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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA3CD1 it is the complementary color #35C32E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA3CD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA3CD1 shade: #CF3CCC, #E04EDF, #F160F2, #FF72FF and #FF84FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA3CD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA3CD1 shade: #CA3CD1, #B92ABE, #A818AB, #970698 and #860085

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA3CD1 shade: #CA3CD1, #D13CB0, #D13C88, #D13C60 and #D13C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA3CD1 shade: #CA3CD1, #A23CD1, #7A3CD1, #523CD1 and #3C3CD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA3CD1 shade matches the following richer shades: #CA3CD1, #DC29E4 and #ED16F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA3CD1 shade: #CA3CD1, #B850BE, #A763AA, #957797 and #848A83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA3CD1 shade: #7A3CD1, #A23CD1, #CA3CD1, #D13CB1 and #D13C89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA3CD1 shade: #922398, #B22BB9, #CA3CD1, #D35ED9 and #DC7FE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA3CD1 shade: #CA3CD1, #D1533C and #3CD18E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA3CD1 shade: #CA3CD1, #D1CA3C and #3CD1CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA3CD1 shade: #CA3CD1, #D1533C, #44D13C and #3CBBD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA3CD1 shade: #CA3CD1, #D17F3C, #44D13C and #3C8ED1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 71 / 0 / 18

HEX #CA3CD1

RGB 202 60 209

HSL 297.18, 0.62%, 0.53%

LAB 52.28, 72.36, -48.3

 

Complementary color

CMYK 73 / 0 / 76 / 24

HEX #35C32E

RGB 53 195 46

HSL 117.18, 0.62%, 0.47%

LAB 69.46, -63.81, 59.67

 

CMYK 0 / 71 / 1 / 19

HEX #CF3CCC

RGB 207 60 204

HSL 301.22, 0.6%, 0.52%

LAB 52.79, 72.62, -44.57

 

CMYK 0 / 65 / 0 / 12

HEX #E04EDF

RGB 224 78 223

HSL 300.41, 0.7%, 0.59%

LAB 58.62, 73.12, -45.97

 

CMYK 0 / 60 / 0 / 5

HEX #F160F2

RGB 241 96 242

HSL 299.59, 0.85%, 0.66%

LAB 64.55, 73.2, -47.06

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 0 / 48 / 0 / 0

HEX #FF84FF

RGB 255 132 255

HSL 300, 1%, 0.76%

LAB 72.88, 63.08, -40.99

 

CMYK 3 / 71 / 0 / 18

HEX #CA3CD1

RGB 202 60 209

HSL 297.18, 0.62%, 0.53%

LAB 52.28, 72.36, -48.3

 

CMYK 3 / 78 / 0 / 25

HEX #B92ABE

RGB 185 42 190

HSL 297.97, 0.64%, 0.45%

LAB 46.56, 71.26, -46.59

 

CMYK 2 / 86 / 0 / 33

HEX #A818AB

RGB 168 24 171

HSL 298.78, 0.75%, 0.38%

LAB 41.09, 69.2, -44.3

 

CMYK 1 / 96 / 0 / 40

HEX #970698

RGB 151 6 152

HSL 299.59, 0.92%, 0.31%

LAB 35.94, 65.87, -41.26

 

CMYK 0 / 100 / 1 / 47

HEX #860085

RGB 134 0 133

HSL 300.45, 1%, 0.26%

LAB 31.26, 60.77, -37.21

 

CMYK 3 / 71 / 0 / 18

HEX #CA3CD1

RGB 202 60 209

HSL 297.18, 0.62%, 0.53%

LAB 52.28, 72.36, -48.3

 

CMYK 0 / 71 / 16 / 18

HEX #D13CB0

RGB 209 60 176

HSL 313.29, 0.62%, 0.53%

LAB 51.75, 68.89, -29.97

 

CMYK 0 / 71 / 35 / 18

HEX #D13C88

RGB 209 60 136

HSL 329.4, 0.62%, 0.53%

LAB 50.17, 63.88, -8.65

 

CMYK 0 / 71 / 54 / 18

HEX #D13C60

RGB 209 60 96

HSL 345.5, 0.62%, 0.53%

LAB 49.05, 60.14, 13.95

 

CMYK 0 / 71 / 71 / 18

HEX #D13C3C

RGB 209 60 60

HSL 0, 0.62%, 0.53%

LAB 48.4, 57.95, 34.66

 

CMYK 3 / 71 / 0 / 18

HEX #CA3CD1

RGB 202 60 209

HSL 297.18, 0.62%, 0.53%

LAB 52.28, 72.36, -48.3

 

CMYK 22 / 71 / 0 / 18

HEX #A23CD1

RGB 162 60 209

HSL 281.07, 0.62%, 0.53%

LAB 46.33, 64.11, -58.16

 

CMYK 42 / 71 / 0 / 18

HEX #7A3CD1

RGB 122 60 209

HSL 264.97, 0.62%, 0.53%

LAB 41.17, 56.56, -66.77

 

CMYK 61 / 71 / 0 / 18

HEX #523CD1

RGB 82 60 209

HSL 248.86, 0.62%, 0.53%

LAB 37.17, 50.34, -73.48

 

CMYK 71 / 71 / 0 / 18

HEX #3C3CD1

RGB 60 60 209

HSL 240, 0.62%, 0.53%

LAB 35.59, 47.77, -76.14

 

CMYK 3 / 71 / 0 / 18

HEX #CA3CD1

RGB 202 60 209

HSL 297.18, 0.62%, 0.53%

LAB 52.28, 72.36, -48.3

 

CMYK 4 / 82 / 0 / 11

HEX #DC29E4

RGB 220 41 228

HSL 297.43, 0.78%, 0.53%

LAB 54.45, 84.03, -55.46

 

CMYK 4 / 91 / 0 / 3

HEX #ED16F8

RGB 237 22 248

HSL 297.08, 0.94%, 0.53%

LAB 57.42, 92.88, -61.77

 

CMYK 3 / 71 / 0 / 18

HEX #CA3CD1

RGB 202 60 209

HSL 297.18, 0.62%, 0.53%

LAB 52.28, 72.36, -48.3

 

CMYK 3 / 58 / 0 / 25

HEX #B850BE

RGB 184 80 190

HSL 296.73, 0.46%, 0.53%

LAB 51.43, 56.92, -38.88

 

CMYK 2 / 42 / 0 / 33

HEX #A763AA

RGB 167 99 170

HSL 297.46, 0.29%, 0.53%

LAB 51.88, 38.71, -26.72

 

CMYK 1 / 21 / 0 / 41

HEX #957797

RGB 149 119 151

HSL 296.25, 0.13%, 0.53%

LAB 53.83, 17.54, -12.84

 

CMYK 4 / 0 / 5 / 46

HEX #848A83

RGB 132 138 131

HSL 111.43, 0.03%, 0.53%

LAB 56.8, -3.58, 2.98

 

CMYK 42 / 71 / 0 / 18

HEX #7A3CD1

RGB 122 60 209

HSL 264.97, 0.62%, 0.53%

LAB 41.17, 56.56, -66.77

 

CMYK 22 / 71 / 0 / 18

HEX #A23CD1

RGB 162 60 209

HSL 281.07, 0.62%, 0.53%

LAB 46.33, 64.11, -58.16

 

CMYK 3 / 71 / 0 / 18

HEX #CA3CD1

RGB 202 60 209

HSL 297.18, 0.62%, 0.53%

LAB 52.28, 72.36, -48.3

 

CMYK 0 / 71 / 15 / 18

HEX #D13CB1

RGB 209 60 177

HSL 312.89, 0.62%, 0.53%

LAB 51.79, 69.03, -30.48

 

CMYK 0 / 71 / 34 / 18

HEX #D13C89

RGB 209 60 137

HSL 328.99, 0.62%, 0.53%

LAB 50.21, 63.99, -9.2

 

CMYK 4 / 77 / 0 / 40

HEX #922398

RGB 146 35 152

HSL 296.92, 0.63%, 0.37%

LAB 37.08, 59, -39.49

 

CMYK 4 / 77 / 0 / 27

HEX #B22BB9

RGB 178 43 185

HSL 297.04, 0.62%, 0.45%

LAB 45.21, 68.76, -45.89

 

CMYK 3 / 71 / 0 / 18

HEX #CA3CD1

RGB 202 60 209

HSL 297.18, 0.62%, 0.53%

LAB 52.28, 72.36, -48.3

 

CMYK 3 / 57 / 0 / 15

HEX #D35ED9

RGB 211 94 217

HSL 297.07, 0.62%, 0.61%

LAB 58.85, 62.38, -42.36

 

CMYK 2 / 44 / 0 / 12

HEX #DC7FE1

RGB 220 127 225

HSL 296.94, 0.62%, 0.69%

LAB 66.39, 50.36, -34.95

 

CMYK 3 / 71 / 0 / 18

HEX #CA3CD1

RGB 202 60 209

HSL 297.18, 0.62%, 0.53%

LAB 52.28, 72.36, -48.3

 

CMYK 0 / 60 / 71 / 18

HEX #D1533C

RGB 209 83 60

HSL 9.26, 0.62%, 0.53%

LAB 51.91, 48.47, 38.7

 

CMYK 71 / 0 / 32 / 18

HEX #3CD18E

RGB 60 209 142

HSL 153.02, 0.62%, 0.53%

LAB 75.15, -54.17, 22.27

 

CMYK 3 / 71 / 0 / 18

HEX #CA3CD1

RGB 202 60 209

HSL 297.18, 0.62%, 0.53%

LAB 52.28, 72.36, -48.3

 

CMYK 0 / 3 / 71 / 18

HEX #D1CA3C

RGB 209 202 60

HSL 57.18, 0.62%, 0.53%

LAB 79.68, -13.62, 67.6

 

CMYK 71 / 0 / 3 / 18

HEX #3CD1CA

RGB 60 209 202

HSL 177.18, 0.62%, 0.53%

LAB 76.57, -39.54, -7.77

 

CMYK 3 / 71 / 0 / 18

HEX #CA3CD1

RGB 202 60 209

HSL 297.18, 0.62%, 0.53%

LAB 52.28, 72.36, -48.3

 

CMYK 0 / 60 / 71 / 18

HEX #D1533C

RGB 209 83 60

HSL 9.26, 0.62%, 0.53%

LAB 51.91, 48.47, 38.7

 

CMYK 67 / 0 / 71 / 18

HEX #44D13C

RGB 68 209 60

HSL 116.78, 0.62%, 0.53%

LAB 74.29, -64.6, 59.76

 

CMYK 71 / 11 / 0 / 18

HEX #3CBBD1

RGB 60 187 209

HSL 188.86, 0.62%, 0.53%

LAB 70.25, -27.06, -21.08

 

CMYK 3 / 71 / 0 / 18

HEX #CA3CD1

RGB 202 60 209

HSL 297.18, 0.62%, 0.53%

LAB 52.28, 72.36, -48.3

 

CMYK 0 / 39 / 71 / 18

HEX #D17F3C

RGB 209 127 60

HSL 26.98, 0.62%, 0.53%

LAB 60.83, 26.17, 48.51

 

CMYK 67 / 0 / 71 / 18

HEX #44D13C

RGB 68 209 60

HSL 116.78, 0.62%, 0.53%

LAB 74.29, -64.6, 59.76

 

CMYK 71 / 32 / 0 / 18

HEX #3C8ED1

RGB 60 142 209

HSL 206.98, 0.62%, 0.53%

LAB 56.99, -2.82, -41.62

 

Description

Color code: HEX #CA3CD1 | qconv.com Color code: HEX #CA3CD1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 60 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 60 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 71 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 71% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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