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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA3FD3 it is the complementary color #35C02C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA3FD3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA3FD3 shade: #CF3FCE, #E051E1, #F163F4, #FF75FF and #FF87FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA3FD3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA3FD3 shade: #CA3FD3, #B92DC0, #A81BAD, #97099A and #860087

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA3FD3 shade: #CA3FD3, #D33FB4, #D33F8C, #D33F65 and #D33F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA3FD3 shade: #CA3FD3, #A23FD3, #7A3FD3, #533FD3 and #3F3FD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA3FD3 shade matches the following richer shades: #CA3FD3, #DB2CE6 and #EB19F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA3FD3 shade: #CA3FD3, #B952C0, #A965AD, #98789A and #878B87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA3FD3 shade: #7A3FD3, #A23FD3, #C93FD3, #D33FB6 and #D33F8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA3FD3 shade: #95239D, #B52BBE, #CA3FD3, #D361DB and #DD83E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA3FD3 shade: #CA3FD3, #D3533F and #3FD38E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA3FD3 shade: #CA3FD3, #D3C93F and #3FD3C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA3FD3 shade: #CA3FD3, #D3533F, #49D33F and #3FBFD3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA3FD3 shade: #CA3FD3, #D37F3F, #49D33F and #3F93D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 70 / 0 / 17

HEX #CA3FD3

RGB 202 63 211

HSL 296.35, 0.63%, 0.54%

LAB 52.75, 71.68, -48.7

 

Complementary color

CMYK 72 / 0 / 77 / 25

HEX #35C02C

RGB 53 192 44

HSL 116.35, 0.63%, 0.46%

LAB 68.49, -63, 59.38

 

CMYK 0 / 70 / 0 / 19

HEX #CF3FCE

RGB 207 63 206

HSL 300.42, 0.6%, 0.53%

LAB 53.25, 71.94, -44.99

 

CMYK 0 / 64 / 0 / 12

HEX #E051E1

RGB 224 81 225

HSL 299.58, 0.71%, 0.6%

LAB 59.13, 72.32, -46.3

 

CMYK 1 / 59 / 0 / 4

HEX #F163F4

RGB 241 99 244

HSL 298.76, 0.87%, 0.67%

LAB 65.09, 72.3, -47.32

 

CMYK 0 / 54 / 0 / 0

HEX #FF75FF

RGB 255 117 255

HSL 300, 1%, 0.73%

LAB 70.32, 69.92, -45

 

CMYK 0 / 47 / 0 / 0

HEX #FF87FF

RGB 255 135 255

HSL 300, 1%, 0.76%

LAB 73.42, 61.66, -40.15

 

CMYK 4 / 70 / 0 / 17

HEX #CA3FD3

RGB 202 63 211

HSL 296.35, 0.63%, 0.54%

LAB 52.75, 71.68, -48.7

 

CMYK 4 / 77 / 0 / 25

HEX #B92DC0

RGB 185 45 192

HSL 297.14, 0.62%, 0.46%

LAB 46.97, 70.74, -47.11

 

CMYK 3 / 84 / 0 / 32

HEX #A81BAD

RGB 168 27 173

HSL 297.95, 0.73%, 0.39%

LAB 41.42, 68.91, -44.97

 

CMYK 2 / 94 / 0 / 40

HEX #97099A

RGB 151 9 154

HSL 298.76, 0.89%, 0.32%

LAB 36.19, 65.81, -42.07

 

CMYK 1 / 100 / 0 / 47

HEX #860087

RGB 134 0 135

HSL 299.56, 1%, 0.26%

LAB 31.39, 61.08, -38.25

 

CMYK 4 / 70 / 0 / 17

HEX #CA3FD3

RGB 202 63 211

HSL 296.35, 0.63%, 0.54%

LAB 52.75, 71.68, -48.7

 

CMYK 0 / 70 / 15 / 17

HEX #D33FB4

RGB 211 63 180

HSL 312.57, 0.63%, 0.54%

LAB 52.62, 68.92, -30.92

 

CMYK 0 / 70 / 34 / 17

HEX #D33F8C

RGB 211 63 140

HSL 328.78, 0.63%, 0.54%

LAB 51.03, 63.81, -9.73

 

CMYK 0 / 70 / 52 / 17

HEX #D33F65

RGB 211 63 101

HSL 344.59, 0.63%, 0.54%

LAB 49.91, 60.04, 12.17

 

CMYK 0 / 70 / 70 / 17

HEX #D33F3F

RGB 211 63 63

HSL 0, 0.63%, 0.54%

LAB 49.21, 57.61, 33.96

 

CMYK 4 / 70 / 0 / 17

HEX #CA3FD3

RGB 202 63 211

HSL 296.35, 0.63%, 0.54%

LAB 52.75, 71.68, -48.7

 

CMYK 23 / 70 / 0 / 17

HEX #A23FD3

RGB 162 63 211

HSL 280.14, 0.63%, 0.54%

LAB 46.9, 63.31, -58.4

 

CMYK 42 / 70 / 0 / 17

HEX #7A3FD3

RGB 122 63 211

HSL 263.92, 0.63%, 0.54%

LAB 41.84, 55.64, -66.83

 

CMYK 61 / 70 / 0 / 17

HEX #533FD3

RGB 83 63 211

HSL 248.11, 0.63%, 0.54%

LAB 38.02, 49.45, -73.24

 

CMYK 70 / 70 / 0 / 17

HEX #3F3FD3

RGB 63 63 211

HSL 240, 0.63%, 0.54%

LAB 36.58, 47.02, -75.65

 

CMYK 4 / 70 / 0 / 17

HEX #CA3FD3

RGB 202 63 211

HSL 296.35, 0.63%, 0.54%

LAB 52.75, 71.68, -48.7

 

CMYK 5 / 81 / 0 / 10

HEX #DB2CE6

RGB 219 44 230

HSL 296.45, 0.79%, 0.54%

LAB 54.63, 83.5, -56.32

 

CMYK 6 / 90 / 0 / 2

HEX #EB19F9

RGB 235 25 249

HSL 296.25, 0.95%, 0.54%

LAB 57.27, 92.37, -62.59

 

CMYK 4 / 70 / 0 / 17

HEX #CA3FD3

RGB 202 63 211

HSL 296.35, 0.63%, 0.54%

LAB 52.75, 71.68, -48.7

 

CMYK 4 / 57 / 0 / 25

HEX #B952C0

RGB 185 82 192

HSL 296.18, 0.47%, 0.54%

LAB 52.01, 56.63, -39.11

 

CMYK 2 / 42 / 0 / 32

HEX #A965AD

RGB 169 101 173

HSL 296.67, 0.31%, 0.54%

LAB 52.69, 38.83, -27.21

 

CMYK 1 / 22 / 0 / 40

HEX #98789A

RGB 152 120 154

HSL 296.47, 0.14%, 0.54%

LAB 54.49, 18.63, -13.56

 

CMYK 3 / 0 / 3 / 45

HEX #878B87

RGB 135 139 135

HSL 120, 0.02%, 0.54%

LAB 57.43, -2.25, 1.62

 

CMYK 42 / 70 / 0 / 17

HEX #7A3FD3

RGB 122 63 211

HSL 263.92, 0.63%, 0.54%

LAB 41.84, 55.64, -66.83

 

CMYK 23 / 70 / 0 / 17

HEX #A23FD3

RGB 162 63 211

HSL 280.14, 0.63%, 0.54%

LAB 46.9, 63.31, -58.4

 

CMYK 5 / 70 / 0 / 17

HEX #C93FD3

RGB 201 63 211

HSL 295.95, 0.63%, 0.54%

LAB 52.59, 71.46, -48.95

 

CMYK 0 / 70 / 14 / 17

HEX #D33FB6

RGB 211 63 182

HSL 311.76, 0.63%, 0.54%

LAB 52.71, 69.2, -31.95

 

CMYK 0 / 70 / 33 / 17

HEX #D33F8E

RGB 211 63 142

HSL 327.97, 0.63%, 0.54%

LAB 51.1, 64.04, -10.82

 

CMYK 5 / 78 / 0 / 38

HEX #95239D

RGB 149 35 157

HSL 296.07, 0.64%, 0.38%

LAB 37.89, 60.49, -41.2

 

CMYK 5 / 77 / 0 / 25

HEX #B52BBE

RGB 181 43 190

HSL 296.33, 0.63%, 0.46%

LAB 46, 70.19, -47.53

 

CMYK 4 / 70 / 0 / 17

HEX #CA3FD3

RGB 202 63 211

HSL 296.35, 0.63%, 0.54%

LAB 52.75, 71.68, -48.7

 

CMYK 4 / 56 / 0 / 14

HEX #D361DB

RGB 211 97 219

HSL 296.07, 0.63%, 0.62%

LAB 59.45, 61.37, -42.55

 

CMYK 2 / 42 / 0 / 11

HEX #DD83E2

RGB 221 131 226

HSL 296.84, 0.62%, 0.7%

LAB 67.35, 48.79, -34.01

 

CMYK 4 / 70 / 0 / 17

HEX #CA3FD3

RGB 202 63 211

HSL 296.35, 0.63%, 0.54%

LAB 52.75, 71.68, -48.7

 

CMYK 0 / 61 / 70 / 17

HEX #D3533F

RGB 211 83 63

HSL 8.11, 0.63%, 0.54%

LAB 52.28, 49.32, 37.55

 

CMYK 70 / 0 / 33 / 17

HEX #3FD38E

RGB 63 211 142

HSL 152.03, 0.63%, 0.54%

LAB 75.82, -54.5, 23.2

 

CMYK 4 / 70 / 0 / 17

HEX #CA3FD3

RGB 202 63 211

HSL 296.35, 0.63%, 0.54%

LAB 52.75, 71.68, -48.7

 

CMYK 0 / 5 / 70 / 17

HEX #D3C93F

RGB 211 201 63

HSL 55.95, 0.63%, 0.54%

LAB 79.6, -12.13, 66.49

 

CMYK 70 / 0 / 5 / 17

HEX #3FD3C9

RGB 63 211 201

HSL 175.95, 0.63%, 0.54%

LAB 77.2, -40.33, -6.3

 

CMYK 4 / 70 / 0 / 17

HEX #CA3FD3

RGB 202 63 211

HSL 296.35, 0.63%, 0.54%

LAB 52.75, 71.68, -48.7

 

CMYK 0 / 61 / 70 / 17

HEX #D3533F

RGB 211 83 63

HSL 8.11, 0.63%, 0.54%

LAB 52.28, 49.32, 37.55

 

CMYK 65 / 0 / 70 / 17

HEX #49D33F

RGB 73 211 63

HSL 115.95, 0.63%, 0.54%

LAB 75.05, -64.04, 59.48

 

CMYK 70 / 9 / 0 / 17

HEX #3FBFD3

RGB 63 191 211

HSL 188.11, 0.63%, 0.54%

LAB 71.57, -28.04, -20.16

 

CMYK 4 / 70 / 0 / 17

HEX #CA3FD3

RGB 202 63 211

HSL 296.35, 0.63%, 0.54%

LAB 52.75, 71.68, -48.7

 

CMYK 0 / 40 / 70 / 17

HEX #D37F3F

RGB 211 127 63

HSL 25.95, 0.63%, 0.54%

LAB 61.12, 27.16, 47.45

 

CMYK 65 / 0 / 70 / 17

HEX #49D33F

RGB 73 211 63

HSL 115.95, 0.63%, 0.54%

LAB 75.05, -64.04, 59.48

 

CMYK 70 / 30 / 0 / 17

HEX #3F93D3

RGB 63 147 211

HSL 205.95, 0.63%, 0.54%

LAB 58.63, -4.59, -40.16

 

Description

Color code: HEX #CA3FD3 | qconv.com Color code: HEX #CA3FD3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 63 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 63 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 70 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 70% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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