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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CAABA5 it is the complementary color #35545A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CAABA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CAABA5 shade: #CFABA0, #E0BDB3, #F1CFC6, #FFE1D9 and #FFF3EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CAABA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CAABA5 shade: #CAABA5, #B99992, #A8877F, #97756C and #866359

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CAABA5 shade: #CAABA5 and #CAA5A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CAABA5 shade: #CAABA5, #CAB5A5, #CABFA5, #CAC9A5 and #C1CAA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CAABA5 shade matches the following richer shades: #CAABA5, #D5A399, #E19B8D, #EC9382 and #F88B76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CAABA5 shade: #CAABA5, #BEB2B0, #B3BABC, #A7C2C7 and #9BCAD3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CAABA5 shade: #CAA5B3, #CAA5A9, #CAAAA5, #CAB4A5 and #CABEA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CAABA5 shade: #AB7A71, #BA928B, #CAABA5, #D9C3BF and #E8DBD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CAABA5 shade: #CAABA5, #BDCAA5 and #A5AECA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CAABA5 shade: #CAABA5, #A5CAAA and #AAA5CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CAABA5 shade: #CAABA5, #BDCAA5, #A5C4CA and #B2A5CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CAABA5 shade: #CAABA5, #B2CAA5, #A5C4CA and #BDA5CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 18 / 21

HEX #CAABA5

RGB 202 171 165

HSL 9.73, 0.26%, 0.72%

LAB 72.49, 10.3, 7.27

 

Complementary color

CMYK 41 / 7 / 0 / 65

HEX #35545A

RGB 53 84 90

HSL 189.73, 0.26%, 0.28%

LAB 33.64, -9.66, -7.12

 

CMYK 0 / 17 / 23 / 19

HEX #CFABA0

RGB 207 171 160

HSL 14.04, 0.33%, 0.72%

LAB 72.85, 11.42, 10.58

 

CMYK 0 / 16 / 20 / 12

HEX #E0BDB3

RGB 224 189 179

HSL 13.33, 0.42%, 0.79%

LAB 79.33, 10.94, 9.7

 

CMYK 0 / 14 / 18 / 5

HEX #F1CFC6

RGB 241 207 198

HSL 12.56, 0.61%, 0.86%

LAB 85.71, 10.5, 8.87

 

CMYK 0 / 12 / 15 / 0

HEX #FFE1D9

RGB 255 225 217

HSL 12.63, 1%, 0.93%

LAB 91.74, 9.05, 7.68

 

CMYK 0 / 5 / 7 / 0

HEX #FFF3EC

RGB 255 243 236

HSL 22.11, 1%, 0.96%

LAB 96.58, 2.85, 4.8

 

CMYK 0 / 15 / 18 / 21

HEX #CAABA5

RGB 202 171 165

HSL 9.73, 0.26%, 0.72%

LAB 72.49, 10.3, 7.27

 

CMYK 0 / 17 / 21 / 27

HEX #B99992

RGB 185 153 146

HSL 10.77, 0.22%, 0.65%

LAB 65.88, 10.78, 8.13

 

CMYK 0 / 20 / 24 / 34

HEX #A8877F

RGB 168 135 127

HSL 11.71, 0.19%, 0.58%

LAB 59.15, 11.32, 9.06

 

CMYK 0 / 23 / 28 / 41

HEX #97756C

RGB 151 117 108

HSL 12.56, 0.17%, 0.51%

LAB 52.27, 11.94, 10.07

 

CMYK 0 / 26 / 34 / 47

HEX #866359

RGB 134 99 89

HSL 13.33, 0.2%, 0.44%

LAB 45.24, 12.67, 11.2

 

CMYK 0 / 15 / 18 / 21

HEX #CAABA5

RGB 202 171 165

HSL 9.73, 0.26%, 0.72%

LAB 72.49, 10.3, 7.27

 

CMYK 0 / 18 / 18 / 21

HEX #CAA5A5

RGB 202 165 165

HSL 0, 0.26%, 0.72%

LAB 71, 13.56, 5.12

 

CMYK 0 / 15 / 18 / 21

HEX #CAABA5

RGB 202 171 165

HSL 9.73, 0.26%, 0.72%

LAB 72.49, 10.3, 7.27

 

CMYK 0 / 10 / 18 / 21

HEX #CAB5A5

RGB 202 181 165

HSL 25.95, 0.26%, 0.72%

LAB 75.03, 4.91, 10.88

 

CMYK 0 / 5 / 18 / 21

HEX #CABFA5

RGB 202 191 165

HSL 42.16, 0.26%, 0.72%

LAB 77.6, -0.41, 14.51

 

CMYK 0 / 0 / 18 / 21

HEX #CAC9A5

RGB 202 201 165

HSL 58.38, 0.26%, 0.72%

LAB 80.21, -5.65, 18.16

 

CMYK 4 / 0 / 18 / 21

HEX #C1CAA5

RGB 193 202 165

HSL 74.59, 0.26%, 0.72%

LAB 79.78, -9.48, 17.46

 

CMYK 0 / 15 / 18 / 21

HEX #CAABA5

RGB 202 171 165

HSL 9.73, 0.26%, 0.72%

LAB 72.49, 10.3, 7.27

 

CMYK 0 / 23 / 28 / 16

HEX #D5A399

RGB 213 163 153

HSL 10, 0.42%, 0.72%

LAB 71.31, 17.04, 12.33

 

CMYK 0 / 31 / 37 / 12

HEX #E19B8D

RGB 225 155 141

HSL 10, 0.58%, 0.72%

LAB 70.44, 24.44, 17.91

 

CMYK 0 / 38 / 45 / 7

HEX #EC9382

RGB 236 147 130

HSL 9.62, 0.74%, 0.72%

LAB 69.69, 31.71, 23.17

 

CMYK 0 / 44 / 52 / 3

HEX #F88B76

RGB 248 139 118

HSL 9.69, 0.9%, 0.72%

LAB 69.28, 39.3, 29.48

 

CMYK 0 / 15 / 18 / 21

HEX #CAABA5

RGB 202 171 165

HSL 9.73, 0.26%, 0.72%

LAB 72.49, 10.3, 7.27

 

CMYK 0 / 6 / 7 / 25

HEX #BEB2B0

RGB 190 178 176

HSL 8.57, 0.1%, 0.72%

LAB 73.5, 3.92, 2.55

 

CMYK 5 / 1 / 0 / 26

HEX #B3BABC

RGB 179 186 188

HSL 193.33, 0.06%, 0.72%

LAB 75.03, -2.04, -1.86

 

CMYK 16 / 3 / 0 / 22

HEX #A7C2C7

RGB 167 194 199

HSL 189.38, 0.22%, 0.72%

LAB 76.63, -8.03, -5.58

 

CMYK 27 / 4 / 0 / 17

HEX #9BCAD3

RGB 155 202 211

HSL 189.64, 0.39%, 0.72%

LAB 78.41, -13.26, -9.5

 

CMYK 0 / 18 / 11 / 21

HEX #CAA5B3

RGB 202 165 179

HSL 337.3, 0.26%, 0.72%

LAB 71.37, 15.84, -2.08

 

CMYK 0 / 18 / 16 / 21

HEX #CAA5A9

RGB 202 165 169

HSL 353.51, 0.26%, 0.72%

LAB 71.1, 14.2, 3.05

 

CMYK 0 / 16 / 18 / 21

HEX #CAAAA5

RGB 202 170 165

HSL 8.11, 0.26%, 0.72%

LAB 72.24, 10.84, 6.91

 

CMYK 0 / 11 / 18 / 21

HEX #CAB4A5

RGB 202 180 165

HSL 24.32, 0.26%, 0.72%

LAB 74.77, 5.44, 10.52

 

CMYK 0 / 6 / 18 / 21

HEX #CABEA5

RGB 202 190 165

HSL 40.54, 0.26%, 0.72%

LAB 77.34, 0.12, 14.15

 

CMYK 0 / 29 / 34 / 33

HEX #AB7A71

RGB 171 122 113

HSL 9.31, 0.26%, 0.56%

LAB 55.86, 17.88, 12.52

 

CMYK 0 / 22 / 25 / 27

HEX #BA928B

RGB 186 146 139

HSL 8.94, 0.25%, 0.64%

LAB 64.05, 13.99, 9.46

 

CMYK 0 / 15 / 18 / 21

HEX #CAABA5

RGB 202 171 165

HSL 9.73, 0.26%, 0.72%

LAB 72.49, 10.3, 7.27

 

CMYK 0 / 10 / 12 / 15

HEX #D9C3BF

RGB 217 195 191

HSL 9.23, 0.25%, 0.8%

LAB 80.48, 7.08, 4.82

 

CMYK 0 / 6 / 6 / 9

HEX #E8DBD9

RGB 232 219 217

HSL 8, 0.25%, 0.88%

LAB 88.37, 4.11, 2.57

 

CMYK 0 / 15 / 18 / 21

HEX #CAABA5

RGB 202 171 165

HSL 9.73, 0.26%, 0.72%

LAB 72.49, 10.3, 7.27

 

CMYK 6 / 0 / 18 / 21

HEX #BDCAA5

RGB 189 202 165

HSL 81.08, 0.26%, 0.72%

LAB 79.49, -10.94, 17.01

 

CMYK 18 / 14 / 0 / 21

HEX #A5AECA

RGB 165 174 202

HSL 225.41, 0.26%, 0.72%

LAB 71.24, 2.72, -15.28

 

CMYK 0 / 15 / 18 / 21

HEX #CAABA5

RGB 202 171 165

HSL 9.73, 0.26%, 0.72%

LAB 72.49, 10.3, 7.27

 

CMYK 18 / 0 / 16 / 21

HEX #A5CAAA

RGB 165 202 170

HSL 128.11, 0.26%, 0.72%

LAB 77.96, -18.52, 11.96

 

CMYK 16 / 18 / 0 / 21

HEX #AAA5CA

RGB 170 165 202

HSL 248.11, 0.26%, 0.72%

LAB 69.27, 9.3, -18.22

 

CMYK 0 / 15 / 18 / 21

HEX #CAABA5

RGB 202 171 165

HSL 9.73, 0.26%, 0.72%

LAB 72.49, 10.3, 7.27

 

CMYK 6 / 0 / 18 / 21

HEX #BDCAA5

RGB 189 202 165

HSL 81.08, 0.26%, 0.72%

LAB 79.49, -10.94, 17.01

 

CMYK 18 / 3 / 0 / 21

HEX #A5C4CA

RGB 165 196 202

HSL 189.73, 0.26%, 0.72%

LAB 77.13, -9.08, -6.48

 

CMYK 12 / 18 / 0 / 21

HEX #B2A5CA

RGB 178 165 202

HSL 261.08, 0.26%, 0.72%

LAB 69.92, 11.91, -17.17

 

CMYK 0 / 15 / 18 / 21

HEX #CAABA5

RGB 202 171 165

HSL 9.73, 0.26%, 0.72%

LAB 72.49, 10.3, 7.27

 

CMYK 12 / 0 / 18 / 21

HEX #B2CAA5

RGB 178 202 165

HSL 98.92, 0.26%, 0.72%

LAB 78.71, -14.89, 15.8

 

CMYK 18 / 3 / 0 / 21

HEX #A5C4CA

RGB 165 196 202

HSL 189.73, 0.26%, 0.72%

LAB 77.13, -9.08, -6.48

 

CMYK 6 / 18 / 0 / 21

HEX #BDA5CA

RGB 189 165 202

HSL 278.92, 0.26%, 0.72%

LAB 70.87, 15.57, -15.65

 

Description

Color code: HEX #CAABA5 | qconv.com Color code: HEX #CAABA5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 171 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 171 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 18 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 18% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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