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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCDF91 it is the complementary color #33206E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCDF91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCDF91 shade: #D1DF8C, #E2F19F, #F3FFB2, #FFFFC5 and #FFFFD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCDF91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCDF91 shade: #CCDF91, #BBCD7E, #AABB6B, #99A958 and #889745

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCDF91 shade: #CBDE90, #DEDC90, #DEC790, #DEB290 and #DE9D90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCDF91 shade: #CBDE90, #B6DE90, #A1DE90, #90DE94 and #90DEA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCDF91 shade matches the following richer shades: #CBDE90, #D1EA84 and #D7F579

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCDF91 shade: #CBDE90, #C5D39B, #BFC7A7, #B9BCB2 and #B4B0BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCDF91 shade: #DEC790, #DEDC90, #CCDE90, #B7DE90 and #A2DE90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCDF91 shade: #AECC50, #BCD570, #CBDE90, #DAE8B0 and #E9F1D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCDF91 shade: #CCDF91, #90DEB2 and #D190DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCDF91 shade: #CCDF91, #90CCDE and #DE90CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCDF91 shade: #CCDF91, #90DEB2, #A290DE and #DE90BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCDF91 shade: #CCDF91, #90DEC9, #A290DE and #DE90A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 35 / 13

HEX #CCDF91

RGB 204 223 145

HSL 74.62, 0.55%, 0.72%

LAB 85.83, -18.78, 36.17

 

Complementary color

CMYK 54 / 71 / 0 / 57

HEX #33206E

RGB 51 32 110

HSL 254.62, 0.55%, 0.28%

LAB 19.49, 30.52, -42.24

 

CMYK 6 / 0 / 37 / 13

HEX #D1DF8C

RGB 209 223 140

HSL 70.12, 0.56%, 0.71%

LAB 86.12, -17.5, 39.12

 

CMYK 6 / 0 / 34 / 5

HEX #E2F19F

RGB 226 241 159

HSL 70.98, 0.75%, 0.78%

LAB 92.39, -17.66, 38.01

 

CMYK 5 / 0 / 30 / 0

HEX #F3FFB2

RGB 243 255 178

HSL 69.35, 1%, 0.85%

LAB 97.55, -15.85, 35.56

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD8

RGB 255 255 216

HSL 60, 1%, 0.92%

LAB 99.12, -6.32, 18.67

 

CMYK 9 / 0 / 35 / 13

HEX #CCDF91

RGB 204 223 145

HSL 74.62, 0.55%, 0.72%

LAB 85.83, -18.78, 36.17

 

CMYK 9 / 0 / 39 / 20

HEX #BBCD7E

RGB 187 205 126

HSL 73.67, 0.44%, 0.65%

LAB 79.46, -18.65, 37.31

 

CMYK 9 / 0 / 43 / 27

HEX #AABB6B

RGB 170 187 107

HSL 72.75, 0.37%, 0.58%

LAB 72.99, -18.49, 38.48

 

CMYK 9 / 0 / 48 / 34

HEX #99A958

RGB 153 169 88

HSL 71.85, 0.32%, 0.5%

LAB 66.41, -18.26, 39.67

 

CMYK 10 / 0 / 54 / 41

HEX #889745

RGB 136 151 69

HSL 70.98, 0.37%, 0.43%

LAB 59.71, -17.96, 40.83

 

CMYK 9 / 0 / 35 / 13

HEX #CBDE90

RGB 203 222 144

HSL 74.62, 0.54%, 0.72%

LAB 85.48, -18.79, 36.2

 

CMYK 0 / 1 / 35 / 13

HEX #DEDC90

RGB 222 220 144

HSL 58.46, 0.54%, 0.72%

LAB 86.37, -10.55, 37.63

 

CMYK 0 / 10 / 35 / 13

HEX #DEC790

RGB 222 199 144

HSL 42.31, 0.54%, 0.72%

LAB 80.96, 0.21, 30.52

 

CMYK 0 / 20 / 35 / 13

HEX #DEB290

RGB 222 178 144

HSL 26.15, 0.54%, 0.72%

LAB 75.69, 11.3, 23.44

 

CMYK 0 / 29 / 35 / 13

HEX #DE9D90

RGB 222 157 144

HSL 10, 0.54%, 0.72%

LAB 70.63, 22.57, 16.48

 

CMYK 9 / 0 / 35 / 13

HEX #CBDE90

RGB 203 222 144

HSL 74.62, 0.54%, 0.72%

LAB 85.48, -18.79, 36.2

 

CMYK 18 / 0 / 35 / 13

HEX #B6DE90

RGB 182 222 144

HSL 90.77, 0.54%, 0.72%

LAB 84.07, -26.51, 34.09

 

CMYK 27 / 0 / 35 / 13

HEX #A1DE90

RGB 161 222 144

HSL 106.92, 0.54%, 0.72%

LAB 82.82, -33.82, 32.21

 

CMYK 35 / 0 / 33 / 13

HEX #90DE94

RGB 144 222 148

HSL 123.08, 0.54%, 0.72%

LAB 82.01, -38.7, 28.92

 

CMYK 35 / 0 / 24 / 13

HEX #90DEA9

RGB 144 222 169

HSL 139.23, 0.54%, 0.72%

LAB 82.4, -35.06, 18.55

 

CMYK 9 / 0 / 35 / 13

HEX #CBDE90

RGB 203 222 144

HSL 74.62, 0.54%, 0.72%

LAB 85.48, -18.79, 36.2

 

CMYK 11 / 0 / 44 / 8

HEX #D1EA84

RGB 209 234 132

HSL 74.71, 0.71%, 0.72%

LAB 88.95, -23.75, 46.65

 

CMYK 12 / 0 / 51 / 4

HEX #D7F579

RGB 215 245 121

HSL 74.52, 0.86%, 0.72%

LAB 92.19, -27.8, 55.86

 

CMYK 9 / 0 / 35 / 13

HEX #CBDE90

RGB 203 222 144

HSL 74.62, 0.54%, 0.72%

LAB 85.48, -18.79, 36.2

 

CMYK 7 / 0 / 27 / 17

HEX #C5D39B

RGB 197 211 155

HSL 75, 0.39%, 0.72%

LAB 82.28, -14.08, 26.22

 

CMYK 4 / 0 / 16 / 22

HEX #BFC7A7

RGB 191 199 167

HSL 75, 0.22%, 0.72%

LAB 78.88, -8.34, 15.11

 

CMYK 2 / 0 / 5 / 26

HEX #B9BCB2

RGB 185 188 178

HSL 78, 0.07%, 0.72%

LAB 75.76, -2.87, 4.68

 

CMYK 5 / 7 / 0 / 25

HEX #B4B0BE

RGB 180 176 190

HSL 257.14, 0.1%, 0.72%

LAB 72.54, 4.09, -6.62

 

CMYK 0 / 10 / 35 / 13

HEX #DEC790

RGB 222 199 144

HSL 42.31, 0.54%, 0.72%

LAB 80.96, 0.21, 30.52

 

CMYK 0 / 1 / 35 / 13

HEX #DEDC90

RGB 222 220 144

HSL 58.46, 0.54%, 0.72%

LAB 86.37, -10.55, 37.63

 

CMYK 8 / 0 / 35 / 13

HEX #CCDE90

RGB 204 222 144

HSL 73.85, 0.54%, 0.72%

LAB 85.55, -18.41, 36.31

 

CMYK 18 / 0 / 35 / 13

HEX #B7DE90

RGB 183 222 144

HSL 90, 0.54%, 0.72%

LAB 84.13, -26.15, 34.18

 

CMYK 27 / 0 / 35 / 13

HEX #A2DE90

RGB 162 222 144

HSL 106.15, 0.54%, 0.72%

LAB 82.88, -33.49, 32.3

 

CMYK 15 / 0 / 61 / 20

HEX #AECC50

RGB 174 204 80

HSL 74.52, 0.55%, 0.56%

LAB 77.74, -27.79, 56.87

 

CMYK 12 / 0 / 47 / 16

HEX #BCD570

RGB 188 213 112

HSL 74.85, 0.55%, 0.64%

LAB 81.54, -23.76, 46.85

 

CMYK 9 / 0 / 35 / 13

HEX #CBDE90

RGB 203 222 144

HSL 74.62, 0.54%, 0.72%

LAB 85.48, -18.79, 36.2

 

CMYK 6 / 0 / 24 / 9

HEX #DAE8B0

RGB 218 232 176

HSL 75, 0.55%, 0.8%

LAB 89.74, -13.91, 25.75

 

CMYK 3 / 0 / 14 / 5

HEX #E9F1D0

RGB 233 241 208

HSL 74.55, 0.54%, 0.88%

LAB 93.79, -8.25, 15.04

 

CMYK 9 / 0 / 35 / 13

HEX #CCDF91

RGB 204 223 145

HSL 74.62, 0.55%, 0.72%

LAB 85.83, -18.78, 36.17

 

CMYK 35 / 0 / 20 / 13

HEX #90DEB2

RGB 144 222 178

HSL 146.15, 0.54%, 0.72%

LAB 82.59, -33.35, 14.09

 

CMYK 6 / 35 / 0 / 13

HEX #D190DE

RGB 209 144 222

HSL 290, 0.54%, 0.72%

LAB 68.59, 37.54, -29.99

 

CMYK 9 / 0 / 35 / 13

HEX #CCDF91

RGB 204 223 145

HSL 74.62, 0.55%, 0.72%

LAB 85.83, -18.78, 36.17

 

CMYK 35 / 8 / 0 / 13

HEX #90CCDE

RGB 144 204 222

HSL 193.85, 0.54%, 0.72%

LAB 78.69, -14.78, -15.06

 

CMYK 0 / 35 / 8 / 13

HEX #DE90CC

RGB 222 144 204

HSL 313.85, 0.54%, 0.72%

LAB 69.35, 38.39, -18.73

 

CMYK 9 / 0 / 35 / 13

HEX #CCDF91

RGB 204 223 145

HSL 74.62, 0.55%, 0.72%

LAB 85.83, -18.78, 36.17

 

CMYK 35 / 0 / 20 / 13

HEX #90DEB2

RGB 144 222 178

HSL 146.15, 0.54%, 0.72%

LAB 82.59, -33.35, 14.09

 

CMYK 27 / 35 / 0 / 13

HEX #A290DE

RGB 162 144 222

HSL 253.85, 0.54%, 0.72%

LAB 64.08, 23.35, -37.33

 

CMYK 0 / 35 / 15 / 13

HEX #DE90BC

RGB 222 144 188

HSL 326.15, 0.54%, 0.72%

LAB 68.83, 35.75, -10.61

 

CMYK 9 / 0 / 35 / 13

HEX #CCDF91

RGB 204 223 145

HSL 74.62, 0.55%, 0.72%

LAB 85.83, -18.78, 36.17

 

CMYK 35 / 0 / 9 / 13

HEX #90DEC9

RGB 144 222 201

HSL 163.85, 0.54%, 0.72%

LAB 83.12, -28.61, 2.7

 

CMYK 27 / 35 / 0 / 13

HEX #A290DE

RGB 162 144 222

HSL 253.85, 0.54%, 0.72%

LAB 64.08, 23.35, -37.33

 

CMYK 0 / 35 / 26 / 13

HEX #DE90A5

RGB 222 144 165

HSL 343.85, 0.54%, 0.72%

LAB 68.16, 32.31, 1.28

 

Description

Color code: HEX #CCDF91 | qconv.com Color code: HEX #CCDF91 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 223 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 223 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 35 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 35% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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