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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCD765 it is the complementary color #33289A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCD765. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCD765 shade: #D1D760, #E2E973, #F3FB86, #FFFF99 and #FFFFAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCD765. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCD765 shade: #CCD765, #BBC552, #AAB33F, #99A12C and #888F19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCD765 shade: #CCD764, #D7C364, #D7A464, #D78564 and #D76664

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCD765 shade: #CCD764, #ADD764, #8ED764, #6FD764 and #64D778

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCD765 shade matches the following richer shades: #CCD764, #D8E655 and #E5F645

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCD765 shade: #CCD764, #BFC774, #B2B784, #A6A893 and #9998A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCD765 shade: #D7A364, #D7C264, #CDD764, #AFD764 and #90D764

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCD765 shade: #ACB92F, #C1CE44, #CCD764, #D7DF85 and #E1E8A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCD765 shade: #CCD765, #64D785 and #B364D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCD765 shade: #CCD765, #64CDD7 and #D764CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCD765 shade: #CCD765, #64D785, #6E64D7 and #D764B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCD765 shade: #CCD765, #64D7A7, #6E64D7 and #D76494

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 53 / 16

HEX #CCD765

RGB 204 215 101

HSL 65.79, 0.59%, 0.62%

LAB 83.11, -19.46, 54.18

 

Complementary color

CMYK 67 / 74 / 0 / 40

HEX #33289A

RGB 51 40 154

HSL 245.79, 0.59%, 0.38%

LAB 25.43, 40.17, -60.19

 

CMYK 3 / 0 / 55 / 16

HEX #D1D760

RGB 209 215 96

HSL 63.03, 0.6%, 0.61%

LAB 83.44, -17.85, 56.92

 

CMYK 3 / 0 / 51 / 9

HEX #E2E973

RGB 226 233 115

HSL 63.56, 0.73%, 0.68%

LAB 89.71, -18.33, 55.88

 

CMYK 3 / 0 / 47 / 2

HEX #F3FB86

RGB 243 251 134

HSL 64.1, 0.94%, 0.75%

LAB 95.9, -18.74, 54.78

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF99

RGB 255 255 153

HSL 60, 1%, 0.8%

LAB 98.07, -14.23, 48.66

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAC

RGB 255 255 172

HSL 60, 1%, 0.84%

LAB 98.34, -12.15, 39.74

 

CMYK 5 / 0 / 53 / 16

HEX #CCD765

RGB 204 215 101

HSL 65.79, 0.59%, 0.62%

LAB 83.11, -19.46, 54.18

 

CMYK 5 / 0 / 58 / 23

HEX #BBC552

RGB 187 197 82

HSL 65.22, 0.5%, 0.55%

LAB 76.74, -18.97, 55.17

 

CMYK 5 / 0 / 65 / 30

HEX #AAB33F

RGB 170 179 63

HSL 64.66, 0.48%, 0.47%

LAB 70.28, -18.37, 55.96

 

CMYK 5 / 0 / 73 / 37

HEX #99A12C

RGB 153 161 44

HSL 64.1, 0.57%, 0.4%

LAB 63.71, -17.6, 56.34

 

CMYK 5 / 0 / 83 / 44

HEX #888F19

RGB 136 143 25

HSL 63.56, 0.7%, 0.33%

LAB 57.03, -16.62, 55.88

 

CMYK 5 / 0 / 53 / 16

HEX #CCD764

RGB 204 215 100

HSL 65.74, 0.59%, 0.62%

LAB 83.1, -19.54, 54.62

 

CMYK 0 / 9 / 53 / 16

HEX #D7C364

RGB 215 195 100

HSL 49.57, 0.59%, 0.62%

LAB 78.69, -4.96, 49.71

 

CMYK 0 / 24 / 53 / 16

HEX #D7A464

RGB 215 164 100

HSL 33.39, 0.59%, 0.62%

LAB 70.81, 11.41, 40.22

 

CMYK 0 / 38 / 53 / 16

HEX #D78564

RGB 215 133 100

HSL 17.22, 0.59%, 0.62%

LAB 63.46, 28.13, 30.98

 

CMYK 0 / 53 / 53 / 16

HEX #D76664

RGB 215 102 100

HSL 1.04, 0.59%, 0.62%

LAB 56.95, 44.21, 22.46

 

CMYK 5 / 0 / 53 / 16

HEX #CCD764

RGB 204 215 100

HSL 65.74, 0.59%, 0.62%

LAB 83.1, -19.54, 54.62

 

CMYK 20 / 0 / 53 / 16

HEX #ADD764

RGB 173 215 100

HSL 81.91, 0.59%, 0.62%

LAB 80.96, -31.64, 51.59

 

CMYK 34 / 0 / 53 / 16

HEX #8ED764

RGB 142 215 100

HSL 98.09, 0.59%, 0.62%

LAB 79.2, -42.78, 49.07

 

CMYK 48 / 0 / 53 / 16

HEX #6FD764

RGB 111 215 100

HSL 114.26, 0.59%, 0.62%

LAB 77.82, -52.4, 47.09

 

CMYK 53 / 0 / 44 / 16

HEX #64D778

RGB 100 215 120

HSL 130.43, 0.59%, 0.62%

LAB 77.68, -52.55, 37.12

 

CMYK 5 / 0 / 53 / 16

HEX #CCD764

RGB 204 215 100

HSL 65.74, 0.59%, 0.62%

LAB 83.1, -19.54, 54.62

 

CMYK 6 / 0 / 63 / 10

HEX #D8E655

RGB 216 230 85

HSL 65.79, 0.74%, 0.62%

LAB 87.9, -23.11, 66.6

 

CMYK 7 / 0 / 72 / 4

HEX #E5F645

RGB 229 246 69

HSL 65.76, 0.91%, 0.62%

LAB 93.01, -26.36, 77.88

 

CMYK 5 / 0 / 53 / 16

HEX #CCD764

RGB 204 215 100

HSL 65.74, 0.59%, 0.62%

LAB 83.1, -19.54, 54.62

 

CMYK 4 / 0 / 42 / 22

HEX #BFC774

RGB 191 199 116

HSL 65.78, 0.43%, 0.62%

LAB 77.98, -15.23, 40.54

 

CMYK 3 / 0 / 28 / 28

HEX #B2B784

RGB 178 183 132

HSL 65.88, 0.26%, 0.62%

LAB 72.89, -10.15, 25.42

 

CMYK 1 / 0 / 13 / 34

HEX #A6A893

RGB 166 168 147

HSL 65.71, 0.11%, 0.62%

LAB 68.18, -4.49, 10.61

 

CMYK 6 / 7 / 0 / 36

HEX #9998A3

RGB 153 152 163

HSL 245.45, 0.06%, 0.62%

LAB 63.24, 2.54, -5.62

 

CMYK 0 / 24 / 53 / 16

HEX #D7A364

RGB 215 163 100

HSL 32.87, 0.59%, 0.62%

LAB 70.57, 11.95, 39.92

 

CMYK 0 / 10 / 53 / 16

HEX #D7C264

RGB 215 194 100

HSL 49.04, 0.59%, 0.62%

LAB 78.43, -4.45, 49.4

 

CMYK 5 / 0 / 53 / 16

HEX #CDD764

RGB 205 215 100

HSL 65.22, 0.59%, 0.62%

LAB 83.18, -19.14, 54.73

 

CMYK 19 / 0 / 53 / 16

HEX #AFD764

RGB 175 215 100

HSL 80.87, 0.59%, 0.62%

LAB 81.09, -30.89, 51.77

 

CMYK 33 / 0 / 53 / 16

HEX #90D764

RGB 144 215 100

HSL 97.04, 0.59%, 0.62%

LAB 79.3, -42.1, 49.21

 

CMYK 7 / 0 / 75 / 27

HEX #ACB92F

RGB 172 185 47

HSL 65.65, 0.59%, 0.45%

LAB 72.01, -21.4, 63.72

 

CMYK 6 / 0 / 67 / 19

HEX #C1CE44

RGB 193 206 68

HSL 65.65, 0.58%, 0.54%

LAB 79.56, -21.87, 64.09

 

CMYK 5 / 0 / 53 / 16

HEX #CCD764

RGB 204 215 100

HSL 65.74, 0.59%, 0.62%

LAB 83.1, -19.54, 54.62

 

CMYK 4 / 0 / 40 / 13

HEX #D7DF85

RGB 215 223 133

HSL 65.33, 0.58%, 0.7%

LAB 86.46, -15.98, 43.13

 

CMYK 3 / 0 / 28 / 9

HEX #E1E8A6

RGB 225 232 166

HSL 66.36, 0.59%, 0.78%

LAB 90.08, -12.71, 31.41

 

CMYK 5 / 0 / 53 / 16

HEX #CCD765

RGB 204 215 101

HSL 65.79, 0.59%, 0.62%

LAB 83.11, -19.46, 54.18

 

CMYK 53 / 0 / 38 / 16

HEX #64D785

RGB 100 215 133

HSL 137.22, 0.59%, 0.62%

LAB 77.88, -50.44, 30.8

 

CMYK 17 / 53 / 0 / 16

HEX #B364D7

RGB 179 100 215

HSL 281.22, 0.59%, 0.62%

LAB 55.69, 50.78, -46.49

 

CMYK 5 / 0 / 53 / 16

HEX #CCD765

RGB 204 215 101

HSL 65.79, 0.59%, 0.62%

LAB 83.11, -19.46, 54.18

 

CMYK 53 / 5 / 0 / 16

HEX #64CDD7

RGB 100 205 215

HSL 185.22, 0.59%, 0.62%

LAB 76.85, -27.54, -14.25

 

CMYK 0 / 53 / 5 / 16

HEX #D764CD

RGB 215 100 205

HSL 305.22, 0.59%, 0.62%

LAB 59.86, 58.63, -33.95

 

CMYK 5 / 0 / 53 / 16

HEX #CCD765

RGB 204 215 101

HSL 65.79, 0.59%, 0.62%

LAB 83.11, -19.46, 54.18

 

CMYK 53 / 0 / 38 / 16

HEX #64D785

RGB 100 215 133

HSL 137.22, 0.59%, 0.62%

LAB 77.88, -50.44, 30.8

 

CMYK 49 / 53 / 0 / 16

HEX #6E64D7

RGB 110 100 215

HSL 245.22, 0.59%, 0.62%

LAB 48.68, 33.92, -58.09

 

CMYK 0 / 53 / 15 / 16

HEX #D764B6

RGB 215 100 182

HSL 317.22, 0.59%, 0.62%

LAB 58.92, 54.95, -22.3

 

CMYK 5 / 0 / 53 / 16

HEX #CCD765

RGB 204 215 101

HSL 65.79, 0.59%, 0.62%

LAB 83.11, -19.46, 54.18

 

CMYK 53 / 0 / 22 / 16

HEX #64D7A7

RGB 100 215 167

HSL 154.96, 0.59%, 0.62%

LAB 78.52, -43.88, 13.91

 

CMYK 49 / 53 / 0 / 16

HEX #6E64D7

RGB 110 100 215

HSL 245.22, 0.59%, 0.62%

LAB 48.68, 33.92, -58.09

 

CMYK 0 / 53 / 31 / 16

HEX #D76494

RGB 215 100 148

HSL 334.96, 0.59%, 0.62%

LAB 57.75, 50.21, -4.39

 

Description

Color code: HEX #CCD765 | qconv.com Color code: HEX #CCD765 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 215 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 215 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 53 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 53% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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