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Color name
HEX #CA259F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA259F it is the complementary color #35DA60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA259F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA259F shade: #CF259A, #E037AD, #F149C0, #FF5BD3 and #FF6DE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA259F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA259F shade: #CA259F, #B9138C, #A80179, #970066 and #860053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA259F shade: #CA259F, #CA2572, #CA2546 and #CA2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA259F shade: #CA259F, #C925CA, #9C25CA, #6F25CA and #4325CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA259F shade matches the following richer shades: #CA259F and #DD11A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA259F shade: #CA259F, #B73896, #A34B8C, #905F83 and #7C727A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA259F shade: #9B25CA, #C725CA, #CA25A1, #CA2575 and #CA2548

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA259F shade: #841868, #A71E83, #CA259F, #DB3DB2 and #E160C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA259F shade: #CA259F, #CA6F25 and #25CAB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA259F shade: #CA259F, #A1CA25 and #25A1CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA259F shade: #CA259F, #CA6F25, #25CA4E and #2580CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA259F shade: #CA259F, #CAA125, #25CA4E and #254ECA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 21 / 21

HEX #CA259F

RGB 202 37 159

HSL 315.64, 0.69%, 0.47%

LAB 47.47, 71.6, -26.67

 

Complementary color

CMYK 76 / 0 / 56 / 15

HEX #35DA60

RGB 53 218 96

HSL 135.64, 0.69%, 0.53%

LAB 77.13, -66.16, 47.75

 

CMYK 0 / 82 / 26 / 19

HEX #CF259A

RGB 207 37 154

HSL 318.71, 0.7%, 0.48%

LAB 48.16, 72.1, -22.54

 

CMYK 0 / 75 / 23 / 12

HEX #E037AD

RGB 224 55 173

HSL 318.11, 0.73%, 0.55%

LAB 53.6, 73.61, -25.15

 

CMYK 0 / 70 / 20 / 5

HEX #F149C0

RGB 241 73 192

HSL 317.5, 0.86%, 0.62%

LAB 59.22, 74.4, -27.23

 

CMYK 0 / 64 / 17 / 0

HEX #FF5BD3

RGB 255 91 211

HSL 316.1, 1%, 0.68%

LAB 64.52, 73.93, -29.66

 

CMYK 0 / 57 / 10 / 0

HEX #FF6DE6

RGB 255 109 230

HSL 310.27, 1%, 0.71%

LAB 67.95, 69.39, -34.94

 

CMYK 0 / 82 / 21 / 21

HEX #CA259F

RGB 202 37 159

HSL 315.64, 0.69%, 0.47%

LAB 47.47, 71.6, -26.67

 

CMYK 0 / 90 / 24 / 27

HEX #B9138C

RGB 185 19 140

HSL 316.27, 0.81%, 0.4%

LAB 42.27, 69.1, -23.53

 

CMYK 0 / 99 / 28 / 34

HEX #A80179

RGB 168 1 121

HSL 316.89, 0.99%, 0.33%

LAB 37.35, 65.5, -19.65

 

CMYK 0 / 100 / 32 / 41

HEX #970066

RGB 151 0 102

HSL 319.47, 1%, 0.3%

LAB 33, 59.94, -14.56

 

CMYK 0 / 100 / 38 / 47

HEX #860053

RGB 134 0 83

HSL 322.84, 1%, 0.26%

LAB 28.62, 54.18, -9.14

 

CMYK 0 / 82 / 21 / 21

HEX #CA259F

RGB 202 37 159

HSL 315.64, 0.69%, 0.47%

LAB 47.47, 71.6, -26.67

 

CMYK 0 / 82 / 44 / 21

HEX #CA2572

RGB 202 37 114

HSL 332, 0.69%, 0.47%

LAB 45.76, 66.69, -1.95

 

CMYK 0 / 82 / 65 / 21

HEX #CA2546

RGB 202 37 70

HSL 348, 0.69%, 0.47%

LAB 44.69, 63.49, 23.83

 

CMYK 0 / 82 / 82 / 21

HEX #CA2525

RGB 202 37 37

HSL 0, 0.69%, 0.47%

LAB 44.25, 62.15, 42.69

 

CMYK 0 / 82 / 21 / 21

HEX #CA259F

RGB 202 37 159

HSL 315.64, 0.69%, 0.47%

LAB 47.47, 71.6, -26.67

 

CMYK 0 / 82 / 0 / 21

HEX #C925CA

RGB 201 37 202

HSL 299.64, 0.69%, 0.47%

LAB 49.5, 77.44, -48.71

 

CMYK 23 / 82 / 0 / 21

HEX #9C25CA

RGB 156 37 202

HSL 283.27, 0.69%, 0.47%

LAB 42.24, 69.47, -60.78

 

CMYK 45 / 82 / 0 / 21

HEX #6F25CA

RGB 111 37 202

HSL 266.91, 0.69%, 0.47%

LAB 35.92, 62.69, -71.35

 

CMYK 67 / 82 / 0 / 21

HEX #4325CA

RGB 67 37 202

HSL 250.91, 0.69%, 0.47%

LAB 31.3, 57.87, -79.13

 

CMYK 0 / 82 / 21 / 21

HEX #CA259F

RGB 202 37 159

HSL 315.64, 0.69%, 0.47%

LAB 47.47, 71.6, -26.67

 

CMYK 0 / 92 / 24 / 13

HEX #DD11A8

RGB 221 17 168

HSL 315.59, 0.86%, 0.47%

LAB 50.22, 79.95, -27.48

 

CMYK 0 / 82 / 21 / 21

HEX #CA259F

RGB 202 37 159

HSL 315.64, 0.69%, 0.47%

LAB 47.47, 71.6, -26.67

 

CMYK 0 / 69 / 18 / 28

HEX #B73896

RGB 183 56 150

HSL 315.59, 0.53%, 0.47%

LAB 45.77, 60.19, -24.19

 

CMYK 0 / 54 / 14 / 36

HEX #A34B8C

RGB 163 75 140

HSL 315.68, 0.37%, 0.47%

LAB 45.24, 44.68, -19.25

 

CMYK 0 / 34 / 9 / 44

HEX #905F83

RGB 144 95 131

HSL 315.92, 0.21%, 0.47%

LAB 46.65, 25.82, -11.91

 

CMYK 0 / 8 / 2 / 51

HEX #7C727A

RGB 124 114 122

HSL 312, 0.04%, 0.47%

LAB 49.16, 5.43, -3.01

 

CMYK 23 / 82 / 0 / 21

HEX #9B25CA

RGB 155 37 202

HSL 282.91, 0.69%, 0.47%

LAB 42.09, 69.3, -61.03

 

CMYK 1 / 82 / 0 / 21

HEX #C725CA

RGB 199 37 202

HSL 298.91, 0.69%, 0.47%

LAB 49.17, 77.07, -49.27

 

CMYK 0 / 82 / 20 / 21

HEX #CA25A1

RGB 202 37 161

HSL 314.91, 0.69%, 0.47%

LAB 47.56, 71.86, -27.72

 

CMYK 0 / 82 / 42 / 21

HEX #CA2575

RGB 202 37 117

HSL 330.91, 0.69%, 0.47%

LAB 45.86, 66.97, -3.66

 

CMYK 0 / 82 / 64 / 21

HEX #CA2548

RGB 202 37 72

HSL 347.27, 0.69%, 0.47%

LAB 44.73, 63.6, 22.65

 

CMYK 0 / 82 / 21 / 48

HEX #841868

RGB 132 24 104

HSL 315.56, 0.69%, 0.31%

LAB 30.78, 51.55, -19.59

 

CMYK 0 / 82 / 22 / 35

HEX #A71E83

RGB 167 30 131

HSL 315.77, 0.7%, 0.39%

LAB 39.21, 61.86, -23

 

CMYK 0 / 82 / 21 / 21

HEX #CA259F

RGB 202 37 159

HSL 315.64, 0.69%, 0.47%

LAB 47.47, 71.6, -26.67

 

CMYK 0 / 72 / 19 / 14

HEX #DB3DB2

RGB 219 61 178

HSL 315.57, 0.69%, 0.55%

LAB 53.61, 71.23, -28.11

 

CMYK 0 / 57 / 15 / 12

HEX #E160C0

RGB 225 96 192

HSL 315.35, 0.68%, 0.63%

LAB 60.05, 61.17, -26.16

 

CMYK 0 / 82 / 21 / 21

HEX #CA259F

RGB 202 37 159

HSL 315.64, 0.69%, 0.47%

LAB 47.47, 71.6, -26.67

 

CMYK 0 / 45 / 82 / 21

HEX #CA6F25

RGB 202 111 37

HSL 26.91, 0.69%, 0.47%

LAB 56.15, 30.87, 53.77

 

CMYK 82 / 0 / 12 / 21

HEX #25CAB1

RGB 37 202 177

HSL 170.91, 0.69%, 0.47%

LAB 73.42, -45.69, 1.05

 

CMYK 0 / 82 / 21 / 21

HEX #CA259F

RGB 202 37 159

HSL 315.64, 0.69%, 0.47%

LAB 47.47, 71.6, -26.67

 

CMYK 20 / 0 / 82 / 21

HEX #A1CA25

RGB 161 202 37

HSL 74.91, 0.69%, 0.47%

LAB 76.04, -34.45, 70.03

 

CMYK 82 / 20 / 0 / 21

HEX #25A1CA

RGB 37 161 202

HSL 194.91, 0.69%, 0.47%

LAB 61.78, -18.5, -30.25

 

CMYK 0 / 82 / 21 / 21

HEX #CA259F

RGB 202 37 159

HSL 315.64, 0.69%, 0.47%

LAB 47.47, 71.6, -26.67

 

CMYK 0 / 45 / 82 / 21

HEX #CA6F25

RGB 202 111 37

HSL 26.91, 0.69%, 0.47%

LAB 56.15, 30.87, 53.77

 

CMYK 82 / 0 / 61 / 21

HEX #25CA4E

RGB 37 202 78

HSL 134.91, 0.69%, 0.47%

LAB 71.68, -65.19, 49.47

 

CMYK 82 / 37 / 0 / 21

HEX #2580CA

RGB 37 128 202

HSL 206.91, 0.69%, 0.47%

LAB 51.95, 0.22, -45.67

 

CMYK 0 / 82 / 21 / 21

HEX #CA259F

RGB 202 37 159

HSL 315.64, 0.69%, 0.47%

LAB 47.47, 71.6, -26.67

 

CMYK 0 / 20 / 82 / 21

HEX #CAA125

RGB 202 161 37

HSL 45.09, 0.69%, 0.47%

LAB 68.15, 3.78, 64.42

 

CMYK 82 / 0 / 61 / 21

HEX #25CA4E

RGB 37 202 78

HSL 134.91, 0.69%, 0.47%

LAB 71.68, -65.19, 49.47

 

CMYK 82 / 61 / 0 / 21

HEX #254ECA

RGB 37 78 202

HSL 225.09, 0.69%, 0.47%

LAB 38.03, 32.09, -68.11

 

Description

Color code: HEX #CA259F | qconv.com Color code: HEX #CA259F | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 37 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 37 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 21 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 21% 21% C M Y K

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Provide designers and agencies with accurate color values.

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