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Color name
HEX #CA178C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA178C it is the complementary color #35E873. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA178C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA178C shade: #CF1787, #E0299A, #F13BAD, #FF4DC0 and #FF5FD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA178C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA178C shade: #CA178C, #B90579, #A80066, #970053 and #860040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA178C shade: #C9168B, #C9165B, #C9162A and #C91616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA178C shade: #C9168B, #C916BC, #A716C9, #7616C9 and #4616C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA178C shade matches the following richer shades: #C9168B and #DC0491

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA178C shade: #C9168B, #B72886, #A53A80, #934C7B and #815F75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA178C shade: #A616C9, #C916BD, #C9168E, #C9165E and #C9162E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA178C shade: #7F0E58, #A41272, #C9168B, #E623A2 and #EA48B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA178C shade: #CA178C, #C97616 and #16C9BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA178C shade: #CA178C, #8EC916 and #168EC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA178C shade: #CA178C, #C97616, #16C952 and #166AC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA178C shade: #CA178C, #C9AC16, #16C952 and #1634C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 31 / 21

HEX #CA178C

RGB 202 23 140

HSL 320.78, 0.8%, 0.44%

LAB 45.72, 72.1, -17.93

 

Complementary color

CMYK 77 / 0 / 50 / 9

HEX #35E873

RGB 53 232 115

HSL 140.78, 0.8%, 0.56%

LAB 81.68, -68.13, 44.36

 

CMYK 0 / 89 / 35 / 19

HEX #CF1787

RGB 207 23 135

HSL 323.48, 0.8%, 0.45%

LAB 46.48, 72.66, -13.65

 

CMYK 0 / 82 / 31 / 12

HEX #E0299A

RGB 224 41 154

HSL 322.95, 0.75%, 0.52%

LAB 51.57, 75.02, -17.04

 

CMYK 0 / 76 / 28 / 5

HEX #F13BAD

RGB 241 59 173

HSL 322.42, 0.87%, 0.59%

LAB 56.92, 76.47, -19.79

 

CMYK 0 / 70 / 25 / 0

HEX #FF4DC0

RGB 255 77 192

HSL 321.24, 1%, 0.65%

LAB 61.98, 76.5, -22.8

 

CMYK 0 / 63 / 17 / 0

HEX #FF5FD3

RGB 255 95 211

HSL 316.5, 1%, 0.69%

LAB 65.08, 72.39, -28.79

 

CMYK 0 / 89 / 31 / 21

HEX #CA178C

RGB 202 23 140

HSL 320.78, 0.8%, 0.44%

LAB 45.72, 72.1, -17.93

 

CMYK 0 / 97 / 35 / 27

HEX #B90579

RGB 185 5 121

HSL 321.33, 0.95%, 0.37%

LAB 40.9, 68.61, -13.91

 

CMYK 0 / 100 / 39 / 34

HEX #A80066

RGB 168 0 102

HSL 323.57, 1%, 0.33%

LAB 36.53, 63.61, -8.88

 

CMYK 0 / 100 / 45 / 41

HEX #970053

RGB 151 0 83

HSL 327.02, 1%, 0.3%

LAB 32.27, 58.03, -3.32

 

CMYK 0 / 100 / 52 / 47

HEX #860040

RGB 134 0 64

HSL 331.34, 1%, 0.26%

LAB 27.95, 52.42, 2.6

 

CMYK 0 / 89 / 31 / 21

HEX #C9168B

RGB 201 22 139

HSL 320.78, 0.8%, 0.44%

LAB 45.44, 71.93, -17.78

 

CMYK 0 / 89 / 55 / 21

HEX #C9165B

RGB 201 22 91

HSL 336.87, 0.8%, 0.44%

LAB 43.87, 67.62, 9.6

 

CMYK 0 / 89 / 79 / 21

HEX #C9162A

RGB 201 22 42

HSL 353.3, 0.8%, 0.44%

LAB 43, 65.15, 38.6

 

CMYK 0 / 89 / 89 / 21

HEX #C91616

RGB 201 22 22

HSL 0, 0.8%, 0.44%

LAB 42.84, 64.68, 48.8

 

CMYK 0 / 89 / 31 / 21

HEX #C9168B

RGB 201 22 139

HSL 320.78, 0.8%, 0.44%

LAB 45.44, 71.93, -17.78

 

CMYK 0 / 89 / 6 / 21

HEX #C916BC

RGB 201 22 188

HSL 304.36, 0.8%, 0.44%

LAB 47.78, 78.1, -43.32

 

CMYK 17 / 89 / 0 / 21

HEX #A716C9

RGB 167 22 201

HSL 288.6, 0.8%, 0.44%

LAB 42.77, 74.4, -59.25

 

CMYK 41 / 89 / 0 / 21

HEX #7616C9

RGB 118 22 201

HSL 272.18, 0.8%, 0.44%

LAB 35.29, 67.66, -71.78

 

CMYK 65 / 89 / 0 / 21

HEX #4616C9

RGB 70 22 201

HSL 256.09, 0.8%, 0.44%

LAB 29.65, 63.19, -81.28

 

CMYK 0 / 89 / 31 / 21

HEX #C9168B

RGB 201 22 139

HSL 320.78, 0.8%, 0.44%

LAB 45.44, 71.93, -17.78

 

CMYK 0 / 98 / 34 / 14

HEX #DC0491

RGB 220 4 145

HSL 320.83, 0.96%, 0.44%

LAB 48.69, 78.4, -16.11

 

CMYK 0 / 89 / 31 / 21

HEX #C9168B

RGB 201 22 139

HSL 320.78, 0.8%, 0.44%

LAB 45.44, 71.93, -17.78

 

CMYK 0 / 78 / 27 / 28

HEX #B72886

RGB 183 40 134

HSL 320.56, 0.64%, 0.44%

LAB 43.22, 63.34, -18.42

 

CMYK 0 / 65 / 22 / 35

HEX #A53A80

RGB 165 58 128

HSL 320.75, 0.48%, 0.44%

LAB 42.13, 51.36, -16.69

 

CMYK 0 / 48 / 16 / 42

HEX #934C7B

RGB 147 76 123

HSL 320.28, 0.32%, 0.44%

LAB 42.46, 36.15, -13.36

 

CMYK 0 / 26 / 9 / 49

HEX #815F75

RGB 129 95 117

HSL 321.18, 0.15%, 0.44%

LAB 44.43, 17.65, -6.98

 

CMYK 17 / 89 / 0 / 21

HEX #A616C9

RGB 166 22 201

HSL 288.27, 0.8%, 0.44%

LAB 42.61, 74.25, -59.52

 

CMYK 0 / 89 / 6 / 21

HEX #C916BD

RGB 201 22 189

HSL 304.02, 0.8%, 0.44%

LAB 47.84, 78.24, -43.82

 

CMYK 0 / 89 / 29 / 21

HEX #C9168E

RGB 201 22 142

HSL 319.78, 0.8%, 0.44%

LAB 45.56, 72.26, -19.41

 

CMYK 0 / 89 / 53 / 21

HEX #C9165E

RGB 201 22 94

HSL 335.87, 0.8%, 0.44%

LAB 43.94, 67.83, 7.83

 

CMYK 0 / 89 / 77 / 21

HEX #C9162E

RGB 201 22 46

HSL 351.96, 0.8%, 0.44%

LAB 43.05, 65.28, 36.33

 

CMYK 0 / 89 / 31 / 50

HEX #7F0E58

RGB 127 14 88

HSL 320.71, 0.8%, 0.28%

LAB 28.2, 50.71, -13.24

 

CMYK 0 / 89 / 30 / 36

HEX #A41272

RGB 164 18 114

HSL 320.55, 0.8%, 0.36%

LAB 37, 61.63, -15.85

 

CMYK 0 / 89 / 31 / 21

HEX #C9168B

RGB 201 22 139

HSL 320.78, 0.8%, 0.44%

LAB 45.44, 71.93, -17.78

 

CMYK 0 / 85 / 30 / 10

HEX #E623A2

RGB 230 35 162

HSL 320.92, 0.8%, 0.52%

LAB 52.55, 78.47, -20.2

 

CMYK 0 / 69 / 24 / 8

HEX #EA48B2

RGB 234 72 178

HSL 320.74, 0.79%, 0.6%

LAB 57.41, 71.21, -22.05

 

CMYK 0 / 89 / 31 / 21

HEX #CA178C

RGB 202 23 140

HSL 320.78, 0.8%, 0.44%

LAB 45.72, 72.1, -17.93

 

CMYK 0 / 41 / 89 / 21

HEX #C97616

RGB 201 118 22

HSL 32.18, 0.8%, 0.44%

LAB 57.49, 26.31, 59.96

 

CMYK 89 / 0 / 6 / 21

HEX #16C9BD

RGB 22 201 189

HSL 175.98, 0.8%, 0.44%

LAB 73.3, -42.95, -5.65

 

CMYK 0 / 89 / 31 / 21

HEX #CA178C

RGB 202 23 140

HSL 320.78, 0.8%, 0.44%

LAB 45.72, 72.1, -17.93

 

CMYK 29 / 0 / 89 / 21

HEX #8EC916

RGB 142 201 22

HSL 79.78, 0.8%, 0.44%

LAB 74.56, -41.84, 71.52

 

CMYK 89 / 29 / 0 / 21

HEX #168EC9

RGB 22 142 201

HSL 199.78, 0.8%, 0.44%

LAB 55.82, -9.49, -39

 

CMYK 0 / 89 / 31 / 21

HEX #CA178C

RGB 202 23 140

HSL 320.78, 0.8%, 0.44%

LAB 45.72, 72.1, -17.93

 

CMYK 0 / 41 / 89 / 21

HEX #C97616

RGB 201 118 22

HSL 32.18, 0.8%, 0.44%

LAB 57.49, 26.31, 59.96

 

CMYK 89 / 0 / 59 / 21

HEX #16C952

RGB 22 201 82

HSL 140.11, 0.8%, 0.44%

LAB 71.25, -65.68, 47.14

 

CMYK 89 / 47 / 0 / 21

HEX #166AC9

RGB 22 106 201

HSL 211.84, 0.8%, 0.44%

LAB 45.21, 12.38, -55.88

 

CMYK 0 / 89 / 31 / 21

HEX #CA178C

RGB 202 23 140

HSL 320.78, 0.8%, 0.44%

LAB 45.72, 72.1, -17.93

 

CMYK 0 / 14 / 89 / 21

HEX #C9AC16

RGB 201 172 22

HSL 50.28, 0.8%, 0.44%

LAB 70.86, -2.89, 70.38

 

CMYK 89 / 0 / 59 / 21

HEX #16C952

RGB 22 201 82

HSL 140.11, 0.8%, 0.44%

LAB 71.25, -65.68, 47.14

 

CMYK 89 / 74 / 0 / 21

HEX #1634C9

RGB 22 52 201

HSL 229.94, 0.8%, 0.44%

LAB 31.45, 47.02, -78.38

 

Description

Color code: HEX #CA178C | qconv.com Color code: HEX #CA178C | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 23 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 23 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 31 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 31% 21% C M Y K

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Provide designers and agencies with accurate color values.

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