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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA2287 it is the complementary color #35DD78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA2287. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA2287 shade: #CF2282, #E03495, #F146A8, #FF58BB and #FF6ACE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA2287. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA2287 shade: #CA2287, #B91074, #A80061, #97004E and #86003B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA2287 shade: #C82286, #C82259, #C8222C and #C82222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA2287 shade: #C82286, #C822B3, #B122C8, #8422C8 and #5722C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA2287 shade matches the following richer shades: #C82286 and #DB0F89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA2287 shade: #C82286, #B53482, #A2477E, #8F5A7A and #7C6D76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA2287 shade: #AF22C8, #C822B5, #C82288, #C8225C and #C8222F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA2287 shade: #821656, #A51C6E, #C82286, #DD369A and #E35AAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA2287 shade: #CA2287, #C88322 and #22C8C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA2287 shade: #CA2287, #88C822 and #2288C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA2287 shade: #CA2287, #C88322, #22C861 and #2267C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA2287 shade: #CA2287, #C8B522, #22C861 and #2235C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 33 / 21

HEX #CA2287

RGB 202 34 135

HSL 323.93, 0.71%, 0.46%

LAB 46.24, 69.48, -14.1

 

Complementary color

CMYK 76 / 0 / 46 / 13

HEX #35DD78

RGB 53 221 120

HSL 143.93, 0.71%, 0.54%

LAB 78.36, -63.61, 37.76

 

CMYK 0 / 84 / 37 / 19

HEX #CF2282

RGB 207 34 130

HSL 326.71, 0.72%, 0.47%

LAB 47, 70.13, -9.81

 

CMYK 0 / 77 / 33 / 12

HEX #E03495

RGB 224 52 149

HSL 326.16, 0.74%, 0.54%

LAB 52.37, 71.68, -12.86

 

CMYK 0 / 71 / 30 / 5

HEX #F146A8

RGB 241 70 168

HSL 325.61, 0.86%, 0.61%

LAB 57.95, 72.48, -15.32

 

CMYK 0 / 65 / 27 / 0

HEX #FF58BB

RGB 255 88 187

HSL 324.43, 1%, 0.67%

LAB 63.2, 71.97, -18.08

 

CMYK 0 / 58 / 19 / 0

HEX #FF6ACE

RGB 255 106 206

HSL 319.73, 1%, 0.71%

LAB 66.54, 67.19, -23.74

 

CMYK 0 / 83 / 33 / 21

HEX #CA2287

RGB 202 34 135

HSL 323.93, 0.71%, 0.46%

LAB 46.24, 69.48, -14.1

 

CMYK 0 / 91 / 37 / 27

HEX #B91074

RGB 185 16 116

HSL 324.5, 0.84%, 0.39%

LAB 41.13, 66.88, -10.44

 

CMYK 0 / 100 / 42 / 34

HEX #A80061

RGB 168 0 97

HSL 325.36, 1%, 0.33%

LAB 36.34, 63.13, -5.95

 

CMYK 0 / 100 / 48 / 41

HEX #97004E

RGB 151 0 78

HSL 329.01, 1%, 0.3%

LAB 32.1, 57.59, -0.27

 

CMYK 0 / 100 / 56 / 47

HEX #86003B

RGB 134 0 59

HSL 333.58, 1%, 0.26%

LAB 27.8, 52.03, 5.78

 

CMYK 0 / 83 / 33 / 22

HEX #C82286

RGB 200 34 134

HSL 323.86, 0.71%, 0.46%

LAB 45.83, 68.91, -14.15

 

CMYK 0 / 83 / 56 / 22

HEX #C82259

RGB 200 34 89

HSL 340.12, 0.71%, 0.46%

LAB 44.44, 64.87, 11.62

 

CMYK 0 / 83 / 78 / 22

HEX #C8222C

RGB 200 34 44

HSL 356.39, 0.71%, 0.46%

LAB 43.66, 62.54, 38.09

 

CMYK 0 / 83 / 83 / 22

HEX #C82222

RGB 200 34 34

HSL 0, 0.71%, 0.46%

LAB 43.56, 62.24, 43.48

 

CMYK 0 / 83 / 33 / 22

HEX #C82286

RGB 200 34 134

HSL 323.86, 0.71%, 0.46%

LAB 45.83, 68.91, -14.15

 

CMYK 0 / 83 / 11 / 22

HEX #C822B3

RGB 200 34 179

HSL 307.59, 0.71%, 0.46%

LAB 47.85, 74.52, -37.94

 

CMYK 12 / 83 / 0 / 22

HEX #B122C8

RGB 177 34 200

HSL 291.69, 0.71%, 0.46%

LAB 45.17, 73.45, -54.72

 

CMYK 34 / 83 / 0 / 22

HEX #8422C8

RGB 132 34 200

HSL 275.42, 0.71%, 0.46%

LAB 38.23, 66.15, -66.29

 

CMYK 57 / 83 / 0 / 22

HEX #5722C8

RGB 87 34 200

HSL 259.16, 0.71%, 0.46%

LAB 32.57, 60.42, -75.8

 

CMYK 0 / 83 / 33 / 22

HEX #C82286

RGB 200 34 134

HSL 323.86, 0.71%, 0.46%

LAB 45.83, 68.91, -14.15

 

CMYK 0 / 93 / 37 / 14

HEX #DB0F89

RGB 219 15 137

HSL 324.12, 0.87%, 0.46%

LAB 48.52, 76.48, -11.55

 

CMYK 0 / 83 / 33 / 22

HEX #C82286

RGB 200 34 134

HSL 323.86, 0.71%, 0.46%

LAB 45.83, 68.91, -14.15

 

CMYK 0 / 71 / 28 / 29

HEX #B53482

RGB 181 52 130

HSL 323.72, 0.55%, 0.46%

LAB 44.08, 58.45, -14.69

 

CMYK 0 / 56 / 22 / 36

HEX #A2477E

RGB 162 71 126

HSL 323.74, 0.39%, 0.46%

LAB 43.79, 44.16, -12.98

 

CMYK 0 / 37 / 15 / 44

HEX #8F5A7A

RGB 143 90 122

HSL 323.77, 0.23%, 0.46%

LAB 45.02, 26.73, -8.95

 

CMYK 0 / 12 / 5 / 51

HEX #7C6D76

RGB 124 109 118

HSL 324, 0.06%, 0.46%

LAB 47.66, 7.59, -2.84

 

CMYK 13 / 83 / 0 / 22

HEX #AF22C8

RGB 175 34 200

HSL 290.96, 0.71%, 0.46%

LAB 44.84, 73.11, -55.26

 

CMYK 0 / 83 / 10 / 22

HEX #C822B5

RGB 200 34 181

HSL 306.87, 0.71%, 0.46%

LAB 47.96, 74.8, -38.96

 

CMYK 0 / 83 / 32 / 22

HEX #C82288

RGB 200 34 136

HSL 323.13, 0.71%, 0.46%

LAB 45.91, 69.12, -15.25

 

CMYK 0 / 83 / 54 / 22

HEX #C8225C

RGB 200 34 92

HSL 339.04, 0.71%, 0.46%

LAB 44.51, 65.08, 9.85

 

CMYK 0 / 83 / 77 / 22

HEX #C8222F

RGB 200 34 47

HSL 355.3, 0.71%, 0.46%

LAB 43.7, 62.64, 36.4

 

CMYK 0 / 83 / 34 / 49

HEX #821656

RGB 130 22 86

HSL 324.44, 0.71%, 0.3%

LAB 29.39, 49.28, -10.04

 

CMYK 0 / 83 / 33 / 35

HEX #A51C6E

RGB 165 28 110

HSL 324.09, 0.71%, 0.38%

LAB 37.76, 59.31, -12.15

 

CMYK 0 / 83 / 33 / 22

HEX #C82286

RGB 200 34 134

HSL 323.86, 0.71%, 0.46%

LAB 45.83, 68.91, -14.15

 

CMYK 0 / 76 / 30 / 13

HEX #DD369A

RGB 221 54 154

HSL 324.07, 0.71%, 0.54%

LAB 52.22, 70.92, -16.1

 

CMYK 0 / 60 / 24 / 11

HEX #E35AAC

RGB 227 90 172

HSL 324.09, 0.71%, 0.62%

LAB 58.62, 61.54, -16.83

 

CMYK 0 / 83 / 33 / 21

HEX #CA2287

RGB 202 34 135

HSL 323.93, 0.71%, 0.46%

LAB 46.24, 69.48, -14.1

 

CMYK 0 / 35 / 83 / 22

HEX #C88322

RGB 200 131 34

HSL 35.06, 0.71%, 0.46%

LAB 60.45, 19.11, 58.6

 

CMYK 83 / 0 / 1 / 22

HEX #22C8C5

RGB 34 200 197

HSL 178.92, 0.71%, 0.46%

LAB 73.34, -39.46, -9.93

 

CMYK 0 / 83 / 33 / 21

HEX #CA2287

RGB 202 34 135

HSL 323.93, 0.71%, 0.46%

LAB 46.24, 69.48, -14.1

 

CMYK 32 / 0 / 83 / 22

HEX #88C822

RGB 136 200 34

HSL 83.13, 0.71%, 0.46%

LAB 73.97, -43.27, 68.39

 

CMYK 83 / 32 / 0 / 22

HEX #2288C8

RGB 34 136 200

HSL 203.13, 0.71%, 0.46%

LAB 54.15, -5.54, -41.05

 

CMYK 0 / 83 / 33 / 21

HEX #CA2287

RGB 202 34 135

HSL 323.93, 0.71%, 0.46%

LAB 46.24, 69.48, -14.1

 

CMYK 0 / 35 / 83 / 22

HEX #C88322

RGB 200 131 34

HSL 35.06, 0.71%, 0.46%

LAB 60.45, 19.11, 58.6

 

CMYK 83 / 0 / 52 / 22

HEX #22C861

RGB 34 200 97

HSL 142.77, 0.71%, 0.46%

LAB 71.22, -62.27, 40.06

 

CMYK 83 / 49 / 0 / 22

HEX #2267C8

RGB 34 103 200

HSL 215.06, 0.71%, 0.46%

LAB 44.53, 14.78, -56.39

 

CMYK 0 / 83 / 33 / 21

HEX #CA2287

RGB 202 34 135

HSL 323.93, 0.71%, 0.46%

LAB 46.24, 69.48, -14.1

 

CMYK 0 / 10 / 83 / 22

HEX #C8B522

RGB 200 181 34

HSL 53.13, 0.71%, 0.46%

LAB 73.18, -7.75, 69.5

 

CMYK 83 / 0 / 52 / 22

HEX #22C861

RGB 34 200 97

HSL 142.77, 0.71%, 0.46%

LAB 71.22, -62.27, 40.06

 

CMYK 83 / 74 / 0 / 22

HEX #2235C8

RGB 34 53 200

HSL 233.13, 0.71%, 0.46%

LAB 31.94, 46.69, -76.98

 

Description

Color code: HEX #CA2287 | qconv.com Color code: HEX #CA2287 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 34 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 34 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 33 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 33% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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