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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA9CF0 it is the complementary color #35630F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA9CF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA9CF0 shade: #CF9CEB, #E0AEFE, #F1C0FF, #FFD2FF and #FFE4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA9CF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA9CF0 shade: #CA9CF0, #B98ADD, #A878CA, #9766B7 and #8654A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA9CF0 shade: #CA9DF0, #E19DF0, #F09DE9, #F09DD2 and #F09DBC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA9CF0 shade: #CA9DF0, #B49DF0, #9E9DF0 and #9D9DF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA9CF0 shade matches the following richer shades: #CA9DF0 and #CB94F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA9CF0 shade: #CA9DF0, #C9A6E7, #C9AFDE, #C8B8D5 and #C7C1CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA9CF0 shade: #9D9DF0, #B39DF0, #C99DF0, #DF9DF0 and #F09DEA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA9CF0 shade: #A455E5, #B779EB, #CA9DF0, #DEC1F5 and #F1E5FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA9CF0 shade: #CA9CF0, #F09DB3 and #9DF0A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA9CF0 shade: #CA9CF0, #F0C99D and #9DF0C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA9CF0 shade: #CA9CF0, #F09DB3, #C4F09D and #9DF0DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA9CF0 shade: #CA9CF0, #F0A09D, #C4F09D and #9DEDF0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 35 / 0 / 6

HEX #CA9CF0

RGB 202 156 240

HSL 272.86, 0.74%, 0.78%

LAB 71.3, 32.58, -35.73

 

Complementary color

CMYK 46 / 0 / 85 / 61

HEX #35630F

RGB 53 99 15

HSL 92.86, 0.74%, 0.22%

LAB 37.33, -30.59, 39.08

 

CMYK 12 / 34 / 0 / 8

HEX #CF9CEB

RGB 207 156 235

HSL 278.73, 0.66%, 0.77%

LAB 71.58, 33.04, -32.52

 

CMYK 12 / 31 / 0 / 0

HEX #E0AEFE

RGB 224 174 254

HSL 277.5, 0.98%, 0.84%

LAB 78.04, 32.38, -32.72

 

CMYK 5 / 25 / 0 / 0

HEX #F1C0FF

RGB 241 192 255

HSL 286.67, 1%, 0.88%

LAB 83.77, 28.23, -24.34

 

CMYK 0 / 18 / 0 / 0

HEX #FFD2FF

RGB 255 210 255

HSL 300, 1%, 0.91%

LAB 89.19, 23.22, -16.01

 

CMYK 0 / 11 / 0 / 0

HEX #FFE4FF

RGB 255 228 255

HSL 300, 1%, 0.95%

LAB 93.44, 13.83, -9.68

 

CMYK 16 / 35 / 0 / 6

HEX #CA9CF0

RGB 202 156 240

HSL 272.86, 0.74%, 0.78%

LAB 71.3, 32.58, -35.73

 

CMYK 16 / 38 / 0 / 13

HEX #B98ADD

RGB 185 138 221

HSL 273.98, 0.55%, 0.7%

LAB 64.73, 33.29, -35.6

 

CMYK 17 / 41 / 0 / 21

HEX #A878CA

RGB 168 120 202

HSL 275.12, 0.44%, 0.63%

LAB 58.06, 34.06, -35.49

 

CMYK 17 / 44 / 0 / 28

HEX #9766B7

RGB 151 102 183

HSL 276.3, 0.36%, 0.56%

LAB 51.27, 34.88, -35.37

 

CMYK 18 / 49 / 0 / 36

HEX #8654A4

RGB 134 84 164

HSL 277.5, 0.32%, 0.49%

LAB 44.36, 35.74, -35.25

 

CMYK 16 / 35 / 0 / 6

HEX #CA9DF0

RGB 202 157 240

HSL 272.53, 0.73%, 0.78%

LAB 71.53, 32.03, -35.37

 

CMYK 6 / 35 / 0 / 6

HEX #E19DF0

RGB 225 157 240

HSL 289.16, 0.73%, 0.78%

LAB 73.81, 39, -31.66

 

CMYK 0 / 35 / 3 / 6

HEX #F09DE9

RGB 240 157 233

HSL 305.06, 0.73%, 0.78%

LAB 75.15, 42.36, -25.65

 

CMYK 0 / 35 / 13 / 6

HEX #F09DD2

RGB 240 157 210

HSL 321.69, 0.73%, 0.78%

LAB 74.38, 38.47, -14.26

 

CMYK 0 / 35 / 22 / 6

HEX #F09DBC

RGB 240 157 188

HSL 337.59, 0.73%, 0.78%

LAB 73.72, 35.09, -3.13

 

CMYK 16 / 35 / 0 / 6

HEX #CA9DF0

RGB 202 157 240

HSL 272.53, 0.73%, 0.78%

LAB 71.53, 32.03, -35.37

 

CMYK 25 / 35 / 0 / 6

HEX #B49DF0

RGB 180 157 240

HSL 256.63, 0.73%, 0.78%

LAB 69.55, 25.55, -38.61

 

CMYK 34 / 35 / 0 / 6

HEX #9E9DF0

RGB 158 157 240

HSL 240.72, 0.73%, 0.78%

LAB 67.78, 19.37, -41.5

 

CMYK 35 / 35 / 0 / 6

HEX #9D9DF0

RGB 157 157 240

HSL 240, 0.73%, 0.78%

LAB 67.7, 19.1, -41.62

 

CMYK 16 / 35 / 0 / 6

HEX #CA9DF0

RGB 202 157 240

HSL 272.53, 0.73%, 0.78%

LAB 71.53, 32.03, -35.37

 

CMYK 18 / 41 / 0 / 2

HEX #CB94F9

RGB 203 148 249

HSL 272.67, 0.89%, 0.78%

LAB 69.98, 39.18, -42.69

 

CMYK 16 / 35 / 0 / 6

HEX #CA9DF0

RGB 202 157 240

HSL 272.53, 0.73%, 0.78%

LAB 71.53, 32.03, -35.37

 

CMYK 13 / 28 / 0 / 9

HEX #C9A6E7

RGB 201 166 231

HSL 272.31, 0.58%, 0.78%

LAB 73.19, 24.87, -27.9

 

CMYK 9 / 21 / 0 / 13

HEX #C9AFDE

RGB 201 175 222

HSL 273.19, 0.42%, 0.78%

LAB 75.05, 18.07, -20.18

 

CMYK 6 / 14 / 0 / 16

HEX #C8B8D5

RGB 200 184 213

HSL 273.1, 0.26%, 0.78%

LAB 76.9, 11.04, -12.5

 

CMYK 2 / 5 / 0 / 20

HEX #C7C1CC

RGB 199 193 204

HSL 272.73, 0.1%, 0.78%

LAB 78.83, 4.12, -4.77

 

CMYK 35 / 35 / 0 / 6

HEX #9D9DF0

RGB 157 157 240

HSL 240, 0.73%, 0.78%

LAB 67.7, 19.1, -41.62

 

CMYK 25 / 35 / 0 / 6

HEX #B39DF0

RGB 179 157 240

HSL 255.9, 0.73%, 0.78%

LAB 69.46, 25.26, -38.75

 

CMYK 16 / 35 / 0 / 6

HEX #C99DF0

RGB 201 157 240

HSL 271.81, 0.73%, 0.78%

LAB 71.43, 31.73, -35.53

 

CMYK 7 / 35 / 0 / 6

HEX #DF9DF0

RGB 223 157 240

HSL 287.71, 0.73%, 0.78%

LAB 73.61, 38.39, -31.99

 

CMYK 0 / 35 / 3 / 6

HEX #F09DEA

RGB 240 157 234

HSL 304.34, 0.73%, 0.78%

LAB 75.19, 42.53, -26.14

 

CMYK 28 / 63 / 0 / 10

HEX #A455E5

RGB 164 85 229

HSL 272.92, 0.73%, 0.62%

LAB 51.89, 57.73, -60.57

 

CMYK 22 / 49 / 0 / 8

HEX #B779EB

RGB 183 121 235

HSL 272.63, 0.74%, 0.7%

LAB 61.43, 45.15, -48.58

 

CMYK 16 / 35 / 0 / 6

HEX #CA9DF0

RGB 202 157 240

HSL 272.53, 0.73%, 0.78%

LAB 71.53, 32.03, -35.37

 

CMYK 9 / 21 / 0 / 4

HEX #DEC1F5

RGB 222 193 245

HSL 273.46, 0.72%, 0.86%

LAB 81.98, 19.71, -21.88

 

CMYK 4 / 9 / 0 / 2

HEX #F1E5FB

RGB 241 229 251

HSL 272.73, 0.73%, 0.94%

LAB 92.44, 7.99, -9.19

 

CMYK 16 / 35 / 0 / 6

HEX #CA9CF0

RGB 202 156 240

HSL 272.86, 0.74%, 0.78%

LAB 71.3, 32.58, -35.73

 

CMYK 0 / 35 / 25 / 6

HEX #F09DB3

RGB 240 157 179

HSL 344.1, 0.73%, 0.78%

LAB 73.48, 33.81, 1.48

 

CMYK 35 / 0 / 30 / 6

HEX #9DF0A8

RGB 157 240 168

HSL 127.95, 0.73%, 0.78%

LAB 88.12, -39.51, 27.03

 

CMYK 16 / 35 / 0 / 6

HEX #CA9CF0

RGB 202 156 240

HSL 272.86, 0.74%, 0.78%

LAB 71.3, 32.58, -35.73

 

CMYK 0 / 16 / 35 / 6

HEX #F0C99D

RGB 240 201 157

HSL 31.81, 0.73%, 0.78%

LAB 83.3, 7.71, 27.15

 

CMYK 35 / 0 / 16 / 6

HEX #9DF0C9

RGB 157 240 201

HSL 151.81, 0.73%, 0.78%

LAB 88.78, -33.47, 10.93

 

CMYK 16 / 35 / 0 / 6

HEX #CA9CF0

RGB 202 156 240

HSL 272.86, 0.74%, 0.78%

LAB 71.3, 32.58, -35.73

 

CMYK 0 / 35 / 25 / 6

HEX #F09DB3

RGB 240 157 179

HSL 344.1, 0.73%, 0.78%

LAB 73.48, 33.81, 1.48

 

CMYK 18 / 0 / 35 / 6

HEX #C4F09D

RGB 196 240 157

HSL 91.81, 0.73%, 0.78%

LAB 90.09, -28.33, 35.61

 

CMYK 35 / 0 / 9 / 6

HEX #9DF0DA

RGB 157 240 218

HSL 164.1, 0.73%, 0.78%

LAB 89.18, -29.96, 2.64

 

CMYK 16 / 35 / 0 / 6

HEX #CA9CF0

RGB 202 156 240

HSL 272.86, 0.74%, 0.78%

LAB 71.3, 32.58, -35.73

 

CMYK 0 / 33 / 35 / 6

HEX #F0A09D

RGB 240 160 157

HSL 2.17, 0.73%, 0.78%

LAB 73.61, 29.37, 13.79

 

CMYK 18 / 0 / 35 / 6

HEX #C4F09D

RGB 196 240 157

HSL 91.81, 0.73%, 0.78%

LAB 90.09, -28.33, 35.61

 

CMYK 35 / 1 / 0 / 6

HEX #9DEDF0

RGB 157 237 240

HSL 182.17, 0.73%, 0.78%

LAB 88.94, -23.59, -9.22

 

Description

Color code: HEX #CA9CF0 | qconv.com Color code: HEX #CA9CF0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 156 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 156 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 35 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 35% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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