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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CAAB58 it is the complementary color #3554A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CAAB58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CAAB58 shade: #CFAB53, #E0BD66, #F1CF79, #FFE18C and #FFF39F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CAAB58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CAAB58 shade: #CAAB58, #B99945, #A88732, #97751F and #86630C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CAAB58 shade: #CAAB58, #CA8C58, #CA6D58 and #CA5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CAAB58 shade: #CAAB58, #CACA58, #ABCA58, #8DCA58 and #6ECA58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CAAB58 shade matches the following richer shades: #CAAB58, #DCB346 and #EDBB34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CAAB58 shade: #CAAB58, #B8A36A, #A69B7B, #95938D and #838A9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CAAB58 shade: #CA6D58, #CA8B58, #CAAA58, #CAC858 and #ADCA58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CAAB58 shade: #9E8031, #BD9A3B, #CAAB58, #D4BB77 and #DECA97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CAAB58 shade: #CAAB58, #61CA58 and #7C58CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CAAB58 shade: #CAAB58, #58CAAA and #AA58CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CAAB58 shade: #CAAB58, #61CA58, #5878CA and #C058CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CAAB58 shade: #CAAB58, #58CA71, #5878CA and #CA58B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 56 / 21

HEX #CAAB58

RGB 202 171 88

HSL 43.68, 0.52%, 0.57%

LAB 71.14, 1.22, 46.33

 

Complementary color

CMYK 68 / 50 / 0 / 35

HEX #3554A7

RGB 53 84 167

HSL 223.68, 0.52%, 0.43%

LAB 37.64, 16.9, -48.15

 

CMYK 0 / 17 / 60 / 19

HEX #CFAB53

RGB 207 171 83

HSL 42.58, 0.56%, 0.57%

LAB 71.57, 2.97, 49.36

 

CMYK 0 / 16 / 54 / 12

HEX #E0BD66

RGB 224 189 102

HSL 42.79, 0.66%, 0.64%

LAB 77.99, 2.05, 48.12

 

CMYK 0 / 14 / 50 / 5

HEX #F1CF79

RGB 241 207 121

HSL 43, 0.81%, 0.71%

LAB 84.33, 1.26, 46.86

 

CMYK 0 / 12 / 45 / 0

HEX #FFE18C

RGB 255 225 140

HSL 44.35, 1%, 0.77%

LAB 90.32, -0.61, 45.24

 

CMYK 0 / 5 / 38 / 0

HEX #FFF39F

RGB 255 243 159

HSL 52.5, 1%, 0.81%

LAB 95.1, -7.7, 41.96

 

CMYK 0 / 15 / 56 / 21

HEX #CAAB58

RGB 202 171 88

HSL 43.68, 0.52%, 0.57%

LAB 71.14, 1.22, 46.33

 

CMYK 0 / 17 / 63 / 27

HEX #B99945

RGB 185 153 69

HSL 43.45, 0.46%, 0.5%

LAB 64.58, 2.19, 47.55

 

CMYK 0 / 20 / 70 / 34

HEX #A88732

RGB 168 135 50

HSL 43.22, 0.54%, 0.43%

LAB 57.93, 3.36, 48.6

 

CMYK 0 / 23 / 79 / 41

HEX #97751F

RGB 151 117 31

HSL 43, 0.66%, 0.36%

LAB 51.15, 4.79, 49.18

 

CMYK 0 / 26 / 91 / 47

HEX #86630C

RGB 134 99 12

HSL 42.79, 0.84%, 0.29%

LAB 44.26, 6.56, 48.63

 

CMYK 0 / 15 / 56 / 21

HEX #CAAB58

RGB 202 171 88

HSL 43.68, 0.52%, 0.57%

LAB 71.14, 1.22, 46.33

 

CMYK 0 / 31 / 56 / 21

HEX #CA8C58

RGB 202 140 88

HSL 27.37, 0.52%, 0.57%

LAB 63.36, 18.01, 36.99

 

CMYK 0 / 46 / 56 / 21

HEX #CA6D58

RGB 202 109 88

HSL 11.05, 0.52%, 0.57%

LAB 56.29, 34.76, 28.11

 

CMYK 0 / 56 / 56 / 21

HEX #CA5858

RGB 202 88 88

HSL 0, 0.52%, 0.57%

LAB 52.11, 45.37, 22.67

 

CMYK 0 / 15 / 56 / 21

HEX #CAAB58

RGB 202 171 88

HSL 43.68, 0.52%, 0.57%

LAB 71.14, 1.22, 46.33

 

CMYK 0 / 0 / 56 / 21

HEX #CACA58

RGB 202 202 88

HSL 60, 0.52%, 0.57%

LAB 79.33, -14.85, 55.71

 

CMYK 15 / 0 / 56 / 21

HEX #ABCA58

RGB 171 202 88

HSL 76.32, 0.52%, 0.57%

LAB 77.04, -27.37, 52.51

 

CMYK 30 / 0 / 56 / 21

HEX #8DCA58

RGB 141 202 88

HSL 92.11, 0.52%, 0.57%

LAB 75.21, -38.66, 49.92

 

CMYK 46 / 0 / 56 / 21

HEX #6ECA58

RGB 110 202 88

HSL 108.42, 0.52%, 0.57%

LAB 73.71, -48.89, 47.8

 

CMYK 0 / 15 / 56 / 21

HEX #CAAB58

RGB 202 171 88

HSL 43.68, 0.52%, 0.57%

LAB 71.14, 1.22, 46.33

 

CMYK 0 / 19 / 68 / 14

HEX #DCB346

RGB 220 179 70

HSL 43.6, 0.68%, 0.57%

LAB 74.76, 3.45, 59.08

 

CMYK 0 / 21 / 78 / 7

HEX #EDBB34

RGB 237 187 52

HSL 43.78, 0.84%, 0.57%

LAB 78.34, 5.72, 70.01

 

CMYK 0 / 15 / 56 / 21

HEX #CAAB58

RGB 202 171 88

HSL 43.68, 0.52%, 0.57%

LAB 71.14, 1.22, 46.33

 

CMYK 0 / 11 / 42 / 28

HEX #B8A36A

RGB 184 163 106

HSL 43.85, 0.35%, 0.57%

LAB 67.59, -0.36, 32.39

 

CMYK 0 / 7 / 26 / 35

HEX #A69B7B

RGB 166 155 123

HSL 44.65, 0.19%, 0.57%

LAB 64.14, -1.19, 18.26

 

CMYK 0 / 1 / 5 / 42

HEX #95938D

RGB 149 147 141

HSL 45, 0.04%, 0.57%

LAB 60.94, -0.39, 3.42

 

CMYK 18 / 13 / 0 / 38

HEX #838A9F

RGB 131 138 159

HSL 225, 0.13%, 0.57%

LAB 57.56, 2.01, -12

 

CMYK 0 / 46 / 56 / 21

HEX #CA6D58

RGB 202 109 88

HSL 11.05, 0.52%, 0.57%

LAB 56.29, 34.76, 28.11

 

CMYK 0 / 31 / 56 / 21

HEX #CA8B58

RGB 202 139 88

HSL 26.84, 0.52%, 0.57%

LAB 63.12, 18.56, 36.7

 

CMYK 0 / 16 / 56 / 21

HEX #CAAA58

RGB 202 170 88

HSL 43.16, 0.52%, 0.57%

LAB 70.88, 1.75, 46.02

 

CMYK 0 / 1 / 56 / 21

HEX #CAC858

RGB 202 200 88

HSL 58.95, 0.52%, 0.57%

LAB 78.79, -13.84, 55.11

 

CMYK 14 / 0 / 56 / 21

HEX #ADCA58

RGB 173 202 88

HSL 75.26, 0.52%, 0.57%

LAB 77.18, -26.58, 52.7

 

CMYK 0 / 19 / 69 / 38

HEX #9E8031

RGB 158 128 49

HSL 43.49, 0.53%, 0.41%

LAB 55, 2.69, 45.67

 

CMYK 0 / 19 / 69 / 26

HEX #BD9A3B

RGB 189 154 59

HSL 43.85, 0.52%, 0.49%

LAB 65.16, 2.78, 52.83

 

CMYK 0 / 15 / 56 / 21

HEX #CAAB58

RGB 202 171 88

HSL 43.68, 0.52%, 0.57%

LAB 71.14, 1.22, 46.33

 

CMYK 0 / 12 / 44 / 17

HEX #D4BB77

RGB 212 187 119

HSL 43.87, 0.52%, 0.65%

LAB 76.6, -0.27, 37.63

 

CMYK 0 / 9 / 32 / 13

HEX #DECA97

RGB 222 202 151

HSL 43.1, 0.52%, 0.73%

LAB 81.84, -0.5, 28.05

 

CMYK 0 / 15 / 56 / 21

HEX #CAAB58

RGB 202 171 88

HSL 43.68, 0.52%, 0.57%

LAB 71.14, 1.22, 46.33

 

CMYK 52 / 0 / 56 / 21

HEX #61CA58

RGB 97 202 88

HSL 115.26, 0.52%, 0.57%

LAB 73.21, -52.59, 47.08

 

CMYK 39 / 56 / 0 / 21

HEX #7C58CA

RGB 124 88 202

HSL 258.95, 0.52%, 0.57%

LAB 46.35, 40.38, -54.34

 

CMYK 0 / 15 / 56 / 21

HEX #CAAB58

RGB 202 171 88

HSL 43.68, 0.52%, 0.57%

LAB 71.14, 1.22, 46.33

 

CMYK 56 / 0 / 16 / 21

HEX #58CAAA

RGB 88 202 170

HSL 163.16, 0.52%, 0.57%

LAB 74.33, -40.07, 6.28

 

CMYK 16 / 56 / 0 / 21

HEX #AA58CA

RGB 170 88 202

HSL 283.16, 0.52%, 0.57%

LAB 51.6, 51.79, -45.65

 

CMYK 0 / 15 / 56 / 21

HEX #CAAB58

RGB 202 171 88

HSL 43.68, 0.52%, 0.57%

LAB 71.14, 1.22, 46.33

 

CMYK 52 / 0 / 56 / 21

HEX #61CA58

RGB 97 202 88

HSL 115.26, 0.52%, 0.57%

LAB 73.21, -52.59, 47.08

 

CMYK 56 / 41 / 0 / 21

HEX #5878CA

RGB 88 120 202

HSL 223.16, 0.52%, 0.57%

LAB 51.58, 12.9, -46.14

 

CMYK 5 / 56 / 0 / 21

HEX #C058CA

RGB 192 88 202

HSL 294.74, 0.52%, 0.57%

LAB 54.5, 57.5, -40.87

 

CMYK 0 / 15 / 56 / 21

HEX #CAAB58

RGB 202 171 88

HSL 43.68, 0.52%, 0.57%

LAB 71.14, 1.22, 46.33

 

CMYK 56 / 0 / 44 / 21

HEX #58CA71

RGB 88 202 113

HSL 133.16, 0.52%, 0.57%

LAB 73.23, -51.4, 34.86

 

CMYK 56 / 41 / 0 / 21

HEX #5878CA

RGB 88 120 202

HSL 223.16, 0.52%, 0.57%

LAB 51.58, 12.9, -46.14

 

CMYK 0 / 56 / 12 / 21

HEX #CA58B1

RGB 202 88 177

HSL 313.16, 0.52%, 0.57%

LAB 54.77, 55.98, -25.95

 

Description

Color code: HEX #CAAB58 | qconv.com Color code: HEX #CAAB58 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 171 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 171 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 56 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 56% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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