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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA7210 it is the complementary color #358DEF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA7210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA7210 shade: #CF720B, #E0841E, #F19631, #FFA844 and #FFBA57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA7210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA7210 shade: #CA7210, #B96000, #A84E00, #973C00 and #862A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA7210 shade: #CA7210, #CA4010 and #CA1010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA7210 shade: #CA7210, #CAA410, #BECA10, #8CCA10 and #59CA10

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA7210 shade matches the following richer shades: #CA7210

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA7210 shade: #CA7210, #B97122, #A77033, #956F45 and #836E57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA7210 shade: #CA1013, #CA3F10, #CA7010, #CAA210 and #C1CA10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA7210 shade: #7E470A, #A45D0D, #CA7210, #EC8718 and #EF9B3E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA7210 shade: #CA7210, #45CA10 and #2610CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA7210 shade: #CA7210, #10CA70 and #7010CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA7210 shade: #CA7210, #45CA10, #106ACA and #9610CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA7210 shade: #CA7210, #10CA13, #106ACA and #CA10C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 92 / 21

HEX #CA7210

RGB 202 114 16

HSL 31.61, 0.85%, 0.43%

LAB 56.71, 28.78, 60.95

 

Complementary color

CMYK 78 / 41 / 0 / 6

HEX #358DEF

RGB 53 141 239

HSL 211.61, 0.85%, 0.57%

LAB 58.07, 7.66, -56.65

 

CMYK 0 / 45 / 95 / 19

HEX #CF720B

RGB 207 114 11

HSL 31.53, 0.9%, 0.43%

LAB 57.39, 30.81, 62.77

 

CMYK 0 / 41 / 87 / 12

HEX #E0841E

RGB 224 132 30

HSL 31.55, 0.76%, 0.5%

LAB 63.71, 28.69, 63.84

 

CMYK 0 / 38 / 80 / 5

HEX #F19631

RGB 241 150 49

HSL 31.56, 0.87%, 0.57%

LAB 69.99, 26.8, 63.62

 

CMYK 0 / 34 / 73 / 0

HEX #FFA844

RGB 255 168 68

HSL 32.09, 1%, 0.63%

LAB 75.87, 23.87, 62.27

 

CMYK 0 / 27 / 66 / 0

HEX #FFBA57

RGB 255 186 87

HSL 35.36, 1%, 0.67%

LAB 80.22, 15.42, 58.53

 

CMYK 0 / 44 / 92 / 21

HEX #CA7210

RGB 202 114 16

HSL 31.61, 0.85%, 0.43%

LAB 56.71, 28.78, 60.95

 

CMYK 0 / 48 / 100 / 27

HEX #B96000

RGB 185 96 0

HSL 31.14, 1%, 0.36%

LAB 50.31, 31.04, 58.8

 

CMYK 0 / 54 / 100 / 34

HEX #A84E00

RGB 168 78 0

HSL 27.86, 1%, 0.33%

LAB 43.91, 33.48, 53.66

 

CMYK 0 / 60 / 100 / 41

HEX #973C00

RGB 151 60 0

HSL 23.84, 1%, 0.3%

LAB 37.5, 35.81, 48.54

 

CMYK 0 / 69 / 100 / 47

HEX #862A00

RGB 134 42 0

HSL 18.81, 1%, 0.26%

LAB 31.17, 37.8, 43.21

 

CMYK 0 / 44 / 92 / 21

HEX #CA7210

RGB 202 114 16

HSL 31.61, 0.85%, 0.43%

LAB 56.71, 28.78, 60.95

 

CMYK 0 / 68 / 92 / 21

HEX #CA4010

RGB 202 64 16

HSL 15.48, 0.85%, 0.43%

LAB 47.31, 52.84, 54.33

 

CMYK 0 / 92 / 92 / 21

HEX #CA1010

RGB 202 16 16

HSL 0, 0.85%, 0.43%

LAB 42.71, 65.74, 51.29

 

CMYK 0 / 44 / 92 / 21

HEX #CA7210

RGB 202 114 16

HSL 31.61, 0.85%, 0.43%

LAB 56.71, 28.78, 60.95

 

CMYK 0 / 19 / 92 / 21

HEX #CAA410

RGB 202 164 16

HSL 47.74, 0.85%, 0.43%

LAB 68.86, 1.7, 69.95

 

CMYK 6 / 0 / 92 / 21

HEX #BECA10

RGB 190 202 16

HSL 63.87, 0.85%, 0.43%

LAB 78.01, -23.02, 76.52

 

CMYK 31 / 0 / 92 / 21

HEX #8CCA10

RGB 140 202 16

HSL 80, 0.85%, 0.43%

LAB 74.73, -43.15, 72.53

 

CMYK 56 / 0 / 92 / 21

HEX #59CA10

RGB 89 202 16

HSL 96.45, 0.85%, 0.43%

LAB 72.5, -59.67, 69.78

 

CMYK 0 / 44 / 92 / 21

HEX #CA7210

RGB 202 114 16

HSL 31.61, 0.85%, 0.43%

LAB 56.71, 28.78, 60.95

 

CMYK 0 / 44 / 92 / 21

HEX #CA7210

RGB 202 114 16

HSL 31.61, 0.85%, 0.43%

LAB 56.71, 28.78, 60.95

 

CMYK 0 / 39 / 82 / 27

HEX #B97122

RGB 185 113 34

HSL 31.39, 0.69%, 0.43%

LAB 54.28, 22.48, 52.41

 

CMYK 0 / 33 / 69 / 35

HEX #A77033

RGB 167 112 51

HSL 31.55, 0.53%, 0.43%

LAB 51.89, 15.9, 41.69

 

CMYK 0 / 26 / 54 / 42

HEX #956F45

RGB 149 111 69

HSL 31.5, 0.37%, 0.43%

LAB 49.72, 9.85, 29.09

 

CMYK 0 / 16 / 34 / 49

HEX #836E57

RGB 131 110 87

HSL 31.36, 0.2%, 0.43%

LAB 47.84, 4.65, 15.92

 

CMYK 0 / 92 / 91 / 21

HEX #CA1013

RGB 202 16 19

HSL 359.03, 0.85%, 0.43%

LAB 42.72, 65.78, 50.11

 

CMYK 0 / 69 / 92 / 21

HEX #CA3F10

RGB 202 63 16

HSL 15.16, 0.85%, 0.43%

LAB 47.17, 53.24, 54.23

 

CMYK 0 / 45 / 92 / 21

HEX #CA7010

RGB 202 112 16

HSL 30.97, 0.85%, 0.43%

LAB 56.27, 29.85, 60.63

 

CMYK 0 / 20 / 92 / 21

HEX #CAA210

RGB 202 162 16

HSL 47.1, 0.85%, 0.43%

LAB 68.34, 2.77, 69.56

 

CMYK 4 / 0 / 92 / 21

HEX #C1CA10

RGB 193 202 16

HSL 62.9, 0.85%, 0.43%

LAB 78.24, -21.75, 76.79

 

CMYK 0 / 44 / 92 / 51

HEX #7E470A

RGB 126 71 10

HSL 31.55, 0.85%, 0.27%

LAB 35.91, 19.24, 42.19

 

CMYK 0 / 43 / 92 / 36

HEX #A45D0D

RGB 164 93 13

HSL 31.79, 0.85%, 0.35%

LAB 46.65, 23.85, 51.9

 

CMYK 0 / 44 / 92 / 21

HEX #CA7210

RGB 202 114 16

HSL 31.61, 0.85%, 0.43%

LAB 56.71, 28.78, 60.95

 

CMYK 0 / 43 / 90 / 7

HEX #EC8718

RGB 236 135 24

HSL 31.42, 0.85%, 0.51%

LAB 65.92, 31.96, 67.88

 

CMYK 0 / 35 / 74 / 6

HEX #EF9B3E

RGB 239 155 62

HSL 31.53, 0.85%, 0.59%

LAB 70.97, 23.83, 59.26

 

CMYK 0 / 44 / 92 / 21

HEX #CA7210

RGB 202 114 16

HSL 31.61, 0.85%, 0.43%

LAB 56.71, 28.78, 60.95

 

CMYK 66 / 0 / 92 / 21

HEX #45CA10

RGB 69 202 16

HSL 102.9, 0.85%, 0.43%

LAB 71.92, -64.41, 69.07

 

CMYK 81 / 92 / 0 / 21

HEX #2610CA

RGB 38 16 202

HSL 247.1, 0.85%, 0.43%

LAB 26.87, 63.56, -86.56

 

CMYK 0 / 44 / 92 / 21

HEX #CA7210

RGB 202 114 16

HSL 31.61, 0.85%, 0.43%

LAB 56.71, 28.78, 60.95

 

CMYK 92 / 0 / 45 / 21

HEX #10CA70

RGB 16 202 112

HSL 150.97, 0.85%, 0.43%

LAB 71.91, -61.75, 33.41

 

CMYK 45 / 92 / 0 / 21

HEX #7010CA

RGB 112 16 202

HSL 270.97, 0.85%, 0.43%

LAB 34.15, 68.44, -74.27

 

CMYK 0 / 44 / 92 / 21

HEX #CA7210

RGB 202 114 16

HSL 31.61, 0.85%, 0.43%

LAB 56.71, 28.78, 60.95

 

CMYK 66 / 0 / 92 / 21

HEX #45CA10

RGB 69 202 16

HSL 102.9, 0.85%, 0.43%

LAB 71.92, -64.41, 69.07

 

CMYK 92 / 48 / 0 / 21

HEX #106ACA

RGB 16 106 202

HSL 210.97, 0.85%, 0.43%

LAB 45.2, 12.46, -56.49

 

CMYK 26 / 92 / 0 / 21

HEX #9610CA

RGB 150 16 202

HSL 283.23, 0.85%, 0.43%

LAB 39.78, 73.05, -64.82

 

CMYK 0 / 44 / 92 / 21

HEX #CA7210

RGB 202 114 16

HSL 31.61, 0.85%, 0.43%

LAB 56.71, 28.78, 60.95

 

CMYK 92 / 0 / 91 / 21

HEX #10CA13

RGB 16 202 19

HSL 120.97, 0.85%, 0.43%

LAB 71.14, -71.2, 67.65

 

CMYK 92 / 48 / 0 / 21

HEX #106ACA

RGB 16 106 202

HSL 210.97, 0.85%, 0.43%

LAB 45.2, 12.46, -56.49

 

CMYK 0 / 92 / 1 / 21

HEX #CA10C7

RGB 202 16 199

HSL 300.97, 0.85%, 0.43%

LAB 48.32, 80.62, -48.85

 

Description

Color code: HEX #CA7210 | qconv.com Color code: HEX #CA7210 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 114 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 114 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 92 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 92% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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