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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA53A2 it is the complementary color #35AC5D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA53A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA53A2 shade: #CF539D, #E065B0, #F177C3, #FF89D6 and #FF9BE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA53A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA53A2 shade: #CA53A2, #B9418F, #A82F7C, #971D69 and #860B56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA53A2 shade: #CA53A2, #CA5382, #CA5362 and #CA5353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA53A2 shade: #CA53A2, #CA53C2, #B253CA, #9253CA and #7153CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA53A2 shade matches the following richer shades: #CA53A2, #DC41A8 and #EE2FAE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA53A2 shade: #CA53A2, #B8659C, #A57796, #938990 and #819B8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA53A2 shade: #B253CA, #CA53C2, #CA53A2, #CA5382 and #CA5363

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA53A2 shade: #9B2F77, #BA398F, #CA53A2, #D372B3 and #DD92C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA53A2 shade: #CA53A2, #CA9253 and #53CAC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA53A2 shade: #CA53A2, #A2CA53 and #53A2CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA53A2 shade: #CA53A2, #CA9253, #53CA7A and #538ACA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA53A2 shade: #CA53A2, #CAB653, #53CA7A and #5367CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 20 / 21

HEX #CA53A2

RGB 202 83 162

HSL 320.17, 0.53%, 0.56%

LAB 53.33, 55.99, -19.41

 

Complementary color

CMYK 69 / 0 / 46 / 33

HEX #35AC5D

RGB 53 172 93

HSL 140.17, 0.53%, 0.44%

LAB 62.55, -50.41, 31.25

 

CMYK 0 / 60 / 24 / 19

HEX #CF539D

RGB 207 83 157

HSL 324.19, 0.56%, 0.57%

LAB 53.91, 56.76, -15.53

 

CMYK 0 / 55 / 21 / 12

HEX #E065B0

RGB 224 101 176

HSL 323.41, 0.66%, 0.64%

LAB 60.15, 56.29, -16.86

 

CMYK 0 / 51 / 19 / 5

HEX #F177C3

RGB 241 119 195

HSL 322.62, 0.81%, 0.71%

LAB 66.39, 55.68, -17.96

 

CMYK 0 / 46 / 16 / 0

HEX #FF89D6

RGB 255 137 214

HSL 320.85, 1%, 0.77%

LAB 72.23, 54.07, -19.52

 

CMYK 0 / 39 / 9 / 0

HEX #FF9BE9

RGB 255 155 233

HSL 313.2, 1%, 0.8%

LAB 76.43, 48.07, -23.55

 

CMYK 0 / 59 / 20 / 21

HEX #CA53A2

RGB 202 83 162

HSL 320.17, 0.53%, 0.56%

LAB 53.33, 55.99, -19.41

 

CMYK 0 / 65 / 23 / 27

HEX #B9418F

RGB 185 65 143

HSL 321, 0.48%, 0.49%

LAB 47.08, 56.22, -17.94

 

CMYK 0 / 72 / 26 / 34

HEX #A82F7C

RGB 168 47 124

HSL 321.82, 0.56%, 0.42%

LAB 40.92, 55.99, -16.03

 

CMYK 0 / 81 / 30 / 41

HEX #971D69

RGB 151 29 105

HSL 322.62, 0.68%, 0.35%

LAB 34.96, 54.99, -13.49

 

CMYK 0 / 92 / 36 / 47

HEX #860B56

RGB 134 11 86

HSL 323.41, 0.85%, 0.28%

LAB 29.36, 52.71, -10.01

 

CMYK 0 / 59 / 20 / 21

HEX #CA53A2

RGB 202 83 162

HSL 320.17, 0.53%, 0.56%

LAB 53.33, 55.99, -19.41

 

CMYK 0 / 59 / 36 / 21

HEX #CA5382

RGB 202 83 130

HSL 336.3, 0.53%, 0.56%

LAB 52.24, 51.82, -2.13

 

CMYK 0 / 59 / 51 / 21

HEX #CA5362

RGB 202 83 98

HSL 352.44, 0.53%, 0.56%

LAB 51.41, 48.56, 15.81

 

CMYK 0 / 59 / 59 / 21

HEX #CA5353

RGB 202 83 83

HSL 0, 0.53%, 0.56%

LAB 51.11, 47.37, 24.31

 

CMYK 0 / 59 / 20 / 21

HEX #CA53A2

RGB 202 83 162

HSL 320.17, 0.53%, 0.56%

LAB 53.33, 55.99, -19.41

 

CMYK 0 / 59 / 4 / 21

HEX #CA53C2

RGB 202 83 194

HSL 304.03, 0.53%, 0.56%

LAB 54.7, 60.97, -35.88

 

CMYK 12 / 59 / 0 / 21

HEX #B253CA

RGB 178 83 202

HSL 287.9, 0.53%, 0.56%

LAB 51.74, 56.26, -45.36

 

CMYK 28 / 59 / 0 / 21

HEX #9253CA

RGB 146 83 202

HSL 271.76, 0.53%, 0.56%

LAB 47.7, 48.35, -52.04

 

CMYK 44 / 59 / 0 / 21

HEX #7153CA

RGB 113 83 202

HSL 255.13, 0.53%, 0.56%

LAB 44.18, 40.78, -57.89

 

CMYK 0 / 59 / 20 / 21

HEX #CA53A2

RGB 202 83 162

HSL 320.17, 0.53%, 0.56%

LAB 53.33, 55.99, -19.41

 

CMYK 0 / 70 / 24 / 14

HEX #DC41A8

RGB 220 65 168

HSL 320.13, 0.69%, 0.56%

LAB 53.84, 68.83, -21.9

 

CMYK 0 / 80 / 27 / 7

HEX #EE2FAE

RGB 238 47 174

HSL 320.1, 0.85%, 0.56%

LAB 55.35, 79.02, -22.83

 

CMYK 0 / 59 / 20 / 21

HEX #CA53A2

RGB 202 83 162

HSL 320.17, 0.53%, 0.56%

LAB 53.33, 55.99, -19.41

 

CMYK 0 / 45 / 15 / 28

HEX #B8659C

RGB 184 101 156

HSL 320.24, 0.37%, 0.56%

LAB 53.92, 40.65, -15.24

 

CMYK 0 / 28 / 9 / 35

HEX #A57796

RGB 165 119 150

HSL 319.57, 0.2%, 0.56%

LAB 55.48, 23.09, -9.62

 

CMYK 0 / 7 / 2 / 42

HEX #938990

RGB 147 137 144

HSL 318, 0.04%, 0.56%

LAB 58.14, 5.06, -2.39

 

CMYK 17 / 0 / 11 / 39

HEX #819B8A

RGB 129 155 138

HSL 140.77, 0.12%, 0.56%

LAB 61.61, -12.61, 5.89

 

CMYK 12 / 59 / 0 / 21

HEX #B253CA

RGB 178 83 202

HSL 287.9, 0.53%, 0.56%

LAB 51.74, 56.26, -45.36

 

CMYK 0 / 59 / 4 / 21

HEX #CA53C2

RGB 202 83 194

HSL 304.03, 0.53%, 0.56%

LAB 54.7, 60.97, -35.88

 

CMYK 0 / 59 / 20 / 21

HEX #CA53A2

RGB 202 83 162

HSL 320.17, 0.53%, 0.56%

LAB 53.33, 55.99, -19.41

 

CMYK 0 / 59 / 36 / 21

HEX #CA5382

RGB 202 83 130

HSL 336.3, 0.53%, 0.56%

LAB 52.24, 51.82, -2.13

 

CMYK 0 / 59 / 51 / 21

HEX #CA5363

RGB 202 83 99

HSL 351.93, 0.53%, 0.56%

LAB 51.43, 48.65, 15.24

 

CMYK 0 / 70 / 23 / 39

HEX #9B2F77

RGB 155 47 119

HSL 320, 0.53%, 0.4%

LAB 38.43, 51.77, -16.93

 

CMYK 0 / 69 / 23 / 27

HEX #BA398F

RGB 186 57 143

HSL 320, 0.53%, 0.48%

LAB 46.11, 59.64, -19.41

 

CMYK 0 / 59 / 20 / 21

HEX #CA53A2

RGB 202 83 162

HSL 320.17, 0.53%, 0.56%

LAB 53.33, 55.99, -19.41

 

CMYK 0 / 46 / 15 / 17

HEX #D372B3

RGB 211 114 179

HSL 319.79, 0.52%, 0.64%

LAB 60.9, 46.37, -17.6

 

CMYK 0 / 34 / 11 / 13

HEX #DD92C4

RGB 221 146 196

HSL 320, 0.52%, 0.72%

LAB 69.41, 35.65, -14.2

 

CMYK 0 / 59 / 20 / 21

HEX #CA53A2

RGB 202 83 162

HSL 320.17, 0.53%, 0.56%

LAB 53.33, 55.99, -19.41

 

CMYK 0 / 28 / 59 / 21

HEX #CA9253

RGB 202 146 83

HSL 31.76, 0.53%, 0.56%

LAB 64.75, 14.34, 41.29

 

CMYK 59 / 0 / 4 / 21

HEX #53CAC2

RGB 83 202 194

HSL 175.97, 0.53%, 0.56%

LAB 74.81, -35.01, -6.01

 

CMYK 0 / 59 / 20 / 21

HEX #CA53A2

RGB 202 83 162

HSL 320.17, 0.53%, 0.56%

LAB 53.33, 55.99, -19.41

 

CMYK 20 / 0 / 59 / 21

HEX #A2CA53

RGB 162 202 83

HSL 80.17, 0.53%, 0.56%

LAB 76.4, -31.3, 53.87

 

CMYK 59 / 20 / 0 / 21

HEX #53A2CA

RGB 83 162 202

HSL 200.17, 0.53%, 0.56%

LAB 63.3, -12.51, -27.81

 

CMYK 0 / 59 / 20 / 21

HEX #CA53A2

RGB 202 83 162

HSL 320.17, 0.53%, 0.56%

LAB 53.33, 55.99, -19.41

 

CMYK 0 / 28 / 59 / 21

HEX #CA9253

RGB 202 146 83

HSL 31.76, 0.53%, 0.56%

LAB 64.75, 14.34, 41.29

 

CMYK 59 / 0 / 40 / 21

HEX #53CA7A

RGB 83 202 122

HSL 139.66, 0.53%, 0.56%

LAB 73.21, -51.04, 30.2

 

CMYK 59 / 32 / 0 / 21

HEX #538ACA

RGB 83 138 202

HSL 212.27, 0.53%, 0.56%

LAB 56.37, 1.07, -38.59

 

CMYK 0 / 59 / 20 / 21

HEX #CA53A2

RGB 202 83 162

HSL 320.17, 0.53%, 0.56%

LAB 53.33, 55.99, -19.41

 

CMYK 0 / 10 / 59 / 21

HEX #CAB653

RGB 202 182 83

HSL 49.92, 0.53%, 0.56%

LAB 73.96, -4.96, 51.95

 

CMYK 59 / 0 / 40 / 21

HEX #53CA7A

RGB 83 202 122

HSL 139.66, 0.53%, 0.56%

LAB 73.21, -51.04, 30.2

 

CMYK 59 / 49 / 0 / 21

HEX #5367CA

RGB 83 103 202

HSL 229.92, 0.53%, 0.56%

LAB 46.72, 22.43, -53.92

 

Description

Color code: HEX #CA53A2 | qconv.com Color code: HEX #CA53A2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 83 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 83 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 20 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 20% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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