCD473 shade: #CBD372, #B1D372, #97D372, #7DD372 and #72D382

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCD473 shade matches the following richer shades: #CBD372, #D8E263 and #E4F154

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCD473 shade: #CBD372, #BFC581, #B3B690, #A6A79F and #9A98AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCD473 shade: #D3A672, #D3C072, #CDD372, #B3D372 and #99D372

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCD473 shade: #AFBA39, #C0CA52, #CBD372, #D7DD92 and #E2E7B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCD473 shade: #CCD473, #72D38C and #B372D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCD473 shade: #CCD473, #72CDD3 and #D372CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCD473 shade: #CCD473, #72D38C, #7972D3 and #D372B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCD473 shade: #CCD473, #72D3A9, #7972D3 and #D3729C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 46 / 17

HEX #CCD473

RGB 204 212 115

HSL 64.95, 0.53%, 0.64%

LAB 82.47, -16.69, 46.8

 

Complementary color

CMYK 64 / 69 / 0 / 45

HEX #332B8C

RGB 51 43 140

HSL 244.95, 0.53%, 0.36%

LAB 24.72, 33.7, -52.72

 

CMYK 1 / 0 / 48 / 17

HEX #D1D46E

RGB 209 212 110

HSL 61.76, 0.54%, 0.63%

LAB 82.79, -15.18, 49.68

 

CMYK 2 / 0 / 44 / 10

HEX #E2E681

RGB 226 230 129

HSL 62.38, 0.67%, 0.7%

LAB 89.09, -15.57, 48.54

 

CMYK 2 / 0 / 40 / 3

HEX #F3F894

RGB 243 248 148

HSL 63, 0.88%, 0.78%

LAB 95.3, -15.91, 47.39

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA7

RGB 255 255 167

HSL 60, 1%, 0.83%

LAB 98.26, -12.73, 42.11

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBA

RGB 255 255 186

HSL 60, 1%, 0.86%

LAB 98.56, -10.45, 33.08

 

CMYK 4 / 0 / 46 / 17

HEX #CCD473

RGB 204 212 115

HSL 64.95, 0.53%, 0.64%

LAB 82.47, -16.69, 46.8

 

CMYK 4 / 0 / 51 / 24

HEX #BBC260

RGB 187 194 96

HSL 64.29, 0.45%, 0.57%

LAB 76.06, -16.31, 47.94

 

CMYK 3 / 0 / 56 / 31

HEX #AAB04D

RGB 170 176 77

HSL 63.64, 0.39%, 0.5%

LAB 69.56, -15.82, 49.03

 

CMYK 3 / 0 / 63 / 38

HEX #999E3A

RGB 153 158 58

HSL 63, 0.46%, 0.42%

LAB 62.95, -15.21, 49.94

 

CMYK 3 / 0 / 72 / 45

HEX #888C27

RGB 136 140 39

HSL 62.38, 0.56%, 0.35%

LAB 56.22, -14.43, 50.46

 

CMYK 4 / 0 / 46 / 17

HEX #CBD372

RGB 203 211 114

HSL 64.95, 0.52%, 0.64%

LAB 82.11, -16.69, 46.83

 

CMYK 0 / 9 / 46 / 17

HEX #D3C172

RGB 211 193 114

HSL 48.87, 0.52%, 0.64%

LAB 78, -4.31, 41.91

 

CMYK 0 / 21 / 46 / 17

HEX #D3A772

RGB 211 167 114

HSL 32.78, 0.52%, 0.64%

LAB 71.35, 9.45, 33.5

 

CMYK 0 / 33 / 46 / 17

HEX #D38D72

RGB 211 141 114

HSL 16.7, 0.52%, 0.64%

LAB 65.05, 23.53, 25.25

 

CMYK 0 / 46 / 46 / 17

HEX #D37272

RGB 211 114 114

HSL 0, 0.52%, 0.64%

LAB 59.07, 37.93, 17.16

 

CMYK 4 / 0 / 46 / 17

HEX #CBD372

RGB 203 211 114

HSL 64.95, 0.52%, 0.64%

LAB 82.11, -16.69, 46.83

 

CMYK 16 / 0 / 46 / 17

HEX #B1D372

RGB 177 211 114

HSL 81.03, 0.52%, 0.64%

LAB 80.26, -26.79, 44.15

 

CMYK 28 / 0 / 46 / 17

HEX #97D372

RGB 151 211 114

HSL 97.11, 0.52%, 0.64%

LAB 78.68, -36.28, 41.84

 

CMYK 41 / 0 / 46 / 17

HEX #7DD372

RGB 125 211 114

HSL 113.2, 0.52%, 0.64%

LAB 77.38, -44.83, 39.93

 

CMYK 46 / 0 / 38 / 17

HEX #72D382

RGB 114 211 130

HSL 129.9, 0.52%, 0.64%

LAB 77.15, -45.65, 31.47

 

CMYK 4 / 0 / 46 / 17

HEX #CBD372

RGB 203 211 114

HSL 64.95, 0.52%, 0.64%

LAB 82.11, -16.69, 46.83

 

CMYK 4 / 0 / 56 / 11

HEX #D8E263

RGB 216 226 99

HSL 64.72, 0.69%, 0.64%

LAB 86.94, -20.19, 59.69

 

CMYK 5 / 0 / 65 / 5

HEX #E4F154

RGB 228 241 84

HSL 64.97, 0.85%, 0.64%

LAB 91.7, -23.62, 71.24

 

CMYK 4 / 0 / 46 / 17

HEX #CBD372

RGB 203 211 114

HSL 64.95, 0.52%, 0.64%

LAB 82.11, -16.69, 46.83

 

CMYK 3 / 0 / 35 / 23

HEX #BFC581

RGB 191 197 129

HSL 65.29, 0.37%, 0.64%

LAB 77.63, -12.71, 33.46

 

CMYK 2 / 0 / 21 / 29

HEX #B3B690

RGB 179 182 144

HSL 64.74, 0.21%, 0.64%

LAB 72.93, -7.51, 19.04

 

CMYK 1 / 0 / 5 / 35

HEX #A6A79F

RGB 166 167 159

HSL 67.5, 0.04%, 0.64%

LAB 68.2, -1.84, 4

 

CMYK 11 / 12 / 0 / 32

HEX #9A98AD

RGB 154 152 173

HSL 245.71, 0.11%, 0.64%

LAB 63.63, 4.97, -10.67

 

CMYK 0 / 21 / 46 / 17

HEX #D3A672

RGB 211 166 114

HSL 32.16, 0.52%, 0.64%

LAB 71.1, 9.99, 33.18

 

CMYK 0 / 9 / 46 / 17

HEX #D3C072

RGB 211 192 114

HSL 48.25, 0.52%, 0.64%

LAB 77.73, -3.79, 41.59

 

CMYK 3 / 0 / 46 / 17

HEX #CDD372

RGB 205 211 114

HSL 63.71, 0.52%, 0.64%

LAB 82.26, -15.9, 47.05

 

CMYK 15 / 0 / 46 / 17

HEX #B3D372

RGB 179 211 114

HSL 79.79, 0.52%, 0.64%

LAB 80.4, -26.03, 44.34

 

CMYK 27 / 0 / 46 / 17

HEX #99D372

RGB 153 211 114

HSL 95.88, 0.52%, 0.64%

LAB 78.8, -35.58, 42.01

 

CMYK 6 / 0 / 69 / 27

HEX #AFBA39

RGB 175 186 57

HSL 65.12, 0.53%, 0.48%

LAB 72.58, -20.12, 60.81

 

CMYK 5 / 0 / 59 / 21

HEX #C0CA52

RGB 192 202 82

HSL 65, 0.53%, 0.56%

LAB 78.49, -19.4, 57.21

 

CMYK 4 / 0 / 46 / 17

HEX #CBD372

RGB 203 211 114

HSL 64.95, 0.52%, 0.64%

LAB 82.11, -16.69, 46.83

 

CMYK 3 / 0 / 34 / 13

HEX #D7DD92

RGB 215 221 146

HSL 64.8, 0.52%, 0.72%

LAB 86.12, -13.5, 36.19

 

CMYK 2 / 0 / 23 / 9

HEX #E2E7B1

RGB 226 231 177

HSL 65.56, 0.53%, 0.8%

LAB 90.09, -10.36, 25.8

 

CMYK 4 / 0 / 46 / 17

HEX #CCD473

RGB 204 212 115

HSL 64.95, 0.53%, 0.64%

LAB 82.47, -16.69, 46.8

 

CMYK 46 / 0 / 34 / 17

HEX #72D38C

RGB 114 211 140

HSL 136.08, 0.52%, 0.64%

LAB 77.32, -43.95, 26.53

 

CMYK 15 / 46 / 0 / 17

HEX #B372D3

RGB 179 114 211

HSL 280.21, 0.52%, 0.64%

LAB 58.34, 42.55, -40.05

 

CMYK 4 / 0 / 46 / 17

HEX #CCD473

RGB 204 212 115

HSL 64.95, 0.53%, 0.64%

LAB 82.47, -16.69, 46.8

 

CMYK 46 / 3 / 0 / 17

HEX #72CDD3

RGB 114 205 211

HSL 183.71, 0.52%, 0.64%

LAB 77.25, -25.59, -11.45

 

CMYK 0 / 46 / 3 / 17

HEX #D372CD

RGB 211 114 205

HSL 303.71, 0.52%, 0.64%

LAB 61.9, 50.7, -30.82

 

CMYK 4 / 0 / 46 / 17

HEX #CCD473

RGB 204 212 115

HSL 64.95, 0.53%, 0.64%

LAB 82.47, -16.69, 46.8

 

CMYK 46 / 0 / 34 / 17

HEX #72D38C

RGB 114 211 140

HSL 136.08, 0.52%, 0.64%

LAB 77.32, -43.95, 26.53

 

CMYK 43 / 46 / 0 / 17

HEX #7972D3

RGB 121 114 211

HSL 244.33, 0.52%, 0.64%

LAB 52.73, 26.89, -49.28

 

CMYK 0 / 46 / 12 / 17

HEX #D372B9

RGB 211 114 185

HSL 316.08, 0.52%, 0.64%

LAB 61.12, 47.32, -20.69

 

CMYK 4 / 0 / 46 / 17

HEX #CCD473

RGB 204 212 115

HSL 64.95, 0.53%, 0.64%

LAB 82.47, -16.69, 46.8

 

CMYK 46 / 0 / 20 / 17

HEX #72D3A9

RGB 114 211 169

HSL 154.02, 0.52%, 0.64%

LAB 77.89, -38.33, 12.03

 

CMYK 43 / 46 / 0 / 17

HEX #7972D3

RGB 121 114 211

HSL 244.33, 0.52%, 0.64%

LAB 52.73, 26.89, -49.28

 

CMYK 0 / 46 / 26 / 17

HEX #D3729C

RGB 211 114 156

HSL 334.02, 0.52%, 0.64%

LAB 60.14, 42.96, -5.54

 

Description

Color code: HEX #CCD473 | qconv.com Color code: HEX #CCD473 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 212 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 212 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 46 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 46% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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