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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA7D39 it is the complementary color #3582C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA7D39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA7D39 shade: #CF7D34, #E08F47, #F1A15A, #FFB36D and #FFC580

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA7D39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA7D39 shade: #CA7D39, #B96B26, #A85913, #974700 and #863500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA7D39 shade: #CA7D39, #CA5639 and #CA3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA7D39 shade: #CA7D39, #CAA439, #C9CA39, #A2CA39 and #7BCA39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA7D39 shade matches the following richer shades: #CA7D39, #DE7C25 and #F27B11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA7D39 shade: #CA7D39, #B67E4D, #A28062, #8D8176 and #79828A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA7D39 shade: #CA3943, #CA5639, #CA7D39, #CAA339 and #CACA39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA7D39 shade: #8C5525, #AC692D, #CA7D39, #D3925A and #DBA87A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA7D39 shade: #CA7D39, #69CA39 and #4339CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA7D39 shade: #CA7D39, #39CA7D and #7D39CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA7D39 shade: #CA7D39, #69CA39, #3986CA and #9A39CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA7D39 shade: #CA7D39, #3ECA39, #3986CA and #C539CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 72 / 21

HEX #CA7D39

RGB 202 125 57

HSL 28.14, 0.58%, 0.51%

LAB 59.45, 24.16, 48.2

 

Complementary color

CMYK 73 / 34 / 0 / 22

HEX #3582C6

RGB 53 130 198

HSL 208.14, 0.58%, 0.49%

LAB 52.73, -0.63, -42.13

 

CMYK 0 / 40 / 75 / 19

HEX #CF7D34

RGB 207 125 52

HSL 28.26, 0.62%, 0.51%

LAB 60.05, 26.03, 51.34

 

CMYK 0 / 36 / 68 / 12

HEX #E08F47

RGB 224 143 71

HSL 28.24, 0.71%, 0.58%

LAB 66.48, 24.41, 49.91

 

CMYK 0 / 33 / 63 / 5

HEX #F1A15A

RGB 241 161 90

HSL 28.21, 0.84%, 0.65%

LAB 72.84, 22.99, 48.38

 

CMYK 0 / 30 / 57 / 0

HEX #FFB36D

RGB 255 179 109

HSL 28.77, 1%, 0.71%

LAB 78.81, 20.53, 46.4

 

CMYK 0 / 23 / 50 / 0

HEX #FFC580

RGB 255 197 128

HSL 32.6, 1%, 0.75%

LAB 83.31, 12.68, 42.39

 

CMYK 0 / 38 / 72 / 21

HEX #CA7D39

RGB 202 125 57

HSL 28.14, 0.58%, 0.51%

LAB 59.45, 24.16, 48.2

 

CMYK 0 / 42 / 79 / 27

HEX #B96B26

RGB 185 107 38

HSL 28.16, 0.66%, 0.44%

LAB 52.92, 25.91, 49.51

 

CMYK 0 / 47 / 89 / 34

HEX #A85913

RGB 168 89 19

HSL 28.19, 0.8%, 0.37%

LAB 46.33, 27.91, 50.14

 

CMYK 0 / 53 / 100 / 41

HEX #974700

RGB 151 71 0

HSL 28.21, 1%, 0.3%

LAB 39.72, 30.1, 49.81

 

CMYK 0 / 60 / 100 / 47

HEX #863500

RGB 134 53 0

HSL 23.73, 1%, 0.26%

LAB 33.17, 32.51, 44.53

 

CMYK 0 / 38 / 72 / 21

HEX #CA7D39

RGB 202 125 57

HSL 28.14, 0.58%, 0.51%

LAB 59.45, 24.16, 48.2

 

CMYK 0 / 57 / 72 / 21

HEX #CA5639

RGB 202 86 57

HSL 12, 0.58%, 0.51%

LAB 51.28, 44.38, 39.31

 

CMYK 0 / 72 / 72 / 21

HEX #CA3939

RGB 202 57 57

HSL 0, 0.58%, 0.51%

LAB 46.68, 56.7, 34.07

 

CMYK 0 / 38 / 72 / 21

HEX #CA7D39

RGB 202 125 57

HSL 28.14, 0.58%, 0.51%

LAB 59.45, 24.16, 48.2

 

CMYK 0 / 19 / 72 / 21

HEX #CAA439

RGB 202 164 57

HSL 44.28, 0.58%, 0.51%

LAB 69.04, 2.98, 58.06

 

CMYK 0 / 0 / 72 / 21

HEX #C9CA39

RGB 201 202 57

HSL 60.41, 0.58%, 0.51%

LAB 79.01, -17.14, 67.78

 

CMYK 20 / 0 / 72 / 21

HEX #A2CA39

RGB 162 202 57

HSL 76.55, 0.58%, 0.51%

LAB 76.2, -33.14, 64.09

 

CMYK 39 / 0 / 72 / 21

HEX #7BCA39

RGB 123 202 57

HSL 92.69, 0.58%, 0.51%

LAB 74.03, -47.52, 61.2

 

CMYK 0 / 38 / 72 / 21

HEX #CA7D39

RGB 202 125 57

HSL 28.14, 0.58%, 0.51%

LAB 59.45, 24.16, 48.2

 

CMYK 0 / 44 / 83 / 13

HEX #DE7C25

RGB 222 124 37

HSL 28.22, 0.74%, 0.51%

LAB 61.72, 32.25, 59.76

 

CMYK 0 / 49 / 93 / 5

HEX #F27B11

RGB 242 123 17

HSL 28.27, 0.9%, 0.51%

LAB 64.23, 40.4, 68.63

 

CMYK 0 / 38 / 72 / 21

HEX #CA7D39

RGB 202 125 57

HSL 28.14, 0.58%, 0.51%

LAB 59.45, 24.16, 48.2

 

CMYK 0 / 31 / 58 / 29

HEX #B67E4D

RGB 182 126 77

HSL 28, 0.42%, 0.51%

LAB 57.47, 16.39, 35.11

 

CMYK 0 / 21 / 40 / 36

HEX #A28062

RGB 162 128 98

HSL 28.13, 0.26%, 0.51%

LAB 56.09, 8.88, 21.28

 

CMYK 0 / 9 / 16 / 45

HEX #8D8176

RGB 141 129 118

HSL 28.7, 0.09%, 0.51%

LAB 54.73, 2.6, 7.6

 

CMYK 12 / 6 / 0 / 46

HEX #79828A

RGB 121 130 138

HSL 208.24, 0.07%, 0.51%

LAB 53.88, -1.59, -5.45

 

CMYK 0 / 72 / 67 / 21

HEX #CA3943

RGB 202 57 67

HSL 355.86, 0.58%, 0.51%

LAB 46.83, 57.2, 28.35

 

CMYK 0 / 57 / 72 / 21

HEX #CA5639

RGB 202 86 57

HSL 12, 0.58%, 0.51%

LAB 51.28, 44.38, 39.31

 

CMYK 0 / 38 / 72 / 21

HEX #CA7D39

RGB 202 125 57

HSL 28.14, 0.58%, 0.51%

LAB 59.45, 24.16, 48.2

 

CMYK 0 / 19 / 72 / 21

HEX #CAA339

RGB 202 163 57

HSL 43.86, 0.58%, 0.51%

LAB 68.78, 3.51, 57.8

 

CMYK 0 / 0 / 72 / 21

HEX #CACA39

RGB 202 202 57

HSL 60, 0.58%, 0.51%

LAB 79.09, -16.71, 67.88

 

CMYK 0 / 39 / 74 / 45

HEX #8C5525

RGB 140 85 37

HSL 27.96, 0.58%, 0.35%

LAB 41.54, 18.51, 36.56

 

CMYK 0 / 39 / 74 / 33

HEX #AC692D

RGB 172 105 45

HSL 28.35, 0.59%, 0.43%

LAB 50.76, 21.72, 43.61

 

CMYK 0 / 38 / 72 / 21

HEX #CA7D39

RGB 202 125 57

HSL 28.14, 0.58%, 0.51%

LAB 59.45, 24.16, 48.2

 

CMYK 0 / 31 / 57 / 17

HEX #D3925A

RGB 211 146 90

HSL 27.77, 0.58%, 0.59%

LAB 65.86, 18.66, 39.24

 

CMYK 0 / 23 / 44 / 14

HEX #DBA87A

RGB 219 168 122

HSL 28.45, 0.57%, 0.67%

LAB 72.54, 12.98, 30.96

 

CMYK 0 / 38 / 72 / 21

HEX #CA7D39

RGB 202 125 57

HSL 28.14, 0.58%, 0.51%

LAB 59.45, 24.16, 48.2

 

CMYK 48 / 0 / 72 / 21

HEX #69CA39

RGB 105 202 57

HSL 100.14, 0.58%, 0.51%

LAB 73.25, -53.24, 60.16

 

CMYK 67 / 72 / 0 / 21

HEX #4339CA

RGB 67 57 202

HSL 244.14, 0.58%, 0.51%

LAB 34.77, 47.95, -73.4

 

CMYK 0 / 38 / 72 / 21

HEX #CA7D39

RGB 202 125 57

HSL 28.14, 0.58%, 0.51%

LAB 59.45, 24.16, 48.2

 

CMYK 72 / 0 / 38 / 21

HEX #39CA7D

RGB 57 202 125

HSL 148.14, 0.58%, 0.51%

LAB 72.62, -55.31, 27.75

 

CMYK 38 / 72 / 0 / 21

HEX #7D39CA

RGB 125 57 202

HSL 268.14, 0.58%, 0.51%

LAB 40.49, 56.75, -63.81

 

CMYK 0 / 38 / 72 / 21

HEX #CA7D39

RGB 202 125 57

HSL 28.14, 0.58%, 0.51%

LAB 59.45, 24.16, 48.2

 

CMYK 48 / 0 / 72 / 21

HEX #69CA39

RGB 105 202 57

HSL 100.14, 0.58%, 0.51%

LAB 73.25, -53.24, 60.16

 

CMYK 72 / 34 / 0 / 21

HEX #3986CA

RGB 57 134 202

HSL 208.14, 0.58%, 0.51%

LAB 54.22, -1.02, -42.03

 

CMYK 24 / 72 / 0 / 21

HEX #9A39CA

RGB 154 57 202

HSL 280.14, 0.58%, 0.51%

LAB 44.32, 62.27, -57.42

 

CMYK 0 / 38 / 72 / 21

HEX #CA7D39

RGB 202 125 57

HSL 28.14, 0.58%, 0.51%

LAB 59.45, 24.16, 48.2

 

CMYK 69 / 0 / 72 / 21

HEX #3ECA39

RGB 62 202 57

HSL 117.93, 0.58%, 0.51%

LAB 71.93, -63.67, 58.4

 

CMYK 72 / 34 / 0 / 21

HEX #3986CA

RGB 57 134 202

HSL 208.14, 0.58%, 0.51%

LAB 54.22, -1.02, -42.03

 

CMYK 2 / 72 / 0 / 21

HEX #C539CA

RGB 197 57 202

HSL 297.93, 0.58%, 0.51%

LAB 50.76, 71.14, -46.75

 

Description

Color code: HEX #CA7D39 | qconv.com Color code: HEX #CA7D39 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 125 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 125 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 72 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 72% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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