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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA141C it is the complementary color #35EBE3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA141C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA141C shade: #CF1417, #E0262A, #F1383D, #FF4A50 and #FF5C63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA141C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA141C shade: #CA141C, #B90209, #A80000, #970000 and #860000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA141C shade: #CC141C and #CC1414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA141C shade: #CC141C, #CC144D, #CC147F, #CC14B1 and #B514CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA141C shade matches the following richer shades: #CC141C and #DE020B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA141C shade: #CC141C, #BA262C, #A7383D, #954A4D and #835C5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA141C shade: #CC147F, #CC144E, #CC141D, #CC3C14 and #CC6D14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA141C shade: #810C11, #A61017, #CC141C, #E92029 and #EC464D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA141C shade: #CA141C, #B0CC14 and #1466CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA141C shade: #CA141C, #1DCC14 and #141DCC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA141C shade: #CA141C, #B0CC14, #14CCC3 and #2F14CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA141C shade: #CA141C, #79CC14, #14CCC3 and #6614CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 86 / 21

HEX #CA141C

RGB 202 20 28

HSL 357.36, 0.82%, 0.44%

LAB 42.97, 65.37, 46.18

 

Complementary color

CMYK 77 / 0 / 3 / 8

HEX #35EBE3

RGB 53 235 227

HSL 177.36, 0.82%, 0.56%

LAB 84.85, -44.89, -8.8

 

CMYK 0 / 90 / 89 / 19

HEX #CF1417

RGB 207 20 23

HSL 359.04, 0.82%, 0.45%

LAB 43.98, 66.59, 49.77

 

CMYK 0 / 83 / 81 / 12

HEX #E0262A

RGB 224 38 42

HSL 358.71, 0.75%, 0.51%

LAB 48.76, 68.15, 45.9

 

CMYK 0 / 77 / 75 / 5

HEX #F1383D

RGB 241 56 61

HSL 358.38, 0.87%, 0.58%

LAB 53.88, 68.83, 41.91

 

CMYK 0 / 71 / 69 / 0

HEX #FF4A50

RGB 255 74 80

HSL 358.01, 1%, 0.65%

LAB 58.73, 67.98, 37.51

 

CMYK 0 / 64 / 61 / 0

HEX #FF5C63

RGB 255 92 99

HSL 357.42, 1%, 0.68%

LAB 61.49, 62.25, 30.17

 

CMYK 0 / 90 / 86 / 21

HEX #CA141C

RGB 202 20 28

HSL 357.36, 0.82%, 0.44%

LAB 42.97, 65.37, 46.18

 

CMYK 0 / 99 / 95 / 27

HEX #B90209

RGB 185 2 9

HSL 357.7, 0.98%, 0.37%

LAB 38.51, 62.82, 49.44

 

CMYK 0 / 100 / 100 / 34

HEX #A80000

RGB 168 0 0

HSL 0, 1%, 0.33%

LAB 34.65, 58.61, 48.93

 

CMYK 0 / 100 / 100 / 41

HEX #970000

RGB 151 0 0

HSL 0, 1%, 0.3%

LAB 30.83, 54.19, 44.61

 

CMYK 0 / 100 / 100 / 47

HEX #860000

RGB 134 0 0

HSL 0, 1%, 0.26%

LAB 26.93, 49.67, 39.85

 

CMYK 0 / 90 / 86 / 20

HEX #CC141C

RGB 204 20 28

HSL 357.39, 0.82%, 0.44%

LAB 43.39, 65.9, 46.7

 

CMYK 0 / 90 / 90 / 20

HEX #CC1414

RGB 204 20 20

HSL 0, 0.82%, 0.44%

LAB 43.34, 65.76, 50.31

 

CMYK 0 / 90 / 86 / 20

HEX #CC141C

RGB 204 20 28

HSL 357.39, 0.82%, 0.44%

LAB 43.39, 65.9, 46.7

 

CMYK 0 / 90 / 62 / 20

HEX #CC144D

RGB 204 20 77

HSL 341.41, 0.82%, 0.44%

LAB 44.05, 67.77, 18.73

 

CMYK 0 / 90 / 38 / 20

HEX #CC147F

RGB 204 20 127

HSL 325.11, 0.82%, 0.44%

LAB 45.46, 71.65, -10.36

 

CMYK 0 / 90 / 13 / 20

HEX #CC14B1

RGB 204 20 177

HSL 308.8, 0.82%, 0.44%

LAB 47.64, 77.43, -37.06

 

CMYK 11 / 90 / 0 / 20

HEX #B514CC

RGB 181 20 204

HSL 292.5, 0.82%, 0.44%

LAB 45.2, 77.42, -56.96

 

CMYK 0 / 90 / 86 / 20

HEX #CC141C

RGB 204 20 28

HSL 357.39, 0.82%, 0.44%

LAB 43.39, 65.9, 46.7

 

CMYK 0 / 99 / 95 / 13

HEX #DE020B

RGB 222 2 11

HSL 357.55, 0.98%, 0.44%

LAB 46.44, 72.07, 57.33

 

CMYK 0 / 90 / 86 / 20

HEX #CC141C

RGB 204 20 28

HSL 357.39, 0.82%, 0.44%

LAB 43.39, 65.9, 46.7

 

CMYK 0 / 80 / 76 / 27

HEX #BA262C

RGB 186 38 44

HSL 357.57, 0.66%, 0.44%

LAB 41.23, 57.5, 34.64

 

CMYK 0 / 66 / 63 / 35

HEX #A7383D

RGB 167 56 61

HSL 357.3, 0.5%, 0.44%

LAB 40.21, 45.85, 22.31

 

CMYK 0 / 50 / 48 / 42

HEX #954A4D

RGB 149 74 77

HSL 357.6, 0.34%, 0.44%

LAB 40.93, 31.72, 12.85

 

CMYK 0 / 30 / 28 / 49

HEX #835C5E

RGB 131 92 94

HSL 356.92, 0.17%, 0.44%

LAB 43.19, 16.3, 5.24

 

CMYK 0 / 90 / 38 / 20

HEX #CC147F

RGB 204 20 127

HSL 325.11, 0.82%, 0.44%

LAB 45.46, 71.65, -10.36

 

CMYK 0 / 90 / 62 / 20

HEX #CC144E

RGB 204 20 78

HSL 341.09, 0.82%, 0.44%

LAB 44.07, 67.82, 18.13

 

CMYK 0 / 90 / 86 / 20

HEX #CC141D

RGB 204 20 29

HSL 357.07, 0.82%, 0.44%

LAB 43.4, 65.92, 46.21

 

CMYK 0 / 71 / 90 / 20

HEX #CC3C14

RGB 204 60 20

HSL 13.04, 0.82%, 0.44%

LAB 47.13, 55.12, 53.01

 

CMYK 0 / 47 / 90 / 20

HEX #CC6D14

RGB 204 109 20

HSL 29.02, 0.82%, 0.44%

LAB 55.91, 32.33, 59.48

 

CMYK 0 / 91 / 87 / 49

HEX #810C11

RGB 129 12 17

HSL 357.44, 0.83%, 0.28%

LAB 26.65, 46.45, 31.65

 

CMYK 0 / 90 / 86 / 35

HEX #A61017

RGB 166 16 23

HSL 357.2, 0.82%, 0.36%

LAB 35.08, 56.27, 38.96

 

CMYK 0 / 90 / 86 / 20

HEX #CC141C

RGB 204 20 28

HSL 357.39, 0.82%, 0.44%

LAB 43.39, 65.9, 46.7

 

CMYK 0 / 86 / 82 / 9

HEX #E92029

RGB 233 32 41

HSL 357.31, 0.82%, 0.52%

LAB 50.12, 71.75, 48.34

 

CMYK 0 / 70 / 67 / 7

HEX #EC464D

RGB 236 70 77

HSL 357.47, 0.81%, 0.6%

LAB 54.81, 63.51, 33.69

 

CMYK 0 / 90 / 86 / 21

HEX #CA141C

RGB 202 20 28

HSL 357.36, 0.82%, 0.44%

LAB 42.97, 65.37, 46.18

 

CMYK 14 / 0 / 90 / 20

HEX #B0CC14

RGB 176 204 20

HSL 69.13, 0.82%, 0.44%

LAB 77.56, -29.76, 75.16

 

CMYK 90 / 50 / 0 / 20

HEX #1466CC

RGB 20 102 204

HSL 213.26, 0.82%, 0.44%

LAB 44.25, 16.03, -59.17

 

CMYK 0 / 90 / 86 / 21

HEX #CA141C

RGB 202 20 28

HSL 357.36, 0.82%, 0.44%

LAB 42.97, 65.37, 46.18

 

CMYK 86 / 0 / 90 / 20

HEX #1DCC14

RGB 29 204 20

HSL 117.07, 0.82%, 0.44%

LAB 71.89, -70.8, 68.17

 

CMYK 90 / 86 / 0 / 20

HEX #141DCC

RGB 20 29 204

HSL 237.07, 0.82%, 0.44%

LAB 27.81, 59.37, -86.17

 

CMYK 0 / 90 / 86 / 21

HEX #CA141C

RGB 202 20 28

HSL 357.36, 0.82%, 0.44%

LAB 42.97, 65.37, 46.18

 

CMYK 14 / 0 / 90 / 20

HEX #B0CC14

RGB 176 204 20

HSL 69.13, 0.82%, 0.44%

LAB 77.56, -29.76, 75.16

 

CMYK 90 / 0 / 4 / 20

HEX #14CCC3

RGB 20 204 195

HSL 177.07, 0.82%, 0.44%

LAB 74.37, -42.64, -7.33

 

CMYK 77 / 90 / 0 / 20

HEX #2F14CC

RGB 47 20 204

HSL 248.8, 0.82%, 0.44%

LAB 28.02, 63.32, -85.79

 

CMYK 0 / 90 / 86 / 21

HEX #CA141C

RGB 202 20 28

HSL 357.36, 0.82%, 0.44%

LAB 42.97, 65.37, 46.18

 

CMYK 41 / 0 / 90 / 20

HEX #79CC14

RGB 121 204 20

HSL 87.07, 0.82%, 0.44%

LAB 74.38, -50.65, 71.26

 

CMYK 90 / 0 / 4 / 20

HEX #14CCC3

RGB 20 204 195

HSL 177.07, 0.82%, 0.44%

LAB 74.37, -42.64, -7.33

 

CMYK 50 / 90 / 0 / 20

HEX #6614CC

RGB 102 20 204

HSL 266.74, 0.82%, 0.44%

LAB 33.32, 67.07, -76.85

 

Description

Color code: HEX #CA141C | qconv.com Color code: HEX #CA141C | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 20 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 20 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 86 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 86% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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