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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA9E8F it is the complementary color #356170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA9E8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA9E8F shade: #CF9E8A, #E0B09D, #F1C2B0, #FFD4C3 and #FFE6D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA9E8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA9E8F shade: #CA9E8F, #B98C7C, #A87A69, #976856 and #865643

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA9E8F shade: #CA9E90 and #CA9090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA9E8F shade: #CA9E90, #CAAE90, #CABE90, #C7CA90 and #B7CA90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA9E8F shade matches the following richer shades: #CA9E90, #D79882, #E59175 and #F28B68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA9E8F shade: #CA9E90, #BDA59D, #B0ABAA, #A3B2B7 and #95B8C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA9E8F shade: #CA90A0, #CA9091, #CA9E90, #CAAE90 and #CABE90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA9E8F shade: #B06E57, #BD8673, #CA9E90, #D7B7AC and #E5CFC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA9E8F shade: #CA9E8F, #B0CA90 and #9098CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA9E8F shade: #CA9E8F, #90CA9E and #9E90CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA9E8F shade: #CA9E8F, #B0CA90, #90BCCA and #AA90CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA9E8F shade: #CA9E8F, #9ECA90, #90BCCA and #BC90CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 29 / 21

HEX #CA9E8F

RGB 202 158 143

HSL 15.25, 0.36%, 0.68%

LAB 68.75, 14.16, 14.09

 

Complementary color

CMYK 53 / 13 / 0 / 56

HEX #356170

RGB 53 97 112

HSL 195.25, 0.36%, 0.32%

LAB 38.68, -10.65, -13.19

 

CMYK 0 / 24 / 33 / 19

HEX #CF9E8A

RGB 207 158 138

HSL 17.39, 0.42%, 0.68%

LAB 69.15, 15.45, 17.49

 

CMYK 0 / 21 / 30 / 12

HEX #E0B09D

RGB 224 176 157

HSL 17.01, 0.52%, 0.75%

LAB 75.66, 14.78, 16.41

 

CMYK 0 / 20 / 27 / 5

HEX #F1C2B0

RGB 241 194 176

HSL 16.62, 0.7%, 0.82%

LAB 82.07, 14.18, 15.4

 

CMYK 0 / 17 / 24 / 0

HEX #FFD4C3

RGB 255 212 195

HSL 17, 1%, 0.88%

LAB 88.11, 12.55, 14.04

 

CMYK 0 / 10 / 16 / 0

HEX #FFE6D6

RGB 255 230 214

HSL 23.41, 1%, 0.92%

LAB 92.89, 6.02, 10.89

 

CMYK 0 / 22 / 29 / 21

HEX #CA9E8F

RGB 202 158 143

HSL 15.25, 0.36%, 0.68%

LAB 68.75, 14.16, 14.09

 

CMYK 0 / 24 / 33 / 27

HEX #B98C7C

RGB 185 140 124

HSL 15.74, 0.3%, 0.61%

LAB 62.11, 14.85, 15.17

 

CMYK 0 / 27 / 38 / 34

HEX #A87A69

RGB 168 122 105

HSL 16.19, 0.27%, 0.54%

LAB 55.34, 15.63, 16.37

 

CMYK 0 / 31 / 43 / 41

HEX #976856

RGB 151 104 86

HSL 16.62, 0.27%, 0.46%

LAB 48.45, 16.55, 17.71

 

CMYK 0 / 36 / 50 / 47

HEX #865643

RGB 134 86 67

HSL 17.01, 0.33%, 0.39%

LAB 41.42, 17.64, 19.25

 

CMYK 0 / 22 / 29 / 21

HEX #CA9E90

RGB 202 158 144

HSL 14.48, 0.35%, 0.68%

LAB 68.77, 14.3, 13.56

 

CMYK 0 / 29 / 29 / 21

HEX #CA9090

RGB 202 144 144

HSL 0, 0.35%, 0.68%

LAB 65.37, 21.96, 8.76

 

CMYK 0 / 22 / 29 / 21

HEX #CA9E90

RGB 202 158 144

HSL 14.48, 0.35%, 0.68%

LAB 68.77, 14.3, 13.56

 

CMYK 0 / 14 / 29 / 21

HEX #CAAE90

RGB 202 174 144

HSL 31.03, 0.35%, 0.68%

LAB 72.79, 5.62, 19.16

 

CMYK 0 / 6 / 29 / 21

HEX #CABE90

RGB 202 190 144

HSL 47.59, 0.35%, 0.68%

LAB 76.92, -2.88, 24.8

 

CMYK 1 / 0 / 29 / 21

HEX #C7CA90

RGB 199 202 144

HSL 63.1, 0.35%, 0.68%

LAB 79.84, -10.26, 28.69

 

CMYK 9 / 0 / 29 / 21

HEX #B7CA90

RGB 183 202 144

HSL 79.66, 0.35%, 0.68%

LAB 78.65, -16.31, 26.89

 

CMYK 0 / 22 / 29 / 21

HEX #CA9E90

RGB 202 158 144

HSL 14.48, 0.35%, 0.68%

LAB 68.77, 14.3, 13.56

 

CMYK 0 / 29 / 40 / 16

HEX #D79882

RGB 215 152 130

HSL 15.53, 0.52%, 0.68%

LAB 68.4, 20.89, 21

 

CMYK 0 / 37 / 49 / 10

HEX #E59175

RGB 229 145 117

HSL 15, 0.68%, 0.68%

LAB 68.16, 28.79, 28.11

 

CMYK 0 / 43 / 57 / 5

HEX #F28B68

RGB 242 139 104

HSL 15.22, 0.84%, 0.68%

LAB 68.27, 35.89, 35.63

 

CMYK 0 / 22 / 29 / 21

HEX #CA9E90

RGB 202 158 144

HSL 14.48, 0.35%, 0.68%

LAB 68.77, 14.3, 13.56

 

CMYK 0 / 13 / 17 / 26

HEX #BDA59D

RGB 189 165 157

HSL 15, 0.2%, 0.68%

LAB 69.59, 7.43, 7.35

 

CMYK 0 / 3 / 3 / 31

HEX #B0ABAA

RGB 176 171 170

HSL 10, 0.04%, 0.68%

LAB 70.36, 1.6, 1.14

 

CMYK 11 / 3 / 0 / 28

HEX #A3B2B7

RGB 163 178 183

HSL 195, 0.12%, 0.68%

LAB 71.59, -4.17, -4.33

 

CMYK 24 / 6 / 0 / 23

HEX #95B8C4

RGB 149 184 196

HSL 195.32, 0.28%, 0.68%

LAB 72.66, -9.05, -9.96

 

CMYK 0 / 29 / 21 / 21

HEX #CA90A0

RGB 202 144 160

HSL 343.45, 0.35%, 0.68%

LAB 65.78, 24.29, 0.34

 

CMYK 0 / 29 / 28 / 21

HEX #CA9091

RGB 202 144 145

HSL 358.97, 0.35%, 0.68%

LAB 65.39, 22.1, 8.23

 

CMYK 0 / 22 / 29 / 21

HEX #CA9E90

RGB 202 158 144

HSL 14.48, 0.35%, 0.68%

LAB 68.77, 14.3, 13.56

 

CMYK 0 / 14 / 29 / 21

HEX #CAAE90

RGB 202 174 144

HSL 31.03, 0.35%, 0.68%

LAB 72.79, 5.62, 19.16

 

CMYK 0 / 6 / 29 / 21

HEX #CABE90

RGB 202 190 144

HSL 47.59, 0.35%, 0.68%

LAB 76.92, -2.88, 24.8

 

CMYK 0 / 38 / 51 / 31

HEX #B06E57

RGB 176 110 87

HSL 15.51, 0.36%, 0.52%

LAB 53.03, 23.69, 23.78

 

CMYK 0 / 29 / 39 / 26

HEX #BD8673

RGB 189 134 115

HSL 15.41, 0.36%, 0.6%

LAB 60.88, 18.66, 18.63

 

CMYK 0 / 22 / 29 / 21

HEX #CA9E90

RGB 202 158 144

HSL 14.48, 0.35%, 0.68%

LAB 68.77, 14.3, 13.56

 

CMYK 0 / 15 / 20 / 16

HEX #D7B7AC

RGB 215 183 172

HSL 15.35, 0.35%, 0.76%

LAB 76.86, 9.75, 9.84

 

CMYK 0 / 10 / 13 / 10

HEX #E5CFC8

RGB 229 207 200

HSL 14.48, 0.36%, 0.84%

LAB 84.72, 6.51, 6.25

 

CMYK 0 / 22 / 29 / 21

HEX #CA9E8F

RGB 202 158 143

HSL 15.25, 0.36%, 0.68%

LAB 68.75, 14.16, 14.09

 

CMYK 13 / 0 / 29 / 21

HEX #B0CA90

RGB 176 202 144

HSL 86.9, 0.35%, 0.68%

LAB 78.16, -18.9, 26.15

 

CMYK 29 / 25 / 0 / 21

HEX #9098CA

RGB 144 152 202

HSL 231.72, 0.35%, 0.68%

LAB 63.88, 8.51, -26.63

 

CMYK 0 / 22 / 29 / 21

HEX #CA9E8F

RGB 202 158 143

HSL 15.25, 0.36%, 0.68%

LAB 68.75, 14.16, 14.09

 

CMYK 29 / 0 / 22 / 21

HEX #90CA9E

RGB 144 202 158

HSL 134.48, 0.35%, 0.68%

LAB 76.46, -27.64, 16.08

 

CMYK 22 / 29 / 0 / 21

HEX #9E90CA

RGB 158 144 202

HSL 254.48, 0.35%, 0.68%

LAB 62.91, 17.34, -28.03

 

CMYK 0 / 22 / 29 / 21

HEX #CA9E8F

RGB 202 158 143

HSL 15.25, 0.36%, 0.68%

LAB 68.75, 14.16, 14.09

 

CMYK 13 / 0 / 29 / 21

HEX #B0CA90

RGB 176 202 144

HSL 86.9, 0.35%, 0.68%

LAB 78.16, -18.9, 26.15

 

CMYK 29 / 7 / 0 / 21

HEX #90BCCA

RGB 144 188 202

HSL 194.48, 0.35%, 0.68%

LAB 73.65, -11.27, -11.8

 

CMYK 16 / 29 / 0 / 21

HEX #AA90CA

RGB 170 144 202

HSL 266.9, 0.35%, 0.68%

LAB 63.96, 21.11, -26.32

 

CMYK 0 / 22 / 29 / 21

HEX #CA9E8F

RGB 202 158 143

HSL 15.25, 0.36%, 0.68%

LAB 68.75, 14.16, 14.09

 

CMYK 22 / 0 / 29 / 21

HEX #9ECA90

RGB 158 202 144

HSL 105.52, 0.35%, 0.68%

LAB 77, -25.35, 24.37

 

CMYK 29 / 7 / 0 / 21

HEX #90BCCA

RGB 144 188 202

HSL 194.48, 0.35%, 0.68%

LAB 73.65, -11.27, -11.8

 

CMYK 7 / 29 / 0 / 21

HEX #BC90CA

RGB 188 144 202

HSL 285.52, 0.35%, 0.68%

LAB 65.67, 26.9, -23.55

 

Description

Color code: HEX #CA9E8F | qconv.com Color code: HEX #CA9E8F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 158 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 158 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 29 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 29% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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