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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA2EE1 it is the complementary color #35D11E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA2EE1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA2EE1 shade: #CF2EDC, #E040EF, #F152FF, #FF64FF and #FF76FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA2EE1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA2EE1 shade: #CA2EE1, #B91CCE, #A80ABB, #9700A8 and #860095

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA2EE1 shade: #C92DE1, #E12DC7, #E12D97, #E12D66 and #E12D36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA2EE1 shade: #C92DE1, #992DE1, #682DE1, #382DE1 and #2D2DE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA2EE1 shade matches the following richer shades: #C92DE1 and #D819F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA2EE1 shade: #C92DE1, #BB40CD, #AD54BA, #9E67A6 and #907A93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA2EE1 shade: #692DE1, #992DE1, #C92DE1, #E12DC9 and #E12D99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA2EE1 shade: #9217A4, #B21CC8, #C92DE1, #D351E6 and #DC75EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA2EE1 shade: #CA2EE1, #E1392D and #2DE181

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA2EE1 shade: #CA2EE1, #E1C92D and #2DE1C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA2EE1 shade: #CA2EE1, #E1392D, #45E12D and #2DD5E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA2EE1 shade: #CA2EE1, #E16F2D, #45E12D and #2D9FE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 80 / 0 / 12

HEX #CA2EE1

RGB 202 46 225

HSL 292.29, 0.75%, 0.53%

LAB 51.78, 79.16, -58.21

 

Complementary color

CMYK 75 / 0 / 86 / 18

HEX #35D11E

RGB 53 209 30

HSL 112.29, 0.75%, 0.47%

LAB 73.84, -69.01, 68.09

 

CMYK 6 / 79 / 0 / 14

HEX #CF2EDC

RGB 207 46 220

HSL 295.52, 0.71%, 0.52%

LAB 52.27, 79.25, -54.54

 

CMYK 6 / 73 / 0 / 6

HEX #E040EF

RGB 224 64 239

HSL 294.86, 0.85%, 0.59%

LAB 57.8, 80.51, -56.26

 

CMYK 5 / 68 / 0 / 0

HEX #F152FF

RGB 241 82 255

HSL 295.14, 1%, 0.66%

LAB 63.31, 80.65, -56.2

 

CMYK 0 / 61 / 0 / 0

HEX #FF64FF

RGB 255 100 255

HSL 300, 1%, 0.7%

LAB 67.72, 77.03, -49.08

 

CMYK 0 / 54 / 0 / 0

HEX #FF76FF

RGB 255 118 255

HSL 300, 1%, 0.73%

LAB 70.48, 69.48, -44.74

 

CMYK 10 / 80 / 0 / 12

HEX #CA2EE1

RGB 202 46 225

HSL 292.29, 0.75%, 0.53%

LAB 51.78, 79.16, -58.21

 

CMYK 10 / 86 / 0 / 19

HEX #B91CCE

RGB 185 28 206

HSL 292.92, 0.76%, 0.46%

LAB 46.45, 77.08, -56.06

 

CMYK 10 / 95 / 0 / 27

HEX #A80ABB

RGB 168 10 187

HSL 293.56, 0.9%, 0.39%

LAB 41.42, 73.82, -53.24

 

CMYK 10 / 100 / 0 / 34

HEX #9700A8

RGB 151 0 168

HSL 293.93, 1%, 0.33%

LAB 36.76, 69.16, -49.63

 

CMYK 10 / 100 / 0 / 42

HEX #860095

RGB 134 0 149

HSL 293.96, 1%, 0.29%

LAB 32.34, 63.36, -45.37

 

CMYK 11 / 80 / 0 / 12

HEX #C92DE1

RGB 201 45 225

HSL 292, 0.75%, 0.53%

LAB 51.53, 79.24, -58.62

 

CMYK 0 / 80 / 12 / 12

HEX #E12DC7

RGB 225 45 199

HSL 308.67, 0.75%, 0.53%

LAB 54.04, 79.86, -39.54

 

CMYK 0 / 80 / 33 / 12

HEX #E12D97

RGB 225 45 151

HSL 324.67, 0.75%, 0.53%

LAB 51.97, 73.99, -14.64

 

CMYK 0 / 80 / 55 / 12

HEX #E12D66

RGB 225 45 102

HSL 341, 0.75%, 0.53%

LAB 50.5, 69.63, 12.78

 

CMYK 0 / 80 / 76 / 12

HEX #E12D36

RGB 225 45 54

HSL 357, 0.75%, 0.53%

LAB 49.68, 67.1, 40.34

 

CMYK 11 / 80 / 0 / 12

HEX #C92DE1

RGB 201 45 225

HSL 292, 0.75%, 0.53%

LAB 51.53, 79.24, -58.62

 

CMYK 32 / 80 / 0 / 12

HEX #992DE1

RGB 153 45 225

HSL 276, 0.75%, 0.53%

LAB 44.36, 71.21, -70.58

 

CMYK 54 / 80 / 0 / 12

HEX #682DE1

RGB 104 45 225

HSL 259.67, 0.75%, 0.53%

LAB 38.3, 64.53, -80.74

 

CMYK 75 / 80 / 0 / 12

HEX #382DE1

RGB 56 45 225

HSL 243.67, 0.75%, 0.53%

LAB 34.3, 60.18, -87.48

 

CMYK 80 / 80 / 0 / 12

HEX #2D2DE1

RGB 45 45 225

HSL 240, 0.75%, 0.53%

LAB 33.71, 59.54, -88.48

 

CMYK 11 / 80 / 0 / 12

HEX #C92DE1

RGB 201 45 225

HSL 292, 0.75%, 0.53%

LAB 51.53, 79.24, -58.62

 

CMYK 11 / 90 / 0 / 4

HEX #D819F4

RGB 216 25 244

HSL 292.33, 0.91%, 0.53%

LAB 53.84, 88.64, -65.48

 

CMYK 11 / 80 / 0 / 12

HEX #C92DE1

RGB 201 45 225

HSL 292, 0.75%, 0.53%

LAB 51.53, 79.24, -58.62

 

CMYK 9 / 69 / 0 / 20

HEX #BB40CD

RGB 187 64 205

HSL 292.34, 0.59%, 0.53%

LAB 50.26, 67.03, -49.36

 

CMYK 7 / 55 / 0 / 27

HEX #AD54BA

RGB 173 84 186

HSL 292.35, 0.43%, 0.53%

LAB 50.42, 51.36, -38.27

 

CMYK 5 / 38 / 0 / 35

HEX #9E67A6

RGB 158 103 166

HSL 292.38, 0.26%, 0.53%

LAB 51.52, 32.84, -25.04

 

CMYK 2 / 17 / 0 / 42

HEX #907A93

RGB 144 122 147

HSL 292.8, 0.1%, 0.53%

LAB 53.98, 13.19, -10.34

 

CMYK 53 / 80 / 0 / 12

HEX #692DE1

RGB 105 45 225

HSL 260, 0.75%, 0.53%

LAB 38.4, 64.64, -80.57

 

CMYK 32 / 80 / 0 / 12

HEX #992DE1

RGB 153 45 225

HSL 276, 0.75%, 0.53%

LAB 44.36, 71.21, -70.58

 

CMYK 11 / 80 / 0 / 12

HEX #C92DE1

RGB 201 45 225

HSL 292, 0.75%, 0.53%

LAB 51.53, 79.24, -58.62

 

CMYK 0 / 80 / 11 / 12

HEX #E12DC9

RGB 225 45 201

HSL 308, 0.75%, 0.53%

LAB 54.13, 80.14, -40.53

 

CMYK 0 / 80 / 32 / 12

HEX #E12D99

RGB 225 45 153

HSL 324, 0.75%, 0.53%

LAB 52.04, 74.2, -15.71

 

CMYK 11 / 86 / 0 / 36

HEX #9217A4

RGB 146 23 164

HSL 292.34, 0.75%, 0.37%

LAB 36.75, 64.27, -47.27

 

CMYK 11 / 86 / 0 / 22

HEX #B21CC8

RGB 178 28 200

HSL 292.33, 0.75%, 0.45%

LAB 44.89, 74.91, -55.15

 

CMYK 11 / 80 / 0 / 12

HEX #C92DE1

RGB 201 45 225

HSL 292, 0.75%, 0.53%

LAB 51.53, 79.24, -58.62

 

CMYK 8 / 65 / 0 / 10

HEX #D351E6

RGB 211 81 230

HSL 292.35, 0.75%, 0.61%

LAB 57.51, 70.21, -51.79

 

CMYK 6 / 50 / 0 / 8

HEX #DC75EB

RGB 220 117 235

HSL 292.37, 0.75%, 0.69%

LAB 64.91, 57.2, -42.8

 

CMYK 10 / 80 / 0 / 12

HEX #CA2EE1

RGB 202 46 225

HSL 292.29, 0.75%, 0.53%

LAB 51.78, 79.16, -58.21

 

CMYK 0 / 75 / 80 / 12

HEX #E1392D

RGB 225 57 45

HSL 4, 0.75%, 0.53%

LAB 50.83, 63.31, 46.41

 

CMYK 80 / 0 / 43 / 12

HEX #2DE181

RGB 45 225 129

HSL 148, 0.75%, 0.53%

LAB 79.61, -64.39, 34.86

 

CMYK 10 / 80 / 0 / 12

HEX #CA2EE1

RGB 202 46 225

HSL 292.29, 0.75%, 0.53%

LAB 51.78, 79.16, -58.21

 

CMYK 0 / 11 / 80 / 12

HEX #E1C92D

RGB 225 201 45

HSL 52, 0.75%, 0.53%

LAB 80.72, -6.89, 73.87

 

CMYK 80 / 0 / 11 / 12

HEX #2DE1C9

RGB 45 225 201

HSL 172, 0.75%, 0.53%

LAB 81.09, -48.36, -0.62

 

CMYK 10 / 80 / 0 / 12

HEX #CA2EE1

RGB 202 46 225

HSL 292.29, 0.75%, 0.53%

LAB 51.78, 79.16, -58.21

 

CMYK 0 / 75 / 80 / 12

HEX #E1392D

RGB 225 57 45

HSL 4, 0.75%, 0.53%

LAB 50.83, 63.31, 46.41

 

CMYK 69 / 0 / 80 / 12

HEX #45E12D

RGB 69 225 45

HSL 112, 0.75%, 0.53%

LAB 79.22, -70.54, 69.4

 

CMYK 80 / 5 / 0 / 12

HEX #2DD5E1

RGB 45 213 225

HSL 184, 0.75%, 0.53%

LAB 78.22, -36.27, -17.69

 

CMYK 10 / 80 / 0 / 12

HEX #CA2EE1

RGB 202 46 225

HSL 292.29, 0.75%, 0.53%

LAB 51.78, 79.16, -58.21

 

CMYK 0 / 51 / 80 / 12

HEX #E16F2D

RGB 225 111 45

HSL 22, 0.75%, 0.53%

LAB 59.49, 40.36, 54.73

 

CMYK 69 / 0 / 80 / 12

HEX #45E12D

RGB 69 225 45

HSL 112, 0.75%, 0.53%

LAB 79.22, -70.54, 69.4

 

CMYK 80 / 29 / 0 / 12

HEX #2D9FE1

RGB 45 159 225

HSL 202, 0.75%, 0.53%

LAB 62.33, -8.66, -42.16

 

Description

Color code: HEX #CA2EE1 | qconv.com Color code: HEX #CA2EE1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 46 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 46 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 80 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 80% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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