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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA3FCF it is the complementary color #35C030. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA3FCF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA3FCF shade: #CF3FCA, #E051DD, #F163F0, #FF75FF and #FF87FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA3FCF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA3FCF shade: #CA3FCF, #B92DBC, #A81BA9, #970996 and #860083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA3FCF shade: #CA3FCF, #CF3FAD, #CF3F86, #CF3F5F and #CF3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA3FCF shade: #CA3FCF, #A33FCF, #7C3FCF, #553FCF and #3F3FCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA3FCF shade matches the following richer shades: #CA3FCF, #DC2BE2 and #EE18F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA3FCF shade: #CA3FCF, #B852BB, #A566A8, #937994 and #818C81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA3FCF shade: #7B3FCF, #A13FCF, #C73FCF, #CF3FAF and #CF3F89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA3FCF shade: #922596, #B22DB7, #CA3FCF, #D360D7 and #DC81DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA3FCF shade: #CA3FCF, #CF543F and #3FCF8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA3FCF shade: #CA3FCF, #CFC73F and #3FCFC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA3FCF shade: #CA3FCF, #CF543F, #46CF3F and #3FB9CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA3FCF shade: #CA3FCF, #CF7F3F, #46CF3F and #3F8ECF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 70 / 0 / 19

HEX #CA3FCF

RGB 202 63 207

HSL 297.92, 0.6%, 0.53%

LAB 52.53, 71.01, -46.76

 

Complementary color

CMYK 72 / 0 / 75 / 25

HEX #35C030

RGB 53 192 48

HSL 117.92, 0.6%, 0.47%

LAB 68.51, -62.72, 58.07

 

CMYK 0 / 70 / 2 / 19

HEX #CF3FCA

RGB 207 63 202

HSL 302.08, 0.6%, 0.53%

LAB 53.04, 71.3, -43.03

 

CMYK 0 / 64 / 1 / 12

HEX #E051DD

RGB 224 81 221

HSL 301.26, 0.7%, 0.6%

LAB 58.93, 71.66, -44.36

 

CMYK 0 / 59 / 0 / 5

HEX #F163F0

RGB 241 99 240

HSL 300.42, 0.84%, 0.67%

LAB 64.9, 71.64, -45.4

 

CMYK 0 / 54 / 0 / 0

HEX #FF75FF

RGB 255 117 255

HSL 300, 1%, 0.73%

LAB 70.32, 69.92, -45

 

CMYK 0 / 47 / 0 / 0

HEX #FF87FF

RGB 255 135 255

HSL 300, 1%, 0.76%

LAB 73.42, 61.66, -40.15

 

CMYK 2 / 70 / 0 / 19

HEX #CA3FCF

RGB 202 63 207

HSL 297.92, 0.6%, 0.53%

LAB 52.53, 71.01, -46.76

 

CMYK 2 / 76 / 0 / 26

HEX #B92DBC

RGB 185 45 188

HSL 298.74, 0.61%, 0.46%

LAB 46.74, 70.09, -45.14

 

CMYK 1 / 84 / 0 / 34

HEX #A81BA9

RGB 168 27 169

HSL 299.58, 0.72%, 0.38%

LAB 41.17, 68.28, -42.97

 

CMYK 0 / 94 / 1 / 41

HEX #970996

RGB 151 9 150

HSL 300.42, 0.89%, 0.31%

LAB 35.94, 65.18, -40.04

 

CMYK 0 / 100 / 2 / 47

HEX #860083

RGB 134 0 131

HSL 301.34, 1%, 0.26%

LAB 31.13, 60.46, -36.16

 

CMYK 2 / 70 / 0 / 19

HEX #CA3FCF

RGB 202 63 207

HSL 297.92, 0.6%, 0.53%

LAB 52.53, 71.01, -46.76

 

CMYK 0 / 70 / 16 / 19

HEX #CF3FAD

RGB 207 63 173

HSL 314.17, 0.6%, 0.53%

LAB 51.65, 66.95, -28.38

 

CMYK 0 / 70 / 35 / 19

HEX #CF3F86

RGB 207 63 134

HSL 330.42, 0.6%, 0.53%

LAB 50.15, 62.04, -7.53

 

CMYK 0 / 70 / 54 / 19

HEX #CF3F5F

RGB 207 63 95

HSL 346.67, 0.6%, 0.53%

LAB 49.06, 58.37, 14.53

 

CMYK 0 / 70 / 70 / 19

HEX #CF3F3F

RGB 207 63 63

HSL 0, 0.6%, 0.53%

LAB 48.49, 56.34, 32.93

 

CMYK 2 / 70 / 0 / 19

HEX #CA3FCF

RGB 202 63 207

HSL 297.92, 0.6%, 0.53%

LAB 52.53, 71.01, -46.76

 

CMYK 21 / 70 / 0 / 19

HEX #A33FCF

RGB 163 63 207

HSL 281.67, 0.6%, 0.53%

LAB 46.77, 62.69, -56.29

 

CMYK 40 / 70 / 0 / 19

HEX #7C3FCF

RGB 124 63 207

HSL 265.42, 0.6%, 0.53%

LAB 41.76, 54.99, -64.65

 

CMYK 59 / 70 / 0 / 19

HEX #553FCF

RGB 85 63 207

HSL 249.17, 0.6%, 0.53%

LAB 37.83, 48.52, -71.23

 

CMYK 70 / 70 / 0 / 19

HEX #3F3FCF

RGB 63 63 207

HSL 240, 0.6%, 0.53%

LAB 36.21, 45.7, -73.95

 

CMYK 2 / 70 / 0 / 19

HEX #CA3FCF

RGB 202 63 207

HSL 297.92, 0.6%, 0.53%

LAB 52.53, 71.01, -46.76

 

CMYK 3 / 81 / 0 / 11

HEX #DC2BE2

RGB 220 43 226

HSL 298.03, 0.76%, 0.53%

LAB 54.48, 83.29, -54.28

 

CMYK 3 / 90 / 0 / 4

HEX #EE18F5

RGB 238 24 245

HSL 298.1, 0.92%, 0.53%

LAB 57.49, 92.37, -59.98

 

CMYK 2 / 70 / 0 / 19

HEX #CA3FCF

RGB 202 63 207

HSL 297.92, 0.6%, 0.53%

LAB 52.53, 71.01, -46.76

 

CMYK 2 / 56 / 0 / 27

HEX #B852BB

RGB 184 82 187

HSL 298.29, 0.44%, 0.53%

LAB 51.62, 55.46, -36.84

 

CMYK 2 / 39 / 0 / 34

HEX #A566A8

RGB 165 102 168

HSL 297.27, 0.28%, 0.53%

LAB 52.21, 36.05, -25.08

 

CMYK 1 / 18 / 0 / 42

HEX #937994

RGB 147 121 148

HSL 297.78, 0.11%, 0.53%

LAB 54.04, 15.06, -10.79

 

CMYK 8 / 0 / 8 / 45

HEX #818C81

RGB 129 140 129

HSL 120, 0.05%, 0.53%

LAB 57.08, -6.2, 4.5

 

CMYK 41 / 70 / 0 / 19

HEX #7B3FCF

RGB 123 63 207

HSL 265, 0.6%, 0.53%

LAB 41.64, 54.8, -64.84

 

CMYK 22 / 70 / 0 / 19

HEX #A13FCF

RGB 161 63 207

HSL 280.83, 0.6%, 0.53%

LAB 46.49, 62.28, -56.75

 

CMYK 4 / 70 / 0 / 19

HEX #C73FCF

RGB 199 63 207

HSL 296.67, 0.6%, 0.53%

LAB 52.06, 70.36, -47.52

 

CMYK 0 / 70 / 15 / 19

HEX #CF3FAF

RGB 207 63 175

HSL 313.33, 0.6%, 0.53%

LAB 51.74, 67.24, -29.42

 

CMYK 0 / 70 / 34 / 19

HEX #CF3F89

RGB 207 63 137

HSL 329.17, 0.6%, 0.53%

LAB 50.25, 62.38, -9.18

 

CMYK 3 / 75 / 0 / 41

HEX #922596

RGB 146 37 150

HSL 297.88, 0.6%, 0.37%

LAB 37.18, 58.01, -38.11

 

CMYK 3 / 75 / 0 / 28

HEX #B22DB7

RGB 178 45 183

HSL 297.83, 0.61%, 0.45%

LAB 45.3, 67.84, -44.57

 

CMYK 2 / 70 / 0 / 19

HEX #CA3FCF

RGB 202 63 207

HSL 297.92, 0.6%, 0.53%

LAB 52.53, 71.01, -46.76

 

CMYK 2 / 55 / 0 / 16

HEX #D360D7

RGB 211 96 215

HSL 297.98, 0.6%, 0.61%

LAB 59.09, 61.12, -40.86

 

CMYK 1 / 42 / 0 / 13

HEX #DC81DF

RGB 220 129 223

HSL 298.09, 0.59%, 0.69%

LAB 66.71, 48.97, -33.35

 

CMYK 2 / 70 / 0 / 19

HEX #CA3FCF

RGB 202 63 207

HSL 297.92, 0.6%, 0.53%

LAB 52.53, 71.01, -46.76

 

CMYK 0 / 59 / 70 / 19

HEX #CF543F

RGB 207 84 63

HSL 8.75, 0.6%, 0.53%

LAB 51.8, 47.44, 36.83

 

CMYK 70 / 0 / 31 / 19

HEX #3FCF8E

RGB 63 207 142

HSL 152.92, 0.6%, 0.53%

LAB 74.59, -52.94, 21.52

 

CMYK 2 / 70 / 0 / 19

HEX #CA3FCF

RGB 202 63 207

HSL 297.92, 0.6%, 0.53%

LAB 52.53, 71.01, -46.76

 

CMYK 0 / 4 / 70 / 19

HEX #CFC73F

RGB 207 199 63

HSL 56.67, 0.6%, 0.53%

LAB 78.74, -12.81, 65.52

 

CMYK 70 / 0 / 4 / 19

HEX #3FCFC7

RGB 63 207 199

HSL 176.67, 0.6%, 0.53%

LAB 75.95, -39.08, -7.07

 

CMYK 2 / 70 / 0 / 19

HEX #CA3FCF

RGB 202 63 207

HSL 297.92, 0.6%, 0.53%

LAB 52.53, 71.01, -46.76

 

CMYK 0 / 59 / 70 / 19

HEX #CF543F

RGB 207 84 63

HSL 8.75, 0.6%, 0.53%

LAB 51.8, 47.44, 36.83

 

CMYK 66 / 0 / 70 / 19

HEX #46CF3F

RGB 70 207 63

HSL 117.08, 0.6%, 0.53%

LAB 73.73, -63.3, 58.08

 

CMYK 70 / 11 / 0 / 19

HEX #3FB9CF

RGB 63 185 207

HSL 189.17, 0.6%, 0.53%

LAB 69.65, -26.28, -20.88

 

CMYK 2 / 70 / 0 / 19

HEX #CA3FCF

RGB 202 63 207

HSL 297.92, 0.6%, 0.53%

LAB 52.53, 71.01, -46.76

 

CMYK 0 / 39 / 70 / 19

HEX #CF7F3F

RGB 207 127 63

HSL 26.67, 0.6%, 0.53%

LAB 60.61, 25.49, 46.74

 

CMYK 66 / 0 / 70 / 19

HEX #46CF3F

RGB 70 207 63

HSL 117.08, 0.6%, 0.53%

LAB 73.73, -63.3, 58.08

 

CMYK 70 / 31 / 0 / 19

HEX #3F8ECF

RGB 63 142 207

HSL 207.08, 0.6%, 0.53%

LAB 56.99, -3.08, -40.49

 

Description

Color code: HEX #CA3FCF | qconv.com Color code: HEX #CA3FCF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 63 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 63 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 70 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 70% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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