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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCDE97 it is the complementary color #332168. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCDE97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCDE97 shade: #D1DE92, #E2F0A5, #F3FFB8, #FFFFCB and #FFFFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCDE97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCDE97 shade: #CCDE97, #BBCC84, #AABA71, #99A85E and #88964B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCDE97 shade: #CBDD96, #DDDC96, #DDC996, #DDB696 and #DDA296

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCDE97 shade: #CBDD96, #B8DD96, #A5DD96, #96DD9A and #96DDAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCDE97 shade matches the following richer shades: #CBDD96, #D1E98B and #D6F480

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCDE97 shade: #CBDD96, #C6D2A1, #C0C7AC, #BBBCB7 and #B5B1C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCDE97 shade: #DDC996, #DDDC96, #CCDD96, #B8DD96 and #A5DD96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCDE97 shade: #ADCA57, #BCD476, #CBDD96, #DBE7B5 and #EAF1D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCDE97 shade: #CCDE97, #96DDB6 and #D396DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCDE97 shade: #CCDE97, #96CCDD and #DD96CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCDE97 shade: #CCDE97, #96DDB6, #A896DD and #DD96BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCDE97 shade: #CCDE97, #96DDCC, #A896DD and #DD96A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 32 / 13

HEX #CCDE97

RGB 204 222 151

HSL 75.21, 0.52%, 0.73%

LAB 85.66, -17.52, 32.9

 

Complementary color

CMYK 51 / 68 / 0 / 59

HEX #332168

RGB 51 33 104

HSL 255.21, 0.52%, 0.27%

LAB 19.19, 27.97, -38.82

 

CMYK 6 / 0 / 34 / 13

HEX #D1DE92

RGB 209 222 146

HSL 70.26, 0.54%, 0.72%

LAB 85.94, -16.28, 35.87

 

CMYK 6 / 0 / 31 / 6

HEX #E2F0A5

RGB 226 240 165

HSL 71.2, 0.71%, 0.79%

LAB 92.22, -16.42, 34.78

 

CMYK 5 / 0 / 28 / 0

HEX #F3FFB8

RGB 243 255 184

HSL 70.14, 1%, 0.86%

LAB 97.65, -15.08, 32.7

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCB

RGB 255 255 203

HSL 60, 1%, 0.9%

LAB 98.86, -8.19, 24.92

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDE

RGB 255 255 222

HSL 60, 1%, 0.94%

LAB 99.24, -5.41, 15.79

 

CMYK 8 / 0 / 32 / 13

HEX #CCDE97

RGB 204 222 151

HSL 75.21, 0.52%, 0.73%

LAB 85.66, -17.52, 32.9

 

CMYK 8 / 0 / 35 / 20

HEX #BBCC84

RGB 187 204 132

HSL 74.17, 0.41%, 0.66%

LAB 79.28, -17.42, 34.01

 

CMYK 9 / 0 / 39 / 27

HEX #AABA71

RGB 170 186 113

HSL 73.15, 0.35%, 0.59%

LAB 72.8, -17.28, 35.16

 

CMYK 9 / 0 / 44 / 34

HEX #99A85E

RGB 153 168 94

HSL 72.16, 0.3%, 0.51%

LAB 66.2, -17.1, 36.36

 

CMYK 9 / 0 / 50 / 41

HEX #88964B

RGB 136 150 75

HSL 71.2, 0.33%, 0.44%

LAB 59.48, -16.84, 37.57

 

CMYK 8 / 0 / 32 / 13

HEX #CBDD96

RGB 203 221 150

HSL 75.21, 0.51%, 0.73%

LAB 85.31, -17.53, 32.92

 

CMYK 0 / 0 / 32 / 13

HEX #DDDC96

RGB 221 220 150

HSL 59.15, 0.51%, 0.73%

LAB 86.39, -10.22, 34.59

 

CMYK 0 / 9 / 32 / 13

HEX #DDC996

RGB 221 201 150

HSL 43.1, 0.51%, 0.73%

LAB 81.48, -0.49, 28.07

 

CMYK 0 / 18 / 32 / 13

HEX #DDB696

RGB 221 182 150

HSL 27.04, 0.51%, 0.73%

LAB 76.7, 9.52, 21.58

 

CMYK 0 / 27 / 32 / 13

HEX #DDA296

RGB 221 162 150

HSL 10.14, 0.51%, 0.73%

LAB 71.84, 20.24, 14.84

 

CMYK 8 / 0 / 32 / 13

HEX #CBDD96

RGB 203 221 150

HSL 75.21, 0.51%, 0.73%

LAB 85.31, -17.53, 32.92

 

CMYK 17 / 0 / 32 / 13

HEX #B8DD96

RGB 184 221 150

HSL 91.27, 0.51%, 0.73%

LAB 84.02, -24.48, 30.98

 

CMYK 25 / 0 / 32 / 13

HEX #A5DD96

RGB 165 221 150

HSL 107.32, 0.51%, 0.73%

LAB 82.87, -31.11, 29.24

 

CMYK 32 / 0 / 30 / 13

HEX #96DD9A

RGB 150 221 154

HSL 123.38, 0.51%, 0.73%

LAB 82.13, -35.38, 26.04

 

CMYK 32 / 0 / 21 / 13

HEX #96DDAE

RGB 150 221 174

HSL 140.28, 0.51%, 0.73%

LAB 82.51, -31.86, 16.13

 

CMYK 8 / 0 / 32 / 13

HEX #CBDD96

RGB 203 221 150

HSL 75.21, 0.51%, 0.73%

LAB 85.31, -17.53, 32.92

 

CMYK 10 / 0 / 40 / 9

HEX #D1E98B

RGB 209 233 139

HSL 75.32, 0.68%, 0.73%

LAB 88.78, -22.49, 43.02

 

CMYK 12 / 0 / 48 / 4

HEX #D6F480

RGB 214 244 128

HSL 75.52, 0.84%, 0.73%

LAB 91.93, -27.04, 52.3

 

CMYK 8 / 0 / 32 / 13

HEX #CBDD96

RGB 203 221 150

HSL 75.21, 0.51%, 0.73%

LAB 85.31, -17.53, 32.92

 

CMYK 6 / 0 / 23 / 18

HEX #C6D2A1

RGB 198 210 161

HSL 74.69, 0.35%, 0.73%

LAB 82.2, -12.34, 22.98

 

CMYK 4 / 0 / 14 / 22

HEX #C0C7AC

RGB 192 199 172

HSL 75.56, 0.19%, 0.73%

LAB 79.06, -7.17, 12.71

 

CMYK 1 / 0 / 3 / 26

HEX #BBBCB7

RGB 187 188 183

HSL 72, 0.04%, 0.73%

LAB 76.04, -1.26, 2.39

 

CMYK 7 / 9 / 0 / 24

HEX #B5B1C2

RGB 181 177 194

HSL 254.12, 0.12%, 0.73%

LAB 73, 4.68, -8.13

 

CMYK 0 / 9 / 32 / 13

HEX #DDC996

RGB 221 201 150

HSL 43.1, 0.51%, 0.73%

LAB 81.48, -0.49, 28.07

 

CMYK 0 / 0 / 32 / 13

HEX #DDDC96

RGB 221 220 150

HSL 59.15, 0.51%, 0.73%

LAB 86.39, -10.22, 34.59

 

CMYK 8 / 0 / 32 / 13

HEX #CCDD96

RGB 204 221 150

HSL 74.37, 0.51%, 0.73%

LAB 85.38, -17.15, 33.03

 

CMYK 17 / 0 / 32 / 13

HEX #B8DD96

RGB 184 221 150

HSL 91.27, 0.51%, 0.73%

LAB 84.02, -24.48, 30.98

 

CMYK 25 / 0 / 32 / 13

HEX #A5DD96

RGB 165 221 150

HSL 107.32, 0.51%, 0.73%

LAB 82.87, -31.11, 29.24

 

CMYK 14 / 0 / 57 / 21

HEX #ADCA57

RGB 173 202 87

HSL 75.13, 0.52%, 0.57%

LAB 77.17, -26.66, 53.14

 

CMYK 11 / 0 / 44 / 17

HEX #BCD476

RGB 188 212 118

HSL 75.32, 0.52%, 0.65%

LAB 81.34, -22.63, 43.69

 

CMYK 8 / 0 / 32 / 13

HEX #CBDD96

RGB 203 221 150

HSL 75.21, 0.51%, 0.73%

LAB 85.31, -17.53, 32.92

 

CMYK 5 / 0 / 22 / 9

HEX #DBE7B5

RGB 219 231 181

HSL 74.4, 0.51%, 0.81%

LAB 89.65, -12.33, 23.05

 

CMYK 3 / 0 / 12 / 5

HEX #EAF1D5

RGB 234 241 213

HSL 75, 0.5%, 0.89%

LAB 93.97, -7.11, 12.73

 

CMYK 8 / 0 / 32 / 13

HEX #CCDE97

RGB 204 222 151

HSL 75.21, 0.52%, 0.73%

LAB 85.66, -17.52, 32.9

 

CMYK 32 / 0 / 18 / 13

HEX #96DDB6

RGB 150 221 182

HSL 147.04, 0.51%, 0.73%

LAB 82.69, -30.33, 12.16

 

CMYK 5 / 32 / 0 / 13

HEX #D396DD

RGB 211 150 221

HSL 291.55, 0.51%, 0.73%

LAB 70.09, 34.73, -27.1

 

CMYK 8 / 0 / 32 / 13

HEX #CCDE97

RGB 204 222 151

HSL 75.21, 0.52%, 0.73%

LAB 85.66, -17.52, 32.9

 

CMYK 32 / 8 / 0 / 13

HEX #96CCDD

RGB 150 204 221

HSL 194.37, 0.51%, 0.73%

LAB 78.98, -13.38, -14.05

 

CMYK 0 / 32 / 8 / 13

HEX #DD96CC

RGB 221 150 204

HSL 314.37, 0.51%, 0.73%

LAB 70.56, 34.87, -16.91

 

CMYK 8 / 0 / 32 / 13

HEX #CCDE97

RGB 204 222 151

HSL 75.21, 0.52%, 0.73%

LAB 85.66, -17.52, 32.9

 

CMYK 32 / 0 / 18 / 13

HEX #96DDB6

RGB 150 221 182

HSL 147.04, 0.51%, 0.73%

LAB 82.69, -30.33, 12.16

 

CMYK 24 / 32 / 0 / 13

HEX #A896DD

RGB 168 150 221

HSL 255.21, 0.51%, 0.73%

LAB 66.03, 21.46, -33.71

 

CMYK 0 / 32 / 14 / 13

HEX #DD96BD

RGB 221 150 189

HSL 327.04, 0.51%, 0.73%

LAB 70.08, 32.36, -9.31

 

CMYK 8 / 0 / 32 / 13

HEX #CCDE97

RGB 204 222 151

HSL 75.21, 0.52%, 0.73%

LAB 85.66, -17.52, 32.9

 

CMYK 32 / 0 / 8 / 13

HEX #96DDCC

RGB 150 221 204

HSL 165.63, 0.51%, 0.73%

LAB 83.21, -25.8, 1.28

 

CMYK 24 / 32 / 0 / 13

HEX #A896DD

RGB 168 150 221

HSL 255.21, 0.51%, 0.73%

LAB 66.03, 21.46, -33.71

 

CMYK 0 / 32 / 24 / 13

HEX #DD96A8

RGB 221 150 168

HSL 344.79, 0.51%, 0.73%

LAB 69.48, 29.16, 1.5

 

Description

Color code: HEX #CCDE97 | qconv.com Color code: HEX #CCDE97 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 222 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 222 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 32 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 32% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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