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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCDF6B it is the complementary color #332094. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCDF6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCDF6B shade: #D1DF66, #E2F179, #F3FF8C, #FFFF9F and #FFFFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCDF6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCDF6B shade: #CCDF6B, #BBCD58, #AABB45, #99A932 and #88971F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCDF6B shade: #CCDE6C, #DED26C, #DEB36C, #DE956C and #DE766C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCDF6B shade: #CCDE6C, #ADDE6C, #8EDE6C, #6FDE6C and #6CDE88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCDF6B shade matches the following richer shades: #CCDE6C, #D5ED5E and #DFFB4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCDF6B shade: #CCDE6C, #C2D07B, #B8C189, #AFB397 and #A5A5A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCDF6B shade: #DEB36C, #DED16C, #CDDE6C, #AFDE6C and #90DE6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCDF6B shade: #B2CC2C, #C0D74A, #CCDE6C, #D7E68E and #E3EDB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCDF6B shade: #CCDF6B, #6CDE94 and #C26CDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCDF6B shade: #CCDF6B, #6CCDDE and #DE6CCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCDF6B shade: #CCDF6B, #6CDE94, #7D6CDE and #DE6CB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCDF6B shade: #CCDF6B, #6CDEB6, #7D6CDE and #DE6C94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 52 / 13

HEX #CCDF6B

RGB 204 223 107

HSL 69.83, 0.64%, 0.65%

LAB 85.34, -22.84, 54.02

 

Complementary color

CMYK 66 / 78 / 0 / 42

HEX #332094

RGB 51 32 148

HSL 249.83, 0.64%, 0.35%

LAB 23.25, 42.63, -60.08

 

CMYK 6 / 0 / 54 / 13

HEX #D1DF66

RGB 209 223 102

HSL 66.94, 0.65%, 0.64%

LAB 85.65, -21.29, 56.75

 

CMYK 6 / 0 / 50 / 5

HEX #E2F179

RGB 226 241 121

HSL 67.5, 0.81%, 0.71%

LAB 91.89, -21.68, 55.69

 

CMYK 5 / 0 / 45 / 0

HEX #F3FF8C

RGB 243 255 140

HSL 66.26, 1%, 0.77%

LAB 97.01, -20.09, 53.33

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9F

RGB 255 255 159

HSL 60, 1%, 0.81%

LAB 98.15, -13.6, 45.86

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

CMYK 9 / 0 / 52 / 13

HEX #CCDF6B

RGB 204 223 107

HSL 69.83, 0.64%, 0.65%

LAB 85.34, -22.84, 54.02

 

CMYK 9 / 0 / 57 / 20

HEX #BBCD58

RGB 187 205 88

HSL 69.23, 0.54%, 0.57%

LAB 79, -22.45, 55.03

 

CMYK 9 / 0 / 63 / 27

HEX #AABB45

RGB 170 187 69

HSL 68.64, 0.46%, 0.5%

LAB 72.57, -21.96, 55.88

 

CMYK 9 / 0 / 70 / 34

HEX #99A932

RGB 153 169 50

HSL 68.07, 0.54%, 0.43%

LAB 66.04, -21.33, 56.39

 

CMYK 10 / 0 / 79 / 41

HEX #88971F

RGB 136 151 31

HSL 67.5, 0.66%, 0.36%

LAB 59.4, -20.52, 56.23

 

CMYK 8 / 0 / 51 / 13

HEX #CCDE6C

RGB 204 222 108

HSL 69.47, 0.63%, 0.65%

LAB 85.08, -22.26, 53.25

 

CMYK 0 / 5 / 51 / 13

HEX #DED26C

RGB 222 210 108

HSL 53.68, 0.63%, 0.65%

LAB 83.29, -9.1, 51.48

 

CMYK 0 / 19 / 51 / 13

HEX #DEB36C

RGB 222 179 108

HSL 37.37, 0.63%, 0.65%

LAB 75.36, 6.99, 41.9

 

CMYK 0 / 33 / 51 / 13

HEX #DE956C

RGB 222 149 108

HSL 21.58, 0.63%, 0.65%

LAB 68.1, 23.05, 32.76

 

CMYK 0 / 47 / 51 / 13

HEX #DE766C

RGB 222 118 108

HSL 5.26, 0.63%, 0.65%

LAB 61.28, 39.42, 23.84

 

CMYK 8 / 0 / 51 / 13

HEX #CCDE6C

RGB 204 222 108

HSL 69.47, 0.63%, 0.65%

LAB 85.08, -22.26, 53.25

 

CMYK 22 / 0 / 51 / 13

HEX #ADDE6C

RGB 173 222 108

HSL 85.79, 0.63%, 0.65%

LAB 83.02, -34.09, 50.31

 

CMYK 36 / 0 / 51 / 13

HEX #8EDE6C

RGB 142 222 108

HSL 102.11, 0.63%, 0.65%

LAB 81.33, -44.9, 47.88

 

CMYK 50 / 0 / 51 / 13

HEX #6FDE6C

RGB 111 222 108

HSL 118.42, 0.63%, 0.65%

LAB 80.01, -54.16, 45.97

 

CMYK 51 / 0 / 39 / 13

HEX #6CDE88

RGB 108 222 136

HSL 134.74, 0.63%, 0.65%

LAB 80.3, -50.81, 32.51

 

CMYK 8 / 0 / 51 / 13

HEX #CCDE6C

RGB 204 222 108

HSL 69.47, 0.63%, 0.65%

LAB 85.08, -22.26, 53.25

 

CMYK 10 / 0 / 60 / 7

HEX #D5ED5E

RGB 213 237 94

HSL 70.07, 0.8%, 0.65%

LAB 89.64, -27.02, 64.74

 

CMYK 11 / 0 / 69 / 2

HEX #DFFB4F

RGB 223 251 79

HSL 69.77, 0.96%, 0.65%

LAB 93.99, -30.57, 75.28

 

CMYK 8 / 0 / 51 / 13

HEX #CCDE6C

RGB 204 222 108

HSL 69.47, 0.63%, 0.65%

LAB 85.08, -22.26, 53.25

 

CMYK 7 / 0 / 41 / 18

HEX #C2D07B

RGB 194 208 123

HSL 69.88, 0.47%, 0.65%

LAB 80.74, -17.79, 40.55

 

CMYK 5 / 0 / 29 / 24

HEX #B8C189

RGB 184 193 137

HSL 69.64, 0.31%, 0.65%

LAB 76.15, -12.33, 27.23

 

CMYK 2 / 0 / 16 / 30

HEX #AFB397

RGB 175 179 151

HSL 68.57, 0.16%, 0.65%

LAB 71.95, -6.34, 13.84

 

CMYK 1 / 1 / 0 / 35

HEX #A5A5A6

RGB 165 165 166

HSL 240, 0.01%, 0.65%

LAB 67.77, 0.19, -0.52

 

CMYK 0 / 19 / 51 / 13

HEX #DEB36C

RGB 222 179 108

HSL 37.37, 0.63%, 0.65%

LAB 75.36, 6.99, 41.9

 

CMYK 0 / 6 / 51 / 13

HEX #DED16C

RGB 222 209 108

HSL 53.16, 0.63%, 0.65%

LAB 83.03, -8.59, 51.17

 

CMYK 8 / 0 / 51 / 13

HEX #CDDE6C

RGB 205 222 108

HSL 68.95, 0.63%, 0.65%

LAB 85.15, -21.87, 53.35

 

CMYK 21 / 0 / 51 / 13

HEX #AFDE6C

RGB 175 222 108

HSL 84.74, 0.63%, 0.65%

LAB 83.15, -33.35, 50.49

 

CMYK 35 / 0 / 51 / 13

HEX #90DE6C

RGB 144 222 108

HSL 101.05, 0.63%, 0.65%

LAB 81.43, -44.24, 48.02

 

CMYK 13 / 0 / 78 / 20

HEX #B2CC2C

RGB 178 204 44

HSL 69.75, 0.65%, 0.49%

LAB 77.78, -28.24, 70.11

 

CMYK 11 / 0 / 66 / 16

HEX #C0D74A

RGB 192 215 74

HSL 69.79, 0.64%, 0.57%

LAB 82, -26.27, 64.26

 

CMYK 8 / 0 / 51 / 13

HEX #CCDE6C

RGB 204 222 108

HSL 69.47, 0.63%, 0.65%

LAB 85.08, -22.26, 53.25

 

CMYK 7 / 0 / 38 / 10

HEX #D7E68E

RGB 215 230 142

HSL 70.23, 0.64%, 0.73%

LAB 88.44, -18.43, 41.2

 

CMYK 4 / 0 / 26 / 7

HEX #E3EDB0

RGB 227 237 176

HSL 69.84, 0.63%, 0.81%

LAB 91.7, -13.12, 28.52

 

CMYK 9 / 0 / 52 / 13

HEX #CCDF6B

RGB 204 223 107

HSL 69.83, 0.64%, 0.65%

LAB 85.34, -22.84, 54.02

 

CMYK 51 / 0 / 33 / 13

HEX #6CDE94

RGB 108 222 148

HSL 141.05, 0.63%, 0.65%

LAB 80.5, -48.73, 26.63

 

CMYK 13 / 51 / 0 / 13

HEX #C26CDE

RGB 194 108 222

HSL 285.26, 0.63%, 0.65%

LAB 59.41, 52.14, -44.44

 

CMYK 9 / 0 / 52 / 13

HEX #CCDF6B

RGB 204 223 107

HSL 69.83, 0.64%, 0.65%

LAB 85.34, -22.84, 54.02

 

CMYK 51 / 8 / 0 / 13

HEX #6CCDDE

RGB 108 205 222

HSL 188.95, 0.63%, 0.65%

LAB 77.36, -23.99, -17.23

 

CMYK 0 / 51 / 8 / 13

HEX #DE6CCD

RGB 222 108 205

HSL 308.95, 0.63%, 0.65%

LAB 62.22, 56.84, -30.21

 

CMYK 9 / 0 / 52 / 13

HEX #CCDF6B

RGB 204 223 107

HSL 69.83, 0.64%, 0.65%

LAB 85.34, -22.84, 54.02

 

CMYK 51 / 0 / 33 / 13

HEX #6CDE94

RGB 108 222 148

HSL 141.05, 0.63%, 0.65%

LAB 80.5, -48.73, 26.63

 

CMYK 44 / 51 / 0 / 13

HEX #7D6CDE

RGB 125 108 222

HSL 248.95, 0.63%, 0.65%

LAB 52.24, 34.56, -56.27

 

CMYK 0 / 51 / 18 / 13

HEX #DE6CB6

RGB 222 108 182

HSL 321.05, 0.63%, 0.65%

LAB 61.34, 53.24, -18.52

 

CMYK 9 / 0 / 52 / 13

HEX #CCDF6B

RGB 204 223 107

HSL 69.83, 0.64%, 0.65%

LAB 85.34, -22.84, 54.02

 

CMYK 51 / 0 / 18 / 13

HEX #6CDEB6

RGB 108 222 182

HSL 158.95, 0.63%, 0.65%

LAB 81.19, -41.89, 9.78

 

CMYK 44 / 51 / 0 / 13

HEX #7D6CDE

RGB 125 108 222

HSL 248.95, 0.63%, 0.65%

LAB 52.24, 34.56, -56.27

 

CMYK 0 / 51 / 33 / 13

HEX #DE6C94

RGB 222 108 148

HSL 338.95, 0.63%, 0.65%

LAB 60.24, 48.65, -0.61

 

Description

Color code: HEX #CCDF6B | qconv.com Color code: HEX #CCDF6B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 223 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 223 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 52 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 52% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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