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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA8699 it is the complementary color #357966. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA8699. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA8699 shade: #CF8694, #E098A7, #F1AABA, #FFBCCD and #FFCEE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA8699. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA8699 shade: #CA8699, #B97486, #A86273, #975060 and #863E4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA8699 shade: #CA8699, #CA8687 and #CA8686

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA8699 shade: #CA8699, #CA86AB, #CA86BD, #C486CA and #B186CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA8699 shade matches the following richer shades: #CA8699, #D87893, #E66A8C and #F45C86

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA8699 shade: #CA8699, #BC949F, #AEA2A5, #A0B0AB and #92BEB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA8699 shade: #CA86BD, #CA86AB, #CA8699, #CA8687 and #CA9786

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA8699 shade: #B04D69, #BD6981, #CA8699, #D6A3B1 and #E3BFC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA8699 shade: #CA8699, #CAC486 and #86B4CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA8699 shade: #CA8699, #99CA86 and #8699CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA8699 shade: #CA8699, #CAC486, #86CAB6 and #868CCA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA8699 shade: #CA8699, #BBCA86, #86CAB6 and #9586CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 24 / 21

HEX #CA8699

RGB 202 134 153

HSL 343.24, 0.39%, 0.66%

LAB 63.27, 28.71, 0.63

 

Complementary color

CMYK 56 / 0 / 16 / 53

HEX #357966

RGB 53 121 102

HSL 163.24, 0.39%, 0.34%

LAB 46.17, -26.5, 3.94

 

CMYK 0 / 35 / 29 / 19

HEX #CF8694

RGB 207 134 148

HSL 348.49, 0.43%, 0.67%

LAB 63.72, 29.85, 4.2

 

CMYK 0 / 32 / 25 / 12

HEX #E098A7

RGB 224 152 167

HSL 347.5, 0.54%, 0.74%

LAB 70.24, 29.03, 3.21

 

CMYK 0 / 29 / 23 / 5

HEX #F1AABA

RGB 241 170 186

HSL 346.48, 0.72%, 0.81%

LAB 76.68, 28.29, 2.3

 

CMYK 0 / 26 / 20 / 0

HEX #FFBCCD

RGB 255 188 205

HSL 344.78, 1%, 0.87%

LAB 82.72, 26.54, 0.98

 

CMYK 0 / 19 / 12 / 0

HEX #FFCEE0

RGB 255 206 224

HSL 337.96, 1%, 0.9%

LAB 87.38, 20.03, -2.33

 

CMYK 0 / 34 / 24 / 21

HEX #CA8699

RGB 202 134 153

HSL 343.24, 0.39%, 0.66%

LAB 63.27, 28.71, 0.63

 

CMYK 0 / 37 / 28 / 27

HEX #B97486

RGB 185 116 134

HSL 344.35, 0.33%, 0.59%

LAB 56.61, 29.54, 1.63

 

CMYK 0 / 42 / 32 / 34

HEX #A86273

RGB 168 98 115

HSL 345.43, 0.29%, 0.52%

LAB 49.86, 30.45, 2.76

 

CMYK 0 / 47 / 36 / 41

HEX #975060

RGB 151 80 96

HSL 346.48, 0.31%, 0.45%

LAB 43.01, 31.42, 4.09

 

CMYK 0 / 54 / 43 / 47

HEX #863E4D

RGB 134 62 77

HSL 347.5, 0.37%, 0.38%

LAB 36.08, 32.43, 5.72

 

CMYK 0 / 34 / 24 / 21

HEX #CA8699

RGB 202 134 153

HSL 343.24, 0.39%, 0.66%

LAB 63.27, 28.71, 0.63

 

CMYK 0 / 34 / 33 / 21

HEX #CA8687

RGB 202 134 135

HSL 359.12, 0.39%, 0.66%

LAB 62.81, 26.24, 10.21

 

CMYK 0 / 34 / 34 / 21

HEX #CA8686

RGB 202 134 134

HSL 0, 0.39%, 0.66%

LAB 62.78, 26.11, 10.74

 

CMYK 0 / 34 / 24 / 21

HEX #CA8699

RGB 202 134 153

HSL 343.24, 0.39%, 0.66%

LAB 63.27, 28.71, 0.63

 

CMYK 0 / 34 / 15 / 21

HEX #CA86AB

RGB 202 134 171

HSL 327.35, 0.39%, 0.66%

LAB 63.79, 31.49, -8.81

 

CMYK 0 / 34 / 6 / 21

HEX #CA86BD

RGB 202 134 189

HSL 311.47, 0.39%, 0.66%

LAB 64.39, 34.54, -18.08

 

CMYK 3 / 34 / 0 / 21

HEX #C486CA

RGB 196 134 202

HSL 294.71, 0.39%, 0.66%

LAB 64.2, 34.99, -25.73

 

CMYK 12 / 34 / 0 / 21

HEX #B186CA

RGB 177 134 202

HSL 277.94, 0.39%, 0.66%

LAB 62.22, 28.96, -28.95

 

CMYK 0 / 34 / 24 / 21

HEX #CA8699

RGB 202 134 153

HSL 343.24, 0.39%, 0.66%

LAB 63.27, 28.71, 0.63

 

CMYK 0 / 44 / 32 / 15

HEX #D87893

RGB 216 120 147

HSL 343.13, 0.55%, 0.66%

LAB 61.77, 40.4, 2.1

 

CMYK 0 / 54 / 39 / 10

HEX #E66A8C

RGB 230 106 140

HSL 343.55, 0.71%, 0.66%

LAB 60.8, 51.36, 4.98

 

CMYK 0 / 62 / 45 / 4

HEX #F45C86

RGB 244 92 134

HSL 343.42, 0.87%, 0.66%

LAB 60.43, 61.5, 8.21

 

CMYK 0 / 34 / 24 / 21

HEX #CA8699

RGB 202 134 153

HSL 343.24, 0.39%, 0.66%

LAB 63.27, 28.71, 0.63

 

CMYK 0 / 21 / 15 / 26

HEX #BC949F

RGB 188 148 159

HSL 343.5, 0.23%, 0.66%

LAB 65.26, 16.75, -0.03

 

CMYK 0 / 7 / 5 / 32

HEX #AEA2A5

RGB 174 162 165

HSL 345, 0.07%, 0.66%

LAB 67.69, 4.89, 0.01

 

CMYK 9 / 0 / 3 / 31

HEX #A0B0AB

RGB 160 176 171

HSL 161.25, 0.09%, 0.66%

LAB 70.5, -6.54, 0.65

 

CMYK 23 / 0 / 6 / 25

HEX #92BEB2

RGB 146 190 178

HSL 163.64, 0.25%, 0.66%

LAB 73.64, -17.08, 1.29

 

CMYK 0 / 34 / 6 / 21

HEX #CA86BD

RGB 202 134 189

HSL 311.47, 0.39%, 0.66%

LAB 64.39, 34.54, -18.08

 

CMYK 0 / 34 / 15 / 21

HEX #CA86AB

RGB 202 134 171

HSL 327.35, 0.39%, 0.66%

LAB 63.79, 31.49, -8.81

 

CMYK 0 / 34 / 24 / 21

HEX #CA8699

RGB 202 134 153

HSL 343.24, 0.39%, 0.66%

LAB 63.27, 28.71, 0.63

 

CMYK 0 / 34 / 33 / 21

HEX #CA8687

RGB 202 134 135

HSL 359.12, 0.39%, 0.66%

LAB 62.81, 26.24, 10.21

 

CMYK 0 / 25 / 34 / 21

HEX #CA9786

RGB 202 151 134

HSL 15, 0.39%, 0.66%

LAB 66.83, 16.8, 16.41

 

CMYK 0 / 56 / 40 / 31

HEX #B04D69

RGB 176 77 105

HSL 343.03, 0.39%, 0.5%

LAB 46.39, 43.15, 3.93

 

CMYK 0 / 44 / 32 / 26

HEX #BD6981

RGB 189 105 129

HSL 342.86, 0.39%, 0.58%

LAB 54.56, 36.29, 1.63

 

CMYK 0 / 34 / 24 / 21

HEX #CA8699

RGB 202 134 153

HSL 343.24, 0.39%, 0.66%

LAB 63.27, 28.71, 0.63

 

CMYK 0 / 24 / 17 / 16

HEX #D6A3B1

RGB 214 163 177

HSL 343.53, 0.38%, 0.74%

LAB 72, 20.95, 0.1

 

CMYK 0 / 16 / 11 / 11

HEX #E3BFC9

RGB 227 191 201

HSL 343.33, 0.39%, 0.82%

LAB 80.63, 14.42, -0.23

 

CMYK 0 / 34 / 24 / 21

HEX #CA8699

RGB 202 134 153

HSL 343.24, 0.39%, 0.66%

LAB 63.27, 28.71, 0.63

 

CMYK 0 / 3 / 34 / 21

HEX #CAC486

RGB 202 196 134

HSL 54.71, 0.39%, 0.66%

LAB 78.32, -7.28, 31.93

 

CMYK 34 / 11 / 0 / 21

HEX #86B4CA

RGB 134 180 202

HSL 199.41, 0.39%, 0.66%

LAB 70.85, -9.9, -16.06

 

CMYK 0 / 34 / 24 / 21

HEX #CA8699

RGB 202 134 153

HSL 343.24, 0.39%, 0.66%

LAB 63.27, 28.71, 0.63

 

CMYK 24 / 0 / 34 / 21

HEX #99CA86

RGB 153 202 134

HSL 103.24, 0.39%, 0.66%

LAB 76.52, -28.64, 28.92

 

CMYK 34 / 24 / 0 / 21

HEX #8699CA

RGB 134 153 202

HSL 223.24, 0.39%, 0.66%

LAB 63.44, 5.01, -27.37

 

CMYK 0 / 34 / 24 / 21

HEX #CA8699

RGB 202 134 153

HSL 343.24, 0.39%, 0.66%

LAB 63.27, 28.71, 0.63

 

CMYK 0 / 3 / 34 / 21

HEX #CAC486

RGB 202 196 134

HSL 54.71, 0.39%, 0.66%

LAB 78.32, -7.28, 31.93

 

CMYK 34 / 0 / 10 / 21

HEX #86CAB6

RGB 134 202 182

HSL 162.35, 0.39%, 0.66%

LAB 76.49, -25.86, 3.17

 

CMYK 34 / 31 / 0 / 21

HEX #868CCA

RGB 134 140 202

HSL 234.71, 0.39%, 0.66%

LAB 59.97, 12.49, -32.74

 

CMYK 0 / 34 / 24 / 21

HEX #CA8699

RGB 202 134 153

HSL 343.24, 0.39%, 0.66%

LAB 63.27, 28.71, 0.63

 

CMYK 7 / 0 / 34 / 21

HEX #BBCA86

RGB 187 202 134

HSL 73.24, 0.39%, 0.66%

LAB 78.77, -16.16, 32.31

 

CMYK 34 / 0 / 10 / 21

HEX #86CAB6

RGB 134 202 182

HSL 162.35, 0.39%, 0.66%

LAB 76.49, -25.86, 3.17

 

CMYK 26 / 34 / 0 / 21

HEX #9586CA

RGB 149 134 202

HSL 253.24, 0.39%, 0.66%

LAB 59.62, 20.36, -33.19

 

Description

Color code: HEX #CA8699 | qconv.com Color code: HEX #CA8699 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 134 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 134 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 24 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 24% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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