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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCD641 it is the complementary color #3329BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCD641. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCD641 shade: #D1D63C, #E2E84F, #F3FA62, #FFFF75 and #FFFF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCD641. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCD641 shade: #CCD641, #BBC42E, #AAB21B, #99A008 and #888E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCD641 shade: #CCD641, #D6B841, #D69041, #D66841 and #D64141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCD641 shade: #CCD641, #A4D641, #7CD641, #54D641 and #41D657

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCD641 shade matches the following richer shades: #CCD641, #DCE92F and #ECFB1C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCD641 shade: #CCD641, #BCC454, #ACB166, #9C9F79 and #8C8C8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCD641 shade: #D69141, #D6B941, #CCD641, #A5D641 and #7DD641

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCD641 shade: #9AA322, #BAC529, #CCD641, #D5DE63 and #DEE585

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCD641 shade: #CCD641, #41D669 and #A541D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCD641 shade: #CCD641, #41CCD6 and #D641CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCD641 shade: #CCD641, #41D669, #4B41D6 and #D641AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCD641 shade: #CCD641, #41D696, #4B41D6 and #D64182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 70 / 16

HEX #CCD641

RGB 204 214 65

HSL 64.03, 0.65%, 0.55%

LAB 82.55, -21.4, 68.47

 

Complementary color

CMYK 73 / 78 / 0 / 25

HEX #3329BE

RGB 51 41 190

HSL 244.03, 0.65%, 0.45%

LAB 29.43, 51.13, -75.22

 

CMYK 2 / 0 / 72 / 16

HEX #D1D63C

RGB 209 214 60

HSL 61.95, 0.65%, 0.54%

LAB 82.9, -19.58, 70.69

 

CMYK 3 / 0 / 66 / 9

HEX #E2E84F

RGB 226 232 79

HSL 62.35, 0.77%, 0.61%

LAB 89.13, -20.39, 70.45

 

CMYK 3 / 0 / 61 / 2

HEX #F3FA62

RGB 243 250 98

HSL 62.76, 0.94%, 0.68%

LAB 95.29, -21.07, 69.85

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF75

RGB 255 255 117

HSL 60, 1%, 0.73%

LAB 97.66, -17.4, 64.73

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF88

RGB 255 255 136

HSL 60, 1%, 0.77%

LAB 97.86, -15.85, 56.42

 

CMYK 5 / 0 / 70 / 16

HEX #CCD641

RGB 204 214 65

HSL 64.03, 0.65%, 0.55%

LAB 82.55, -21.4, 68.47

 

CMYK 5 / 0 / 77 / 23

HEX #BBC42E

RGB 187 196 46

HSL 63.6, 0.62%, 0.47%

LAB 76.22, -20.54, 68.35

 

CMYK 4 / 0 / 85 / 30

HEX #AAB21B

RGB 170 178 27

HSL 63.18, 0.74%, 0.4%

LAB 69.8, -19.49, 67.34

 

CMYK 4 / 0 / 95 / 37

HEX #99A008

RGB 153 160 8

HSL 62.76, 0.9%, 0.33%

LAB 63.29, -18.21, 64.91

 

CMYK 4 / 0 / 100 / 44

HEX #888E00

RGB 136 142 0

HSL 62.54, 1%, 0.28%

LAB 56.66, -16.68, 60.51

 

CMYK 5 / 0 / 70 / 16

HEX #CCD641

RGB 204 214 65

HSL 64.03, 0.65%, 0.55%

LAB 82.55, -21.4, 68.47

 

CMYK 0 / 14 / 70 / 16

HEX #D6B841

RGB 214 184 65

HSL 47.92, 0.65%, 0.55%

LAB 75.43, -2.01, 61.65

 

CMYK 0 / 33 / 70 / 16

HEX #D69041

RGB 214 144 65

HSL 31.81, 0.65%, 0.55%

LAB 65.46, 19.36, 51.28

 

CMYK 0 / 51 / 70 / 16

HEX #D66841

RGB 214 104 65

HSL 15.7, 0.65%, 0.55%

LAB 56.66, 40.47, 41.61

 

CMYK 0 / 70 / 70 / 16

HEX #D64141

RGB 214 65 65

HSL 0, 0.65%, 0.55%

LAB 50.05, 57.91, 33.94

 

CMYK 5 / 0 / 70 / 16

HEX #CCD641

RGB 204 214 65

HSL 64.03, 0.65%, 0.55%

LAB 82.55, -21.4, 68.47

 

CMYK 23 / 0 / 70 / 16

HEX #A4D641

RGB 164 214 65

HSL 80.13, 0.65%, 0.55%

LAB 79.82, -37.37, 64.85

 

CMYK 42 / 0 / 70 / 16

HEX #7CD641

RGB 124 214 65

HSL 96.24, 0.65%, 0.55%

LAB 77.73, -51.49, 62.06

 

CMYK 61 / 0 / 70 / 16

HEX #54D641

RGB 84 214 65

HSL 112.35, 0.65%, 0.55%

LAB 76.29, -62.53, 60.11

 

CMYK 70 / 0 / 59 / 16

HEX #41D657

RGB 65 214 87

HSL 128.86, 0.65%, 0.55%

LAB 76.01, -64.12, 50.57

 

CMYK 5 / 0 / 70 / 16

HEX #CCD641

RGB 204 214 65

HSL 64.03, 0.65%, 0.55%

LAB 82.55, -21.4, 68.47

 

CMYK 6 / 0 / 80 / 9

HEX #DCE92F

RGB 220 233 47

HSL 64.19, 0.81%, 0.55%

LAB 88.78, -24.71, 80.2

 

CMYK 6 / 0 / 89 / 2

HEX #ECFB1C

RGB 236 251 28

HSL 64.04, 0.97%, 0.55%

LAB 94.7, -27.14, 89.39

 

CMYK 5 / 0 / 70 / 16

HEX #CCD641

RGB 204 214 65

HSL 64.03, 0.65%, 0.55%

LAB 82.55, -21.4, 68.47

 

CMYK 4 / 0 / 57 / 23

HEX #BCC454

RGB 188 196 84

HSL 64.29, 0.49%, 0.55%

LAB 76.56, -17.91, 54.1

 

CMYK 3 / 0 / 42 / 31

HEX #ACB166

RGB 172 177 102

HSL 64, 0.32%, 0.55%

LAB 70.3, -13.14, 37.69

 

CMYK 2 / 0 / 24 / 38

HEX #9C9F79

RGB 156 159 121

HSL 64.74, 0.17%, 0.55%

LAB 64.36, -7.61, 19.53

 

CMYK 0 / 0 / 1 / 45

HEX #8C8C8B

RGB 140 140 139

HSL 60, 0%, 0.55%

LAB 58.22, -0.19, 0.53

 

CMYK 0 / 32 / 70 / 16

HEX #D69141

RGB 214 145 65

HSL 32.21, 0.65%, 0.55%

LAB 65.69, 18.82, 51.53

 

CMYK 0 / 14 / 70 / 16

HEX #D6B941

RGB 214 185 65

HSL 48.32, 0.65%, 0.55%

LAB 75.68, -2.53, 61.91

 

CMYK 5 / 0 / 70 / 16

HEX #CCD641

RGB 204 214 65

HSL 64.03, 0.65%, 0.55%

LAB 82.55, -21.4, 68.47

 

CMYK 23 / 0 / 70 / 16

HEX #A5D641

RGB 165 214 65

HSL 79.73, 0.65%, 0.55%

LAB 79.88, -36.98, 64.94

 

CMYK 42 / 0 / 70 / 16

HEX #7DD641

RGB 125 214 65

HSL 95.84, 0.65%, 0.55%

LAB 77.78, -51.17, 62.11

 

CMYK 6 / 0 / 79 / 36

HEX #9AA322

RGB 154 163 34

HSL 64.19, 0.65%, 0.39%

LAB 64.31, -18.64, 60.25

 

CMYK 6 / 0 / 79 / 23

HEX #BAC529

RGB 186 197 41

HSL 64.23, 0.66%, 0.47%

LAB 76.39, -21.64, 69.94

 

CMYK 5 / 0 / 70 / 16

HEX #CCD641

RGB 204 214 65

HSL 64.03, 0.65%, 0.55%

LAB 82.55, -21.4, 68.47

 

CMYK 4 / 0 / 55 / 13

HEX #D5DE63

RGB 213 222 99

HSL 64.39, 0.65%, 0.63%

LAB 85.65, -19.44, 58.17

 

CMYK 3 / 0 / 42 / 10

HEX #DEE585

RGB 222 229 133

HSL 64.38, 0.65%, 0.71%

LAB 88.57, -16.23, 45.9

 

CMYK 5 / 0 / 70 / 16

HEX #CCD641

RGB 204 214 65

HSL 64.03, 0.65%, 0.55%

LAB 82.55, -21.4, 68.47

 

CMYK 70 / 0 / 51 / 16

HEX #41D669

RGB 65 214 105

HSL 136.11, 0.65%, 0.55%

LAB 76.21, -61.74, 42.45

 

CMYK 23 / 70 / 0 / 16

HEX #A541D6

RGB 165 65 214

HSL 280.27, 0.65%, 0.55%

LAB 47.8, 63.72, -58.64

 

CMYK 5 / 0 / 70 / 16

HEX #CCD641

RGB 204 214 65

HSL 64.03, 0.65%, 0.55%

LAB 82.55, -21.4, 68.47

 

CMYK 70 / 5 / 0 / 16

HEX #41CCD6

RGB 65 204 214

HSL 184.03, 0.65%, 0.55%

LAB 75.55, -33.16, -15.76

 

CMYK 0 / 70 / 5 / 16

HEX #D641CC

RGB 214 65 204

HSL 304.03, 0.65%, 0.55%

LAB 54.49, 72.49, -41.82

 

CMYK 5 / 0 / 70 / 16

HEX #CCD641

RGB 204 214 65

HSL 64.03, 0.65%, 0.55%

LAB 82.55, -21.4, 68.47

 

CMYK 70 / 0 / 51 / 16

HEX #41D669

RGB 65 214 105

HSL 136.11, 0.65%, 0.55%

LAB 76.21, -61.74, 42.45

 

CMYK 65 / 70 / 0 / 16

HEX #4B41D6

RGB 75 65 214

HSL 244.03, 0.65%, 0.55%

LAB 38.08, 48.23, -74.89

 

CMYK 0 / 70 / 18 / 16

HEX #D641AF

RGB 214 65 175

HSL 315.7, 0.65%, 0.55%

LAB 53.14, 68.26, -27.16

 

CMYK 5 / 0 / 70 / 16

HEX #CCD641

RGB 204 214 65

HSL 64.03, 0.65%, 0.55%

LAB 82.55, -21.4, 68.47

 

CMYK 70 / 0 / 30 / 16

HEX #41D696

RGB 65 214 150

HSL 154.23, 0.65%, 0.55%

LAB 76.93, -53.71, 20.53

 

CMYK 65 / 70 / 0 / 16

HEX #4B41D6

RGB 75 65 214

HSL 244.03, 0.65%, 0.55%

LAB 38.08, 48.23, -74.89

 

CMYK 0 / 70 / 39 / 16

HEX #D64182

RGB 214 65 130

HSL 333.83, 0.65%, 0.55%

LAB 51.48, 62.84, -3.01

 

Description

Color code: HEX #CCD641 | qconv.com Color code: HEX #CCD641 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 214 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 214 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 70 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 70% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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