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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCDB6A it is the complementary color #332495. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCDB6A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCDB6A shade: #D1DB65, #E2ED78, #F3FF8B, #FFFF9E and #FFFFB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCDB6A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCDB6A shade: #CCDB6A, #BBC957, #AAB744, #99A531 and #88931E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCDB6A shade: #CCDB6B, #DBCB6B, #DBAD6B, #DB8F6B and #DB716B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCDB6A shade: #CCDB6B, #AEDB6B, #8FDB6B, #71DB6B and #6BDB82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCDB6A shade matches the following richer shades: #CCDB6B, #D7EA5C and #E2F84D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCDB6A shade: #CCDB6B, #C1CC7A, #B6BD88, #ABAE97 and #A09FA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCDB6A shade: #DBAC6B, #DBCA6B, #CEDB6B, #B0DB6B and #92DB6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCDB6A shade: #B0C42F, #C0D349, #CCDB6B, #D7E38C and #E3EBAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCDB6A shade: #CCDB6A, #6BDB8E and #BB6BDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCDB6A shade: #CCDB6A, #6BCEDB and #DB6BCE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCDB6A shade: #CCDB6A, #6BDB8E, #786BDB and #DB6BB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCDB6A shade: #CCDB6A, #6BDBB0, #786BDB and #DB6B96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 52 / 14

HEX #CCDB6A

RGB 204 219 106

HSL 67.96, 0.61%, 0.64%

LAB 84.25, -20.98, 53.2

 

Complementary color

CMYK 66 / 76 / 0 / 42

HEX #332495

RGB 51 36 149

HSL 247.96, 0.61%, 0.36%

LAB 24.11, 40.8, -59.28

 

CMYK 5 / 0 / 54 / 14

HEX #D1DB65

RGB 209 219 101

HSL 65.08, 0.62%, 0.63%

LAB 84.57, -19.42, 55.95

 

CMYK 5 / 0 / 49 / 7

HEX #E2ED78

RGB 226 237 120

HSL 65.64, 0.76%, 0.7%

LAB 90.82, -19.84, 54.89

 

CMYK 5 / 0 / 45 / 0

HEX #F3FF8B

RGB 243 255 139

HSL 66.21, 1%, 0.77%

LAB 97, -20.19, 53.78

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9E

RGB 255 255 158

HSL 60, 1%, 0.81%

LAB 98.13, -13.71, 46.33

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB1

RGB 255 255 177

HSL 60, 1%, 0.85%

LAB 98.41, -11.56, 37.37

 

CMYK 7 / 0 / 52 / 14

HEX #CCDB6A

RGB 204 219 106

HSL 67.96, 0.61%, 0.64%

LAB 84.25, -20.98, 53.2

 

CMYK 7 / 0 / 57 / 21

HEX #BBC957

RGB 187 201 87

HSL 67.37, 0.51%, 0.56%

LAB 77.89, -20.56, 54.23

 

CMYK 7 / 0 / 63 / 28

HEX #AAB744

RGB 170 183 68

HSL 66.78, 0.46%, 0.49%

LAB 71.44, -20.04, 55.1

 

CMYK 7 / 0 / 70 / 35

HEX #99A531

RGB 153 165 49

HSL 66.21, 0.54%, 0.42%

LAB 64.89, -19.37, 55.63

 

CMYK 7 / 0 / 80 / 42

HEX #88931E

RGB 136 147 30

HSL 65.64, 0.66%, 0.35%

LAB 58.22, -18.51, 55.47

 

CMYK 7 / 0 / 51 / 14

HEX #CCDB6B

RGB 204 219 107

HSL 68.04, 0.61%, 0.64%

LAB 84.26, -20.89, 52.75

 

CMYK 0 / 7 / 51 / 14

HEX #DBCB6B

RGB 219 203 107

HSL 51.43, 0.61%, 0.64%

LAB 81.2, -6.84, 49.41

 

CMYK 0 / 21 / 51 / 14

HEX #DBAD6B

RGB 219 173 107

HSL 35.36, 0.61%, 0.64%

LAB 73.55, 8.86, 40.1

 

CMYK 0 / 35 / 51 / 14

HEX #DB8F6B

RGB 219 143 107

HSL 19.29, 0.61%, 0.64%

LAB 66.34, 24.98, 30.96

 

CMYK 0 / 48 / 51 / 14

HEX #DB716B

RGB 219 113 107

HSL 3.21, 0.61%, 0.64%

LAB 59.83, 40.76, 22.39

 

CMYK 7 / 0 / 51 / 14

HEX #CCDB6B

RGB 204 219 107

HSL 68.04, 0.61%, 0.64%

LAB 84.26, -20.89, 52.75

 

CMYK 21 / 0 / 51 / 14

HEX #AEDB6B

RGB 174 219 107

HSL 84.11, 0.61%, 0.64%

LAB 82.23, -32.44, 49.84

 

CMYK 35 / 0 / 51 / 14

HEX #8FDB6B

RGB 143 219 107

HSL 100.71, 0.61%, 0.64%

LAB 80.5, -43.39, 47.35

 

CMYK 48 / 0 / 51 / 14

HEX #71DB6B

RGB 113 219 107

HSL 116.79, 0.61%, 0.64%

LAB 79.18, -52.56, 45.44

 

CMYK 51 / 0 / 41 / 14

HEX #6BDB82

RGB 107 219 130

HSL 132.32, 0.61%, 0.64%

LAB 79.27, -50.83, 34.2

 

CMYK 7 / 0 / 51 / 14

HEX #CCDB6B

RGB 204 219 107

HSL 68.04, 0.61%, 0.64%

LAB 84.26, -20.89, 52.75

 

CMYK 8 / 0 / 61 / 8

HEX #D7EA5C

RGB 215 234 92

HSL 68.03, 0.77%, 0.64%

LAB 88.95, -24.95, 64.87

 

CMYK 9 / 0 / 69 / 3

HEX #E2F84D

RGB 226 248 77

HSL 67.72, 0.92%, 0.64%

LAB 93.38, -28.1, 75.45

 

CMYK 7 / 0 / 51 / 14

HEX #CCDB6B

RGB 204 219 107

HSL 68.04, 0.61%, 0.64%

LAB 84.26, -20.89, 52.75

 

CMYK 5 / 0 / 40 / 20

HEX #C1CC7A

RGB 193 204 122

HSL 68.05, 0.45%, 0.64%

LAB 79.57, -16.29, 39.56

 

CMYK 4 / 0 / 28 / 26

HEX #B6BD88

RGB 182 189 136

HSL 67.92, 0.29%, 0.64%

LAB 74.9, -11.17, 26.05

 

CMYK 2 / 0 / 13 / 32

HEX #ABAE97

RGB 171 174 151

HSL 67.83, 0.12%, 0.64%

LAB 70.29, -5.17, 11.45

 

CMYK 4 / 4 / 0 / 35

HEX #A09FA6

RGB 160 159 166

HSL 248.57, 0.04%, 0.64%

LAB 65.77, 1.72, -3.51

 

CMYK 0 / 21 / 51 / 14

HEX #DBAC6B

RGB 219 172 107

HSL 34.82, 0.61%, 0.64%

LAB 73.3, 9.39, 39.79

 

CMYK 0 / 8 / 51 / 14

HEX #DBCA6B

RGB 219 202 107

HSL 50.89, 0.61%, 0.64%

LAB 80.94, -6.33, 49.1

 

CMYK 6 / 0 / 51 / 14

HEX #CEDB6B

RGB 206 219 107

HSL 66.96, 0.61%, 0.64%

LAB 84.4, -20.1, 52.96

 

CMYK 20 / 0 / 51 / 14

HEX #B0DB6B

RGB 176 219 107

HSL 83.04, 0.61%, 0.64%

LAB 82.35, -31.69, 50.02

 

CMYK 33 / 0 / 51 / 14

HEX #92DB6B

RGB 146 219 107

HSL 99.11, 0.61%, 0.64%

LAB 80.65, -42.39, 47.57

 

CMYK 10 / 0 / 76 / 23

HEX #B0C42F

RGB 176 196 47

HSL 68.05, 0.61%, 0.48%

LAB 75.4, -25.11, 66.99

 

CMYK 9 / 0 / 65 / 17

HEX #C0D349

RGB 192 211 73

HSL 68.26, 0.61%, 0.56%

LAB 80.89, -24.41, 63.5

 

CMYK 7 / 0 / 51 / 14

HEX #CCDB6B

RGB 204 219 107

HSL 68.04, 0.61%, 0.64%

LAB 84.26, -20.89, 52.75

 

CMYK 5 / 0 / 38 / 11

HEX #D7E38C

RGB 215 227 140

HSL 68.28, 0.61%, 0.72%

LAB 87.62, -17.18, 41.14

 

CMYK 3 / 0 / 26 / 8

HEX #E3EBAD

RGB 227 235 173

HSL 67.74, 0.61%, 0.8%

LAB 91.13, -12.54, 29.27

 

CMYK 7 / 0 / 52 / 14

HEX #CCDB6A

RGB 204 219 106

HSL 67.96, 0.61%, 0.64%

LAB 84.25, -20.98, 53.2

 

CMYK 51 / 0 / 35 / 14

HEX #6BDB8E

RGB 107 219 142

HSL 138.75, 0.61%, 0.64%

LAB 79.47, -48.8, 28.33

 

CMYK 15 / 51 / 0 / 14

HEX #BB6BDB

RGB 187 107 219

HSL 282.86, 0.61%, 0.64%

LAB 58.22, 50.15, -44.68

 

CMYK 7 / 0 / 52 / 14

HEX #CCDB6A

RGB 204 219 106

HSL 67.96, 0.61%, 0.64%

LAB 84.25, -20.98, 53.2

 

CMYK 51 / 6 / 0 / 14

HEX #6BCEDB

RGB 107 206 219

HSL 186.96, 0.61%, 0.64%

LAB 77.51, -25.51, -15.38

 

CMYK 0 / 51 / 6 / 14

HEX #DB6BCE

RGB 219 107 206

HSL 306.96, 0.61%, 0.64%

LAB 61.68, 56.62, -31.65

 

CMYK 7 / 0 / 52 / 14

HEX #CCDB6A

RGB 204 219 106

HSL 67.96, 0.61%, 0.64%

LAB 84.25, -20.98, 53.2

 

CMYK 51 / 0 / 35 / 14

HEX #6BDB8E

RGB 107 219 142

HSL 138.75, 0.61%, 0.64%

LAB 79.47, -48.8, 28.33

 

CMYK 45 / 51 / 0 / 14

HEX #786BDB

RGB 120 107 219

HSL 246.96, 0.61%, 0.64%

LAB 51.41, 33.14, -55.94

 

CMYK 0 / 51 / 16 / 14

HEX #DB6BB7

RGB 219 107 183

HSL 319.29, 0.61%, 0.64%

LAB 60.78, 52.96, -19.98

 

CMYK 7 / 0 / 52 / 14

HEX #CCDB6A

RGB 204 219 106

HSL 67.96, 0.61%, 0.64%

LAB 84.25, -20.98, 53.2

 

CMYK 51 / 0 / 20 / 14

HEX #6BDBB0

RGB 107 219 176

HSL 156.96, 0.61%, 0.64%

LAB 80.14, -42.1, 11.46

 

CMYK 45 / 51 / 0 / 14

HEX #786BDB

RGB 120 107 219

HSL 246.96, 0.61%, 0.64%

LAB 51.41, 33.14, -55.94

 

CMYK 0 / 51 / 32 / 14

HEX #DB6B96

RGB 219 107 150

HSL 336.96, 0.61%, 0.64%

LAB 59.69, 48.38, -2.63

 

Description

Color code: HEX #CCDB6A | qconv.com Color code: HEX #CCDB6A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 219 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 219 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 52 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 52% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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