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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA20C3 it is the complementary color #35DF3C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA20C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA20C3 shade: #CF20BE, #E032D1, #F144E4, #FF56F7 and #FF68FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA20C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA20C3 shade: #CA20C3, #B90EB0, #A8009D, #97008A and #860077

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA20C3 shade: #CA1FC3, #CA1F95, #CA1F67, #CA1F39 and #CA1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA20C3 shade: #CA1FC3, #A31FCA, #751FCA, #471FCA and #1F1FCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA20C3 shade matches the following richer shades: #CA1FC3 and #DD0CD5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA20C3 shade: #CA1FC3, #B732B2, #A445A1, #91588F and #7F6B7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA20C3 shade: #751FCA, #A21FCA, #CA1FC5, #CA1F97 and #CA1F69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA20C3 shade: #83147E, #A71AA1, #CA1FC3, #DF34D8 and #E458DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA20C3 shade: #CA20C3, #CA471F and #1FCA8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA20C3 shade: #CA20C3, #C5CA1F and #1FC5CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA20C3 shade: #CA20C3, #CA471F, #1FCA25 and #1FA2CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA20C3 shade: #CA20C3, #CA7B1F, #1FCA25 and #1F6FCA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 3 / 21

HEX #CA20C3

RGB 202 32 195

HSL 302.47, 0.73%, 0.46%

LAB 48.92, 77.61, -45.58

 

Complementary color

CMYK 76 / 0 / 73 / 13

HEX #35DF3C

RGB 53 223 60

HSL 122.47, 0.73%, 0.54%

LAB 78.38, -71.48, 63.84

 

CMYK 0 / 85 / 8 / 19

HEX #CF20BE

RGB 207 32 190

HSL 305.83, 0.73%, 0.47%

LAB 49.52, 77.83, -41.67

 

CMYK 0 / 78 / 7 / 12

HEX #E032D1

RGB 224 50 209

HSL 305.17, 0.74%, 0.54%

LAB 54.8, 79.84, -44.09

 

CMYK 0 / 72 / 5 / 5

HEX #F144E4

RGB 241 68 228

HSL 304.51, 0.86%, 0.61%

LAB 60.28, 81.05, -45.99

 

CMYK 0 / 66 / 3 / 0

HEX #FF56F7

RGB 255 86 247

HSL 302.84, 1%, 0.67%

LAB 65.46, 81, -48.25

 

CMYK 0 / 59 / 0 / 0

HEX #FF68FF

RGB 255 104 255

HSL 300, 1%, 0.7%

LAB 68.3, 75.43, -48.17

 

CMYK 0 / 84 / 3 / 21

HEX #CA20C3

RGB 202 32 195

HSL 302.47, 0.73%, 0.46%

LAB 48.92, 77.61, -45.58

 

CMYK 0 / 92 / 5 / 27

HEX #B90EB0

RGB 185 14 176

HSL 303.16, 0.86%, 0.39%

LAB 43.89, 74.55, -42.62

 

CMYK 0 / 100 / 7 / 34

HEX #A8009D

RGB 168 0 157

HSL 303.93, 1%, 0.33%

LAB 39.17, 70.27, -38.95

 

CMYK 0 / 100 / 9 / 41

HEX #97008A

RGB 151 0 138

HSL 305.17, 1%, 0.3%

LAB 34.83, 64.53, -34.43

 

CMYK 0 / 100 / 11 / 47

HEX #860077

RGB 134 0 119

HSL 306.72, 1%, 0.26%

LAB 30.4, 58.67, -29.75

 

CMYK 0 / 85 / 3 / 21

HEX #CA1FC3

RGB 202 31 195

HSL 302.46, 0.73%, 0.46%

LAB 48.86, 77.8, -45.68

 

CMYK 0 / 85 / 26 / 21

HEX #CA1F95

RGB 202 31 149

HSL 318.6, 0.73%, 0.46%

LAB 46.59, 71.69, -22.04

 

CMYK 0 / 85 / 49 / 21

HEX #CA1F67

RGB 202 31 103

HSL 334.74, 0.73%, 0.46%

LAB 44.96, 67.1, 3.7

 

CMYK 0 / 85 / 72 / 21

HEX #CA1F39

RGB 202 31 57

HSL 350.88, 0.73%, 0.46%

LAB 43.99, 64.26, 30.91

 

CMYK 0 / 85 / 85 / 21

HEX #CA1F1F

RGB 202 31 31

HSL 0, 0.73%, 0.46%

LAB 43.71, 63.41, 45.31

 

CMYK 0 / 85 / 3 / 21

HEX #CA1FC3

RGB 202 31 195

HSL 302.46, 0.73%, 0.46%

LAB 48.86, 77.8, -45.68

 

CMYK 19 / 85 / 0 / 21

HEX #A31FCA

RGB 163 31 202

HSL 286.32, 0.73%, 0.46%

LAB 42.81, 72.14, -59.8

 

CMYK 42 / 85 / 0 / 21

HEX #751FCA

RGB 117 31 202

HSL 270.18, 0.73%, 0.46%

LAB 36.03, 65.41, -71.14

 

CMYK 65 / 85 / 0 / 21

HEX #471FCA

RGB 71 31 202

HSL 254.04, 0.73%, 0.46%

LAB 30.84, 60.58, -79.88

 

CMYK 85 / 85 / 0 / 21

HEX #1F1FCA

RGB 31 31 202

HSL 240, 0.73%, 0.46%

LAB 28.21, 58.28, -84.33

 

CMYK 0 / 85 / 3 / 21

HEX #CA1FC3

RGB 202 31 195

HSL 302.46, 0.73%, 0.46%

LAB 48.86, 77.8, -45.68

 

CMYK 0 / 95 / 4 / 13

HEX #DD0CD5

RGB 221 12 213

HSL 302.3, 0.9%, 0.46%

LAB 52.33, 86.19, -50.32

 

CMYK 0 / 85 / 3 / 21

HEX #CA1FC3

RGB 202 31 195

HSL 302.46, 0.73%, 0.46%

LAB 48.86, 77.8, -45.68

 

CMYK 0 / 73 / 3 / 28

HEX #B732B2

RGB 183 50 178

HSL 302.26, 0.57%, 0.46%

LAB 46.4, 66.51, -39.85

 

CMYK 0 / 58 / 2 / 36

HEX #A445A1

RGB 164 69 161

HSL 301.89, 0.41%, 0.46%

LAB 45.25, 51.45, -31.79

 

CMYK 0 / 39 / 1 / 43

HEX #91588F

RGB 145 88 143

HSL 302.11, 0.24%, 0.46%

LAB 45.61, 32.45, -20.68

 

CMYK 0 / 16 / 1 / 50

HEX #7F6B7E

RGB 127 107 126

HSL 303, 0.09%, 0.46%

LAB 47.67, 11.51, -7.58

 

CMYK 42 / 85 / 0 / 21

HEX #751FCA

RGB 117 31 202

HSL 270.18, 0.73%, 0.46%

LAB 36.03, 65.41, -71.14

 

CMYK 20 / 85 / 0 / 21

HEX #A21FCA

RGB 162 31 202

HSL 285.96, 0.73%, 0.46%

LAB 42.65, 71.98, -60.07

 

CMYK 0 / 85 / 2 / 21

HEX #CA1FC5

RGB 202 31 197

HSL 301.75, 0.73%, 0.46%

LAB 48.97, 78.09, -46.66

 

CMYK 0 / 85 / 25 / 21

HEX #CA1F97

RGB 202 31 151

HSL 317.89, 0.73%, 0.46%

LAB 46.67, 71.92, -23.12

 

CMYK 0 / 85 / 48 / 21

HEX #CA1F69

RGB 202 31 105

HSL 334.04, 0.73%, 0.46%

LAB 45.02, 67.27, 2.54

 

CMYK 0 / 85 / 4 / 49

HEX #83147E

RGB 131 20 126

HSL 302.7, 0.74%, 0.3%

LAB 31.42, 55.67, -32.59

 

CMYK 0 / 84 / 4 / 35

HEX #A71AA1

RGB 167 26 161

HSL 302.55, 0.73%, 0.38%

LAB 40.46, 67.05, -39.33

 

CMYK 0 / 85 / 3 / 21

HEX #CA1FC3

RGB 202 31 195

HSL 302.46, 0.73%, 0.46%

LAB 48.86, 77.8, -45.68

 

CMYK 0 / 77 / 3 / 13

HEX #DF34D8

RGB 223 52 216

HSL 302.46, 0.73%, 0.54%

LAB 55.18, 80.15, -47.48

 

CMYK 0 / 61 / 2 / 11

HEX #E458DF

RGB 228 88 223

HSL 302.14, 0.72%, 0.62%

LAB 60.61, 70.19, -42.81

 

CMYK 0 / 84 / 3 / 21

HEX #CA20C3

RGB 202 32 195

HSL 302.47, 0.73%, 0.46%

LAB 48.92, 77.61, -45.58

 

CMYK 0 / 65 / 85 / 21

HEX #CA471F

RGB 202 71 31

HSL 14.04, 0.73%, 0.46%

LAB 48.46, 50.25, 49.47

 

CMYK 85 / 0 / 31 / 21

HEX #1FCA8C

RGB 31 202 140

HSL 158.25, 0.73%, 0.46%

LAB 72.51, -55.21, 19.64

 

CMYK 0 / 84 / 3 / 21

HEX #CA20C3

RGB 202 32 195

HSL 302.47, 0.73%, 0.46%

LAB 48.92, 77.61, -45.58

 

CMYK 2 / 0 / 85 / 21

HEX #C5CA1F

RGB 197 202 31

HSL 61.75, 0.73%, 0.46%

LAB 78.58, -19.75, 74.62

 

CMYK 85 / 2 / 0 / 21

HEX #1FC5CA

RGB 31 197 202

HSL 181.75, 0.73%, 0.46%

LAB 72.55, -36.81, -13.82

 

CMYK 0 / 84 / 3 / 21

HEX #CA20C3

RGB 202 32 195

HSL 302.47, 0.73%, 0.46%

LAB 48.92, 77.61, -45.58

 

CMYK 0 / 65 / 85 / 21

HEX #CA471F

RGB 202 71 31

HSL 14.04, 0.73%, 0.46%

LAB 48.46, 50.25, 49.47

 

CMYK 85 / 0 / 82 / 21

HEX #1FCA25

RGB 31 202 37

HSL 122.11, 0.73%, 0.46%

LAB 71.33, -69.33, 64.01

 

CMYK 85 / 20 / 0 / 21

HEX #1FA2CA

RGB 31 162 202

HSL 194.04, 0.73%, 0.46%

LAB 61.99, -19.51, -29.92

 

CMYK 0 / 84 / 3 / 21

HEX #CA20C3

RGB 202 32 195

HSL 302.47, 0.73%, 0.46%

LAB 48.92, 77.61, -45.58

 

CMYK 0 / 39 / 85 / 21

HEX #CA7B1F

RGB 202 123 31

HSL 32.28, 0.73%, 0.46%

LAB 58.81, 24.25, 58.31

 

CMYK 85 / 0 / 82 / 21

HEX #1FCA25

RGB 31 202 37

HSL 122.11, 0.73%, 0.46%

LAB 71.33, -69.33, 64.01

 

CMYK 85 / 45 / 0 / 21

HEX #1F6FCA

RGB 31 111 202

HSL 211.93, 0.73%, 0.46%

LAB 46.88, 10.2, -53.78

 

Description

Color code: HEX #CA20C3 | qconv.com Color code: HEX #CA20C3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 32 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 32 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 3 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 3% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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