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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA9C81 it is the complementary color #35637E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA9C81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA9C81 shade: #CF9C7C, #E0AE8F, #F1C0A2, #FFD2B5 and #FFE4C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA9C81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA9C81 shade: #CA9C81, #B98A6E, #A8785B, #976648 and #865435

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA9C81 shade: #CA9C81, #CA8881 and #CA8181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA9C81 shade: #CA9C81, #CAAF81, #CAC381, #BDCA81 and #A9CA81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA9C81 shade matches the following richer shades: #CA9C81, #D89872, #E79464 and #F59055

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA9C81 shade: #CA9C81, #BB9F8F, #ADA39E, #9FA7AC and #90ABBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA9C81 shade: #CA818D, #CA8881, #CA9B81, #CAAF81 and #CAC381

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA9C81 shade: #AF6F49, #BE8564, #CA9C81, #D6B39E and #E2C9BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA9C81 shade: #CA9C81, #A0CA81 and #8183CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA9C81 shade: #CA9C81, #81CA9B and #9B81CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA9C81 shade: #CA9C81, #A0CA81, #81AFCA and #AA81CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA9C81 shade: #CA9C81, #8ACA81, #81AFCA and #C081CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 36 / 21

HEX #CA9C81

RGB 202 156 129

HSL 22.19, 0.41%, 0.65%

LAB 67.96, 13.44, 20.73

 

Complementary color

CMYK 58 / 21 / 0 / 51

HEX #35637E

RGB 53 99 126

HSL 202.19, 0.41%, 0.35%

LAB 39.89, -7.29, -19.89

 

CMYK 0 / 25 / 40 / 19

HEX #CF9C7C

RGB 207 156 124

HSL 23.13, 0.46%, 0.65%

LAB 68.39, 14.85, 24.14

 

CMYK 0 / 22 / 36 / 12

HEX #E0AE8F

RGB 224 174 143

HSL 22.96, 0.57%, 0.72%

LAB 74.89, 14.09, 22.92

 

CMYK 0 / 20 / 33 / 5

HEX #F1C0A2

RGB 241 192 162

HSL 22.78, 0.74%, 0.79%

LAB 81.3, 13.43, 21.79

 

CMYK 0 / 18 / 29 / 0

HEX #FFD2B5

RGB 255 210 181

HSL 23.51, 1%, 0.85%

LAB 87.33, 11.71, 20.31

 

CMYK 0 / 11 / 22 / 0

HEX #FFE4C8

RGB 255 228 200

HSL 30.55, 1%, 0.89%

LAB 92.09, 4.99, 17.04

 

CMYK 0 / 23 / 36 / 21

HEX #CA9C81

RGB 202 156 129

HSL 22.19, 0.41%, 0.65%

LAB 67.96, 13.44, 20.73

 

CMYK 0 / 25 / 41 / 27

HEX #B98A6E

RGB 185 138 110

HSL 22.4, 0.35%, 0.58%

LAB 61.32, 14.22, 21.97

 

CMYK 0 / 29 / 46 / 34

HEX #A8785B

RGB 168 120 91

HSL 22.6, 0.31%, 0.51%

LAB 54.57, 15.13, 23.34

 

CMYK 0 / 32 / 52 / 41

HEX #976648

RGB 151 102 72

HSL 22.78, 0.35%, 0.44%

LAB 47.69, 16.2, 24.87

 

CMYK 0 / 37 / 60 / 47

HEX #865435

RGB 134 84 53

HSL 22.96, 0.43%, 0.37%

LAB 40.68, 17.49, 26.58

 

CMYK 0 / 23 / 36 / 21

HEX #CA9C81

RGB 202 156 129

HSL 22.19, 0.41%, 0.65%

LAB 67.96, 13.44, 20.73

 

CMYK 0 / 33 / 36 / 21

HEX #CA8881

RGB 202 136 129

HSL 5.75, 0.41%, 0.65%

LAB 63.14, 24.39, 14.07

 

CMYK 0 / 36 / 36 / 21

HEX #CA8181

RGB 202 129 129

HSL 0, 0.41%, 0.65%

LAB 61.52, 28.2, 11.8

 

CMYK 0 / 23 / 36 / 21

HEX #CA9C81

RGB 202 156 129

HSL 22.19, 0.41%, 0.65%

LAB 67.96, 13.44, 20.73

 

CMYK 0 / 13 / 36 / 21

HEX #CAAF81

RGB 202 175 129

HSL 37.81, 0.41%, 0.65%

LAB 72.76, 3.17, 27.21

 

CMYK 0 / 3 / 36 / 21

HEX #CAC381

RGB 202 195 129

HSL 54.25, 0.41%, 0.65%

LAB 77.98, -7.36, 34.08

 

CMYK 6 / 0 / 36 / 21

HEX #BDCA81

RGB 189 202 129

HSL 70.68, 0.41%, 0.65%

LAB 78.84, -16.02, 35

 

CMYK 16 / 0 / 36 / 21

HEX #A9CA81

RGB 169 202 129

HSL 87.12, 0.41%, 0.65%

LAB 77.44, -23.59, 32.91

 

CMYK 0 / 23 / 36 / 21

HEX #CA9C81

RGB 202 156 129

HSL 22.19, 0.41%, 0.65%

LAB 67.96, 13.44, 20.73

 

CMYK 0 / 30 / 47 / 15

HEX #D89872

RGB 216 152 114

HSL 22.35, 0.57%, 0.65%

LAB 68.22, 19.58, 29.54

 

CMYK 0 / 36 / 57 / 9

HEX #E79464

RGB 231 148 100

HSL 21.98, 0.73%, 0.65%

LAB 68.82, 26.54, 38.15

 

CMYK 0 / 41 / 65 / 4

HEX #F59055

RGB 245 144 85

HSL 22.13, 0.89%, 0.65%

LAB 69.48, 33.2, 47.11

 

CMYK 0 / 23 / 36 / 21

HEX #CA9C81

RGB 202 156 129

HSL 22.19, 0.41%, 0.65%

LAB 67.96, 13.44, 20.73

 

CMYK 0 / 15 / 24 / 27

HEX #BB9F8F

RGB 187 159 143

HSL 21.82, 0.24%, 0.65%

LAB 67.53, 7.79, 12.17

 

CMYK 0 / 6 / 9 / 32

HEX #ADA39E

RGB 173 163 158

HSL 20, 0.08%, 0.65%

LAB 67.69, 2.72, 3.88

 

CMYK 8 / 3 / 0 / 33

HEX #9FA7AC

RGB 159 167 172

HSL 203.08, 0.07%, 0.65%

LAB 68.01, -1.82, -3.56

 

CMYK 23 / 8 / 0 / 27

HEX #90ABBA

RGB 144 171 186

HSL 201.43, 0.23%, 0.65%

LAB 68.46, -5.92, -10.77

 

CMYK 0 / 36 / 30 / 21

HEX #CA818D

RGB 202 129 141

HSL 350.14, 0.41%, 0.65%

LAB 61.81, 29.75, 5.37

 

CMYK 0 / 33 / 36 / 21

HEX #CA8881

RGB 202 136 129

HSL 5.75, 0.41%, 0.65%

LAB 63.14, 24.39, 14.07

 

CMYK 0 / 23 / 36 / 21

HEX #CA9B81

RGB 202 155 129

HSL 21.37, 0.41%, 0.65%

LAB 67.71, 13.99, 20.39

 

CMYK 0 / 13 / 36 / 21

HEX #CAAF81

RGB 202 175 129

HSL 37.81, 0.41%, 0.65%

LAB 72.76, 3.17, 27.21

 

CMYK 0 / 3 / 36 / 21

HEX #CAC381

RGB 202 195 129

HSL 54.25, 0.41%, 0.65%

LAB 77.98, -7.36, 34.08

 

CMYK 0 / 37 / 58 / 31

HEX #AF6F49

RGB 175 111 73

HSL 22.35, 0.41%, 0.49%

LAB 52.91, 21.47, 31.51

 

CMYK 0 / 30 / 47 / 25

HEX #BE8564

RGB 190 133 100

HSL 22, 0.41%, 0.57%

LAB 60.46, 17.97, 26.51

 

CMYK 0 / 23 / 36 / 21

HEX #CA9C81

RGB 202 156 129

HSL 22.19, 0.41%, 0.65%

LAB 67.96, 13.44, 20.73

 

CMYK 0 / 16 / 26 / 16

HEX #D6B39E

RGB 214 179 158

HSL 22.5, 0.41%, 0.73%

LAB 75.45, 9.49, 15.44

 

CMYK 0 / 11 / 17 / 11

HEX #E2C9BB

RGB 226 201 187

HSL 21.54, 0.4%, 0.81%

LAB 82.66, 6.54, 10.19

 

CMYK 0 / 23 / 36 / 21

HEX #CA9C81

RGB 202 156 129

HSL 22.19, 0.41%, 0.65%

LAB 67.96, 13.44, 20.73

 

CMYK 21 / 0 / 36 / 21

HEX #A0CA81

RGB 160 202 129

HSL 94.52, 0.41%, 0.65%

LAB 76.86, -26.88, 32.04

 

CMYK 36 / 35 / 0 / 21

HEX #8183CA

RGB 129 131 202

HSL 238.36, 0.41%, 0.65%

LAB 57.23, 16.35, -37.03

 

CMYK 0 / 23 / 36 / 21

HEX #CA9C81

RGB 202 156 129

HSL 22.19, 0.41%, 0.65%

LAB 67.96, 13.44, 20.73

 

CMYK 36 / 0 / 23 / 21

HEX #81CA9B

RGB 129 202 155

HSL 141.37, 0.41%, 0.65%

LAB 75.62, -32.86, 16.4

 

CMYK 23 / 36 / 0 / 21

HEX #9B81CA

RGB 155 129 202

HSL 261.37, 0.41%, 0.65%

LAB 58.91, 25.04, -34.25

 

CMYK 0 / 23 / 36 / 21

HEX #CA9C81

RGB 202 156 129

HSL 22.19, 0.41%, 0.65%

LAB 67.96, 13.44, 20.73

 

CMYK 21 / 0 / 36 / 21

HEX #A0CA81

RGB 160 202 129

HSL 94.52, 0.41%, 0.65%

LAB 76.86, -26.88, 32.04

 

CMYK 36 / 13 / 0 / 21

HEX #81AFCA

RGB 129 175 202

HSL 202.19, 0.41%, 0.65%

LAB 69.18, -8.61, -18.62

 

CMYK 16 / 36 / 0 / 21

HEX #AA81CA

RGB 170 129 202

HSL 273.7, 0.41%, 0.65%

LAB 60.35, 29.6, -31.91

 

CMYK 0 / 23 / 36 / 21

HEX #CA9C81

RGB 202 156 129

HSL 22.19, 0.41%, 0.65%

LAB 67.96, 13.44, 20.73

 

CMYK 32 / 0 / 36 / 21

HEX #8ACA81

RGB 138 202 129

HSL 112.6, 0.41%, 0.65%

LAB 75.59, -34.5, 30.14

 

CMYK 36 / 13 / 0 / 21

HEX #81AFCA

RGB 129 175 202

HSL 202.19, 0.41%, 0.65%

LAB 69.18, -8.61, -18.62

 

CMYK 5 / 36 / 0 / 21

HEX #C081CA

RGB 192 129 202

HSL 291.78, 0.41%, 0.65%

LAB 62.65, 36.45, -28.15

 

Description

Color code: HEX #CA9C81 | qconv.com Color code: HEX #CA9C81 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 156 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 156 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 36 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 36% 21% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

22% - Corporate
Link: http://www.bp.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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