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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCE877 it is the complementary color #331788. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCE877. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCE877 shade: #D1E872, #E2FA85, #F3FF98, #FFFFAB and #FFFFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCE877. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCE877 shade: #CCE877, #BBD664, #AAC451, #99B23E and #88A02B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCE877 shade: #CCE877, #E8E577, #E8C777, #E8A977 and #E88A77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCE877 shade: #CCE877, #ADE877, #8FE877, #77E87E and #77E89C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCE877 shade matches the following richer shades: #CCE877 and #D2F46B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCE877 shade: #CCE877, #C5DB84, #BFCE91, #B8C19E and #B2B4AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCE877 shade: #E8C677, #E8E477, #CDE877, #AFE877 and #92E877

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCE877 shade: #B1DC31, #BFE254, #CCE877, #D9EE9B and #E6F4BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCE877 shade: #CCE877, #77E8A8 and #D577E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCE877 shade: #CCE877, #77CDE8 and #E877CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCE877 shade: #CCE877, #77E8A8, #9277E8 and #E877B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCE877 shade: #CCE877, #77E8CA, #9277E8 and #E87795

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 49 / 9

HEX #CCE877

RGB 204 232 119

HSL 74.87, 0.71%, 0.69%

LAB 87.91, -26.03, 51.49

 

Complementary color

CMYK 63 / 83 / 0 / 47

HEX #331788

RGB 51 23 136

HSL 254.87, 0.71%, 0.31%

LAB 20.42, 43.39, -57.29

 

CMYK 10 / 0 / 51 / 9

HEX #D1E872

RGB 209 232 114

HSL 71.69, 0.72%, 0.68%

LAB 88.2, -24.58, 54.25

 

CMYK 10 / 0 / 47 / 2

HEX #E2FA85

RGB 226 250 133

HSL 72.31, 0.92%, 0.75%

LAB 94.41, -24.85, 53.16

 

CMYK 5 / 0 / 40 / 0

HEX #F3FF98

RGB 243 255 152

HSL 66.99, 1%, 0.8%

LAB 97.16, -18.88, 47.81

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAB

RGB 255 255 171

HSL 60, 1%, 0.84%

LAB 98.32, -12.27, 40.22

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBE

RGB 255 255 190

HSL 60, 1%, 0.87%

LAB 98.63, -9.94, 31.16

 

CMYK 12 / 0 / 49 / 9

HEX #CCE877

RGB 204 232 119

HSL 74.87, 0.71%, 0.69%

LAB 87.91, -26.03, 51.49

 

CMYK 13 / 0 / 53 / 16

HEX #BBD664

RGB 187 214 100

HSL 74.21, 0.58%, 0.62%

LAB 81.61, -25.79, 52.58

 

CMYK 13 / 0 / 59 / 23

HEX #AAC451

RGB 170 196 81

HSL 73.57, 0.49%, 0.54%

LAB 75.21, -25.46, 53.57

 

CMYK 14 / 0 / 65 / 30

HEX #99B23E

RGB 153 178 62

HSL 72.93, 0.48%, 0.47%

LAB 68.72, -25.03, 54.36

 

CMYK 15 / 0 / 73 / 37

HEX #88A02B

RGB 136 160 43

HSL 72.31, 0.58%, 0.4%

LAB 62.13, -24.45, 54.73

 

CMYK 12 / 0 / 49 / 9

HEX #CCE877

RGB 204 232 119

HSL 74.87, 0.71%, 0.69%

LAB 87.91, -26.03, 51.49

 

CMYK 0 / 1 / 49 / 9

HEX #E8E577

RGB 232 229 119

HSL 58.41, 0.71%, 0.69%

LAB 89.17, -13.65, 53.5

 

CMYK 0 / 14 / 49 / 9

HEX #E8C777

RGB 232 199 119

HSL 42.48, 0.71%, 0.69%

LAB 81.48, 1.57, 44.14

 

CMYK 0 / 27 / 49 / 9

HEX #E8A977

RGB 232 169 119

HSL 26.55, 0.71%, 0.69%

LAB 74.1, 17.39, 34.84

 

CMYK 0 / 41 / 49 / 9

HEX #E88A77

RGB 232 138 119

HSL 10.09, 0.71%, 0.69%

LAB 67.02, 33.83, 25.57

 

CMYK 12 / 0 / 49 / 9

HEX #CCE877

RGB 204 232 119

HSL 74.87, 0.71%, 0.69%

LAB 87.91, -26.03, 51.49

 

CMYK 25 / 0 / 49 / 9

HEX #ADE877

RGB 173 232 119

HSL 91.33, 0.71%, 0.69%

LAB 85.97, -37.47, 48.69

 

CMYK 38 / 0 / 49 / 9

HEX #8FE877

RGB 143 232 119

HSL 107.26, 0.71%, 0.69%

LAB 84.42, -47.5, 46.44

 

CMYK 49 / 0 / 46 / 9

HEX #77E87E

RGB 119 232 126

HSL 123.72, 0.71%, 0.69%

LAB 83.52, -53.54, 41.72

 

CMYK 49 / 0 / 33 / 9

HEX #77E89C

RGB 119 232 156

HSL 139.65, 0.71%, 0.69%

LAB 83.98, -48.73, 27.29

 

CMYK 12 / 0 / 49 / 9

HEX #CCE877

RGB 204 232 119

HSL 74.87, 0.71%, 0.69%

LAB 87.91, -26.03, 51.49

 

CMYK 14 / 0 / 56 / 4

HEX #D2F46B

RGB 210 244 107

HSL 74.89, 0.86%, 0.69%

LAB 91.44, -30.46, 61.16

 

CMYK 12 / 0 / 49 / 9

HEX #CCE877

RGB 204 232 119

HSL 74.87, 0.71%, 0.69%

LAB 87.91, -26.03, 51.49

 

CMYK 10 / 0 / 40 / 14

HEX #C5DB84

RGB 197 219 132

HSL 75.17, 0.55%, 0.69%

LAB 84.07, -21.03, 40.32

 

CMYK 7 / 0 / 30 / 19

HEX #BFCE91

RGB 191 206 145

HSL 74.75, 0.38%, 0.69%

LAB 80.33, -15.19, 28.72

 

CMYK 5 / 0 / 18 / 24

HEX #B8C19E

RGB 184 193 158

HSL 75.43, 0.22%, 0.69%

LAB 76.56, -9.23, 16.6

 

CMYK 1 / 0 / 6 / 29

HEX #B2B4AA

RGB 178 180 170

HSL 72, 0.06%, 0.69%

LAB 72.9, -2.53, 4.84

 

CMYK 0 / 15 / 49 / 9

HEX #E8C677

RGB 232 198 119

HSL 41.95, 0.71%, 0.69%

LAB 81.22, 2.09, 43.83

 

CMYK 0 / 2 / 49 / 9

HEX #E8E477

RGB 232 228 119

HSL 57.88, 0.71%, 0.69%

LAB 88.91, -13.15, 53.18

 

CMYK 12 / 0 / 49 / 9

HEX #CDE877

RGB 205 232 119

HSL 74.34, 0.71%, 0.69%

LAB 87.98, -25.65, 51.59

 

CMYK 25 / 0 / 49 / 9

HEX #AFE877

RGB 175 232 119

HSL 90.27, 0.71%, 0.69%

LAB 86.09, -36.76, 48.86

 

CMYK 37 / 0 / 49 / 9

HEX #92E877

RGB 146 232 119

HSL 105.66, 0.71%, 0.69%

LAB 84.56, -46.56, 46.65

 

CMYK 20 / 0 / 78 / 14

HEX #B1DC31

RGB 177 220 49

HSL 75.09, 0.71%, 0.53%

LAB 82.25, -35.87, 72.71

 

CMYK 15 / 0 / 63 / 11

HEX #BFE254

RGB 191 226 84

HSL 74.79, 0.71%, 0.61%

LAB 85.05, -31.18, 63.46

 

CMYK 12 / 0 / 49 / 9

HEX #CCE877

RGB 204 232 119

HSL 74.87, 0.71%, 0.69%

LAB 87.91, -26.03, 51.49

 

CMYK 9 / 0 / 35 / 7

HEX #D9EE9B

RGB 217 238 155

HSL 75.18, 0.71%, 0.77%

LAB 90.9, -20.03, 37.94

 

CMYK 6 / 0 / 22 / 4

HEX #E6F4BE

RGB 230 244 190

HSL 75.56, 0.71%, 0.85%

LAB 93.99, -13.53, 24.53

 

CMYK 12 / 0 / 49 / 9

HEX #CCE877

RGB 204 232 119

HSL 74.87, 0.71%, 0.69%

LAB 87.91, -26.03, 51.49

 

CMYK 49 / 0 / 28 / 9

HEX #77E8A8

RGB 119 232 168

HSL 146.02, 0.71%, 0.69%

LAB 84.21, -46.51, 21.41

 

CMYK 8 / 49 / 0 / 9

HEX #D577E8

RGB 213 119 232

HSL 289.91, 0.71%, 0.69%

LAB 64.3, 53.73, -42.17

 

CMYK 12 / 0 / 49 / 9

HEX #CCE877

RGB 204 232 119

HSL 74.87, 0.71%, 0.69%

LAB 87.91, -26.03, 51.49

 

CMYK 49 / 12 / 0 / 9

HEX #77CDE8

RGB 119 205 232

HSL 194.34, 0.71%, 0.69%

LAB 78.12, -18.87, -21.4

 

CMYK 0 / 49 / 12 / 9

HEX #E877CD

RGB 232 119 205

HSL 314.34, 0.71%, 0.69%

LAB 65.56, 54.47, -24.96

 

CMYK 12 / 0 / 49 / 9

HEX #CCE877

RGB 204 232 119

HSL 74.87, 0.71%, 0.69%

LAB 87.91, -26.03, 51.49

 

CMYK 49 / 0 / 28 / 9

HEX #77E8A8

RGB 119 232 168

HSL 146.02, 0.71%, 0.69%

LAB 84.21, -46.51, 21.41

 

CMYK 37 / 49 / 0 / 9

HEX #9277E8

RGB 146 119 232

HSL 254.34, 0.71%, 0.69%

LAB 57.2, 35.95, -53.85

 

CMYK 0 / 49 / 21 / 9

HEX #E877B7

RGB 232 119 183

HSL 326.02, 0.71%, 0.69%

LAB 64.78, 51.16, -13.75

 

CMYK 12 / 0 / 49 / 9

HEX #CCE877

RGB 204 232 119

HSL 74.87, 0.71%, 0.69%

LAB 87.91, -26.03, 51.49

 

CMYK 49 / 0 / 13 / 9

HEX #77E8CA

RGB 119 232 202

HSL 164.07, 0.71%, 0.69%

LAB 84.95, -39.37, 4.69

 

CMYK 37 / 49 / 0 / 9

HEX #9277E8

RGB 146 119 232

HSL 254.34, 0.71%, 0.69%

LAB 57.2, 35.95, -53.85

 

CMYK 0 / 49 / 36 / 9

HEX #E87795

RGB 232 119 149

HSL 344.07, 0.71%, 0.69%

LAB 63.77, 46.73, 4.12

 

Description

Color code: HEX #CCE877 | qconv.com Color code: HEX #CCE877 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 232 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 232 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 49 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 49% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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