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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA9F49 it is the complementary color #3560B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA9F49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA9F49 shade: #CF9F44, #E0B157, #F1C36A, #FFD57D and #FFE790

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA9F49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA9F49 shade: #CA9F49, #B98D36, #A87B23, #976910 and #865700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA9F49 shade: #CA9F49, #CA7C49, #CA5949 and #CA4949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA9F49 shade: #CA9F49, #CAC249, #AFCA49, #8CCA49 and #6ACA49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA9F49 shade matches the following richer shades: #CA9F49, #DDA536 and #F0AB23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA9F49 shade: #CA9F49, #B7985C, #A4926F, #918C82 and #7E8595

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA9F49 shade: #CA5A49, #CA7C49, #CA9F49, #CAC149 and #B0CA49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA9F49 shade: #95722B, #B58A34, #CA9F49, #D3B069 and #DCC089

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA9F49 shade: #CA9F49, #5ACA49 and #6B49CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA9F49 shade: #CA9F49, #49CA9F and #9F49CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA9F49 shade: #CA9F49, #5ACA49, #4974CA and #B949CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA9F49 shade: #CA9F49, #49CA5E, #4974CA and #CA49B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 64 / 21

HEX #CA9F49

RGB 202 159 73

HSL 40, 0.55%, 0.54%

LAB 67.9, 6.58, 49.83

 

Complementary color

CMYK 71 / 47 / 0 / 29

HEX #3560B6

RGB 53 96 182

HSL 220, 0.55%, 0.46%

LAB 42, 14.65, -49.99

 

CMYK 0 / 23 / 67 / 19

HEX #CF9F44

RGB 207 159 68

HSL 39.28, 0.59%, 0.54%

LAB 68.37, 8.42, 52.8

 

CMYK 0 / 21 / 61 / 12

HEX #E0B157

RGB 224 177 87

HSL 39.42, 0.69%, 0.61%

LAB 74.81, 7.25, 51.61

 

CMYK 0 / 19 / 56 / 5

HEX #F1C36A

RGB 241 195 106

HSL 39.56, 0.83%, 0.68%

LAB 81.17, 6.23, 50.34

 

CMYK 0 / 16 / 51 / 0

HEX #FFD57D

RGB 255 213 125

HSL 40.62, 1%, 0.75%

LAB 87.16, 4.15, 48.66

 

CMYK 0 / 9 / 44 / 0

HEX #FFE790

RGB 255 231 144

HSL 47.03, 1%, 0.78%

LAB 91.88, -3.25, 45.22

 

CMYK 0 / 21 / 64 / 21

HEX #CA9F49

RGB 202 159 73

HSL 40, 0.55%, 0.54%

LAB 67.9, 6.58, 49.83

 

CMYK 0 / 24 / 71 / 27

HEX #B98D36

RGB 185 141 54

HSL 39.85, 0.55%, 0.47%

LAB 61.33, 7.84, 50.92

 

CMYK 0 / 27 / 79 / 34

HEX #A87B23

RGB 168 123 35

HSL 39.7, 0.66%, 0.4%

LAB 54.67, 9.36, 51.62

 

CMYK 0 / 30 / 89 / 41

HEX #976910

RGB 151 105 16

HSL 39.56, 0.81%, 0.33%

LAB 47.91, 11.19, 51.33

 

CMYK 0 / 35 / 100 / 47

HEX #865700

RGB 134 87 0

HSL 38.96, 1%, 0.26%

LAB 41.03, 13.36, 49.38

 

CMYK 0 / 21 / 64 / 21

HEX #CA9F49

RGB 202 159 73

HSL 40, 0.55%, 0.54%

LAB 67.9, 6.58, 49.83

 

CMYK 0 / 39 / 64 / 21

HEX #CA7C49

RGB 202 124 73

HSL 23.72, 0.55%, 0.54%

LAB 59.39, 25.63, 40.13

 

CMYK 0 / 56 / 64 / 21

HEX #CA5949

RGB 202 89 73

HSL 7.44, 0.55%, 0.54%

LAB 52.04, 43.83, 31.29

 

CMYK 0 / 64 / 64 / 21

HEX #CA4949

RGB 202 73 73

HSL 0, 0.55%, 0.54%

LAB 49.26, 51.19, 27.82

 

CMYK 0 / 21 / 64 / 21

HEX #CA9F49

RGB 202 159 73

HSL 40, 0.55%, 0.54%

LAB 67.9, 6.58, 49.83

 

CMYK 0 / 4 / 64 / 21

HEX #CAC249

RGB 202 194 73

HSL 56.28, 0.55%, 0.54%

LAB 77.05, -11.83, 59.73

 

CMYK 13 / 0 / 64 / 21

HEX #AFCA49

RGB 175 202 73

HSL 72.56, 0.55%, 0.54%

LAB 77.18, -26.95, 59.24

 

CMYK 31 / 0 / 64 / 21

HEX #8CCA49

RGB 140 202 73

HSL 88.84, 0.55%, 0.54%

LAB 75.01, -40.38, 56.26

 

CMYK 48 / 0 / 64 / 21

HEX #6ACA49

RGB 106 202 73

HSL 104.65, 0.55%, 0.54%

LAB 73.41, -51.63, 54.05

 

CMYK 0 / 21 / 64 / 21

HEX #CA9F49

RGB 202 159 73

HSL 40, 0.55%, 0.54%

LAB 67.9, 6.58, 49.83

 

CMYK 0 / 25 / 76 / 13

HEX #DDA536

RGB 221 165 54

HSL 39.88, 0.71%, 0.54%

LAB 71.25, 10.55, 62.07

 

CMYK 0 / 29 / 85 / 6

HEX #F0AB23

RGB 240 171 35

HSL 39.8, 0.87%, 0.54%

LAB 74.68, 14.91, 72.12

 

CMYK 0 / 21 / 64 / 21

HEX #CA9F49

RGB 202 159 73

HSL 40, 0.55%, 0.54%

LAB 67.9, 6.58, 49.83

 

CMYK 0 / 17 / 50 / 28

HEX #B7985C

RGB 183 152 92

HSL 39.56, 0.39%, 0.54%

LAB 64.4, 3.76, 35.72

 

CMYK 0 / 11 / 32 / 36

HEX #A4926F

RGB 164 146 111

HSL 39.62, 0.23%, 0.54%

LAB 61.31, 1.28, 21.03

 

CMYK 0 / 3 / 10 / 43

HEX #918C82

RGB 145 140 130

HSL 40, 0.06%, 0.54%

LAB 58.4, 0.02, 5.99

 

CMYK 15 / 11 / 0 / 42

HEX #7E8595

RGB 126 133 149

HSL 221.74, 0.1%, 0.54%

LAB 55.46, 0.89, -9.44

 

CMYK 0 / 55 / 64 / 21

HEX #CA5A49

RGB 202 90 73

HSL 7.91, 0.55%, 0.54%

LAB 52.23, 43.34, 31.52

 

CMYK 0 / 39 / 64 / 21

HEX #CA7C49

RGB 202 124 73

HSL 23.72, 0.55%, 0.54%

LAB 59.39, 25.63, 40.13

 

CMYK 0 / 21 / 64 / 21

HEX #CA9F49

RGB 202 159 73

HSL 40, 0.55%, 0.54%

LAB 67.9, 6.58, 49.83

 

CMYK 0 / 4 / 64 / 21

HEX #CAC149

RGB 202 193 73

HSL 55.81, 0.55%, 0.54%

LAB 76.79, -11.32, 59.44

 

CMYK 13 / 0 / 64 / 21

HEX #B0CA49

RGB 176 202 73

HSL 72.09, 0.55%, 0.54%

LAB 77.25, -26.55, 59.33

 

CMYK 0 / 23 / 71 / 42

HEX #95722B

RGB 149 114 43

HSL 40.19, 0.55%, 0.38%

LAB 50.21, 6.16, 43.11

 

CMYK 0 / 24 / 71 / 29

HEX #B58A34

RGB 181 138 52

HSL 40, 0.55%, 0.46%

LAB 60.11, 7.62, 50.41

 

CMYK 0 / 21 / 64 / 21

HEX #CA9F49

RGB 202 159 73

HSL 40, 0.55%, 0.54%

LAB 67.9, 6.58, 49.83

 

CMYK 0 / 17 / 50 / 17

HEX #D3B069

RGB 211 176 105

HSL 40.19, 0.55%, 0.62%

LAB 73.49, 3.78, 40.88

 

CMYK 0 / 13 / 38 / 14

HEX #DCC089

RGB 220 192 137

HSL 39.76, 0.54%, 0.7%

LAB 78.88, 2.27, 31.39

 

CMYK 0 / 21 / 64 / 21

HEX #CA9F49

RGB 202 159 73

HSL 40, 0.55%, 0.54%

LAB 67.9, 6.58, 49.83

 

CMYK 55 / 0 / 64 / 21

HEX #5ACA49

RGB 90 202 73

HSL 112.09, 0.55%, 0.54%

LAB 72.82, -56.05, 53.24

 

CMYK 47 / 64 / 0 / 21

HEX #6B49CA

RGB 107 73 202

HSL 255.81, 0.55%, 0.54%

LAB 41.46, 45.22, -62.32

 

CMYK 0 / 21 / 64 / 21

HEX #CA9F49

RGB 202 159 73

HSL 40, 0.55%, 0.54%

LAB 67.9, 6.58, 49.83

 

CMYK 64 / 0 / 21 / 21

HEX #49CA9F

RGB 73 202 159

HSL 160, 0.55%, 0.54%

LAB 73.65, -45.51, 11.18

 

CMYK 21 / 64 / 0 / 21

HEX #9F49CA

RGB 159 73 202

HSL 280, 0.55%, 0.54%

LAB 47.5, 56.38, -52.28

 

CMYK 0 / 21 / 64 / 21

HEX #CA9F49

RGB 202 159 73

HSL 40, 0.55%, 0.54%

LAB 67.9, 6.58, 49.83

 

CMYK 55 / 0 / 64 / 21

HEX #5ACA49

RGB 90 202 73

HSL 112.09, 0.55%, 0.54%

LAB 72.82, -56.05, 53.24

 

CMYK 64 / 43 / 0 / 21

HEX #4974CA

RGB 73 116 202

HSL 220, 0.55%, 0.54%

LAB 49.7, 12.46, -49.17

 

CMYK 8 / 64 / 0 / 21

HEX #B949CA

RGB 185 73 202

HSL 292.09, 0.55%, 0.54%

LAB 51.09, 62.43, -46.34

 

CMYK 0 / 21 / 64 / 21

HEX #CA9F49

RGB 202 159 73

HSL 40, 0.55%, 0.54%

LAB 67.9, 6.58, 49.83

 

CMYK 64 / 0 / 53 / 21

HEX #49CA5E

RGB 73 202 94

HSL 129.77, 0.55%, 0.54%

LAB 72.54, -57.52, 43.28

 

CMYK 64 / 43 / 0 / 21

HEX #4974CA

RGB 73 116 202

HSL 220, 0.55%, 0.54%

LAB 49.7, 12.46, -49.17

 

CMYK 0 / 64 / 11 / 21

HEX #CA49B4

RGB 202 73 180

HSL 310.23, 0.55%, 0.54%

LAB 52.53, 62.93, -31.17

 

Description

Color code: HEX #CA9F49 | qconv.com Color code: HEX #CA9F49 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 159 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 159 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 64 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 64% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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