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Color name
HEX #CA6816

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA6816 it is the complementary color #3597E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA6816. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA6816 shade: #CF6811, #E07A24, #F18C37, #FF9E4A and #FFB05D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA6816. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA6816 shade: #CA6816, #B95603, #A84400, #973200 and #862000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA6816 shade: #C96816, #C93716 and #C91616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA6816 shade: #C96816, #C99816, #C9C916, #9AC916 and #6AC916

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA6816 shade matches the following richer shades: #C96816 and #DC6604

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA6816 shade: #C96816, #B76928, #A56B3A, #936D4C and #816E5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA6816 shade: #C91625, #C93716, #C96716, #C99716 and #C9C616

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA6816 shade: #7F410E, #A45512, #C96816, #E67C23 and #EA9248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA6816 shade: #CA6816, #55C916 and #1F16C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA6816 shade: #CA6816, #16C967 and #6716C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA6816 shade: #CA6816, #55C916, #1679C9 and #8B16C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA6816 shade: #CA6816, #1FC916, #1679C9 and #C016C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 89 / 21

HEX #CA6816

RGB 202 104 22

HSL 27.33, 0.8%, 0.44%

LAB 54.57, 34.17, 57.76

 

Complementary color

CMYK 77 / 35 / 0 / 9

HEX #3597E9

RGB 53 151 233

HSL 207.33, 0.8%, 0.56%

LAB 60.58, -0.42, -49.34

 

CMYK 0 / 50 / 92 / 19

HEX #CF6811

RGB 207 104 17

HSL 27.47, 0.85%, 0.44%

LAB 55.28, 36.11, 60

 

CMYK 0 / 46 / 84 / 12

HEX #E07A24

RGB 224 122 36

HSL 27.45, 0.75%, 0.51%

LAB 61.56, 34.08, 60.09

 

CMYK 0 / 42 / 77 / 5

HEX #F18C37

RGB 241 140 55

HSL 27.42, 0.87%, 0.58%

LAB 67.82, 32.23, 59.2

 

CMYK 0 / 38 / 71 / 0

HEX #FF9E4A

RGB 255 158 74

HSL 27.85, 1%, 0.65%

LAB 73.68, 29.35, 57.38

 

CMYK 0 / 31 / 64 / 0

HEX #FFB05D

RGB 255 176 93

HSL 30.74, 1%, 0.68%

LAB 77.93, 21.01, 53.2

 

CMYK 0 / 49 / 89 / 21

HEX #CA6816

RGB 202 104 22

HSL 27.33, 0.8%, 0.44%

LAB 54.57, 34.17, 57.76

 

CMYK 0 / 54 / 98 / 27

HEX #B95603

RGB 185 86 3

HSL 27.36, 0.97%, 0.37%

LAB 48.23, 36.3, 56.83

 

CMYK 0 / 60 / 100 / 34

HEX #A84400

RGB 168 68 0

HSL 24.29, 1%, 0.33%

LAB 41.94, 38.55, 52.54

 

CMYK 0 / 67 / 100 / 41

HEX #973200

RGB 151 50 0

HSL 19.87, 1%, 0.3%

LAB 35.71, 40.54, 47.6

 

CMYK 0 / 76 / 100 / 47

HEX #862000

RGB 134 32 0

HSL 14.33, 1%, 0.26%

LAB 29.67, 41.91, 42.11

 

CMYK 0 / 48 / 89 / 21

HEX #C96816

RGB 201 104 22

HSL 27.49, 0.8%, 0.44%

LAB 54.42, 33.76, 57.59

 

CMYK 0 / 73 / 89 / 21

HEX #C93716

RGB 201 55 22

HSL 11.06, 0.8%, 0.44%

LAB 45.92, 56.01, 51.11

 

CMYK 0 / 89 / 89 / 21

HEX #C91616

RGB 201 22 22

HSL 0, 0.8%, 0.44%

LAB 42.84, 64.68, 48.8

 

CMYK 0 / 48 / 89 / 21

HEX #C96816

RGB 201 104 22

HSL 27.49, 0.8%, 0.44%

LAB 54.42, 33.76, 57.59

 

CMYK 0 / 24 / 89 / 21

HEX #C99816

RGB 201 152 22

HSL 43.58, 0.8%, 0.44%

LAB 65.7, 7.81, 66.33

 

CMYK 0 / 0 / 89 / 21

HEX #C9C916

RGB 201 201 22

HSL 60, 0.8%, 0.44%

LAB 78.61, -17.75, 76.47

 

CMYK 23 / 0 / 89 / 21

HEX #9AC916

RGB 154 201 22

HSL 75.75, 0.8%, 0.44%

LAB 75.27, -37.21, 72.39

 

CMYK 47 / 0 / 89 / 21

HEX #6AC916

RGB 106 201 22

HSL 91.84, 0.8%, 0.44%

LAB 72.82, -54.27, 69.37

 

CMYK 0 / 48 / 89 / 21

HEX #C96816

RGB 201 104 22

HSL 27.49, 0.8%, 0.44%

LAB 54.42, 33.76, 57.59

 

CMYK 0 / 54 / 98 / 14

HEX #DC6604

RGB 220 102 4

HSL 27.22, 0.96%, 0.44%

LAB 56.81, 42.11, 64.59

 

CMYK 0 / 48 / 89 / 21

HEX #C96816

RGB 201 104 22

HSL 27.49, 0.8%, 0.44%

LAB 54.42, 33.76, 57.59

 

CMYK 0 / 43 / 78 / 28

HEX #B76928

RGB 183 105 40

HSL 27.27, 0.64%, 0.44%

LAB 52.2, 26.23, 47.86

 

CMYK 0 / 35 / 65 / 35

HEX #A56B3A

RGB 165 107 58

HSL 27.48, 0.48%, 0.44%

LAB 50.48, 18.3, 36.45

 

CMYK 0 / 26 / 48 / 42

HEX #936D4C

RGB 147 109 76

HSL 27.89, 0.32%, 0.44%

LAB 49.08, 10.82, 24.28

 

CMYK 0 / 15 / 26 / 49

HEX #816E5F

RGB 129 110 95

HSL 26.47, 0.15%, 0.44%

LAB 47.81, 4.97, 11.13

 

CMYK 0 / 89 / 82 / 21

HEX #C91625

RGB 201 22 37

HSL 354.97, 0.8%, 0.44%

LAB 42.95, 65.01, 41.36

 

CMYK 0 / 73 / 89 / 21

HEX #C93716

RGB 201 55 22

HSL 11.06, 0.8%, 0.44%

LAB 45.92, 56.01, 51.11

 

CMYK 0 / 49 / 89 / 21

HEX #C96716

RGB 201 103 22

HSL 27.15, 0.8%, 0.44%

LAB 54.21, 34.28, 57.43

 

CMYK 0 / 25 / 89 / 21

HEX #C99716

RGB 201 151 22

HSL 43.24, 0.8%, 0.44%

LAB 65.44, 8.35, 66.14

 

CMYK 0 / 1 / 89 / 21

HEX #C9C616

RGB 201 198 22

HSL 58.99, 0.8%, 0.44%

LAB 77.79, -16.25, 75.83

 

CMYK 0 / 49 / 89 / 50

HEX #7F410E

RGB 127 65 14

HSL 27.08, 0.8%, 0.28%

LAB 34.65, 23.28, 39.84

 

CMYK 0 / 48 / 89 / 36

HEX #A45512

RGB 164 85 18

HSL 27.53, 0.8%, 0.36%

LAB 44.85, 28.36, 49.03

 

CMYK 0 / 48 / 89 / 21

HEX #C96816

RGB 201 104 22

HSL 27.49, 0.8%, 0.44%

LAB 54.42, 33.76, 57.59

 

CMYK 0 / 46 / 85 / 10

HEX #E67C23

RGB 230 124 35

HSL 27.38, 0.8%, 0.52%

LAB 62.81, 35.45, 61.83

 

CMYK 0 / 38 / 69 / 8

HEX #EA9248

RGB 234 146 72

HSL 27.41, 0.79%, 0.6%

LAB 68.4, 27, 51.88

 

CMYK 0 / 49 / 89 / 21

HEX #CA6816

RGB 202 104 22

HSL 27.33, 0.8%, 0.44%

LAB 54.57, 34.17, 57.76

 

CMYK 58 / 0 / 89 / 21

HEX #55C916

RGB 85 201 22

HSL 98.88, 0.8%, 0.44%

LAB 72.07, -60.2, 68.43

 

CMYK 85 / 89 / 0 / 21

HEX #1F16C9

RGB 31 22 201

HSL 243.02, 0.8%, 0.44%

LAB 26.97, 61.34, -85.81

 

CMYK 0 / 49 / 89 / 21

HEX #CA6816

RGB 202 104 22

HSL 27.33, 0.8%, 0.44%

LAB 54.57, 34.17, 57.76

 

CMYK 89 / 0 / 49 / 21

HEX #16C967

RGB 22 201 103

HSL 147.15, 0.8%, 0.44%

LAB 71.5, -62.61, 37.42

 

CMYK 49 / 89 / 0 / 21

HEX #6716C9

RGB 103 22 201

HSL 267.15, 0.8%, 0.44%

LAB 33.3, 66.01, -75.13

 

CMYK 0 / 49 / 89 / 21

HEX #CA6816

RGB 202 104 22

HSL 27.33, 0.8%, 0.44%

LAB 54.57, 34.17, 57.76

 

CMYK 58 / 0 / 89 / 21

HEX #55C916

RGB 85 201 22

HSL 98.88, 0.8%, 0.44%

LAB 72.07, -60.2, 68.43

 

CMYK 89 / 40 / 0 / 21

HEX #1679C9

RGB 22 121 201

HSL 206.82, 0.8%, 0.44%

LAB 49.57, 2.95, -48.9

 

CMYK 31 / 89 / 0 / 21

HEX #8B16C9

RGB 139 22 201

HSL 279.22, 0.8%, 0.44%

LAB 38.34, 70.32, -66.66

 

CMYK 0 / 49 / 89 / 21

HEX #CA6816

RGB 202 104 22

HSL 27.33, 0.8%, 0.44%

LAB 54.57, 34.17, 57.76

 

CMYK 85 / 0 / 89 / 21

HEX #1FC916

RGB 31 201 22

HSL 116.98, 0.8%, 0.44%

LAB 70.96, -69.7, 67.03

 

CMYK 89 / 40 / 0 / 21

HEX #1679C9

RGB 22 121 201

HSL 206.82, 0.8%, 0.44%

LAB 49.57, 2.95, -48.9

 

CMYK 4 / 89 / 0 / 21

HEX #C016C9

RGB 192 22 201

HSL 296.98, 0.8%, 0.44%

LAB 46.97, 78.45, -52.27

 

Description

Color code: HEX #CA6816 | qconv.com Color code: HEX #CA6816 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 104 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 104 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 89 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 89% 21% C M Y K

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