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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCDBD4 it is the complementary color #33242B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCDBD4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCDBD4 shade: #D1DBCF, #E2EDE2 and #F3FFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCDBD4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCDBD4 shade: #CCDBD4, #BBC9C1, #AAB7AE, #99A59B and #889388

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCDBD4 shade: #CCDBD4, #CCDBD0, #CCDBCC, #D0DBCC and #D4DBCC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCDBD4 shade: #CCDBD4, #CCDBD8, #CCD9DB, #CCD5DB and #CCD1DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCDBD4 shade matches the following richer shades: #CCDBD4, #C5E2D4, #BEE9D5, #B7F0D5 and #B0F7D6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCDBD4 shade: #CCDBD4, #D3D4D3, #DACCD3, #E1C5D2 and #E8BED2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCDBD4 shade: #CCDBCC, #CCDBD0, #CCDBD4, #CCDBD8 and #CCDADB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCDBD4 shade: #9CB8AB, #B4C9BF, #CCDBD4, #E4ECE8 and #FCFDFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCDBD4 shade: #CCDBD4, #CCD0DB and #DBCECC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCDBD4 shade: #CCDBD4, #D4CCDB and #DBD4CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCDBD4 shade: #CCDBD4, #CCD0DB, #DBCCD3 and #DBD7CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCDBD4 shade: #CCDBD4, #CCCCDB, #DBCCD3 and #DADBCC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 3 / 14

HEX #CCDBD4

RGB 204 219 212

HSL 152, 0.17%, 0.83%

LAB 86.13, -6.33, 1.7

 

Complementary color

CMYK 0 / 29 / 16 / 80

HEX #33242B

RGB 51 36 43

HSL 332, 0.17%, 0.17%

LAB 16.21, 8.52, -1.85

 

CMYK 5 / 0 / 5 / 14

HEX #D1DBCF

RGB 209 219 207

HSL 110, 0.14%, 0.84%

LAB 86.37, -5.54, 4.72

 

CMYK 5 / 0 / 5 / 7

HEX #E2EDE2

RGB 226 237 226

HSL 120, 0.23%, 0.91%

LAB 92.68, -5.62, 4.05

 

CMYK 5 / 0 / 4 / 0

HEX #F3FFF5

RGB 243 255 245

HSL 130, 1%, 0.98%

LAB 98.89, -5.7, 3.4

 

CMYK 7 / 0 / 3 / 14

HEX #CCDBD4

RGB 204 219 212

HSL 152, 0.17%, 0.83%

LAB 86.13, -6.33, 1.7

 

CMYK 7 / 0 / 4 / 21

HEX #BBC9C1

RGB 187 201 193

HSL 145.71, 0.11%, 0.76%

LAB 79.72, -6.27, 2.34

 

CMYK 7 / 0 / 5 / 28

HEX #AAB7AE

RGB 170 183 174

HSL 138.46, 0.08%, 0.69%

LAB 73.2, -6.23, 3.02

 

CMYK 7 / 0 / 6 / 35

HEX #99A59B

RGB 153 165 155

HSL 130, 0.06%, 0.62%

LAB 66.56, -6.18, 3.72

 

CMYK 7 / 0 / 7 / 42

HEX #889388

RGB 136 147 136

HSL 120, 0.05%, 0.55%

LAB 59.78, -6.14, 4.46

 

CMYK 7 / 0 / 3 / 14

HEX #CCDBD4

RGB 204 219 212

HSL 152, 0.17%, 0.83%

LAB 86.13, -6.33, 1.7

 

CMYK 7 / 0 / 5 / 14

HEX #CCDBD0

RGB 204 219 208

HSL 136, 0.17%, 0.83%

LAB 86.03, -7.06, 3.67

 

CMYK 7 / 0 / 7 / 14

HEX #CCDBCC

RGB 204 219 204

HSL 120, 0.17%, 0.83%

LAB 85.94, -7.78, 5.64

 

CMYK 5 / 0 / 7 / 14

HEX #D0DBCC

RGB 208 219 204

HSL 104, 0.17%, 0.83%

LAB 86.22, -6.42, 6.09

 

CMYK 3 / 0 / 7 / 14

HEX #D4DBCC

RGB 212 219 204

HSL 88, 0.17%, 0.83%

LAB 86.51, -5.04, 6.54

 

CMYK 7 / 0 / 3 / 14

HEX #CCDBD4

RGB 204 219 212

HSL 152, 0.17%, 0.83%

LAB 86.13, -6.33, 1.7

 

CMYK 7 / 0 / 1 / 14

HEX #CCDBD8

RGB 204 219 216

HSL 168, 0.17%, 0.83%

LAB 86.24, -5.58, -0.27

 

CMYK 7 / 1 / 0 / 14

HEX #CCD9DB

RGB 204 217 219

HSL 188, 0.17%, 0.83%

LAB 85.79, -3.97, -2.5

 

CMYK 7 / 3 / 0 / 14

HEX #CCD5DB

RGB 204 213 219

HSL 204, 0.17%, 0.83%

LAB 84.76, -1.9, -4.02

 

CMYK 7 / 5 / 0 / 14

HEX #CCD1DB

RGB 204 209 219

HSL 220, 0.17%, 0.83%

LAB 83.73, 0.2, -5.53

 

CMYK 7 / 0 / 3 / 14

HEX #CCDBD4

RGB 204 219 212

HSL 152, 0.17%, 0.83%

LAB 86.13, -6.33, 1.7

 

CMYK 13 / 0 / 6 / 11

HEX #C5E2D4

RGB 197 226 212

HSL 151.03, 0.33%, 0.83%

LAB 87.49, -12.21, 3.61

 

CMYK 18 / 0 / 9 / 9

HEX #BEE9D5

RGB 190 233 213

HSL 152.09, 0.49%, 0.83%

LAB 88.94, -17.79, 5.12

 

CMYK 24 / 0 / 11 / 6

HEX #B7F0D5

RGB 183 240 213

HSL 151.58, 0.66%, 0.83%

LAB 90.41, -23.41, 7.19

 

CMYK 29 / 0 / 13 / 3

HEX #B0F7D6

RGB 176 247 214

HSL 152.11, 0.82%, 0.83%

LAB 91.96, -28.68, 8.84

 

CMYK 7 / 0 / 3 / 14

HEX #CCDBD4

RGB 204 219 212

HSL 152, 0.17%, 0.83%

LAB 86.13, -6.33, 1.7

 

CMYK 0 / 0 / 0 / 17

HEX #D3D4D3

RGB 211 212 211

HSL 120, 0.01%, 0.83%

LAB 84.81, -0.52, 0.36

 

CMYK 0 / 6 / 3 / 15

HEX #DACCD3

RGB 218 204 211

HSL 330, 0.16%, 0.83%

LAB 83.33, 6.08, -1.73

 

CMYK 0 / 12 / 7 / 12

HEX #E1C5D2

RGB 225 197 210

HSL 332.14, 0.32%, 0.83%

LAB 82.16, 12.04, -2.85

 

CMYK 0 / 18 / 9 / 9

HEX #E8BED2

RGB 232 190 210

HSL 331.43, 0.48%, 0.83%

LAB 81.09, 18.2, -4.35

 

CMYK 7 / 0 / 7 / 14

HEX #CCDBCC

RGB 204 219 204

HSL 120, 0.17%, 0.83%

LAB 85.94, -7.78, 5.64

 

CMYK 7 / 0 / 5 / 14

HEX #CCDBD0

RGB 204 219 208

HSL 136, 0.17%, 0.83%

LAB 86.03, -7.06, 3.67

 

CMYK 7 / 0 / 3 / 14

HEX #CCDBD4

RGB 204 219 212

HSL 152, 0.17%, 0.83%

LAB 86.13, -6.33, 1.7

 

CMYK 7 / 0 / 1 / 14

HEX #CCDBD8

RGB 204 219 216

HSL 168, 0.17%, 0.83%

LAB 86.24, -5.58, -0.27

 

CMYK 7 / 0 / 0 / 14

HEX #CCDADB

RGB 204 218 219

HSL 184, 0.17%, 0.83%

LAB 86.05, -4.49, -2.12

 

CMYK 15 / 0 / 7 / 28

HEX #9CB8AB

RGB 156 184 171

HSL 152.14, 0.16%, 0.67%

LAB 72.42, -12.13, 3.41

 

CMYK 10 / 0 / 5 / 21

HEX #B4C9BF

RGB 180 201 191

HSL 151.43, 0.16%, 0.75%

LAB 79.18, -9.02, 2.57

 

CMYK 7 / 0 / 3 / 14

HEX #CCDBD4

RGB 204 219 212

HSL 152, 0.17%, 0.83%

LAB 86.13, -6.33, 1.7

 

CMYK 3 / 0 / 2 / 7

HEX #E4ECE8

RGB 228 236 232

HSL 150, 0.17%, 0.91%

LAB 92.71, -3.38, 1

 

CMYK 0 / 0 / 0 / 1

HEX #FCFDFC

RGB 252 253 252

HSL 120, 0.2%, 0.99%

LAB 99.21, -0.5, 0.35

 

CMYK 7 / 0 / 3 / 14

HEX #CCDBD4

RGB 204 219 212

HSL 152, 0.17%, 0.83%

LAB 86.13, -6.33, 1.7

 

CMYK 7 / 5 / 0 / 14

HEX #CCD0DB

RGB 204 208 219

HSL 224, 0.17%, 0.83%

LAB 83.48, 0.72, -5.91

 

CMYK 0 / 6 / 7 / 14

HEX #DBCECC

RGB 219 206 204

HSL 8, 0.17%, 0.83%

LAB 83.74, 4.16, 2.6

 

CMYK 7 / 0 / 3 / 14

HEX #CCDBD4

RGB 204 219 212

HSL 152, 0.17%, 0.83%

LAB 86.13, -6.33, 1.7

 

CMYK 3 / 7 / 0 / 14

HEX #D4CCDB

RGB 212 204 219

HSL 272, 0.17%, 0.83%

LAB 83.07, 5.5, -6.44

 

CMYK 0 / 3 / 7 / 14

HEX #DBD4CC

RGB 219 212 204

HSL 32, 0.17%, 0.83%

LAB 85.25, 1.02, 4.8

 

CMYK 7 / 0 / 3 / 14

HEX #CCDBD4

RGB 204 219 212

HSL 152, 0.17%, 0.83%

LAB 86.13, -6.33, 1.7

 

CMYK 7 / 5 / 0 / 14

HEX #CCD0DB

RGB 204 208 219

HSL 224, 0.17%, 0.83%

LAB 83.48, 0.72, -5.91

 

CMYK 0 / 7 / 4 / 14

HEX #DBCCD3

RGB 219 204 211

HSL 332, 0.17%, 0.83%

LAB 83.42, 6.43, -1.6

 

CMYK 0 / 2 / 7 / 14

HEX #DBD7CC

RGB 219 215 204

HSL 44, 0.17%, 0.83%

LAB 86.02, -0.54, 5.9

 

CMYK 7 / 0 / 3 / 14

HEX #CCDBD4

RGB 204 219 212

HSL 152, 0.17%, 0.83%

LAB 86.13, -6.33, 1.7

 

CMYK 7 / 7 / 0 / 14

HEX #CCCCDB

RGB 204 204 219

HSL 240, 0.17%, 0.83%

LAB 82.45, 2.83, -7.43

 

CMYK 0 / 7 / 4 / 14

HEX #DBCCD3

RGB 219 204 211

HSL 332, 0.17%, 0.83%

LAB 83.42, 6.43, -1.6

 

CMYK 0 / 0 / 7 / 14

HEX #DADBCC

RGB 218 219 204

HSL 64, 0.17%, 0.83%

LAB 86.96, -2.96, 7.25

 

Description

Color code: HEX #CCDBD4 | qconv.com Color code: HEX #CCDBD4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 219 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 219 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 3 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 3% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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