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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA79C8 it is the complementary color #358637. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA79C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA79C8 shade: #CF79C3, #E08BD6, #F19DE9, #FFAFFC and #FFC1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA79C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA79C8 shade: #CA79C8, #B967B5, #A855A2, #97438F and #86317C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA79C8 shade: #C978C7, #C978B1, #C9789B, #C97885 and #C97878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA79C8 shade: #C978C7, #B578C9, #9F78C9, #8978C9 and #7878C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA79C8 shade matches the following richer shades: #C978C7, #D868D5, #E759E4 and #F74AF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA79C8 shade: #C978C7, #B987B8, #AA96AA, #9BA59B and #8CB58D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA79C8 shade: #9F78C9, #B478C9, #C978C7, #C978B2 and #C9789C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA79C8 shade: #AA44A8, #BD5ABB, #C978C7, #D495D3 and #E0B3DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA79C8 shade: #CA79C8, #C98978 and #78C9AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA79C8 shade: #CA79C8, #C7C978 and #78C7C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA79C8 shade: #CA79C8, #C98978, #78C979 and #78B7C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA79C8 shade: #CA79C8, #C9A278, #78C979 and #789FC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 1 / 21

HEX #CA79C8

RGB 202 121 200

HSL 301.48, 0.43%, 0.63%

LAB 62, 43.48, -27.94

 

Complementary color

CMYK 60 / 0 / 59 / 47

HEX #358637

RGB 53 134 55

HSL 121.48, 0.43%, 0.37%

LAB 49.6, -41.45, 34.77

 

CMYK 0 / 42 / 6 / 19

HEX #CF79C3

RGB 207 121 195

HSL 308.37, 0.47%, 0.64%

LAB 62.41, 44.14, -24.44

 

CMYK 0 / 38 / 4 / 12

HEX #E08BD6

RGB 224 139 214

HSL 307.06, 0.58%, 0.71%

LAB 68.87, 43.4, -24.98

 

CMYK 0 / 35 / 3 / 5

HEX #F19DE9

RGB 241 157 233

HSL 305.71, 0.75%, 0.78%

LAB 75.26, 42.67, -25.47

 

CMYK 0 / 31 / 1 / 0

HEX #FFAFFC

RGB 255 175 252

HSL 302.25, 1%, 0.84%

LAB 81.26, 41.03, -26.43

 

CMYK 0 / 24 / 0 / 0

HEX #FFC1FF

RGB 255 193 255

HSL 300, 1%, 0.88%

LAB 85.31, 32.15, -21.87

 

CMYK 0 / 40 / 1 / 21

HEX #CA79C8

RGB 202 121 200

HSL 301.48, 0.43%, 0.63%

LAB 62, 43.48, -27.94

 

CMYK 0 / 44 / 2 / 27

HEX #B967B5

RGB 185 103 181

HSL 302.93, 0.37%, 0.56%

LAB 55.43, 44.23, -27.43

 

CMYK 0 / 49 / 4 / 34

HEX #A855A2

RGB 168 85 162

HSL 304.34, 0.33%, 0.5%

LAB 48.8, 44.93, -26.81

 

CMYK 0 / 56 / 5 / 41

HEX #97438F

RGB 151 67 143

HSL 305.71, 0.39%, 0.43%

LAB 42.12, 45.53, -26.02

 

CMYK 0 / 63 / 7 / 47

HEX #86317C

RGB 134 49 124

HSL 307.06, 0.46%, 0.36%

LAB 35.44, 45.86, -24.97

 

CMYK 0 / 40 / 1 / 21

HEX #C978C7

RGB 201 120 199

HSL 301.48, 0.43%, 0.63%

LAB 61.63, 43.52, -27.95

 

CMYK 0 / 40 / 12 / 21

HEX #C978B1

RGB 201 120 177

HSL 317.78, 0.43%, 0.63%

LAB 60.8, 39.67, -16.73

 

CMYK 0 / 40 / 23 / 21

HEX #C9789B

RGB 201 120 155

HSL 334.07, 0.43%, 0.63%

LAB 60.08, 36.21, -5.2

 

CMYK 0 / 40 / 34 / 21

HEX #C97885

RGB 201 120 133

HSL 350.37, 0.43%, 0.63%

LAB 59.47, 33.19, 6.59

 

CMYK 0 / 40 / 40 / 21

HEX #C97878

RGB 201 120 120

HSL 0, 0.43%, 0.63%

LAB 59.16, 31.62, 13.64

 

CMYK 0 / 40 / 1 / 21

HEX #C978C7

RGB 201 120 199

HSL 301.48, 0.43%, 0.63%

LAB 61.63, 43.52, -27.95

 

CMYK 10 / 40 / 0 / 21

HEX #B578C9

RGB 181 120 201

HSL 285.19, 0.43%, 0.63%

LAB 59.41, 37.77, -32.71

 

CMYK 21 / 40 / 0 / 21

HEX #9F78C9

RGB 159 120 201

HSL 268.89, 0.43%, 0.63%

LAB 57.1, 31.16, -36.49

 

CMYK 32 / 40 / 0 / 21

HEX #8978C9

RGB 137 120 201

HSL 252.59, 0.43%, 0.63%

LAB 55.04, 24.8, -39.87

 

CMYK 40 / 40 / 0 / 21

HEX #7878C9

RGB 120 120 201

HSL 240, 0.43%, 0.63%

LAB 53.65, 20.18, -42.16

 

CMYK 0 / 40 / 1 / 21

HEX #C978C7

RGB 201 120 199

HSL 301.48, 0.43%, 0.63%

LAB 61.63, 43.52, -27.95

 

CMYK 0 / 52 / 1 / 15

HEX #D868D5

RGB 216 104 213

HSL 301.61, 0.59%, 0.63%

LAB 61.05, 58.4, -36.61

 

CMYK 0 / 61 / 1 / 9

HEX #E759E4

RGB 231 89 228

HSL 301.27, 0.75%, 0.63%

LAB 61.42, 71.32, -44.29

 

CMYK 0 / 70 / 2 / 3

HEX #F74AF2

RGB 247 74 242

HSL 301.73, 0.92%, 0.63%

LAB 62.58, 82.54, -50.12

 

CMYK 0 / 40 / 1 / 21

HEX #C978C7

RGB 201 120 199

HSL 301.48, 0.43%, 0.63%

LAB 61.63, 43.52, -27.95

 

CMYK 0 / 27 / 1 / 27

HEX #B987B8

RGB 185 135 184

HSL 301.2, 0.26%, 0.63%

LAB 62.59, 27.37, -18.16

 

CMYK 0 / 12 / 0 / 33

HEX #AA96AA

RGB 170 150 170

HSL 300, 0.11%, 0.63%

LAB 64.37, 11.06, -7.73

 

CMYK 6 / 0 / 6 / 35

HEX #9BA59B

RGB 155 165 155

HSL 120, 0.05%, 0.63%

LAB 66.71, -5.47, 3.95

 

CMYK 23 / 0 / 22 / 29

HEX #8CB58D

RGB 140 181 141

HSL 121.46, 0.22%, 0.63%

LAB 69.86, -21.71, 15.99

 

CMYK 21 / 40 / 0 / 21

HEX #9F78C9

RGB 159 120 201

HSL 268.89, 0.43%, 0.63%

LAB 57.1, 31.16, -36.49

 

CMYK 10 / 40 / 0 / 21

HEX #B478C9

RGB 180 120 201

HSL 284.44, 0.43%, 0.63%

LAB 59.3, 37.47, -32.89

 

CMYK 0 / 40 / 1 / 21

HEX #C978C7

RGB 201 120 199

HSL 301.48, 0.43%, 0.63%

LAB 61.63, 43.52, -27.95

 

CMYK 0 / 40 / 11 / 21

HEX #C978B2

RGB 201 120 178

HSL 317.04, 0.43%, 0.63%

LAB 60.84, 39.83, -17.24

 

CMYK 0 / 40 / 22 / 21

HEX #C9789C

RGB 201 120 156

HSL 333.33, 0.43%, 0.63%

LAB 60.11, 36.36, -5.73

 

CMYK 0 / 60 / 1 / 33

HEX #AA44A8

RGB 170 68 168

HSL 301.18, 0.43%, 0.47%

LAB 46.32, 54.75, -34.2

 

CMYK 0 / 52 / 1 / 26

HEX #BD5ABB

RGB 189 90 187

HSL 301.21, 0.43%, 0.55%

LAB 53.73, 53.03, -33.5

 

CMYK 0 / 40 / 1 / 21

HEX #C978C7

RGB 201 120 199

HSL 301.48, 0.43%, 0.63%

LAB 61.63, 43.52, -27.95

 

CMYK 0 / 30 / 0 / 17

HEX #D495D3

RGB 212 149 211

HSL 300.95, 0.42%, 0.71%

LAB 69.61, 33.7, -22.32

 

CMYK 0 / 20 / 0 / 12

HEX #E0B3DF

RGB 224 179 223

HSL 301.33, 0.42%, 0.79%

LAB 78.12, 23.66, -15.87

 

CMYK 0 / 40 / 1 / 21

HEX #CA79C8

RGB 202 121 200

HSL 301.48, 0.43%, 0.63%

LAB 62, 43.48, -27.94

 

CMYK 0 / 32 / 40 / 21

HEX #C98978

RGB 201 137 120

HSL 12.59, 0.43%, 0.63%

LAB 63.06, 22.38, 19.03

 

CMYK 40 / 0 / 15 / 21

HEX #78C9AA

RGB 120 201 170

HSL 157.04, 0.43%, 0.63%

LAB 75.24, -31.91, 7.76

 

CMYK 0 / 40 / 1 / 21

HEX #CA79C8

RGB 202 121 200

HSL 301.48, 0.43%, 0.63%

LAB 62, 43.48, -27.94

 

CMYK 1 / 0 / 40 / 21

HEX #C7C978

RGB 199 201 120

HSL 61.48, 0.43%, 0.63%

LAB 79.2, -12.63, 40.19

 

CMYK 40 / 1 / 0 / 21

HEX #78C7C9

RGB 120 199 201

HSL 181.48, 0.43%, 0.63%

LAB 75.49, -23.71, -8.64

 

CMYK 0 / 40 / 1 / 21

HEX #CA79C8

RGB 202 121 200

HSL 301.48, 0.43%, 0.63%

LAB 62, 43.48, -27.94

 

CMYK 0 / 32 / 40 / 21

HEX #C98978

RGB 201 137 120

HSL 12.59, 0.43%, 0.63%

LAB 63.06, 22.38, 19.03

 

CMYK 40 / 0 / 40 / 21

HEX #78C979

RGB 120 201 121

HSL 120.74, 0.43%, 0.63%

LAB 74.28, -41.02, 32.38

 

CMYK 40 / 9 / 0 / 21

HEX #78B7C9

RGB 120 183 201

HSL 193.33, 0.43%, 0.63%

LAB 70.92, -15.53, -15.48

 

CMYK 0 / 40 / 1 / 21

HEX #CA79C8

RGB 202 121 200

HSL 301.48, 0.43%, 0.63%

LAB 62, 43.48, -27.94

 

CMYK 0 / 19 / 40 / 21

HEX #C9A278

RGB 201 162 120

HSL 31.11, 0.43%, 0.63%

LAB 69.19, 8.72, 27.28

 

CMYK 40 / 0 / 40 / 21

HEX #78C979

RGB 120 201 121

HSL 120.74, 0.43%, 0.63%

LAB 74.28, -41.02, 32.38

 

CMYK 40 / 21 / 0 / 21

HEX #789FC9

RGB 120 159 201

HSL 211.11, 0.43%, 0.63%

LAB 64.17, -2.53, -25.76

 

Description

Color code: HEX #CA79C8 | qconv.com Color code: HEX #CA79C8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 121 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 121 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 1 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 1% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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