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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA843A it is the complementary color #357BC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA843A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA843A shade: #CF8435, #E09648, #F1A85B, #FFBA6E and #FFCC81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA843A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA843A shade: #CA843A, #B97227, #A86014, #974E01 and #863C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA843A shade: #CA8439, #CA5C39 and #CA3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA843A shade: #CA8439, #CAAB39, #C2CA39, #9BCA39 and #74CA39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA843A shade matches the following richer shades: #CA8439, #DE8425 and #F28511

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA843A shade: #CA8439, #B6834D, #A28262, #8D8276 and #79818A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA843A shade: #CA393E, #CA5B39, #CA8239, #CAA839 and #C5CA39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA843A shade: #8C5A25, #AC6F2D, #CA8439, #D3985A and #DBAC7A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA843A shade: #CA843A, #65CA39 and #4839CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA843A shade: #CA843A, #39CA82 and #8239CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA843A shade: #CA843A, #65CA39, #3982CA and #9F39CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA843A shade: #CA843A, #39CA39, #3982CA and #CA39CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 71 / 21

HEX #CA843A

RGB 202 132 58

HSL 30.83, 0.58%, 0.51%

LAB 61.1, 20.4, 49.48

 

Complementary color

CMYK 73 / 38 / 0 / 23

HEX #357BC5

RGB 53 123 197

HSL 210.83, 0.58%, 0.49%

LAB 50.63, 3.23, -44.88

 

CMYK 0 / 36 / 74 / 19

HEX #CF8435

RGB 207 132 53

HSL 30.78, 0.62%, 0.51%

LAB 61.68, 22.29, 52.53

 

CMYK 0 / 33 / 68 / 12

HEX #E09648

RGB 224 150 72

HSL 30.79, 0.71%, 0.58%

LAB 68.11, 20.73, 51.22

 

CMYK 0 / 30 / 62 / 5

HEX #F1A85B

RGB 241 168 91

HSL 30.8, 0.84%, 0.65%

LAB 74.48, 19.36, 49.79

 

CMYK 0 / 27 / 57 / 0

HEX #FFBA6E

RGB 255 186 110

HSL 31.45, 1%, 0.72%

LAB 80.46, 16.94, 47.89

 

CMYK 0 / 20 / 49 / 0

HEX #FFCC81

RGB 255 204 129

HSL 35.71, 1%, 0.75%

LAB 85.01, 9.14, 44.03

 

CMYK 0 / 35 / 71 / 21

HEX #CA843A

RGB 202 132 58

HSL 30.83, 0.58%, 0.51%

LAB 61.1, 20.4, 49.48

 

CMYK 0 / 38 / 79 / 27

HEX #B97227

RGB 185 114 39

HSL 30.82, 0.65%, 0.44%

LAB 54.55, 22.1, 50.64

 

CMYK 0 / 43 / 88 / 34

HEX #A86014

RGB 168 96 20

HSL 30.81, 0.79%, 0.37%

LAB 47.93, 24.08, 51.09

 

CMYK 0 / 48 / 99 / 41

HEX #974E01

RGB 151 78 1

HSL 30.8, 0.99%, 0.3%

LAB 41.26, 26.3, 50.42

 

CMYK 0 / 55 / 100 / 47

HEX #863C00

RGB 134 60 0

HSL 26.87, 1%, 0.26%

LAB 34.6, 28.82, 45.38

 

CMYK 0 / 35 / 72 / 21

HEX #CA8439

RGB 202 132 57

HSL 31.03, 0.58%, 0.51%

LAB 61.09, 20.35, 49.93

 

CMYK 0 / 54 / 72 / 21

HEX #CA5C39

RGB 202 92 57

HSL 14.48, 0.58%, 0.51%

LAB 52.4, 41.46, 40.57

 

CMYK 0 / 72 / 72 / 21

HEX #CA3939

RGB 202 57 57

HSL 0, 0.58%, 0.51%

LAB 46.68, 56.7, 34.07

 

CMYK 0 / 35 / 72 / 21

HEX #CA8439

RGB 202 132 57

HSL 31.03, 0.58%, 0.51%

LAB 61.09, 20.35, 49.93

 

CMYK 0 / 15 / 72 / 21

HEX #CAAB39

RGB 202 171 57

HSL 47.17, 0.58%, 0.51%

LAB 70.86, -0.75, 59.87

 

CMYK 4 / 0 / 72 / 21

HEX #C2CA39

RGB 194 202 57

HSL 63.31, 0.58%, 0.51%

LAB 78.47, -20.07, 67.06

 

CMYK 23 / 0 / 72 / 21

HEX #9BCA39

RGB 155 202 57

HSL 79.45, 0.58%, 0.51%

LAB 75.76, -35.87, 63.51

 

CMYK 43 / 0 / 72 / 21

HEX #74CA39

RGB 116 202 57

HSL 95.59, 0.58%, 0.51%

LAB 73.71, -49.82, 60.77

 

CMYK 0 / 35 / 72 / 21

HEX #CA8439

RGB 202 132 57

HSL 31.03, 0.58%, 0.51%

LAB 61.09, 20.35, 49.93

 

CMYK 0 / 41 / 83 / 13

HEX #DE8425

RGB 222 132 37

HSL 30.81, 0.74%, 0.51%

LAB 63.48, 28.04, 61.27

 

CMYK 0 / 45 / 93 / 5

HEX #F28511

RGB 242 133 17

HSL 30.93, 0.9%, 0.51%

LAB 66.28, 35.33, 70.05

 

CMYK 0 / 35 / 72 / 21

HEX #CA8439

RGB 202 132 57

HSL 31.03, 0.58%, 0.51%

LAB 61.09, 20.35, 49.93

 

CMYK 0 / 28 / 58 / 29

HEX #B6834D

RGB 182 131 77

HSL 30.86, 0.42%, 0.51%

LAB 58.71, 13.61, 36.62

 

CMYK 0 / 20 / 40 / 36

HEX #A28262

RGB 162 130 98

HSL 30, 0.26%, 0.51%

LAB 56.61, 7.75, 21.98

 

CMYK 0 / 8 / 16 / 45

HEX #8D8276

RGB 141 130 118

HSL 31.3, 0.09%, 0.51%

LAB 55.01, 2.03, 7.99

 

CMYK 12 / 7 / 0 / 46

HEX #79818A

RGB 121 129 138

HSL 211.76, 0.07%, 0.51%

LAB 53.6, -1.02, -5.87

 

CMYK 0 / 72 / 69 / 21

HEX #CA393E

RGB 202 57 62

HSL 357.93, 0.58%, 0.51%

LAB 46.75, 56.94, 31.22

 

CMYK 0 / 55 / 72 / 21

HEX #CA5B39

RGB 202 91 57

HSL 14.07, 0.58%, 0.51%

LAB 52.21, 41.95, 40.35

 

CMYK 0 / 36 / 72 / 21

HEX #CA8239

RGB 202 130 57

HSL 30.21, 0.58%, 0.51%

LAB 60.62, 21.44, 49.43

 

CMYK 0 / 17 / 72 / 21

HEX #CAA839

RGB 202 168 57

HSL 45.93, 0.58%, 0.51%

LAB 70.08, 0.84, 59.09

 

CMYK 2 / 0 / 72 / 21

HEX #C5CA39

RGB 197 202 57

HSL 62.07, 0.58%, 0.51%

LAB 78.7, -18.82, 67.37

 

CMYK 0 / 36 / 74 / 45

HEX #8C5A25

RGB 140 90 37

HSL 30.87, 0.58%, 0.35%

LAB 42.8, 15.6, 37.88

 

CMYK 0 / 35 / 74 / 33

HEX #AC6F2D

RGB 172 111 45

HSL 31.18, 0.59%, 0.43%

LAB 52.21, 18.35, 45.1

 

CMYK 0 / 35 / 72 / 21

HEX #CA8439

RGB 202 132 57

HSL 31.03, 0.58%, 0.51%

LAB 61.09, 20.35, 49.93

 

CMYK 0 / 28 / 57 / 17

HEX #D3985A

RGB 211 152 90

HSL 30.74, 0.58%, 0.59%

LAB 67.31, 15.41, 41

 

CMYK 0 / 21 / 44 / 14

HEX #DBAC7A

RGB 219 172 122

HSL 30.93, 0.57%, 0.67%

LAB 73.53, 10.84, 32.24

 

CMYK 0 / 35 / 71 / 21

HEX #CA843A

RGB 202 132 58

HSL 30.83, 0.58%, 0.51%

LAB 61.1, 20.4, 49.48

 

CMYK 50 / 0 / 72 / 21

HEX #65CA39

RGB 101 202 57

HSL 101.79, 0.58%, 0.51%

LAB 73.09, -54.42, 59.95

 

CMYK 64 / 72 / 0 / 21

HEX #4839CA

RGB 72 57 202

HSL 246.21, 0.58%, 0.51%

LAB 35.14, 48.54, -72.78

 

CMYK 0 / 35 / 71 / 21

HEX #CA843A

RGB 202 132 58

HSL 30.83, 0.58%, 0.51%

LAB 61.1, 20.4, 49.48

 

CMYK 72 / 0 / 36 / 21

HEX #39CA82

RGB 57 202 130

HSL 150.21, 0.58%, 0.51%

LAB 72.71, -54.34, 25.26

 

CMYK 36 / 72 / 0 / 21

HEX #8239CA

RGB 130 57 202

HSL 270.21, 0.58%, 0.51%

LAB 41.11, 57.66, -62.77

 

CMYK 0 / 35 / 71 / 21

HEX #CA843A

RGB 202 132 58

HSL 30.83, 0.58%, 0.51%

LAB 61.1, 20.4, 49.48

 

CMYK 50 / 0 / 72 / 21

HEX #65CA39

RGB 101 202 57

HSL 101.79, 0.58%, 0.51%

LAB 73.09, -54.42, 59.95

 

CMYK 72 / 36 / 0 / 21

HEX #3982CA

RGB 57 130 202

HSL 209.79, 0.58%, 0.51%

LAB 53.06, 1.36, -43.87

 

CMYK 21 / 72 / 0 / 21

HEX #9F39CA

RGB 159 57 202

HSL 282.21, 0.58%, 0.51%

LAB 45.03, 63.27, -56.25

 

CMYK 0 / 35 / 71 / 21

HEX #CA843A

RGB 202 132 58

HSL 30.83, 0.58%, 0.51%

LAB 61.1, 20.4, 49.48

 

CMYK 72 / 0 / 72 / 21

HEX #39CA39

RGB 57 202 57

HSL 120, 0.58%, 0.51%

LAB 71.83, -64.55, 58.26

 

CMYK 72 / 36 / 0 / 21

HEX #3982CA

RGB 57 130 202

HSL 209.79, 0.58%, 0.51%

LAB 53.06, 1.36, -43.87

 

CMYK 0 / 72 / 0 / 21

HEX #CA39CA

RGB 202 57 202

HSL 300, 0.58%, 0.51%

LAB 51.55, 72.2, -45.44

 

Description

Color code: HEX #CA843A | qconv.com Color code: HEX #CA843A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 132 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 132 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 71 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 71% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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