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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA1FA6 it is the complementary color #35E059. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA1FA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA1FA6 shade: #CF1FA1, #E031B4, #F143C7, #FF55DA and #FF67ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA1FA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA1FA6 shade: #CA1FA6, #B90D93, #A80080, #97006D and #86005A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA1FA6 shade: #CA1FA6, #CA1F78, #CA1F4A and #CA1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA1FA6 shade: #CA1FA6, #C01FCA, #921FCA, #641FCA and #361FCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA1FA6 shade matches the following richer shades: #CA1FA6 and #DD0CB1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA1FA6 shade: #CA1FA6, #B7329B, #A44590, #915885 and #7F6B7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA1FA6 shade: #911FCA, #BF1FCA, #CA1FA8, #CA1F7B and #CA1F4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA1FA6 shade: #83146C, #A71A89, #CA1FA6, #DF34BB and #E458C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA1FA6 shade: #CA1FA6, #CA641F and #1FCAA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA1FA6 shade: #CA1FA6, #A8CA1F and #1FA8CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA1FA6 shade: #CA1FA6, #CA641F, #1FCA41 and #1F86CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA1FA6 shade: #CA1FA6, #CA971F, #1FCA41 and #1F53CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 18 / 21

HEX #CA1FA6

RGB 202 31 166

HSL 312.63, 0.73%, 0.46%

LAB 47.35, 73.78, -31.02

 

Complementary color

CMYK 76 / 0 / 60 / 12

HEX #35E059

RGB 53 224 89

HSL 132.63, 0.73%, 0.54%

LAB 78.92, -68.98, 52.98

 

CMYK 0 / 85 / 22 / 19

HEX #CF1FA1

RGB 207 31 161

HSL 315.68, 0.74%, 0.47%

LAB 48.03, 74.2, -26.92

 

CMYK 0 / 78 / 20 / 12

HEX #E031B4

RGB 224 49 180

HSL 315.09, 0.74%, 0.54%

LAB 53.32, 76.15, -29.67

 

CMYK 0 / 72 / 17 / 5

HEX #F143C7

RGB 241 67 199

HSL 314.48, 0.86%, 0.6%

LAB 58.82, 77.28, -31.85

 

CMYK 0 / 67 / 15 / 0

HEX #FF55DA

RGB 255 85 218

HSL 313.06, 1%, 0.67%

LAB 64.01, 77.11, -34.37

 

CMYK 0 / 60 / 7 / 0

HEX #FF67ED

RGB 255 103 237

HSL 307.11, 1%, 0.7%

LAB 67.33, 72.98, -39.78

 

CMYK 0 / 85 / 18 / 21

HEX #CA1FA6

RGB 202 31 166

HSL 312.63, 0.73%, 0.46%

LAB 47.35, 73.78, -31.02

 

CMYK 0 / 93 / 21 / 27

HEX #B90D93

RGB 185 13 147

HSL 313.26, 0.87%, 0.39%

LAB 42.32, 70.75, -27.71

 

CMYK 0 / 100 / 24 / 34

HEX #A80080

RGB 168 0 128

HSL 314.29, 1%, 0.33%

LAB 37.63, 66.44, -23.58

 

CMYK 0 / 100 / 28 / 41

HEX #97006D

RGB 151 0 109

HSL 316.69, 1%, 0.3%

LAB 33.31, 60.74, -18.57

 

CMYK 0 / 100 / 33 / 47

HEX #86005A

RGB 134 0 90

HSL 319.7, 1%, 0.26%

LAB 28.92, 54.95, -13.32

 

CMYK 0 / 85 / 18 / 21

HEX #CA1FA6

RGB 202 31 166

HSL 312.63, 0.73%, 0.46%

LAB 47.35, 73.78, -31.02

 

CMYK 0 / 85 / 41 / 21

HEX #CA1F78

RGB 202 31 120

HSL 328.77, 0.73%, 0.46%

LAB 45.49, 68.6, -6.05

 

CMYK 0 / 85 / 63 / 21

HEX #CA1F4A

RGB 202 31 74

HSL 344.91, 0.73%, 0.46%

LAB 44.28, 65.1, 20.82

 

CMYK 0 / 85 / 85 / 21

HEX #CA1F1F

RGB 202 31 31

HSL 0, 0.73%, 0.46%

LAB 43.71, 63.41, 45.31

 

CMYK 0 / 85 / 18 / 21

HEX #CA1FA6

RGB 202 31 166

HSL 312.63, 0.73%, 0.46%

LAB 47.35, 73.78, -31.02

 

CMYK 5 / 85 / 0 / 21

HEX #C01FCA

RGB 192 31 202

HSL 296.49, 0.73%, 0.46%

LAB 47.56, 77.06, -51.9

 

CMYK 28 / 85 / 0 / 21

HEX #921FCA

RGB 146 31 202

HSL 280.35, 0.73%, 0.46%

LAB 40.17, 69.48, -64.2

 

CMYK 50 / 85 / 0 / 21

HEX #641FCA

RGB 100 31 202

HSL 264.21, 0.73%, 0.46%

LAB 33.89, 63.37, -74.75

 

CMYK 73 / 85 / 0 / 21

HEX #361FCA

RGB 54 31 202

HSL 248.07, 0.73%, 0.46%

LAB 29.48, 59.38, -82.17

 

CMYK 0 / 85 / 18 / 21

HEX #CA1FA6

RGB 202 31 166

HSL 312.63, 0.73%, 0.46%

LAB 47.35, 73.78, -31.02

 

CMYK 0 / 95 / 20 / 13

HEX #DD0CB1

RGB 221 12 177

HSL 312.63, 0.9%, 0.46%

LAB 50.46, 81.49, -32.4

 

CMYK 0 / 85 / 18 / 21

HEX #CA1FA6

RGB 202 31 166

HSL 312.63, 0.73%, 0.46%

LAB 47.35, 73.78, -31.02

 

CMYK 0 / 73 / 15 / 28

HEX #B7329B

RGB 183 50 155

HSL 312.63, 0.57%, 0.46%

LAB 45.24, 63.02, -28

 

CMYK 0 / 58 / 12 / 36

HEX #A44590

RGB 164 69 144

HSL 312.63, 0.41%, 0.46%

LAB 44.46, 48.55, -22.83

 

CMYK 0 / 39 / 8 / 43

HEX #915885

RGB 145 88 133

HSL 312.63, 0.24%, 0.46%

LAB 45.21, 30.56, -15.28

 

CMYK 0 / 16 / 4 / 50

HEX #7F6B7A

RGB 127 107 122

HSL 315, 0.09%, 0.46%

LAB 47.54, 10.71, -5.38

 

CMYK 28 / 85 / 0 / 21

HEX #911FCA

RGB 145 31 202

HSL 280, 0.73%, 0.46%

LAB 40.02, 69.33, -64.46

 

CMYK 5 / 85 / 0 / 21

HEX #BF1FCA

RGB 191 31 202

HSL 296.14, 0.73%, 0.46%

LAB 47.39, 76.88, -52.18

 

CMYK 0 / 85 / 17 / 21

HEX #CA1FA8

RGB 202 31 168

HSL 311.93, 0.73%, 0.46%

LAB 47.45, 74.04, -32.06

 

CMYK 0 / 85 / 39 / 21

HEX #CA1F7B

RGB 202 31 123

HSL 327.72, 0.73%, 0.46%

LAB 45.59, 68.89, -7.75

 

CMYK 0 / 85 / 62 / 21

HEX #CA1F4D

RGB 202 31 77

HSL 343.86, 0.73%, 0.46%

LAB 44.34, 65.28, 19.03

 

CMYK 0 / 85 / 18 / 49

HEX #83146C

RGB 131 20 108

HSL 312.43, 0.74%, 0.3%

LAB 30.42, 52.94, -22.74

 

CMYK 0 / 84 / 18 / 35

HEX #A71A89

RGB 167 26 137

HSL 312.77, 0.73%, 0.38%

LAB 39.17, 63.59, -26.76

 

CMYK 0 / 85 / 18 / 21

HEX #CA1FA6

RGB 202 31 166

HSL 312.63, 0.73%, 0.46%

LAB 47.35, 73.78, -31.02

 

CMYK 0 / 77 / 16 / 13

HEX #DF34BB

RGB 223 52 187

HSL 312.63, 0.73%, 0.54%

LAB 53.74, 76.04, -33.09

 

CMYK 0 / 61 / 13 / 11

HEX #E458C7

RGB 228 88 199

HSL 312.43, 0.72%, 0.62%

LAB 59.52, 66.45, -30.93

 

CMYK 0 / 85 / 18 / 21

HEX #CA1FA6

RGB 202 31 166

HSL 312.63, 0.73%, 0.46%

LAB 47.35, 73.78, -31.02

 

CMYK 0 / 50 / 85 / 21

HEX #CA641F

RGB 202 100 31

HSL 24.21, 0.73%, 0.46%

LAB 53.78, 36.45, 54.04

 

CMYK 85 / 0 / 17 / 21

HEX #1FCAA8

RGB 31 202 168

HSL 168.07, 0.73%, 0.46%

LAB 73.13, -48.52, 5.49

 

CMYK 0 / 85 / 18 / 21

HEX #CA1FA6

RGB 202 31 166

HSL 312.63, 0.73%, 0.46%

LAB 47.35, 73.78, -31.02

 

CMYK 17 / 0 / 85 / 21

HEX #A8CA1F

RGB 168 202 31

HSL 71.93, 0.73%, 0.46%

LAB 76.48, -31.83, 72

 

CMYK 85 / 17 / 0 / 21

HEX #1FA8CA

RGB 31 168 202

HSL 191.93, 0.73%, 0.46%

LAB 63.8, -22.65, -27.13

 

CMYK 0 / 85 / 18 / 21

HEX #CA1FA6

RGB 202 31 166

HSL 312.63, 0.73%, 0.46%

LAB 47.35, 73.78, -31.02

 

CMYK 0 / 50 / 85 / 21

HEX #CA641F

RGB 202 100 31

HSL 24.21, 0.73%, 0.46%

LAB 53.78, 36.45, 54.04

 

CMYK 85 / 0 / 68 / 21

HEX #1FCA41

RGB 31 202 65

HSL 131.93, 0.73%, 0.46%

LAB 71.5, -67.2, 54.72

 

CMYK 85 / 34 / 0 / 21

HEX #1F86CA

RGB 31 134 202

HSL 203.86, 0.73%, 0.46%

LAB 53.61, -3.87, -43.05

 

CMYK 0 / 85 / 18 / 21

HEX #CA1FA6

RGB 202 31 166

HSL 312.63, 0.73%, 0.46%

LAB 47.35, 73.78, -31.02

 

CMYK 0 / 25 / 85 / 21

HEX #CA971F

RGB 202 151 31

HSL 42.11, 0.73%, 0.46%

LAB 65.58, 9, 64

 

CMYK 85 / 0 / 68 / 21

HEX #1FCA41

RGB 31 202 65

HSL 131.93, 0.73%, 0.46%

LAB 71.5, -67.2, 54.72

 

CMYK 85 / 59 / 0 / 21

HEX #1F53CA

RGB 31 83 202

HSL 221.75, 0.73%, 0.46%

LAB 39.14, 28.37, -66.3

 

Description

Color code: HEX #CA1FA6 | qconv.com Color code: HEX #CA1FA6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 31 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 31 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 18 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 18% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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