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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA632F it is the complementary color #359CD0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA632F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA632F shade: #CF632A, #E0753D, #F18750, #FF9963 and #FFAB76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA632F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA632F shade: #CA632F, #B9511C, #A83F09, #972D00 and #861B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA632F shade: #CA632F, #CA392F and #CA2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA632F shade: #CA632F, #CA8D2F, #CAB72F, #B4CA2F and #8ACA2F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA632F shade matches the following richer shades: #CA632F, #DE5C1B and #F25607

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA632F shade: #CA632F, #B66A43, #A17057, #8D776C and #797E80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA632F shade: #CA2F4E, #CA392F, #CA632F, #CA8C2F and #CAB52F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA632F shade: #87421F, #A85327, #CA632F, #D57B4D and #DD946F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA632F shade: #CA632F, #77CA2F and #2F39CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA632F shade: #CA632F, #2FCA63 and #632FCA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA632F shade: #CA632F, #77CA2F, #2F96CA and #822FCA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA632F shade: #CA632F, #49CA2F, #2F96CA and #B02FCA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 77 / 21

HEX #CA632F

RGB 202 99 47

HSL 20.13, 0.62%, 0.49%

LAB 53.69, 37.49, 47

 

Complementary color

CMYK 75 / 25 / 0 / 18

HEX #359CD0

RGB 53 156 208

HSL 200.13, 0.62%, 0.51%

LAB 60.86, -12.04, -35.01

 

CMYK 0 / 52 / 80 / 19

HEX #CF632A

RGB 207 99 42

HSL 20.73, 0.66%, 0.49%

LAB 54.4, 39.27, 50.28

 

CMYK 0 / 48 / 73 / 12

HEX #E0753D

RGB 224 117 61

HSL 20.61, 0.72%, 0.56%

LAB 60.7, 37.56, 48.49

 

CMYK 0 / 44 / 67 / 5

HEX #F18750

RGB 241 135 80

HSL 20.5, 0.85%, 0.63%

LAB 66.98, 35.98, 46.63

 

CMYK 0 / 40 / 61 / 0

HEX #FF9963

RGB 255 153 99

HSL 20.77, 1%, 0.69%

LAB 72.85, 33.37, 44.28

 

CMYK 0 / 33 / 54 / 0

HEX #FFAB76

RGB 255 171 118

HSL 23.21, 1%, 0.73%

LAB 77.1, 25.42, 39.69

 

CMYK 0 / 51 / 77 / 21

HEX #CA632F

RGB 202 99 47

HSL 20.13, 0.62%, 0.49%

LAB 53.69, 37.49, 47

 

CMYK 0 / 56 / 85 / 27

HEX #B9511C

RGB 185 81 28

HSL 20.25, 0.74%, 0.42%

LAB 47.34, 39.26, 48.67

 

CMYK 0 / 63 / 95 / 34

HEX #A83F09

RGB 168 63 9

HSL 20.38, 0.9%, 0.35%

LAB 41.06, 41.07, 49.3

 

CMYK 0 / 70 / 100 / 41

HEX #972D00

RGB 151 45 0

HSL 17.88, 1%, 0.3%

LAB 34.92, 42.7, 47.18

 

CMYK 0 / 80 / 100 / 47

HEX #861B00

RGB 134 27 0

HSL 12.09, 1%, 0.26%

LAB 29.04, 43.67, 41.61

 

CMYK 0 / 51 / 77 / 21

HEX #CA632F

RGB 202 99 47

HSL 20.13, 0.62%, 0.49%

LAB 53.69, 37.49, 47

 

CMYK 0 / 72 / 77 / 21

HEX #CA392F

RGB 202 57 47

HSL 3.87, 0.62%, 0.49%

LAB 46.56, 56.29, 39.6

 

CMYK 0 / 77 / 77 / 21

HEX #CA2F2F

RGB 202 47 47

HSL 0, 0.62%, 0.49%

LAB 45.35, 59.66, 38.31

 

CMYK 0 / 51 / 77 / 21

HEX #CA632F

RGB 202 99 47

HSL 20.13, 0.62%, 0.49%

LAB 53.69, 37.49, 47

 

CMYK 0 / 30 / 77 / 21

HEX #CA8D2F

RGB 202 141 47

HSL 36.39, 0.62%, 0.49%

LAB 63.19, 14.98, 56.34

 

CMYK 0 / 9 / 77 / 21

HEX #CAB72F

RGB 202 183 47

HSL 52.65, 0.62%, 0.49%

LAB 73.95, -7.48, 66.43

 

CMYK 11 / 0 / 77 / 21

HEX #B4CA2F

RGB 180 202 47

HSL 68.52, 0.62%, 0.49%

LAB 77.37, -26.34, 68.91

 

CMYK 32 / 0 / 77 / 21

HEX #8ACA2F

RGB 138 202 47

HSL 84.77, 0.62%, 0.49%

LAB 74.73, -42.83, 65.5

 

CMYK 0 / 51 / 77 / 21

HEX #CA632F

RGB 202 99 47

HSL 20.13, 0.62%, 0.49%

LAB 53.69, 37.49, 47

 

CMYK 0 / 59 / 88 / 13

HEX #DE5C1B

RGB 222 92 27

HSL 20, 0.78%, 0.49%

LAB 55.34, 47.94, 58.06

 

CMYK 0 / 64 / 97 / 5

HEX #F25607

RGB 242 86 7

HSL 20.17, 0.94%, 0.49%

LAB 57.61, 57.38, 66.33

 

CMYK 0 / 51 / 77 / 21

HEX #CA632F

RGB 202 99 47

HSL 20.13, 0.62%, 0.49%

LAB 53.69, 37.49, 47

 

CMYK 0 / 42 / 63 / 29

HEX #B66A43

RGB 182 106 67

HSL 20.35, 0.46%, 0.49%

LAB 52.57, 26.73, 34.62

 

CMYK 0 / 30 / 46 / 37

HEX #A17057

RGB 161 112 87

HSL 20.27, 0.3%, 0.49%

LAB 51.67, 16.29, 21.65

 

CMYK 0 / 16 / 23 / 45

HEX #8D776C

RGB 141 119 108

HSL 20, 0.13%, 0.49%

LAB 51.77, 6.71, 9.22

 

CMYK 5 / 2 / 0 / 50

HEX #797E80

RGB 121 126 128

HSL 197.14, 0.03%, 0.49%

LAB 52.45, -1.44, -1.74

 

CMYK 0 / 77 / 61 / 21

HEX #CA2F4E

RGB 202 47 78

HSL 348, 0.62%, 0.49%

LAB 45.82, 61.17, 20.39

 

CMYK 0 / 72 / 77 / 21

HEX #CA392F

RGB 202 57 47

HSL 3.87, 0.62%, 0.49%

LAB 46.56, 56.29, 39.6

 

CMYK 0 / 51 / 77 / 21

HEX #CA632F

RGB 202 99 47

HSL 20.13, 0.62%, 0.49%

LAB 53.69, 37.49, 47

 

CMYK 0 / 31 / 77 / 21

HEX #CA8C2F

RGB 202 140 47

HSL 36, 0.62%, 0.49%

LAB 62.94, 15.53, 56.11

 

CMYK 0 / 10 / 77 / 21

HEX #CAB52F

RGB 202 181 47

HSL 51.87, 0.62%, 0.49%

LAB 73.42, -6.44, 65.94

 

CMYK 0 / 51 / 77 / 47

HEX #87421F

RGB 135 66 31

HSL 20.19, 0.63%, 0.33%

LAB 36.26, 26.85, 33.88

 

CMYK 0 / 51 / 77 / 34

HEX #A85327

RGB 168 83 39

HSL 20.47, 0.62%, 0.41%

LAB 45.16, 31.81, 40.58

 

CMYK 0 / 51 / 77 / 21

HEX #CA632F

RGB 202 99 47

HSL 20.13, 0.62%, 0.49%

LAB 53.69, 37.49, 47

 

CMYK 0 / 42 / 64 / 16

HEX #D57B4D

RGB 213 123 77

HSL 20.29, 0.62%, 0.57%

LAB 60.65, 30.93, 39.86

 

CMYK 0 / 33 / 50 / 13

HEX #DD946F

RGB 221 148 111

HSL 20.18, 0.62%, 0.65%

LAB 67.8, 23.46, 30.73

 

CMYK 0 / 51 / 77 / 21

HEX #CA632F

RGB 202 99 47

HSL 20.13, 0.62%, 0.49%

LAB 53.69, 37.49, 47

 

CMYK 41 / 0 / 77 / 21

HEX #77CA2F

RGB 119 202 47

HSL 92.13, 0.62%, 0.49%

LAB 73.78, -49.46, 64.27

 

CMYK 77 / 72 / 0 / 21

HEX #2F39CA

RGB 47 57 202

HSL 236.13, 0.62%, 0.49%

LAB 33.55, 45.97, -75.45

 

CMYK 0 / 51 / 77 / 21

HEX #CA632F

RGB 202 99 47

HSL 20.13, 0.62%, 0.49%

LAB 53.69, 37.49, 47

 

CMYK 77 / 0 / 51 / 21

HEX #2FCA63

RGB 47 202 99

HSL 140.13, 0.62%, 0.49%

LAB 72.06, -61.16, 40.15

 

CMYK 51 / 77 / 0 / 21

HEX #632FCA

RGB 99 47 202

HSL 260.13, 0.62%, 0.49%

LAB 35.89, 57.08, -71.46

 

CMYK 0 / 51 / 77 / 21

HEX #CA632F

RGB 202 99 47

HSL 20.13, 0.62%, 0.49%

LAB 53.69, 37.49, 47

 

CMYK 41 / 0 / 77 / 21

HEX #77CA2F

RGB 119 202 47

HSL 92.13, 0.62%, 0.49%

LAB 73.78, -49.46, 64.27

 

CMYK 77 / 26 / 0 / 21

HEX #2F96CA

RGB 47 150 202

HSL 200.13, 0.62%, 0.49%

LAB 58.68, -11.49, -35.06

 

CMYK 36 / 77 / 0 / 21

HEX #822FCA

RGB 130 47 202

HSL 272.13, 0.62%, 0.49%

LAB 39.65, 61.83, -65.15

 

CMYK 0 / 51 / 77 / 21

HEX #CA632F

RGB 202 99 47

HSL 20.13, 0.62%, 0.49%

LAB 53.69, 37.49, 47

 

CMYK 64 / 0 / 77 / 21

HEX #49CA2F

RGB 73 202 47

HSL 109.94, 0.62%, 0.49%

LAB 72.14, -62.21, 62.12

 

CMYK 77 / 26 / 0 / 21

HEX #2F96CA

RGB 47 150 202

HSL 200.13, 0.62%, 0.49%

LAB 58.68, -11.49, -35.06

 

CMYK 13 / 77 / 0 / 21

HEX #B02FCA

RGB 176 47 202

HSL 289.94, 0.62%, 0.49%

LAB 46.35, 70.1, -53.99

 

Description

Color code: HEX #CA632F | qconv.com Color code: HEX #CA632F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 99 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 99 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 77 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 77% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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