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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCD7EA it is the complementary color #332815. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCD7EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCD7EA shade: #D1D7E5, #E2E9F8 and #F3FBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCD7EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCD7EA shade: #CCD7EA, #BBC5D7, #AAB3C4, #99A1B1 and #888F9E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCD7EA shade: #CCD7EA, #CCCFEA, #D1CCEA, #D9CCEA and #E1CCEA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCD7EA shade: #CCD7EA, #CCCFEA and #CCCCEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCD7EA shade matches the following richer shades: #CCD7EA, #C6D5F0, #C0D4F5 and #BAD2FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCD7EA shade: #CCD7EA, #D2D8E4, #D7DADE, #DDDBD8 and #E3DDD3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCD7EA shade: #CCE7EA, #CCDFEA, #CCD7EA, #CCCFEA and #D1CCEA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCD7EA shade: #91A9D2, #AFC0DE, #CCD7EA and #E9EEF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCD7EA shade: #CCD7EA, #E5CCEA and #E3EACC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCD7EA shade: #CCD7EA, #EACCD7 and #D7EACC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCD7EA shade: #CCD7EA, #E5CCEA, #EADFCC and #D1EACC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCD7EA shade: #CCD7EA, #EACCE6, #EADFCC and #CCEAD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 8 / 0 / 8

HEX #CCD7EA

RGB 204 215 234

HSL 218, 0.42%, 0.86%

LAB 85.69, 0.03, -10.59

 

Complementary color

CMYK 0 / 22 / 59 / 80

HEX #332815

RGB 51 40 21

HSL 38, 0.42%, 0.14%

LAB 16.87, 2.08, 14.38

 

CMYK 9 / 6 / 0 / 10

HEX #D1D7E5

RGB 209 215 229

HSL 222, 0.28%, 0.86%

LAB 85.91, 0.64, -7.58

 

CMYK 9 / 6 / 0 / 3

HEX #E2E9F8

RGB 226 233 248

HSL 220.91, 0.61%, 0.93%

LAB 92.23, 0.49, -8.06

 

CMYK 5 / 2 / 0 / 0

HEX #F3FBFF

RGB 243 251 255

HSL 200, 1%, 0.98%

LAB 98.14, -1.89, -2.83

 

CMYK 13 / 8 / 0 / 8

HEX #CCD7EA

RGB 204 215 234

HSL 218, 0.42%, 0.86%

LAB 85.69, 0.03, -10.59

 

CMYK 13 / 8 / 0 / 16

HEX #BBC5D7

RGB 187 197 215

HSL 218.57, 0.26%, 0.79%

LAB 79.27, 0.17, -10.14

 

CMYK 13 / 9 / 0 / 23

HEX #AAB3C4

RGB 170 179 196

HSL 219.23, 0.18%, 0.72%

LAB 72.74, 0.32, -9.7

 

CMYK 14 / 9 / 0 / 31

HEX #99A1B1

RGB 153 161 177

HSL 220, 0.13%, 0.65%

LAB 66.09, 0.48, -9.25

 

CMYK 14 / 9 / 0 / 38

HEX #888F9E

RGB 136 143 158

HSL 220.91, 0.1%, 0.58%

LAB 59.29, 0.64, -8.79

 

CMYK 13 / 8 / 0 / 8

HEX #CCD7EA

RGB 204 215 234

HSL 218, 0.42%, 0.86%

LAB 85.69, 0.03, -10.59

 

CMYK 13 / 12 / 0 / 8

HEX #CCCFEA

RGB 204 207 234

HSL 234, 0.42%, 0.86%

LAB 83.65, 4.24, -13.63

 

CMYK 11 / 13 / 0 / 8

HEX #D1CCEA

RGB 209 204 234

HSL 250, 0.42%, 0.86%

LAB 83.27, 7.44, -14.16

 

CMYK 7 / 13 / 0 / 8

HEX #D9CCEA

RGB 217 204 234

HSL 266, 0.42%, 0.86%

LAB 83.9, 10.04, -13.16

 

CMYK 4 / 13 / 0 / 8

HEX #E1CCEA

RGB 225 204 234

HSL 282, 0.42%, 0.86%

LAB 84.55, 12.67, -12.12

 

CMYK 13 / 8 / 0 / 8

HEX #CCD7EA

RGB 204 215 234

HSL 218, 0.42%, 0.86%

LAB 85.69, 0.03, -10.59

 

CMYK 13 / 12 / 0 / 8

HEX #CCCFEA

RGB 204 207 234

HSL 234, 0.42%, 0.86%

LAB 83.65, 4.24, -13.63

 

CMYK 13 / 13 / 0 / 8

HEX #CCCCEA

RGB 204 204 234

HSL 240, 0.42%, 0.86%

LAB 82.89, 5.83, -14.77

 

CMYK 13 / 8 / 0 / 8

HEX #CCD7EA

RGB 204 215 234

HSL 218, 0.42%, 0.86%

LAB 85.69, 0.03, -10.59

 

CMYK 18 / 11 / 0 / 6

HEX #C6D5F0

RGB 198 213 240

HSL 218.57, 0.58%, 0.86%

LAB 84.94, 0.44, -14.94

 

CMYK 22 / 13 / 0 / 4

HEX #C0D4F5

RGB 192 212 245

HSL 217.36, 0.73%, 0.86%

LAB 84.42, 0.21, -18.4

 

CMYK 26 / 16 / 0 / 2

HEX #BAD2FB

RGB 186 210 251

HSL 217.85, 0.89%, 0.86%

LAB 83.7, 0.84, -22.71

 

CMYK 13 / 8 / 0 / 8

HEX #CCD7EA

RGB 204 215 234

HSL 218, 0.42%, 0.86%

LAB 85.69, 0.03, -10.59

 

CMYK 8 / 5 / 0 / 11

HEX #D2D8E4

RGB 210 216 228

HSL 220, 0.25%, 0.86%

LAB 86.21, 0.25, -6.59

 

CMYK 3 / 2 / 0 / 13

HEX #D7DADE

RGB 215 218 222

HSL 214.29, 0.1%, 0.86%

LAB 86.93, -0.27, -2.32

 

CMYK 0 / 1 / 2 / 13

HEX #DDDBD8

RGB 221 219 216

HSL 36, 0.07%, 0.86%

LAB 87.48, 0.15, 1.7

 

CMYK 0 / 3 / 7 / 11

HEX #E3DDD3

RGB 227 221 211

HSL 37.5, 0.22%, 0.86%

LAB 88.33, 0.32, 5.62

HEX #E3DDD3

CMYK 13 / 1 / 0 / 8

HEX #CCE7EA

RGB 204 231 234

HSL 186, 0.42%, 0.86%

LAB 89.83, -8.24, -4.47

 

CMYK 13 / 5 / 0 / 8

HEX #CCDFEA

RGB 204 223 234

HSL 202, 0.42%, 0.86%

LAB 87.75, -4.13, -7.53

 

CMYK 13 / 8 / 0 / 8

HEX #CCD7EA

RGB 204 215 234

HSL 218, 0.42%, 0.86%

LAB 85.69, 0.03, -10.59

 

CMYK 13 / 12 / 0 / 8

HEX #CCCFEA

RGB 204 207 234

HSL 234, 0.42%, 0.86%

LAB 83.65, 4.24, -13.63

 

CMYK 11 / 13 / 0 / 8

HEX #D1CCEA

RGB 209 204 234

HSL 250, 0.42%, 0.86%

LAB 83.27, 7.44, -14.16

 

CMYK 31 / 20 / 0 / 18

HEX #91A9D2

RGB 145 169 210

HSL 217.85, 0.42%, 0.7%

LAB 68.79, 1.25, -23.53

 

CMYK 21 / 14 / 0 / 13

HEX #AFC0DE

RGB 175 192 222

HSL 218.3, 0.42%, 0.78%

LAB 77.33, 0.56, -16.91

 

CMYK 13 / 8 / 0 / 8

HEX #CCD7EA

RGB 204 215 234

HSL 218, 0.42%, 0.86%

LAB 85.69, 0.03, -10.59

 

CMYK 5 / 3 / 0 / 4

HEX #E9EEF6

RGB 233 238 246

HSL 216.92, 0.42%, 0.94%

LAB 93.94, -0.19, -4.44

 

CMYK 13 / 8 / 0 / 8

HEX #CCD7EA

RGB 204 215 234

HSL 218, 0.42%, 0.86%

LAB 85.69, 0.03, -10.59

 

CMYK 2 / 13 / 0 / 8

HEX #E5CCEA

RGB 229 204 234

HSL 290, 0.42%, 0.86%

LAB 84.89, 13.99, -11.59

 

CMYK 3 / 0 / 13 / 8

HEX #E3EACC

RGB 227 234 204

HSL 74, 0.42%, 0.86%

LAB 91.48, -7.47, 13.78

 

CMYK 13 / 8 / 0 / 8

HEX #CCD7EA

RGB 204 215 234

HSL 218, 0.42%, 0.86%

LAB 85.69, 0.03, -10.59

 

CMYK 0 / 13 / 8 / 8

HEX #EACCD7

RGB 234 204 215

HSL 338, 0.42%, 0.86%

LAB 84.78, 12.32, -1.58

 

CMYK 8 / 0 / 13 / 8

HEX #D7EACC

RGB 215 234 204

HSL 98, 0.42%, 0.86%

LAB 90.62, -11.62, 12.45

 

CMYK 13 / 8 / 0 / 8

HEX #CCD7EA

RGB 204 215 234

HSL 218, 0.42%, 0.86%

LAB 85.69, 0.03, -10.59

 

CMYK 2 / 13 / 0 / 8

HEX #E5CCEA

RGB 229 204 234

HSL 290, 0.42%, 0.86%

LAB 84.89, 13.99, -11.59

 

CMYK 0 / 5 / 13 / 8

HEX #EADFCC

RGB 234 223 204

HSL 38, 0.42%, 0.86%

LAB 89.22, 0.61, 10.64

 

CMYK 11 / 0 / 13 / 8

HEX #D1EACC

RGB 209 234 204

HSL 110, 0.42%, 0.86%

LAB 90.21, -13.67, 11.81

 

CMYK 13 / 8 / 0 / 8

HEX #CCD7EA

RGB 204 215 234

HSL 218, 0.42%, 0.86%

LAB 85.69, 0.03, -10.59

 

CMYK 0 / 13 / 2 / 8

HEX #EACCE6

RGB 234 204 230

HSL 308, 0.42%, 0.86%

LAB 85.2, 14.93, -8.95

 

CMYK 0 / 5 / 13 / 8

HEX #EADFCC

RGB 234 223 204

HSL 38, 0.42%, 0.86%

LAB 89.22, 0.61, 10.64

 

CMYK 13 / 0 / 11 / 8

HEX #CCEAD0

RGB 204 234 208

HSL 128, 0.42%, 0.86%

LAB 89.97, -14.65, 9.33

 

Description

Color code: HEX #CCD7EA | qconv.com Color code: HEX #CCD7EA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 215 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 215 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 8 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 8% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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