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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA31F5 it is the complementary color #35CE0A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA31F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA31F5 shade: #CF31F0, #E043FF, #F155FF, #FF67FF and #FF79FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA31F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA31F5 shade: #CA31F5, #B91FE2, #A80DCF, #9700BC and #8600A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA31F5 shade: #CA32F5, #F532EB, #F532B6, #F53282 and #F5324D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA31F5 shade: #CA32F5, #9632F5, #6132F5 and #3232F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA31F5 shade matches the following richer shades: #CA32F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA31F5 shade: #CA32F5, #C043E4, #B755D2, #AD66C1 and #A377B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA31F5 shade: #5F32F5, #9332F5, #C732F5, #F532EE and #F532BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA31F5 shade: #A109CB, #C00BF3, #CA32F5, #D459F7 and #DE81F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA31F5 shade: #CA31F5, #F53238 and #32F579

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA31F5 shade: #CA31F5, #F5C732 and #32F5C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA31F5 shade: #CA31F5, #F53238, #5FF532 and #32F5EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA31F5 shade: #CA31F5, #F56632, #5FF532 and #32C1F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 80 / 0 / 4

HEX #CA31F5

RGB 202 49 245

HSL 286.84, 0.91%, 0.58%

LAB 53.33, 81.83, -66.98

 

Complementary color

CMYK 74 / 0 / 95 / 19

HEX #35CE0A

RGB 53 206 10

HSL 106.84, 0.91%, 0.42%

LAB 72.84, -68.69, 70.41

 

CMYK 14 / 80 / 0 / 6

HEX #CF31F0

RGB 207 49 240

HSL 289.63, 0.86%, 0.57%

LAB 53.76, 81.81, -63.43

 

CMYK 12 / 74 / 0 / 0

HEX #E043FF

RGB 224 67 255

HSL 290.11, 1%, 0.63%

LAB 59.05, 82.27, -63.15

 

CMYK 5 / 67 / 0 / 0

HEX #F155FF

RGB 241 85 255

HSL 295.06, 1%, 0.67%

LAB 63.69, 79.58, -55.6

 

CMYK 0 / 60 / 0 / 0

HEX #FF67FF

RGB 255 103 255

HSL 300, 1%, 0.7%

LAB 68.15, 75.83, -48.4

 

CMYK 0 / 53 / 0 / 0

HEX #FF79FF

RGB 255 121 255

HSL 300, 1%, 0.74%

LAB 70.98, 68.15, -43.96

 

CMYK 18 / 80 / 0 / 4

HEX #CA31F5

RGB 202 49 245

HSL 286.84, 0.91%, 0.58%

LAB 53.33, 81.83, -66.98

 

CMYK 18 / 86 / 0 / 11

HEX #B91FE2

RGB 185 31 226

HSL 287.38, 0.77%, 0.5%

LAB 47.99, 79.91, -65.03

 

CMYK 19 / 94 / 0 / 19

HEX #A80DCF

RGB 168 13 207

HSL 287.94, 0.88%, 0.43%

LAB 42.94, 76.87, -62.45

 

CMYK 20 / 100 / 0 / 26

HEX #9700BC

RGB 151 0 188

HSL 288.19, 1%, 0.37%

LAB 38.22, 72.55, -59.16

 

CMYK 21 / 100 / 0 / 34

HEX #8600A9

RGB 134 0 169

HSL 287.57, 1%, 0.33%

LAB 33.84, 66.83, -55.09

 

CMYK 18 / 80 / 0 / 4

HEX #CA32F5

RGB 202 50 245

HSL 286.77, 0.91%, 0.58%

LAB 53.42, 81.56, -66.83

 

CMYK 0 / 80 / 4 / 4

HEX #F532EB

RGB 245 50 235

HSL 303.08, 0.91%, 0.58%

LAB 59.61, 87.68, -50.94

 

CMYK 0 / 80 / 26 / 4

HEX #F532B6

RGB 245 50 182

HSL 319.38, 0.91%, 0.58%

LAB 57.14, 80.78, -24.61

 

CMYK 0 / 80 / 47 / 4

HEX #F53282

RGB 245 50 130

HSL 335.38, 0.91%, 0.58%

LAB 55.39, 75.62, 3.35

 

CMYK 0 / 80 / 69 / 4

HEX #F5324D

RGB 245 50 77

HSL 351.69, 0.91%, 0.58%

LAB 54.27, 72.23, 33.4

 

CMYK 18 / 80 / 0 / 4

HEX #CA32F5

RGB 202 50 245

HSL 286.77, 0.91%, 0.58%

LAB 53.42, 81.56, -66.83

 

CMYK 39 / 80 / 0 / 4

HEX #9632F5

RGB 150 50 245

HSL 270.77, 0.91%, 0.58%

LAB 46.12, 73.43, -79.02

 

CMYK 60 / 80 / 0 / 4

HEX #6132F5

RGB 97 50 245

HSL 254.46, 0.91%, 0.58%

LAB 40.27, 66.99, -88.85

 

CMYK 80 / 80 / 0 / 4

HEX #3232F5

RGB 50 50 245

HSL 240, 0.91%, 0.58%

LAB 37.03, 63.47, -94.33

 

CMYK 18 / 80 / 0 / 4

HEX #CA32F5

RGB 202 50 245

HSL 286.77, 0.91%, 0.58%

LAB 53.42, 81.56, -66.83

 

CMYK 18 / 80 / 0 / 4

HEX #CA32F5

RGB 202 50 245

HSL 286.77, 0.91%, 0.58%

LAB 53.42, 81.56, -66.83

 

CMYK 16 / 71 / 0 / 11

HEX #C043E4

RGB 192 67 228

HSL 286.58, 0.75%, 0.58%

LAB 52.75, 71.17, -58.42

 

CMYK 13 / 60 / 0 / 18

HEX #B755D2

RGB 183 85 210

HSL 287.04, 0.58%, 0.58%

LAB 53.19, 58.14, -47.59

 

CMYK 10 / 47 / 0 / 24

HEX #AD66C1

RGB 173 102 193

HSL 286.81, 0.42%, 0.58%

LAB 54.28, 43.5, -36.24

 

CMYK 7 / 32 / 0 / 31

HEX #A377B0

RGB 163 119 176

HSL 286.32, 0.27%, 0.58%

LAB 56.2, 27.46, -23.57

 

CMYK 61 / 80 / 0 / 4

HEX #5F32F5

RGB 95 50 245

HSL 253.85, 0.91%, 0.58%

LAB 40.09, 66.8, -89.15

 

CMYK 40 / 80 / 0 / 4

HEX #9332F5

RGB 147 50 245

HSL 269.85, 0.91%, 0.58%

LAB 45.74, 73, -79.66

 

CMYK 19 / 80 / 0 / 4

HEX #C732F5

RGB 199 50 245

HSL 285.85, 0.91%, 0.58%

LAB 52.97, 81.06, -67.58

 

CMYK 0 / 80 / 3 / 4

HEX #F532EE

RGB 245 50 238

HSL 302.15, 0.91%, 0.58%

LAB 59.77, 88.11, -52.36

 

CMYK 0 / 80 / 24 / 4

HEX #F532BA

RGB 245 50 186

HSL 318.15, 0.91%, 0.58%

LAB 57.31, 81.25, -26.68

 

CMYK 21 / 96 / 0 / 20

HEX #A109CB

RGB 161 9 203

HSL 287.01, 0.92%, 0.42%

LAB 41.35, 75.6, -62.77

 

CMYK 21 / 95 / 0 / 5

HEX #C00BF3

RGB 192 11 243

HSL 286.81, 0.91%, 0.5%

LAB 49.4, 86.58, -72.3

 

CMYK 18 / 80 / 0 / 4

HEX #CA32F5

RGB 202 50 245

HSL 286.77, 0.91%, 0.58%

LAB 53.42, 81.56, -66.83

 

CMYK 14 / 64 / 0 / 3

HEX #D459F7

RGB 212 89 247

HSL 286.71, 0.91%, 0.66%

LAB 59.76, 70.27, -57.68

 

CMYK 11 / 48 / 0 / 2

HEX #DE81F9

RGB 222 129 249

HSL 286.5, 0.91%, 0.74%

LAB 68.07, 54.46, -45.53

 

CMYK 18 / 80 / 0 / 4

HEX #CA31F5

RGB 202 49 245

HSL 286.84, 0.91%, 0.58%

LAB 53.33, 81.83, -66.98

 

CMYK 0 / 80 / 77 / 4

HEX #F53238

RGB 245 50 56

HSL 358.15, 0.91%, 0.58%

LAB 54, 71.41, 45.01

 

CMYK 80 / 0 / 51 / 4

HEX #32F579

RGB 50 245 121

HSL 141.85, 0.91%, 0.58%

LAB 85.69, -71.85, 46.47

 

CMYK 18 / 80 / 0 / 4

HEX #CA31F5

RGB 202 49 245

HSL 286.84, 0.91%, 0.58%

LAB 53.33, 81.83, -66.98

 

CMYK 0 / 19 / 80 / 4

HEX #F5C732

RGB 245 199 50

HSL 45.85, 0.91%, 0.58%

LAB 82.1, 2.83, 74.33

 

CMYK 80 / 0 / 19 / 4

HEX #32F5C7

RGB 50 245 199

HSL 165.85, 0.91%, 0.58%

LAB 87.05, -56.58, 9.07

 

CMYK 18 / 80 / 0 / 4

HEX #CA31F5

RGB 202 49 245

HSL 286.84, 0.91%, 0.58%

LAB 53.33, 81.83, -66.98

 

CMYK 0 / 80 / 77 / 4

HEX #F53238

RGB 245 50 56

HSL 358.15, 0.91%, 0.58%

LAB 54, 71.41, 45.01

 

CMYK 61 / 0 / 80 / 4

HEX #5FF532

RGB 95 245 50

HSL 106.15, 0.91%, 0.58%

LAB 85.99, -71.44, 74.57

 

CMYK 80 / 0 / 3 / 4

HEX #32F5EE

RGB 50 245 238

HSL 177.85, 0.91%, 0.58%

LAB 88.04, -46.46, -9.84

 

CMYK 18 / 80 / 0 / 4

HEX #CA31F5

RGB 202 49 245

HSL 286.84, 0.91%, 0.58%

LAB 53.33, 81.83, -66.98

 

CMYK 0 / 58 / 80 / 4

HEX #F56632

RGB 245 102 50

HSL 16, 0.91%, 0.58%

LAB 60.91, 52.28, 54.93

 

CMYK 61 / 0 / 80 / 4

HEX #5FF532

RGB 95 245 50

HSL 106.15, 0.91%, 0.58%

LAB 85.99, -71.44, 74.57

 

CMYK 80 / 21 / 0 / 4

HEX #32C1F5

RGB 50 193 245

HSL 196, 0.91%, 0.58%

LAB 73.16, -19.67, -36.17

 

Description

Color code: HEX #CA31F5 | qconv.com Color code: HEX #CA31F5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 49 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 49 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 80 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 80% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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