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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA1DCE it is the complementary color #35E231. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA1DCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA1DCE shade: #CF1DC9, #E02FDC, #F141EF, #FF53FF and #FF65FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA1DCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA1DCE shade: #CA1DCE, #B90BBB, #A800A8, #970095 and #860082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA1DCE shade: #C91DCD, #CD1DA1, #CD1D72, #CD1D42 and #CD1D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA1DCE shade: #C91DCD, #991DCD, #6A1DCD, #3A1DCD and #1D1DCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA1DCE shade matches the following richer shades: #C91DCD and #DB0AE0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA1DCE shade: #C91DCD, #B730BA, #A543A7, #925694 and #806981

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA1DCE shade: #691DCD, #981DCD, #C71DCD, #CD1DA4 and #CD1D75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA1DCE shade: #821385, #A518A9, #C91DCD, #DD32E1 and #E356E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA1DCE shade: #CA1DCE, #CD3A1D and #1DCD81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA1DCE shade: #CA1DCE, #CDC71D and #1DCDC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA1DCE shade: #CA1DCE, #CD3A1D, #23CD1D and #1DAFCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA1DCE shade: #CA1DCE, #CD6F1D, #23CD1D and #1D7BCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 86 / 0 / 19

HEX #CA1DCE

RGB 202 29 206

HSL 298.64, 0.75%, 0.46%

LAB 49.36, 79.81, -51.23

 

Complementary color

CMYK 77 / 0 / 78 / 11

HEX #35E231

RGB 53 226 49

HSL 118.64, 0.75%, 0.54%

LAB 79.25, -73.13, 68.2

 

CMYK 0 / 86 / 3 / 19

HEX #CF1DC9

RGB 207 29 201

HSL 302.02, 0.75%, 0.46%

LAB 49.93, 79.95, -47.39

 

CMYK 0 / 79 / 2 / 12

HEX #E02FDC

RGB 224 47 220

HSL 301.36, 0.74%, 0.53%

LAB 55.12, 82.2, -49.83

 

CMYK 0 / 73 / 1 / 5

HEX #F141EF

RGB 241 65 239

HSL 300.68, 0.86%, 0.6%

LAB 60.53, 83.6, -51.75

 

CMYK 0 / 67 / 0 / 0

HEX #FF53FF

RGB 255 83 255

HSL 300, 1%, 0.66%

LAB 65.49, 83.28, -52.61

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 2 / 86 / 0 / 19

HEX #CA1DCE

RGB 202 29 206

HSL 298.64, 0.75%, 0.46%

LAB 49.36, 79.81, -51.23

 

CMYK 1 / 94 / 0 / 27

HEX #B90BBB

RGB 185 11 187

HSL 299.32, 0.89%, 0.39%

LAB 44.44, 76.49, -48.24

 

CMYK 0 / 100 / 0 / 34

HEX #A800A8

RGB 168 0 168

HSL 300, 1%, 0.33%

LAB 39.84, 71.88, -44.51

 

CMYK 0 / 100 / 1 / 41

HEX #970095

RGB 151 0 149

HSL 300.79, 1%, 0.3%

LAB 35.5, 66.15, -40.13

 

CMYK 0 / 100 / 3 / 47

HEX #860082

RGB 134 0 130

HSL 301.79, 1%, 0.26%

LAB 31.07, 60.3, -35.63

 

CMYK 2 / 86 / 0 / 20

HEX #C91DCD

RGB 201 29 205

HSL 298.64, 0.75%, 0.46%

LAB 49.14, 79.48, -51.03

 

CMYK 0 / 86 / 21 / 20

HEX #CD1DA1

RGB 205 29 161

HSL 315, 0.75%, 0.46%

LAB 47.54, 74.16, -27.72

 

CMYK 0 / 86 / 44 / 20

HEX #CD1D72

RGB 205 29 114

HSL 331.02, 0.75%, 0.46%

LAB 45.73, 69.17, -1.93

 

CMYK 0 / 86 / 68 / 20

HEX #CD1D42

RGB 205 29 66

HSL 347.39, 0.75%, 0.46%

LAB 44.59, 65.88, 26.29

 

CMYK 0 / 86 / 86 / 20

HEX #CD1D1D

RGB 205 29 29

HSL 0, 0.75%, 0.46%

LAB 44.16, 64.61, 46.93

 

CMYK 2 / 86 / 0 / 20

HEX #C91DCD

RGB 201 29 205

HSL 298.64, 0.75%, 0.46%

LAB 49.14, 79.48, -51.03

 

CMYK 25 / 86 / 0 / 20

HEX #991DCD

RGB 153 29 205

HSL 282.27, 0.75%, 0.46%

LAB 41.31, 71.6, -64.05

 

CMYK 48 / 86 / 0 / 20

HEX #6A1DCD

RGB 106 29 205

HSL 266.25, 0.75%, 0.46%

LAB 34.7, 65.37, -75.13

 

CMYK 72 / 86 / 0 / 20

HEX #3A1DCD

RGB 58 29 205

HSL 249.89, 0.75%, 0.46%

LAB 29.88, 61.21, -83.27

 

CMYK 86 / 86 / 0 / 20

HEX #1D1DCD

RGB 29 29 205

HSL 240, 0.75%, 0.46%

LAB 28.24, 59.9, -86.03

 

CMYK 2 / 86 / 0 / 20

HEX #C91DCD

RGB 201 29 205

HSL 298.64, 0.75%, 0.46%

LAB 49.14, 79.48, -51.03

 

CMYK 2 / 96 / 0 / 12

HEX #DB0AE0

RGB 219 10 224

HSL 298.6, 0.91%, 0.46%

LAB 52.57, 87.59, -56.22

 

CMYK 2 / 86 / 0 / 20

HEX #C91DCD

RGB 201 29 205

HSL 298.64, 0.75%, 0.46%

LAB 49.14, 79.48, -51.03

 

CMYK 2 / 74 / 0 / 27

HEX #B730BA

RGB 183 48 186

HSL 298.7, 0.59%, 0.46%

LAB 46.61, 68.45, -44.19

 

CMYK 1 / 60 / 0 / 35

HEX #A543A7

RGB 165 67 167

HSL 298.8, 0.43%, 0.46%

LAB 45.36, 53.71, -35.17

 

CMYK 1 / 42 / 0 / 42

HEX #925694

RGB 146 86 148

HSL 298.06, 0.26%, 0.46%

LAB 45.5, 34.88, -23.83

 

CMYK 1 / 19 / 0 / 49

HEX #806981

RGB 128 105 129

HSL 297.5, 0.1%, 0.46%

LAB 47.34, 13.68, -9.85

 

CMYK 49 / 86 / 0 / 20

HEX #691DCD

RGB 105 29 205

HSL 265.91, 0.75%, 0.46%

LAB 34.58, 65.26, -75.34

 

CMYK 26 / 86 / 0 / 20

HEX #981DCD

RGB 152 29 205

HSL 281.93, 0.75%, 0.46%

LAB 41.16, 71.45, -64.31

 

CMYK 3 / 86 / 0 / 20

HEX #C71DCD

RGB 199 29 205

HSL 297.95, 0.75%, 0.46%

LAB 48.8, 79.13, -51.59

 

CMYK 0 / 86 / 20 / 20

HEX #CD1DA4

RGB 205 29 164

HSL 313.98, 0.75%, 0.46%

LAB 47.67, 74.53, -29.29

 

CMYK 0 / 86 / 43 / 20

HEX #CD1D75

RGB 205 29 117

HSL 330, 0.75%, 0.46%

LAB 45.83, 69.44, -3.64

 

CMYK 2 / 86 / 0 / 48

HEX #821385

RGB 130 19 133

HSL 298.42, 0.75%, 0.3%

LAB 31.59, 56.85, -36.72

 

CMYK 2 / 86 / 0 / 34

HEX #A518A9

RGB 165 24 169

HSL 298.34, 0.75%, 0.38%

LAB 40.44, 68.33, -44.18

 

CMYK 2 / 86 / 0 / 20

HEX #C91DCD

RGB 201 29 205

HSL 298.64, 0.75%, 0.46%

LAB 49.14, 79.48, -51.03

 

CMYK 2 / 78 / 0 / 12

HEX #DD32E1

RGB 221 50 225

HSL 298.63, 0.74%, 0.54%

LAB 55.16, 81.65, -52.62

 

CMYK 1 / 63 / 0 / 10

HEX #E356E6

RGB 227 86 230

HSL 298.75, 0.74%, 0.62%

LAB 60.52, 71.9, -46.88

 

CMYK 2 / 86 / 0 / 19

HEX #CA1DCE

RGB 202 29 206

HSL 298.64, 0.75%, 0.46%

LAB 49.36, 79.81, -51.23

 

CMYK 0 / 72 / 86 / 20

HEX #CD3A1D

RGB 205 58 29

HSL 9.89, 0.75%, 0.46%

LAB 47.1, 56.35, 49.4

 

CMYK 86 / 0 / 37 / 20

HEX #1DCD81

RGB 29 205 129

HSL 154.09, 0.75%, 0.46%

LAB 73.23, -58.77, 26.4

 

CMYK 2 / 86 / 0 / 19

HEX #CA1DCE

RGB 202 29 206

HSL 298.64, 0.75%, 0.46%

LAB 49.36, 79.81, -51.23

 

CMYK 0 / 3 / 86 / 20

HEX #CDC71D

RGB 205 199 29

HSL 57.95, 0.75%, 0.46%

LAB 78.41, -14.89, 75.16

 

CMYK 86 / 0 / 3 / 20

HEX #1DCDC7

RGB 29 205 199

HSL 177.95, 0.75%, 0.46%

LAB 74.85, -41.45, -8.75

 

CMYK 2 / 86 / 0 / 19

HEX #CA1DCE

RGB 202 29 206

HSL 298.64, 0.75%, 0.46%

LAB 49.36, 79.81, -51.23

 

CMYK 0 / 72 / 86 / 20

HEX #CD3A1D

RGB 205 58 29

HSL 9.89, 0.75%, 0.46%

LAB 47.1, 56.35, 49.4

 

CMYK 83 / 0 / 86 / 20

HEX #23CD1D

RGB 35 205 29

HSL 117.95, 0.75%, 0.46%

LAB 72.3, -70.18, 66.84

 

CMYK 86 / 15 / 0 / 20

HEX #1DAFCD

RGB 29 175 205

HSL 190.23, 0.75%, 0.46%

LAB 66, -25.37, -25.41

 

CMYK 2 / 86 / 0 / 19

HEX #CA1DCE

RGB 202 29 206

HSL 298.64, 0.75%, 0.46%

LAB 49.36, 79.81, -51.23

 

CMYK 0 / 46 / 86 / 20

HEX #CD6F1D

RGB 205 111 29

HSL 27.95, 0.75%, 0.46%

LAB 56.52, 31.88, 57.24

 

CMYK 83 / 0 / 86 / 20

HEX #23CD1D

RGB 35 205 29

HSL 117.95, 0.75%, 0.46%

LAB 72.3, -70.18, 66.84

 

CMYK 86 / 40 / 0 / 20

HEX #1D7BCD

RGB 29 123 205

HSL 207.95, 0.75%, 0.46%

LAB 50.49, 3.72, -49.7

 

Description

Color code: HEX #CA1DCE | qconv.com Color code: HEX #CA1DCE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 29 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 29 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 86 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 86% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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