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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA79F0 it is the complementary color #35860F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA79F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA79F0 shade: #CF79EB, #E08BFE, #F19DFF, #FFAFFF and #FFC1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA79F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA79F0 shade: #CA79F0, #B967DD, #A855CA, #9743B7 and #8631A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA79F0 shade: #CA79F0, #EA79F0, #F079D6, #F079B6 and #F07996

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA79F0 shade: #CA79F0, #AA79F0, #8A79F0 and #7979F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA79F0 shade matches the following richer shades: #CA79F0 and #CE6DFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA79F0 shade: #CA79F0, #C685E4, #C191D8, #BD9DCC and #B9A9C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA79F0 shade: #8979F0, #A979F0, #C879F0, #E879F0 and #F079D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA79F0 shade: #AD2FE7, #BB54EC, #CA79F0, #D99FF4 and #E7C4F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA79F0 shade: #CA79F0, #F07989 and #79F099

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA79F0 shade: #CA79F0, #F0C879 and #79F0C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA79F0 shade: #CA79F0, #F07989, #A1F079 and #79F0E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA79F0 shade: #CA79F0, #F08D79, #A1F079 and #79DCF0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 50 / 0 / 6

HEX #CA79F0

RGB 202 121 240

HSL 280.84, 0.8%, 0.71%

LAB 63.77, 51.32, -47.51

 

Complementary color

CMYK 60 / 0 / 89 / 47

HEX #35860F

RGB 53 134 15

HSL 100.84, 0.8%, 0.29%

LAB 49.3, -44.81, 49.83

 

CMYK 12 / 49 / 0 / 8

HEX #CF79EB

RGB 207 121 235

HSL 285.26, 0.74%, 0.7%

LAB 64.11, 51.66, -44.17

 

CMYK 12 / 45 / 0 / 0

HEX #E08BFE

RGB 224 139 254

HSL 284.35, 0.98%, 0.77%

LAB 70.5, 50.91, -44.43

 

CMYK 5 / 38 / 0 / 0

HEX #F19DFF

RGB 241 157 255

HSL 291.43, 1%, 0.81%

LAB 76.09, 46.68, -36.12

 

CMYK 0 / 31 / 0 / 0

HEX #FFAFFF

RGB 255 175 255

HSL 300, 1%, 0.84%

LAB 81.37, 41.56, -27.87

 

CMYK 0 / 24 / 0 / 0

HEX #FFC1FF

RGB 255 193 255

HSL 300, 1%, 0.88%

LAB 85.31, 32.15, -21.87

 

CMYK 16 / 50 / 0 / 6

HEX #CA79F0

RGB 202 121 240

HSL 280.84, 0.8%, 0.71%

LAB 63.77, 51.32, -47.51

 

CMYK 16 / 53 / 0 / 13

HEX #B967DD

RGB 185 103 221

HSL 281.69, 0.63%, 0.64%

LAB 57.3, 52.08, -47.27

 

CMYK 17 / 58 / 0 / 21

HEX #A855CA

RGB 168 85 202

HSL 282.56, 0.52%, 0.56%

LAB 50.79, 52.77, -46.95

 

CMYK 17 / 63 / 0 / 28

HEX #9743B7

RGB 151 67 183

HSL 283.45, 0.46%, 0.49%

LAB 44.25, 53.3, -46.49

 

CMYK 18 / 70 / 0 / 36

HEX #8631A4

RGB 134 49 164

HSL 284.35, 0.54%, 0.42%

LAB 37.74, 53.5, -45.78

 

CMYK 16 / 50 / 0 / 6

HEX #CA79F0

RGB 202 121 240

HSL 280.84, 0.8%, 0.71%

LAB 63.77, 51.32, -47.51

 

CMYK 3 / 50 / 0 / 6

HEX #EA79F0

RGB 234 121 240

HSL 296.97, 0.8%, 0.71%

LAB 67.62, 59.97, -41.2

 

CMYK 0 / 50 / 11 / 6

HEX #F079D6

RGB 240 121 214

HSL 313.11, 0.8%, 0.71%

LAB 67.32, 57.3, -27.2

 

CMYK 0 / 50 / 24 / 6

HEX #F079B6

RGB 240 121 182

HSL 329.24, 0.8%, 0.71%

LAB 66.2, 52.58, -10.94

 

CMYK 0 / 50 / 38 / 6

HEX #F07996

RGB 240 121 150

HSL 345.38, 0.8%, 0.71%

LAB 65.28, 48.59, 5.86

 

CMYK 16 / 50 / 0 / 6

HEX #CA79F0

RGB 202 121 240

HSL 280.84, 0.8%, 0.71%

LAB 63.77, 51.32, -47.51

 

CMYK 29 / 50 / 0 / 6

HEX #AA79F0

RGB 170 121 240

HSL 264.71, 0.8%, 0.71%

LAB 60.35, 42.91, -53.15

 

CMYK 43 / 50 / 0 / 6

HEX #8A79F0

RGB 138 121 240

HSL 248.57, 0.8%, 0.71%

LAB 57.43, 35.06, -57.97

 

CMYK 50 / 50 / 0 / 6

HEX #7979F0

RGB 121 121 240

HSL 240, 0.8%, 0.71%

LAB 56.12, 31.27, -60.15

 

CMYK 16 / 50 / 0 / 6

HEX #CA79F0

RGB 202 121 240

HSL 280.84, 0.8%, 0.71%

LAB 63.77, 51.32, -47.51

 

CMYK 18 / 57 / 0 / 1

HEX #CE6DFC

RGB 206 109 252

HSL 280.7, 0.96%, 0.71%

LAB 62.58, 60.82, -55.99

 

CMYK 16 / 50 / 0 / 6

HEX #CA79F0

RGB 202 121 240

HSL 280.84, 0.8%, 0.71%

LAB 63.77, 51.32, -47.51

 

CMYK 13 / 42 / 0 / 11

HEX #C685E4

RGB 198 133 228

HSL 281.05, 0.64%, 0.71%

LAB 65.26, 41.37, -38.56

 

CMYK 11 / 33 / 0 / 15

HEX #C191D8

RGB 193 145 216

HSL 280.56, 0.48%, 0.71%

LAB 66.94, 30.81, -29.35

 

CMYK 7 / 23 / 0 / 20

HEX #BD9DCC

RGB 189 157 204

HSL 280.85, 0.32%, 0.71%

LAB 68.96, 20.4, -19.63

 

CMYK 4 / 12 / 0 / 25

HEX #B9A9C0

RGB 185 169 192

HSL 281.74, 0.15%, 0.71%

LAB 71.21, 10.03, -9.65

 

CMYK 43 / 50 / 0 / 6

HEX #8979F0

RGB 137 121 240

HSL 248.07, 0.8%, 0.71%

LAB 57.35, 34.83, -58.11

 

CMYK 30 / 50 / 0 / 6

HEX #A979F0

RGB 169 121 240

HSL 264.2, 0.8%, 0.71%

LAB 60.25, 42.66, -53.32

 

CMYK 17 / 50 / 0 / 6

HEX #C879F0

RGB 200 121 240

HSL 279.83, 0.8%, 0.71%

LAB 63.55, 50.79, -47.88

 

CMYK 3 / 50 / 0 / 6

HEX #E879F0

RGB 232 121 240

HSL 295.97, 0.8%, 0.71%

LAB 67.37, 59.43, -41.61

 

CMYK 0 / 50 / 10 / 6

HEX #F079D8

RGB 240 121 216

HSL 312.1, 0.8%, 0.71%

LAB 67.4, 57.62, -28.19

 

CMYK 25 / 80 / 0 / 9

HEX #AD2FE7

RGB 173 47 231

HSL 281.09, 0.79%, 0.55%

LAB 47.86, 74.99, -68.15

 

CMYK 21 / 64 / 0 / 7

HEX #BB54EC

RGB 187 84 236

HSL 280.66, 0.8%, 0.63%

LAB 55.03, 64.75, -59.3

 

CMYK 16 / 50 / 0 / 6

HEX #CA79F0

RGB 202 121 240

HSL 280.84, 0.8%, 0.71%

LAB 63.77, 51.32, -47.51

 

CMYK 11 / 35 / 0 / 4

HEX #D99FF4

RGB 217 159 244

HSL 280.94, 0.79%, 0.79%

LAB 73.6, 36.3, -34.23

 

CMYK 7 / 21 / 0 / 3

HEX #E7C4F8

RGB 231 196 248

HSL 280.38, 0.79%, 0.87%

LAB 83.57, 21.57, -20.99

 

CMYK 16 / 50 / 0 / 6

HEX #CA79F0

RGB 202 121 240

HSL 280.84, 0.8%, 0.71%

LAB 63.77, 51.32, -47.51

 

CMYK 0 / 50 / 43 / 6

HEX #F07989

RGB 240 121 137

HSL 351.93, 0.8%, 0.71%

LAB 64.97, 47.2, 12.81

 

CMYK 50 / 0 / 36 / 6

HEX #79F099

RGB 121 240 153

HSL 136.13, 0.8%, 0.71%

LAB 86.35, -52.05, 32

 

CMYK 16 / 50 / 0 / 6

HEX #CA79F0

RGB 202 121 240

HSL 280.84, 0.8%, 0.71%

LAB 63.77, 51.32, -47.51

 

CMYK 0 / 17 / 50 / 6

HEX #F0C879

RGB 240 200 121

HSL 39.83, 0.8%, 0.71%

LAB 82.49, 4.47, 44.57

 

CMYK 50 / 0 / 17 / 6

HEX #79F0C8

RGB 121 240 200

HSL 159.83, 0.8%, 0.71%

LAB 87.27, -42.93, 9.08

 

CMYK 16 / 50 / 0 / 6

HEX #CA79F0

RGB 202 121 240

HSL 280.84, 0.8%, 0.71%

LAB 63.77, 51.32, -47.51

 

CMYK 0 / 50 / 43 / 6

HEX #F07989

RGB 240 121 137

HSL 351.93, 0.8%, 0.71%

LAB 64.97, 47.2, 12.81

 

CMYK 33 / 0 / 50 / 6

HEX #A1F079

RGB 161 240 121

HSL 99.83, 0.8%, 0.71%

LAB 87.62, -44.88, 49.61

 

CMYK 50 / 0 / 7 / 6

HEX #79F0E0

RGB 121 240 224

HSL 171.93, 0.8%, 0.71%

LAB 87.86, -37.41, -2.61

 

CMYK 16 / 50 / 0 / 6

HEX #CA79F0

RGB 202 121 240

HSL 280.84, 0.8%, 0.71%

LAB 63.77, 51.32, -47.51

 

CMYK 0 / 41 / 50 / 6

HEX #F08D79

RGB 240 141 121

HSL 10.08, 0.8%, 0.71%

LAB 68.72, 35.51, 26.9

 

CMYK 33 / 0 / 50 / 6

HEX #A1F079

RGB 161 240 121

HSL 99.83, 0.8%, 0.71%

LAB 87.62, -44.88, 49.61

 

CMYK 50 / 8 / 0 / 6

HEX #79DCF0

RGB 121 220 240

HSL 190.08, 0.8%, 0.71%

LAB 82.67, -23.82, -18.77

 

Description

Color code: HEX #CA79F0 | qconv.com Color code: HEX #CA79F0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 121 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 121 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 50 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 50% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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