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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA5F53 it is the complementary color #35A0AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA5F53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA5F53 shade: #CF5F4E, #E07161, #F18374, #FF9587 and #FFA79A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA5F53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA5F53 shade: #CA5F53, #B94D40, #A83B2D, #97291A and #861707

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA5F53 shade: #CA5F53 and #CA5353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA5F53 shade: #CA5F53, #CA7F53, #CA9F53, #CABF53 and #B4CA53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA5F53 shade matches the following richer shades: #CA5F53, #DC5041 and #EE422F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA5F53 shade: #CA5F53, #B86D65, #A57C77, #938A89 and #81999B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA5F53 shade: #CA5386, #CA5367, #CA5F53, #CA7E53 and #CA9E53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA5F53 shade: #9B3A2F, #BA4639, #CA5F53, #D37C72 and #DD9A92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA5F53 shade: #CA5F53, #A6CA53 and #5377CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA5F53 shade: #CA5F53, #53CA5F and #5F53CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA5F53 shade: #CA5F53, #A6CA53, #53BECA and #7753CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA5F53 shade: #CA5F53, #82CA53, #53BECA and #9A53CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 59 / 21

HEX #CA5F53

RGB 202 95 83

HSL 6.05, 0.53%, 0.56%

LAB 53.35, 41.56, 27.2

 

Complementary color

CMYK 69 / 7 / 0 / 33

HEX #35A0AC

RGB 53 160 172

HSL 186.05, 0.53%, 0.44%

LAB 60.67, -25.9, -15.07

 

CMYK 0 / 54 / 62 / 19

HEX #CF5F4E

RGB 207 95 78

HSL 7.91, 0.57%, 0.56%

LAB 54.03, 43.07, 31.08

 

CMYK 0 / 50 / 57 / 12

HEX #E07161

RGB 224 113 97

HSL 7.56, 0.67%, 0.63%

LAB 60.36, 41.8, 28.89

 

CMYK 0 / 46 / 52 / 5

HEX #F18374

RGB 241 131 116

HSL 7.2, 0.82%, 0.7%

LAB 66.67, 40.58, 26.97

 

CMYK 0 / 42 / 47 / 0

HEX #FF9587

RGB 255 149 135

HSL 7, 1%, 0.76%

LAB 72.56, 38.32, 24.7

 

CMYK 0 / 35 / 40 / 0

HEX #FFA79A

RGB 255 167 154

HSL 7.72, 1%, 0.8%

LAB 76.82, 30.95, 20.15

 

CMYK 0 / 53 / 59 / 21

HEX #CA5F53

RGB 202 95 83

HSL 6.05, 0.53%, 0.56%

LAB 53.35, 41.56, 27.2

 

CMYK 0 / 58 / 65 / 27

HEX #B94D40

RGB 185 77 64

HSL 6.45, 0.49%, 0.49%

LAB 46.96, 42.81, 29.62

 

CMYK 0 / 65 / 73 / 34

HEX #A83B2D

RGB 168 59 45

HSL 6.83, 0.58%, 0.42%

LAB 40.64, 43.97, 32.46

 

CMYK 0 / 73 / 83 / 41

HEX #97291A

RGB 151 41 26

HSL 7.2, 0.71%, 0.35%

LAB 34.48, 44.85, 35.67

 

CMYK 0 / 83 / 95 / 47

HEX #861707

RGB 134 23 7

HSL 7.56, 0.9%, 0.28%

LAB 28.63, 45.04, 38.44

 

CMYK 0 / 53 / 59 / 21

HEX #CA5F53

RGB 202 95 83

HSL 6.05, 0.53%, 0.56%

LAB 53.35, 41.56, 27.2

 

CMYK 0 / 59 / 59 / 21

HEX #CA5353

RGB 202 83 83

HSL 0, 0.53%, 0.56%

LAB 51.11, 47.37, 24.31

 

CMYK 0 / 53 / 59 / 21

HEX #CA5F53

RGB 202 95 83

HSL 6.05, 0.53%, 0.56%

LAB 53.35, 41.56, 27.2

 

CMYK 0 / 37 / 59 / 21

HEX #CA7F53

RGB 202 127 83

HSL 22.18, 0.53%, 0.56%

LAB 60.21, 24.71, 35.8

 

CMYK 0 / 21 / 59 / 21

HEX #CA9F53

RGB 202 159 83

HSL 38.32, 0.53%, 0.56%

LAB 68, 7.28, 45.12

 

CMYK 0 / 5 / 59 / 21

HEX #CABF53

RGB 202 191 83

HSL 54.45, 0.53%, 0.56%

LAB 76.34, -9.63, 54.62

 

CMYK 11 / 0 / 59 / 21

HEX #B4CA53

RGB 180 202 83

HSL 71.09, 0.53%, 0.56%

LAB 77.62, -24.2, 55.56

 

CMYK 0 / 53 / 59 / 21

HEX #CA5F53

RGB 202 95 83

HSL 6.05, 0.53%, 0.56%

LAB 53.35, 41.56, 27.2

 

CMYK 0 / 64 / 70 / 14

HEX #DC5041

RGB 220 80 65

HSL 5.81, 0.69%, 0.56%

LAB 53.31, 53.85, 38.03

 

CMYK 0 / 72 / 80 / 7

HEX #EE422F

RGB 238 66 47

HSL 5.97, 0.85%, 0.56%

LAB 54.32, 64.33, 49.62

 

CMYK 0 / 53 / 59 / 21

HEX #CA5F53

RGB 202 95 83

HSL 6.05, 0.53%, 0.56%

LAB 53.35, 41.56, 27.2

 

CMYK 0 / 41 / 45 / 28

HEX #B86D65

RGB 184 109 101

HSL 5.78, 0.37%, 0.56%

LAB 54.1, 28.89, 17.3

 

CMYK 0 / 25 / 28 / 35

HEX #A57C77

RGB 165 124 119

HSL 6.52, 0.2%, 0.56%

LAB 55.83, 15.18, 8.92

 

CMYK 0 / 6 / 7 / 42

HEX #938A89

RGB 147 138 137

HSL 6, 0.04%, 0.56%

LAB 58.21, 3.17, 1.73

 

CMYK 17 / 1 / 0 / 39

HEX #81999B

RGB 129 153 155

HSL 184.62, 0.12%, 0.56%

LAB 61.5, -7.96, -3.88

 

CMYK 0 / 59 / 34 / 21

HEX #CA5386

RGB 202 83 134

HSL 334.29, 0.53%, 0.56%

LAB 52.36, 52.29, -4.33

 

CMYK 0 / 59 / 49 / 21

HEX #CA5367

RGB 202 83 103

HSL 349.92, 0.53%, 0.56%

LAB 51.52, 49.01, 12.98

 

CMYK 0 / 53 / 59 / 21

HEX #CA5F53

RGB 202 95 83

HSL 6.05, 0.53%, 0.56%

LAB 53.35, 41.56, 27.2

 

CMYK 0 / 38 / 59 / 21

HEX #CA7E53

RGB 202 126 83

HSL 21.68, 0.53%, 0.56%

LAB 59.98, 25.26, 35.52

 

CMYK 0 / 22 / 59 / 21

HEX #CA9E53

RGB 202 158 83

HSL 37.82, 0.53%, 0.56%

LAB 67.75, 7.82, 44.82

 

CMYK 0 / 63 / 70 / 39

HEX #9B3A2F

RGB 155 58 47

HSL 6.11, 0.53%, 0.4%

LAB 38.2, 39.81, 27.87

 

CMYK 0 / 62 / 69 / 27

HEX #BA4639

RGB 186 70 57

HSL 6.05, 0.53%, 0.48%

LAB 45.79, 46.04, 32.31

 

CMYK 0 / 53 / 59 / 21

HEX #CA5F53

RGB 202 95 83

HSL 6.05, 0.53%, 0.56%

LAB 53.35, 41.56, 27.2

 

CMYK 0 / 41 / 46 / 17

HEX #D37C72

RGB 211 124 114

HSL 6.19, 0.52%, 0.64%

LAB 61.2, 32.67, 20.08

 

CMYK 0 / 30 / 34 / 13

HEX #DD9A92

RGB 221 154 146

HSL 6.4, 0.52%, 0.72%

LAB 69.87, 24.05, 14.29

 

CMYK 0 / 53 / 59 / 21

HEX #CA5F53

RGB 202 95 83

HSL 6.05, 0.53%, 0.56%

LAB 53.35, 41.56, 27.2

 

CMYK 18 / 0 / 59 / 21

HEX #A6CA53

RGB 166 202 83

HSL 78.15, 0.53%, 0.56%

LAB 76.66, -29.75, 54.23

 

CMYK 59 / 41 / 0 / 21

HEX #5377CA

RGB 83 119 202

HSL 221.85, 0.53%, 0.56%

LAB 51.03, 12.49, -47.02

 

CMYK 0 / 53 / 59 / 21

HEX #CA5F53

RGB 202 95 83

HSL 6.05, 0.53%, 0.56%

LAB 53.35, 41.56, 27.2

 

CMYK 59 / 0 / 53 / 21

HEX #53CA5F

RGB 83 202 95

HSL 126.05, 0.53%, 0.56%

LAB 72.83, -55.21, 43.22

 

CMYK 53 / 59 / 0 / 21

HEX #5F53CA

RGB 95 83 202

HSL 246.05, 0.53%, 0.56%

LAB 42.59, 37.09, -60.54

 

CMYK 0 / 53 / 59 / 21

HEX #CA5F53

RGB 202 95 83

HSL 6.05, 0.53%, 0.56%

LAB 53.35, 41.56, 27.2

 

CMYK 18 / 0 / 59 / 21

HEX #A6CA53

RGB 166 202 83

HSL 78.15, 0.53%, 0.56%

LAB 76.66, -29.75, 54.23

 

CMYK 59 / 6 / 0 / 21

HEX #53BECA

RGB 83 190 202

HSL 186.05, 0.53%, 0.56%

LAB 71.51, -27.04, -15.29

 

CMYK 41 / 59 / 0 / 21

HEX #7753CA

RGB 119 83 202

HSL 258.15, 0.53%, 0.56%

LAB 44.76, 42.09, -56.92

 

CMYK 0 / 53 / 59 / 21

HEX #CA5F53

RGB 202 95 83

HSL 6.05, 0.53%, 0.56%

LAB 53.35, 41.56, 27.2

 

CMYK 36 / 0 / 59 / 21

HEX #82CA53

RGB 130 202 83

HSL 96.3, 0.53%, 0.56%

LAB 74.58, -43, 51.31

 

CMYK 59 / 6 / 0 / 21

HEX #53BECA

RGB 83 190 202

HSL 186.05, 0.53%, 0.56%

LAB 71.51, -27.04, -15.29

 

CMYK 24 / 59 / 0 / 21

HEX #9A53CA

RGB 154 83 202

HSL 275.8, 0.53%, 0.56%

LAB 48.66, 50.3, -50.45

 

Description

Color code: HEX #CA5F53 | qconv.com Color code: HEX #CA5F53 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 95 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 95 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 59 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 59% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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